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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9281EE it is the complementary color #6D7E11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9281EE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9281EE shade: #9781E9, #A893FC, #B9A5FF, #CAB7FF and #DBC9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9281EE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9281EE shade: #9281EE, #816FDB, #705DC8, #5F4BB5 and #4E39A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9281EE shade: #9281ED, #AF81ED, #CC81ED, #EA81ED and #ED81D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9281EE shade: #9281ED and #8181ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9281EE shade matches the following richer shades: #9281ED and #8A75F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9281EE shade: #9281ED, #9A8CE2, #A298D6, #AAA3CB and #B2AFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9281EE shade: #81AAED, #818DED, #9181ED, #AE81ED and #CB81ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9281EE shade: #5338E3, #725DE8, #9281ED, #B1A5F2 and #D1C9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9281EE shade: #9281EE, #ED81C7 and #9CED81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9281EE shade: #9281EE, #ED9181 and #81ED91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9281EE shade: #9281EE, #ED81C7, #DDED81 and #81EDA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9281EE shade: #9281EE, #ED81A7, #DDED81 and #81EDC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 46 / 0 / 7

HEX #9281EE

RGB 146 129 238

HSL 249.36, 0.76%, 0.72%

LAB 59.87, 31.8, -52.93

 

Complementary color

CMYK 13 / 0 / 87 / 51

HEX #6D7E11

RGB 109 126 17

HSL 69.36, 0.76%, 0.28%

LAB 49.75, -20.19, 50.92

 

CMYK 35 / 45 / 0 / 9

HEX #9781E9

RGB 151 129 233

HSL 252.69, 0.7%, 0.71%

LAB 60.04, 31.73, -49.87

 

CMYK 33 / 42 / 0 / 1

HEX #A893FC

RGB 168 147 252

HSL 252, 0.95%, 0.78%

LAB 66.69, 30.82, -49.72

 

CMYK 27 / 35 / 0 / 0

HEX #B9A5FF

RGB 185 165 255

HSL 253.33, 1%, 0.82%

LAB 72.52, 26.09, -42.08

 

CMYK 21 / 28 / 0 / 0

HEX #CAB7FF

RGB 202 183 255

HSL 255.83, 1%, 0.86%

LAB 78.25, 21.08, -33.08

 

CMYK 14 / 21 / 0 / 0

HEX #DBC9FF

RGB 219 201 255

HSL 260, 1%, 0.89%

LAB 83.99, 16.51, -24.17

 

CMYK 39 / 46 / 0 / 7

HEX #9281EE

RGB 146 129 238

HSL 249.36, 0.76%, 0.72%

LAB 59.87, 31.8, -52.93

 

CMYK 41 / 49 / 0 / 14

HEX #816FDB

RGB 129 111 219

HSL 250, 0.6%, 0.65%

LAB 53.11, 32.89, -53.16

 

CMYK 44 / 54 / 0 / 22

HEX #705DC8

RGB 112 93 200

HSL 250.65, 0.49%, 0.57%

LAB 46.24, 34.12, -53.43

 

CMYK 48 / 59 / 0 / 29

HEX #5F4BB5

RGB 95 75 181

HSL 251.32, 0.42%, 0.5%

LAB 39.24, 35.5, -53.71

 

CMYK 52 / 65 / 0 / 36

HEX #4E39A2

RGB 78 57 162

HSL 252, 0.48%, 0.43%

LAB 32.16, 37.02, -53.95

 

CMYK 38 / 46 / 0 / 7

HEX #9281ED

RGB 146 129 237

HSL 249.44, 0.75%, 0.72%

LAB 59.82, 31.53, -52.46

 

CMYK 26 / 46 / 0 / 7

HEX #AF81ED

RGB 175 129 237

HSL 265.56, 0.75%, 0.72%

LAB 62.45, 39.09, -48.13

 

CMYK 14 / 46 / 0 / 7

HEX #CC81ED

RGB 204 129 237

HSL 281.67, 0.75%, 0.72%

LAB 65.48, 47.08, -43.15

 

CMYK 1 / 46 / 0 / 7

HEX #EA81ED

RGB 234 129 237

HSL 298.33, 0.75%, 0.72%

LAB 68.97, 55.55, -37.43

 

CMYK 0 / 46 / 11 / 7

HEX #ED81D4

RGB 237 129 212

HSL 313.89, 0.75%, 0.72%

LAB 68.36, 52.18, -24.52

 

CMYK 38 / 46 / 0 / 7

HEX #9281ED

RGB 146 129 237

HSL 249.44, 0.75%, 0.72%

LAB 59.82, 31.53, -52.46

 

CMYK 46 / 46 / 0 / 7

HEX #8181ED

RGB 129 129 237

HSL 240, 0.75%, 0.72%

LAB 58.49, 27.44, -54.66

 

CMYK 38 / 46 / 0 / 7

HEX #9281ED

RGB 146 129 237

HSL 249.44, 0.75%, 0.72%

LAB 59.82, 31.53, -52.46

 

CMYK 45 / 53 / 0 / 2

HEX #8A75F9

RGB 138 117 249

HSL 249.55, 0.92%, 0.72%

LAB 57.04, 39.9, -63.59

 

CMYK 38 / 46 / 0 / 7

HEX #9281ED

RGB 146 129 237

HSL 249.44, 0.75%, 0.72%

LAB 59.82, 31.53, -52.46

 

CMYK 32 / 38 / 0 / 11

HEX #9A8CE2

RGB 154 140 226

HSL 249.77, 0.6%, 0.72%

LAB 62.61, 24.38, -41.91

 

