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Color name
HEX #928D2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #928D2A it is the complementary color #6D72D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #928D2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #928D2A shade: #978D25, #A89F38, #B9B14B, #CAC35E and #DBD571

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #928D2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #928D2A shade: #928D2A, #817B17, #706904, #5F5700 and #4E4500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #928D2A shade: #928D2A, #92712A, #92552A, #92392A and #922A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #928D2A shade: #928D2A, #7B922A, #5F922A, #43922A and #2A922D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #928D2A shade matches the following richer shades: #928D2A, #A19B1B and #B0A80B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #928D2A shade: #928D2A, #827F39, #737148, #646358 and #555667

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #928D2A shade: #92552A, #92712A, #928D2A, #7B922A and #60922A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #928D2A shade: #524F17, #726E21, #928D2A, #B2AC33 and #C9C245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #928D2A shade: #928D2A, #2A923A and #632A92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #928D2A shade: #928D2A, #2A928D and #8D2A92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #928D2A shade: #928D2A, #2A923A, #2A2F92 and #922A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #928D2A shade: #928D2A, #2A9259, #2A2F92 and #922A63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

Complementary color

CMYK 49 / 46 / 0 / 16

HEX #6D72D5

RGB 109 114 213

HSL 237.12, 0.55%, 0.63%

LAB 51.94, 24.65, -51.74

 

CMYK 0 / 7 / 75 / 41

HEX #978D25

RGB 151 141 37

HSL 54.74, 0.61%, 0.37%

LAB 57.81, -8.29, 53.19

 

CMYK 0 / 5 / 67 / 34

HEX #A89F38

RGB 168 159 56

HSL 55.18, 0.5%, 0.44%

LAB 64.49, -9.32, 52.81

 

CMYK 0 / 4 / 59 / 27

HEX #B9B14B

RGB 185 177 75

HSL 55.64, 0.44%, 0.51%

LAB 71.05, -10.15, 51.95

 

CMYK 0 / 3 / 53 / 21

HEX #CAC35E

RGB 202 195 94

HSL 56.11, 0.5%, 0.58%

LAB 77.52, -10.83, 50.89

 

CMYK 0 / 3 / 48 / 14

HEX #DBD571

RGB 219 213 113

HSL 56.6, 0.6%, 0.65%

LAB 83.88, -11.39, 49.75

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 0 / 5 / 82 / 49

HEX #817B17

RGB 129 123 23

HSL 56.6, 0.7%, 0.3%

LAB 50.56, -9.17, 50.58

 

CMYK 0 / 6 / 96 / 56

HEX #706904

RGB 112 105 4

HSL 56.11, 0.93%, 0.23%

LAB 43.59, -7.74, 49

 

CMYK 0 / 8 / 100 / 63

HEX #5F5700

RGB 95 87 0

HSL 54.95, 1%, 0.19%

LAB 36.46, -5.84, 44.08

 

CMYK 0 / 12 / 100 / 69

HEX #4E4500

RGB 78 69 0

HSL 53.08, 1%, 0.15%

LAB 29.1, -3.72, 37.92

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 0 / 23 / 71 / 43

HEX #92712A

RGB 146 113 42

HSL 40.96, 0.55%, 0.37%

LAB 49.6, 5.3, 42.83

 

CMYK 0 / 42 / 71 / 43

HEX #92552A

RGB 146 85 42

HSL 24.81, 0.55%, 0.37%

LAB 42.42, 21.47, 35.15

 

CMYK 0 / 61 / 71 / 43

HEX #92392A

RGB 146 57 42

HSL 8.65, 0.55%, 0.37%

LAB 36.37, 36.63, 28.31

 

CMYK 0 / 71 / 71 / 43

HEX #922A2A

RGB 146 42 42

HSL 0, 0.55%, 0.37%

LAB 33.85, 43.42, 25.32

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 16 / 0 / 71 / 43

HEX #7B922A

RGB 123 146 42

HSL 73.27, 0.55%, 0.37%

LAB 57.01, -23.05, 49.74

 

CMYK 35 / 0 / 71 / 43

HEX #5F922A

RGB 95 146 42

HSL 89.42, 0.55%, 0.37%

LAB 55.23, -34.37, 47.36

 

CMYK 54 / 0 / 71 / 43

HEX #43922A

RGB 67 146 42

HSL 105.58, 0.55%, 0.37%

LAB 53.94, -43.77, 45.61

 

CMYK 71 / 0 / 69 / 43

HEX #2A922D

RGB 42 146 45

HSL 121.73, 0.55%, 0.37%

LAB 53.21, -49.54, 43.37

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 0 / 4 / 83 / 37

HEX #A19B1B

RGB 161 155 27

HSL 57.31, 0.71%, 0.37%

LAB 62.59, -11.63, 60.96

 

