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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #927DD6 it is the complementary color #6D8229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #927DD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #927DD6 shade: #977DD1, #A88FE4, #B9A1F7, #CAB3FF and #DBC5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #927DD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #927DD6 shade: #927DD6, #816BC3, #7059B0, #5F479D and #4E358A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #927DD6 shade: #907BD5, #A87BD5, #C17BD5, #D57BD1 and #D57BB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #927DD6 shade: #907BD5 and #7B7BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #927DD6 shade matches the following richer shades: #907BD5, #896DE3 and #815FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #927DD6 shade: #907BD5, #9789C7, #9F97B9, #A6A5AB and #AEB39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #927DD6 shade: #7B96D5, #7B7ED5, #907BD5, #A87BD5 and #C07BD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #927DD6 shade: #5C3CC1, #765BCB, #907BD5, #AA9ADF and #C5B9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #927DD6 shade: #927DD6, #D57BAE and #8AD57B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #927DD6 shade: #927DD6, #D5907B and #7BD590

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #927DD6 shade: #927DD6, #D57BAE, #C0D57B and #7BD5A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #927DD6 shade: #927DD6, #D57B93, #C0D57B and #7BD5BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 42 / 0 / 16

HEX #927DD6

RGB 146 125 214

HSL 254.16, 0.52%, 0.66%

LAB 57.69, 27.76, -42.99

 

Complementary color

CMYK 16 / 0 / 68 / 49

HEX #6D8229

RGB 109 130 41

HSL 74.16, 0.52%, 0.34%

LAB 51.12, -21.01, 43.81

 

CMYK 28 / 40 / 0 / 18

HEX #977DD1

RGB 151 125 209

HSL 258.57, 0.48%, 0.65%

LAB 57.89, 27.89, -39.82

 

CMYK 26 / 37 / 0 / 11

HEX #A88FE4

RGB 168 143 228

HSL 257.65, 0.61%, 0.73%

LAB 64.62, 27.11, -39.78

 

CMYK 25 / 35 / 0 / 3

HEX #B9A1F7

RGB 185 161 247

HSL 256.74, 0.84%, 0.8%

LAB 71.23, 26.41, -39.77

 

CMYK 21 / 30 / 0 / 0

HEX #CAB3FF

RGB 202 179 255

HSL 258.16, 1%, 0.85%

LAB 77.29, 23.26, -34.57

 

CMYK 14 / 23 / 0 / 0

HEX #DBC5FF

RGB 219 197 255

HSL 262.76, 1%, 0.89%

LAB 83.03, 18.66, -25.64

 

CMYK 32 / 42 / 0 / 16

HEX #927DD6

RGB 146 125 214

HSL 254.16, 0.52%, 0.66%

LAB 57.69, 27.76, -42.99

 

CMYK 34 / 45 / 0 / 24

HEX #816BC3

RGB 129 107 195

HSL 255, 0.42%, 0.59%

LAB 50.83, 28.67, -43.13

 

CMYK 36 / 49 / 0 / 31

HEX #7059B0

RGB 112 89 176

HSL 255.86, 0.36%, 0.52%

LAB 43.83, 29.71, -43.31

 

CMYK 39 / 55 / 0 / 38

HEX #5F479D

RGB 95 71 157

HSL 256.74, 0.38%, 0.45%

LAB 36.69, 30.87, -43.52

 

CMYK 43 / 62 / 0 / 46

HEX #4E358A

RGB 78 53 138

HSL 257.65, 0.45%, 0.37%

LAB 29.41, 32.16, -43.72

 

CMYK 32 / 42 / 0 / 16

HEX #907BD5

RGB 144 123 213

HSL 254, 0.52%, 0.66%

LAB 56.98, 28.11, -43.56

 

CMYK 21 / 42 / 0 / 16

HEX #A87BD5

RGB 168 123 213

HSL 270, 0.52%, 0.66%

LAB 59.25, 34.87, -39.84

 

CMYK 9 / 42 / 0 / 16

HEX #C17BD5

RGB 193 123 213

HSL 286.67, 0.52%, 0.66%

LAB 61.92, 42.2, -35.46

 

CMYK 0 / 42 / 2 / 16

HEX #D57BD1

RGB 213 123 209

HSL 302.67, 0.52%, 0.66%

LAB 64.09, 47.43, -29.66

 

CMYK 0 / 42 / 13 / 16

HEX #D57BB9

RGB 213 123 185

HSL 318.67, 0.52%, 0.66%

LAB 63.19, 43.34, -17.52

 

CMYK 32 / 42 / 0 / 16

HEX #907BD5

RGB 144 123 213

HSL 254, 0.52%, 0.66%

LAB 56.98, 28.11, -43.56

 

CMYK 42 / 42 / 0 / 16

HEX #7B7BD5

RGB 123 123 213

HSL 240, 0.52%, 0.66%

LAB 55.26, 22.59, -46.39

 

CMYK 32 / 42 / 0 / 16

HEX #907BD5

RGB 144 123 213

HSL 254, 0.52%, 0.66%

LAB 56.98, 28.11, -43.56

 

CMYK 40 / 52 / 0 / 11

HEX #896DE3

RGB 137 109 227

HSL 254.24, 0.68%, 0.66%

LAB 53.82, 38.17, -56.51

 

CMYK 46 / 61 / 0 / 5

HEX #815FF1

RGB 129 95 241

HSL 253.97, 0.84%, 0.66%

LAB 50.92, 48.23, -69.06

 

CMYK 32 / 42 / 0 / 16

HEX #907BD5

RGB 144 123 213

HSL 254, 0.52%, 0.66%

LAB 56.98, 28.11, -43.56

 