CMYK 24 / 29 / 0 / 16

HEX #A298D6

RGB 162 152 214

HSL 249.68, 0.43%, 0.72%

LAB 65.74, 16.86, -30.32

 

CMYK 16 / 20 / 0 / 20

HEX #AAA3CB

RGB 170 163 203

HSL 250.5, 0.28%, 0.72%

LAB 68.79, 10.64, -19.5

 

CMYK 7 / 8 / 0 / 25

HEX #B2AFBF

RGB 178 175 191

HSL 251.25, 0.11%, 0.72%

LAB 72.15, 4.15, -7.77

 

CMYK 46 / 28 / 0 / 7

HEX #81AAED

RGB 129 170 237

HSL 217.22, 0.75%, 0.72%

LAB 69.13, 3.68, -37.88

 

CMYK 46 / 41 / 0 / 7

HEX #818DED

RGB 129 141 237

HSL 233.33, 0.75%, 0.72%

LAB 61.51, 20.38, -49.86

 

CMYK 39 / 46 / 0 / 7

HEX #9181ED

RGB 145 129 237

HSL 248.89, 0.75%, 0.72%

LAB 59.74, 31.28, -52.6

 

CMYK 27 / 46 / 0 / 7

HEX #AE81ED

RGB 174 129 237

HSL 265, 0.75%, 0.72%

LAB 62.35, 38.82, -48.29

 

CMYK 14 / 46 / 0 / 7

HEX #CB81ED

RGB 203 129 237

HSL 281.11, 0.75%, 0.72%

LAB 65.37, 46.8, -43.34

 

CMYK 63 / 75 / 0 / 11

HEX #5338E3

RGB 83 56 227

HSL 249.47, 0.75%, 0.55%

LAB 38.22, 57.85, -82.08

 

CMYK 51 / 60 / 0 / 9

HEX #725DE8

RGB 114 93 232

HSL 249.06, 0.75%, 0.64%

LAB 48.55, 43.9, -67.91

 

CMYK 38 / 46 / 0 / 7

HEX #9281ED

RGB 146 129 237

HSL 249.44, 0.75%, 0.72%

LAB 59.82, 31.53, -52.46

 

CMYK 27 / 32 / 0 / 5

HEX #B1A5F2

RGB 177 165 242

HSL 249.35, 0.75%, 0.8%

LAB 71.33, 20.68, -36.94

 

CMYK 15 / 19 / 0 / 3

HEX #D1C9F7

RGB 209 201 247

HSL 250.43, 0.74%, 0.88%

LAB 82.94, 11.72, -21.6

 

CMYK 39 / 46 / 0 / 7

HEX #9281EE

RGB 146 129 238

HSL 249.36, 0.76%, 0.72%

LAB 59.87, 31.8, -52.93

 

CMYK 0 / 46 / 16 / 7

HEX #ED81C7

RGB 237 129 199

HSL 321.11, 0.75%, 0.72%

LAB 67.89, 50.15, -17.98

 

CMYK 34 / 0 / 46 / 7

HEX #9CED81

RGB 156 237 129

HSL 105, 0.75%, 0.72%

LAB 86.61, -44.25, 44.5

 

CMYK 39 / 46 / 0 / 7

HEX #9281EE

RGB 146 129 238

HSL 249.36, 0.76%, 0.72%

LAB 59.87, 31.8, -52.93

 

CMYK 0 / 39 / 46 / 7

HEX #ED9181

RGB 237 145 129

HSL 8.89, 0.75%, 0.72%

LAB 69.36, 33.04, 23.28

 

CMYK 46 / 0 / 39 / 7

HEX #81ED91

RGB 129 237 145

HSL 128.89, 0.75%, 0.72%

LAB 85.65, -50.03, 35.14

 

CMYK 39 / 46 / 0 / 7

HEX #9281EE

RGB 146 129 238

HSL 249.36, 0.76%, 0.72%

LAB 59.87, 31.8, -52.93

 

CMYK 0 / 46 / 16 / 7

HEX #ED81C7

RGB 237 129 199

HSL 321.11, 0.75%, 0.72%

LAB 67.89, 50.15, -17.98

 

CMYK 7 / 0 / 46 / 7

HEX #DDED81

RGB 221 237 129

HSL 68.89, 0.75%, 0.72%

LAB 90.56, -20.93, 50.27

 

CMYK 46 / 0 / 30 / 7

HEX #81EDA7

RGB 129 237 167

HSL 141.11, 0.75%, 0.72%

LAB 86.02, -46.29, 24.48

 

CMYK 39 / 46 / 0 / 7

HEX #9281EE

RGB 146 129 238

HSL 249.36, 0.76%, 0.72%

LAB 59.87, 31.8, -52.93

 

CMYK 0 / 46 / 30 / 7

HEX #ED81A7

RGB 237 129 167

HSL 338.89, 0.75%, 0.72%

LAB 66.9, 45.64, -1.48

 

CMYK 7 / 0 / 46 / 7

HEX #DDED81

RGB 221 237 129

HSL 68.89, 0.75%, 0.72%

LAB 90.56, -20.93, 50.27

 

CMYK 46 / 0 / 16 / 7

HEX #81EDC7

RGB 129 237 199

HSL 158.89, 0.75%, 0.72%

LAB 86.68, -39.92, 8.8

 

Description

Color code: HEX #9281EE | qconv.com Color code: HEX #9281EE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 129 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 129 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 46 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 46% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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