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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #929CE6 it is the complementary color #6D6319. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #929CE6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #929CE6 shade: #979CE1, #A8AEF4, #B9C0FF, #CAD2FF and #DBE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #929CE6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #929CE6 shade: #929CE6, #818AD3, #7078C0, #5F66AD and #4E549A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #929CE6 shade: #929CE6, #9F92E6, #B692E6, #CC92E6 and #E392E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #929CE6 shade: #929CE6 and #9292E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #929CE6 shade matches the following richer shades: #929CE6, #8894F1 and #7D8CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #929CE6 shade: #929CE6, #9DA5DB, #A8ADD1, #B3B5C6 and #BDBDBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #929CE6 shade: #92CAE6, #92B4E6, #929EE6, #9E92E6 and #B492E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #929CE6 shade: #4F5FD7, #717EDE, #929CE6, #B4BBEE and #D6D9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #929CE6 shade: #929CE6, #E692E0 and #BFE692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #929CE6 shade: #929CE6, #E6929E and #9EE692

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #929CE6 shade: #929CE6, #E692E0, #E6DB92 and #92E698

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #929CE6 shade: #929CE6, #E692C7, #E6DB92 and #92E6B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

Complementary color

CMYK 0 / 9 / 77 / 57

HEX #6D6319

RGB 109 99 25

HSL 52.86, 0.63%, 0.26%

LAB 41.6, -5.04, 40.95

 

CMYK 33 / 31 / 0 / 12

HEX #979CE1

RGB 151 156 225

HSL 235.95, 0.55%, 0.74%

LAB 66.36, 14.12, -35.51

 

CMYK 31 / 29 / 0 / 4

HEX #A8AEF4

RGB 168 174 244

HSL 235.26, 0.78%, 0.81%

LAB 72.98, 13.58, -35.52

 

CMYK 27 / 25 / 0 / 0

HEX #B9C0FF

RGB 185 192 255

HSL 234, 1%, 0.86%

LAB 79.18, 11.18, -31.77

 

CMYK 21 / 18 / 0 / 0

HEX #CAD2FF

RGB 202 210 255

HSL 230.94, 1%, 0.9%

LAB 84.93, 6.5, -22.87

 

CMYK 14 / 11 / 0 / 0

HEX #DBE4FF

RGB 219 228 255

HSL 225, 1%, 0.93%

LAB 90.67, 2.25, -14.09

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 39 / 35 / 0 / 17

HEX #818AD3

RGB 129 138 211

HSL 233.41, 0.48%, 0.67%

LAB 59.48, 14.72, -38.59

 

CMYK 42 / 38 / 0 / 25

HEX #7078C0

RGB 112 120 192

HSL 234, 0.39%, 0.6%

LAB 52.6, 15.49, -38.71

 

CMYK 45 / 41 / 0 / 32

HEX #5F66AD

RGB 95 102 173

HSL 234.62, 0.32%, 0.53%

LAB 45.57, 16.4, -38.88

 

CMYK 49 / 45 / 0 / 40

HEX #4E549A

RGB 78 84 154

HSL 235.26, 0.33%, 0.45%

LAB 38.36, 17.51, -39.13

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 31 / 37 / 0 / 10

HEX #9F92E6

RGB 159 146 230

HSL 249.29, 0.63%, 0.74%

LAB 64.68, 23.35, -40.85

 

CMYK 21 / 37 / 0 / 10

HEX #B692E6

RGB 182 146 230

HSL 265.71, 0.63%, 0.74%

LAB 66.68, 29.96, -37.57

 

CMYK 11 / 37 / 0 / 10

HEX #CC92E6

RGB 204 146 230

HSL 281.43, 0.63%, 0.74%

LAB 68.83, 36.53, -34.07

 

CMYK 1 / 37 / 0 / 10

HEX #E392E6

RGB 227 146 230

HSL 297.86, 0.63%, 0.74%

LAB 71.28, 43.54, -30.07

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 37 / 37 / 0 / 10

HEX #9292E6

RGB 146 146 230

HSL 240, 0.63%, 0.74%

LAB 63.66, 19.8, -42.52

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 44 / 39 / 0 / 5

HEX #8894F1

RGB 136 148 241

HSL 233.14, 0.79%, 0.74%

LAB 63.97, 19.13, -48.14

 

CMYK 50 / 44 / 0 / 2

HEX #7D8CFB

RGB 125 140 251

HSL 232.86, 0.94%, 0.74%

LAB 61.72, 24.21, -57.25

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 28 / 25 / 0 / 14

HEX #9DA5DB

RGB 157 165 219

HSL 232.26, 0.46%, 0.74%

LAB 68.89, 9.24, -28.26

 