CMYK 24 / 31 / 0 / 22

HEX #9789C7

RGB 151 137 199

HSL 253.55, 0.36%, 0.66%

LAB 60.42, 18.49, -30.24

 

CMYK 14 / 18 / 0 / 27

HEX #9F97B9

RGB 159 151 185

HSL 254.12, 0.2%, 0.66%

LAB 64.17, 9.81, -16.57

 

CMYK 3 / 4 / 0 / 33

HEX #A6A5AB

RGB 166 165 171

HSL 250, 0.03%, 0.66%

LAB 67.99, 1.51, -2.97

 

CMYK 3 / 0 / 12 / 30

HEX #AEB39D

RGB 174 179 157

HSL 73.64, 0.13%, 0.66%

LAB 72.01, -5.72, 10.64

 

CMYK 42 / 30 / 0 / 16

HEX #7B96D5

RGB 123 150 213

HSL 222, 0.52%, 0.66%

LAB 62.36, 6.72, -35.23

 

CMYK 42 / 41 / 0 / 16

HEX #7B7ED5

RGB 123 126 213

HSL 238, 0.52%, 0.66%

LAB 56.02, 20.81, -45.18

 

CMYK 32 / 42 / 0 / 16

HEX #907BD5

RGB 144 123 213

HSL 254, 0.52%, 0.66%

LAB 56.98, 28.11, -43.56

 

CMYK 21 / 42 / 0 / 16

HEX #A87BD5

RGB 168 123 213

HSL 270, 0.52%, 0.66%

LAB 59.25, 34.87, -39.84

 

CMYK 10 / 42 / 0 / 16

HEX #C07BD5

RGB 192 123 213

HSL 286, 0.52%, 0.66%

LAB 61.81, 41.9, -35.64

 

CMYK 52 / 69 / 0 / 24

HEX #5C3CC1

RGB 92 60 193

HSL 254.44, 0.53%, 0.5%

LAB 36.66, 47.08, -64.96

 

CMYK 42 / 55 / 0 / 20

HEX #765BCB

RGB 118 91 203

HSL 254.46, 0.52%, 0.58%

LAB 46.51, 37.53, -54.69

 

CMYK 32 / 42 / 0 / 16

HEX #907BD5

RGB 144 123 213

HSL 254, 0.52%, 0.66%

LAB 56.98, 28.11, -43.56

 

CMYK 24 / 31 / 0 / 13

HEX #AA9ADF

RGB 170 154 223

HSL 253.91, 0.52%, 0.74%

LAB 67.27, 20.27, -32.88

 

CMYK 15 / 21 / 0 / 9

HEX #C5B9E9

RGB 197 185 233

HSL 255, 0.52%, 0.82%

LAB 77.55, 13.63, -22.36

 

CMYK 32 / 42 / 0 / 16

HEX #927DD6

RGB 146 125 214

HSL 254.16, 0.52%, 0.66%

LAB 57.69, 27.76, -42.99

 

CMYK 0 / 42 / 18 / 16

HEX #D57BAE

RGB 213 123 174

HSL 326, 0.52%, 0.66%

LAB 62.82, 41.6, -11.83

 

CMYK 35 / 0 / 42 / 16

HEX #8AD57B

RGB 138 213 123

HSL 110, 0.52%, 0.66%

LAB 78.71, -40.36, 37.25

 

CMYK 32 / 42 / 0 / 16

HEX #927DD6

RGB 146 125 214

HSL 254.16, 0.52%, 0.66%

LAB 57.69, 27.76, -42.99

 

CMYK 0 / 32 / 42 / 16

HEX #D5907B

RGB 213 144 123

HSL 14, 0.52%, 0.66%

LAB 66.15, 23.65, 21.79

 

CMYK 42 / 0 / 32 / 16

HEX #7BD590

RGB 123 213 144

HSL 134, 0.52%, 0.66%

LAB 78.35, -41.62, 25.9

 

CMYK 32 / 42 / 0 / 16

HEX #927DD6

RGB 146 125 214

HSL 254.16, 0.52%, 0.66%

LAB 57.69, 27.76, -42.99

 

CMYK 0 / 42 / 18 / 16

HEX #D57BAE

RGB 213 123 174

HSL 326, 0.52%, 0.66%

LAB 62.82, 41.6, -11.83

 

CMYK 10 / 0 / 42 / 16

HEX #C0D57B

RGB 192 213 123

HSL 74, 0.52%, 0.66%

LAB 81.96, -21.03, 42.06

 

CMYK 42 / 0 / 24 / 16

HEX #7BD5A2

RGB 123 213 162

HSL 146, 0.52%, 0.66%

LAB 78.7, -38.29, 16.93

 

CMYK 32 / 42 / 0 / 16

HEX #927DD6

RGB 146 125 214

HSL 254.16, 0.52%, 0.66%

LAB 57.69, 27.76, -42.99

 

CMYK 0 / 42 / 31 / 16

HEX #D57B93

RGB 213 123 147

HSL 344, 0.52%, 0.66%

LAB 62.01, 37.77, 2.4

 

CMYK 10 / 0 / 42 / 16

HEX #C0D57B

RGB 192 213 123

HSL 74, 0.52%, 0.66%

LAB 81.96, -21.03, 42.06

 

CMYK 42 / 0 / 11 / 16

HEX #7BD5BD

RGB 123 213 189

HSL 164, 0.52%, 0.66%

LAB 79.31, -32.59, 3.44

 

Description

Color code: HEX #927DD6 | qconv.com Color code: HEX #927DD6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 125 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 125 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 42 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 42% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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