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Color name
HEX #92C5FA

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92C5FA it is the complementary color #6D3A05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92C5FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92C5FA shade: #97C5F5, #A8D7FF, #B9E9FF, #CAFBFF and #DBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92C5FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92C5FA shade: #92C5FA, #81B3E7, #70A1D4, #5F8FC1 and #4E7DAE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92C5FA shade: #93C5F9, #93AAF9, #9893F9, #B493F9 and #CF93F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92C5FA shade: #93C5F9, #93AAF9 and #9393F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92C5FA shade matches the following richer shades: #93C5F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92C5FA shade: #93C5F9, #9CC6F0, #A6C6E7, #AFC6DE and #B8C6D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92C5FA shade: #93F9F6, #93E2F9, #93C6F9, #93ABF9 and #9793F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92C5FA shade: #459BF6, #6CB0F8, #93C5F9, #BBDAFB and #E2EFFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92C5FA shade: #92C5FA, #DB93F9 and #EFF993

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92C5FA shade: #92C5FA, #F993C6 and #C6F993

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92C5FA shade: #92C5FA, #DB93F9, #F9C693 and #B2F993

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92C5FA shade: #92C5FA, #F993F9, #F9C693 and #93F993

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 21 / 0 / 2

HEX #92C5FA

RGB 146 197 250

HSL 210.58, 0.91%, 0.78%

LAB 77.84, -3.37, -31.35

 

Complementary color

CMYK 0 / 47 / 95 / 57

HEX #6D3A05

RGB 109 58 5

HSL 30.58, 0.91%, 0.22%

LAB 30.13, 18.89, 38.45

 

CMYK 38 / 20 / 0 / 4

HEX #97C5F5

RGB 151 197 245

HSL 210.64, 0.82%, 0.78%

LAB 77.94, -3.41, -28.51

 

CMYK 34 / 16 / 0 / 0

HEX #A8D7FF

RGB 168 215 255

HSL 207.59, 1%, 0.83%

LAB 84.04, -5.9, -24.42

 

CMYK 27 / 9 / 0 / 0

HEX #B9E9FF

RGB 185 233 255

HSL 198.86, 1%, 0.86%

LAB 89.77, -10.49, -15.67

 

CMYK 21 / 2 / 0 / 0

HEX #CAFBFF

RGB 202 251 255

HSL 184.53, 1%, 0.9%

LAB 95.48, -14.62, -7.05

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 42 / 21 / 0 / 2

HEX #92C5FA

RGB 146 197 250

HSL 210.58, 0.91%, 0.78%

LAB 77.84, -3.37, -31.35

 

CMYK 44 / 23 / 0 / 9

HEX #81B3E7

RGB 129 179 231

HSL 210.59, 0.68%, 0.71%

LAB 71.34, -3.01, -31.2

 

CMYK 47 / 24 / 0 / 17

HEX #70A1D4

RGB 112 161 212

HSL 210.6, 0.54%, 0.64%

LAB 64.71, -2.59, -31.07

 

CMYK 51 / 26 / 0 / 24

HEX #5F8FC1

RGB 95 143 193

HSL 210.61, 0.44%, 0.56%

LAB 57.97, -2.07, -30.96

 

CMYK 55 / 28 / 0 / 32

HEX #4E7DAE

RGB 78 125 174

HSL 210.63, 0.38%, 0.49%

LAB 51.09, -1.42, -30.87

 

CMYK 41 / 21 / 0 / 2

HEX #93C5F9

RGB 147 197 249

HSL 210.59, 0.89%, 0.78%

LAB 77.86, -3.39, -30.79

 

CMYK 41 / 32 / 0 / 2

HEX #93AAF9

RGB 147 170 249

HSL 226.47, 0.89%, 0.78%

LAB 70.73, 11.51, -41.85

 

CMYK 39 / 41 / 0 / 2

HEX #9893F9

RGB 152 147 249

HSL 242.94, 0.89%, 0.78%

LAB 65.26, 25.91, -50.41

 

CMYK 28 / 41 / 0 / 2

HEX #B493F9

RGB 180 147 249

HSL 259.41, 0.89%, 0.78%

LAB 67.58, 33.3, -46.6

 

CMYK 17 / 41 / 0 / 2

HEX #CF93F9

RGB 207 147 249

HSL 275.29, 0.89%, 0.78%

LAB 70.16, 40.86, -42.38

 

CMYK 41 / 21 / 0 / 2

HEX #93C5F9

RGB 147 197 249

HSL 210.59, 0.89%, 0.78%

LAB 77.86, -3.39, -30.79

 

CMYK 41 / 32 / 0 / 2

HEX #93AAF9

RGB 147 170 249

HSL 226.47, 0.89%, 0.78%

LAB 70.73, 11.51, -41.85

 

CMYK 41 / 41 / 0 / 2

HEX #9393F9

RGB 147 147 249

HSL 240, 0.89%, 0.78%

LAB 64.89, 24.66, -51.03

 

CMYK 41 / 21 / 0 / 2

HEX #93C5F9

RGB 147 197 249

HSL 210.59, 0.89%, 0.78%

LAB 77.86, -3.39, -30.79

 

CMYK 41 / 21 / 0 / 2

HEX #93C5F9

RGB 147 197 249

HSL 210.59, 0.89%, 0.78%

LAB 77.86, -3.39, -30.79

 

CMYK 35 / 18 / 0 / 6

HEX #9CC6F0

RGB 156 198 240

HSL 210, 0.74%, 0.78%

LAB 78.31, -3.89, -25.22

 