CMYK 20 / 17 / 0 / 18

HEX #A8ADD1

RGB 168 173 209

HSL 232.68, 0.31%, 0.74%

LAB 71.43, 5.79, -18.81

 

CMYK 10 / 9 / 0 / 22

HEX #B3B5C6

RGB 179 181 198

HSL 233.68, 0.14%, 0.74%

LAB 74, 2.64, -8.84

 

CMYK 0 / 0 / 1 / 26

HEX #BDBDBB

RGB 189 189 187

HSL 60, 0.01%, 0.74%

LAB 76.56, -0.36, 1

 

CMYK 37 / 12 / 0 / 10

HEX #92CAE6

RGB 146 202 230

HSL 200, 0.63%, 0.74%

LAB 78.5, -11.22, -19.63

 

CMYK 37 / 22 / 0 / 10

HEX #92B4E6

RGB 146 180 230

HSL 215.71, 0.63%, 0.74%

LAB 72.54, 0.58, -28.72

 

CMYK 37 / 31 / 0 / 10

HEX #929EE6

RGB 146 158 230

HSL 231.43, 0.63%, 0.74%

LAB 66.73, 12.91, -37.71

 

CMYK 31 / 37 / 0 / 10

HEX #9E92E6

RGB 158 146 230

HSL 248.57, 0.63%, 0.74%

LAB 64.6, 23.07, -40.98

 

CMYK 22 / 37 / 0 / 10

HEX #B492E6

RGB 180 146 230

HSL 264.29, 0.63%, 0.74%

LAB 66.5, 29.37, -37.87

 

CMYK 63 / 56 / 0 / 16

HEX #4F5FD7

RGB 79 95 215

HSL 232.94, 0.63%, 0.58%

LAB 45.29, 31.11, -63.67

 

CMYK 49 / 43 / 0 / 13

HEX #717EDE

RGB 113 126 222

HSL 232.84, 0.62%, 0.66%

LAB 55.79, 21.07, -50.65

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 24 / 21 / 0 / 7

HEX #B4BBEE

RGB 180 187 238

HSL 232.76, 0.63%, 0.82%

LAB 76.93, 8.44, -26.12

 

CMYK 13 / 11 / 0 / 4

HEX #D6D9F5

RGB 214 217 245

HSL 234.19, 0.61%, 0.9%

LAB 87.25, 4.39, -14

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 0 / 37 / 3 / 10

HEX #E692E0

RGB 230 146 224

HSL 304.29, 0.63%, 0.74%

LAB 71.39, 43.38, -26.58

 

CMYK 17 / 0 / 37 / 10

HEX #BFE692

RGB 191 230 146

HSL 87.86, 0.63%, 0.74%

LAB 86.87, -26.83, 36.85

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 0 / 37 / 31 / 10

HEX #E6929E

RGB 230 146 158

HSL 351.43, 0.63%, 0.74%

LAB 69.36, 33.21, 7.04

 

CMYK 31 / 0 / 37 / 10

HEX #9EE692

RGB 158 230 146

HSL 111.43, 0.63%, 0.74%

LAB 84.96, -38.17, 33.99

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 0 / 37 / 3 / 10

HEX #E692E0

RGB 230 146 224

HSL 304.29, 0.63%, 0.74%

LAB 71.39, 43.38, -26.58

 

CMYK 0 / 5 / 37 / 10

HEX #E6DB92

RGB 230 219 146

HSL 52.14, 0.63%, 0.74%

LAB 86.78, -6.72, 37.28

 

CMYK 37 / 0 / 34 / 10

HEX #92E698

RGB 146 230 152

HSL 124.29, 0.63%, 0.74%

LAB 84.47, -41.01, 30.18

 

CMYK 37 / 32 / 0 / 10

HEX #929CE6

RGB 146 156 230

HSL 232.86, 0.63%, 0.74%

LAB 66.21, 14.05, -38.52

 

CMYK 0 / 37 / 13 / 10

HEX #E692C7

RGB 230 146 199

HSL 322.14, 0.63%, 0.74%

LAB 70.53, 39.15, -14.09

 

CMYK 0 / 5 / 37 / 10

HEX #E6DB92

RGB 230 219 146

HSL 52.14, 0.63%, 0.74%

LAB 86.78, -6.72, 37.28

 

CMYK 37 / 0 / 23 / 10

HEX #92E6B1

RGB 146 230 177

HSL 142.14, 0.63%, 0.74%

LAB 84.93, -36.65, 17.92

 

Description

Color code: HEX #929CE6 | qconv.com Color code: HEX #929CE6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 156 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 156 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 32 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 32% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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