CMYK 0 / 5 / 94 / 31

HEX #B0A80B

RGB 176 168 11

HSL 57.09, 0.88%, 0.37%

LAB 67.47, -12.07, 68.56

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 0 / 2 / 56 / 49

HEX #827F39

RGB 130 127 57

HSL 57.53, 0.39%, 0.37%

LAB 52.09, -8.84, 37.85

 

CMYK 0 / 2 / 37 / 55

HEX #737148

RGB 115 113 72

HSL 57.21, 0.23%, 0.37%

LAB 46.87, -6.04, 23.06

 

CMYK 0 / 1 / 12 / 61

HEX #646358

RGB 100 99 88

HSL 55, 0.06%, 0.37%

LAB 41.75, -1.76, 6.39

 

CMYK 17 / 17 / 0 / 60

HEX #555667

RGB 85 86 103

HSL 236.67, 0.1%, 0.37%

LAB 37.05, 3.55, -9.9

 

CMYK 0 / 42 / 71 / 43

HEX #92552A

RGB 146 85 42

HSL 24.81, 0.55%, 0.37%

LAB 42.42, 21.47, 35.15

 

CMYK 0 / 23 / 71 / 43

HEX #92712A

RGB 146 113 42

HSL 40.96, 0.55%, 0.37%

LAB 49.6, 5.3, 42.83

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 16 / 0 / 71 / 43

HEX #7B922A

RGB 123 146 42

HSL 73.27, 0.55%, 0.37%

LAB 57.01, -23.05, 49.74

 

CMYK 34 / 0 / 71 / 43

HEX #60922A

RGB 96 146 42

HSL 88.85, 0.55%, 0.37%

LAB 55.29, -33.99, 47.43

 

CMYK 0 / 4 / 72 / 68

HEX #524F17

RGB 82 79 23

HSL 56.95, 0.56%, 0.21%

LAB 32.81, -6.63, 32.19

 

CMYK 0 / 4 / 71 / 55

HEX #726E21

RGB 114 110 33

HSL 57.04, 0.55%, 0.29%

LAB 45.41, -8.49, 41.52

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 0 / 3 / 71 / 30

HEX #B2AC33

RGB 178 172 51

HSL 57.17, 0.55%, 0.45%

LAB 68.9, -12.03, 59.51

 

CMYK 0 / 3 / 66 / 21

HEX #C9C245

RGB 201 194 69

HSL 56.82, 0.55%, 0.53%

LAB 76.94, -12.49, 61.22

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 71 / 0 / 60 / 43

HEX #2A923A

RGB 42 146 58

HSL 129.23, 0.55%, 0.37%

LAB 53.34, -48.05, 37.59

 

CMYK 32 / 71 / 0 / 43

HEX #632A92

RGB 99 42 146

HSL 272.88, 0.55%, 0.37%

LAB 30.36, 45.02, -47

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 71 / 0 / 3 / 43

HEX #2A928D

RGB 42 146 141

HSL 177.12, 0.55%, 0.37%

LAB 55.04, -29.91, -5.87

 

CMYK 3 / 71 / 0 / 43

HEX #8D2A92

RGB 141 42 146

HSL 297.12, 0.55%, 0.37%

LAB 36.73, 54.42, -36.43

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 71 / 0 / 60 / 43

HEX #2A923A

RGB 42 146 58

HSL 129.23, 0.55%, 0.37%

LAB 53.34, -48.05, 37.59

 

CMYK 71 / 68 / 0 / 43

HEX #2A2F92

RGB 42 47 146

HSL 237.12, 0.55%, 0.37%

LAB 25.57, 32, -55.07

 

CMYK 0 / 71 / 11 / 43

HEX #922A82

RGB 146 42 130

HSL 309.23, 0.55%, 0.37%

LAB 36.7, 52.94, -26.58

 

CMYK 0 / 3 / 71 / 43

HEX #928D2A

RGB 146 141 42

HSL 57.12, 0.55%, 0.37%

LAB 57.39, -10.3, 50.73

 

CMYK 71 / 0 / 39 / 43

HEX #2A9259

RGB 42 146 89

HSL 147.12, 0.55%, 0.37%

LAB 53.78, -42.93, 21.92

 

CMYK 71 / 68 / 0 / 43

HEX #2A2F92

RGB 42 47 146

HSL 237.12, 0.55%, 0.37%

LAB 25.57, 32, -55.07

 

CMYK 0 / 71 / 32 / 43

HEX #922A63

RGB 146 42 99

HSL 327.12, 0.55%, 0.37%

LAB 35.34, 48.53, -9.18

 

Description

Color code: HEX #928D2A | qconv.com Color code: HEX #928D2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 141 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 141 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 71 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 71% 43% C M Y K

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