CMYK 28 / 14 / 0 / 9

HEX #A6C6E7

RGB 166 198 231

HSL 210.46, 0.58%, 0.78%

LAB 78.62, -3.28, -19.88

 

CMYK 21 / 11 / 0 / 13

HEX #AFC6DE

RGB 175 198 222

HSL 210.64, 0.42%, 0.78%

LAB 78.91, -2.65, -14.54

 

CMYK 14 / 7 / 0 / 16

HEX #B8C6D5

RGB 184 198 213

HSL 211.03, 0.26%, 0.78%

LAB 79.26, -1.74, -9.11

 

CMYK 41 / 0 / 1 / 2

HEX #93F9F6

RGB 147 249 246

HSL 178.24, 0.89%, 0.78%

LAB 91.96, -30.44, -7.92

 

CMYK 41 / 9 / 0 / 2

HEX #93E2F9

RGB 147 226 249

HSL 193.53, 0.89%, 0.78%

LAB 85.72, -18.48, -18.81

 

CMYK 41 / 20 / 0 / 2

HEX #93C6F9

RGB 147 198 249

HSL 210, 0.89%, 0.78%

LAB 78.13, -3.92, -30.37

 

CMYK 41 / 31 / 0 / 2

HEX #93ABF9

RGB 147 171 249

HSL 225.88, 0.89%, 0.78%

LAB 70.99, 10.95, -41.44

 

CMYK 39 / 41 / 0 / 2

HEX #9793F9

RGB 151 147 249

HSL 242.35, 0.89%, 0.78%

LAB 65.19, 25.66, -50.53

 

CMYK 72 / 37 / 0 / 4

HEX #459BF6

RGB 69 155 246

HSL 210.85, 0.91%, 0.62%

LAB 62.81, 3.76, -52.93

 

CMYK 56 / 29 / 0 / 3

HEX #6CB0F8

RGB 108 176 248

HSL 210.86, 0.91%, 0.7%

LAB 70.19, -1.06, -42.3

 

CMYK 41 / 21 / 0 / 2

HEX #93C5F9

RGB 147 197 249

HSL 210.59, 0.89%, 0.78%

LAB 77.86, -3.39, -30.79

 

CMYK 25 / 13 / 0 / 2

HEX #BBDAFB

RGB 187 218 251

HSL 210.94, 0.89%, 0.86%

LAB 85.84, -3.08, -19.47

 

CMYK 11 / 6 / 0 / 1

HEX #E2EFFD

RGB 226 239 253

HSL 211.11, 0.87%, 0.94%

LAB 93.88, -1.62, -8.22

 

CMYK 42 / 21 / 0 / 2

HEX #92C5FA

RGB 146 197 250

HSL 210.58, 0.91%, 0.78%

LAB 77.84, -3.37, -31.35

 

CMYK 12 / 41 / 0 / 2

HEX #DB93F9

RGB 219 147 249

HSL 282.35, 0.89%, 0.78%

LAB 71.4, 44.31, -40.35

 

CMYK 4 / 0 / 41 / 2

HEX #EFF993

RGB 239 249 147

HSL 65.88, 0.89%, 0.78%

LAB 95.25, -18.02, 47.75

 

CMYK 42 / 21 / 0 / 2

HEX #92C5FA

RGB 146 197 250

HSL 210.58, 0.91%, 0.78%

LAB 77.84, -3.37, -31.35

 

CMYK 0 / 41 / 20 / 2

HEX #F993C6

RGB 249 147 198

HSL 330, 0.89%, 0.78%

LAB 72.95, 44.79, -9.68

 

CMYK 20 / 0 / 41 / 2

HEX #C6F993

RGB 198 249 147

HSL 90, 0.89%, 0.78%

LAB 92.51, -33.1, 43.72

 

CMYK 42 / 21 / 0 / 2

HEX #92C5FA

RGB 146 197 250

HSL 210.58, 0.91%, 0.78%

LAB 77.84, -3.37, -31.35

 

CMYK 12 / 41 / 0 / 2

HEX #DB93F9

RGB 219 147 249

HSL 282.35, 0.89%, 0.78%

LAB 71.4, 44.31, -40.35

 

CMYK 0 / 20 / 41 / 2

HEX #F9C693

RGB 249 198 147

HSL 30, 0.89%, 0.78%

LAB 83.25, 11.65, 32.45

 

CMYK 29 / 0 / 41 / 2

HEX #B2F993

RGB 178 249 147

HSL 101.76, 0.89%, 0.78%

LAB 91.38, -39.96, 42.04

 

CMYK 42 / 21 / 0 / 2

HEX #92C5FA

RGB 146 197 250

HSL 210.58, 0.91%, 0.78%

LAB 77.84, -3.37, -31.35

 

CMYK 0 / 41 / 0 / 2

HEX #F993F9

RGB 249 147 249

HSL 300, 0.89%, 0.78%

LAB 74.73, 53.03, -34.92

 

CMYK 0 / 20 / 41 / 2

HEX #F9C693

RGB 249 198 147

HSL 30, 0.89%, 0.78%

LAB 83.25, 11.65, 32.45

 

CMYK 41 / 0 / 41 / 2

HEX #93F993

RGB 147 249 147

HSL 120, 0.89%, 0.78%

LAB 89.89, -49.65, 39.82

 

Description

Color code: HEX #92C5FA | qconv.com Color code: HEX #92C5FA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 197 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 197 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 21 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 21% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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