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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92D97D it is the complementary color #6D2682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92D97D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92D97D shade: #97D978, #A8EB8B, #B9FD9E, #CAFFB1 and #DBFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92D97D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92D97D shade: #92D97D, #81C76A, #70B557, #5FA344 and #4E9131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92D97D shade: #91D97C, #AAD97C, #C3D97C, #D9D57C and #D9BC7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92D97D shade: #91D97C, #7CD980, #7CD999, #7CD9B2 and #7CD9CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92D97D shade matches the following richer shades: #91D97C, #8AE66E and #82F461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92D97D shade: #91D97C, #99CB8A, #A0BD97, #A7B0A5 and #AFA2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92D97D shade: #C3D97C, #AAD97C, #92D97C, #7CD97F and #7CD998

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92D97D shade: #5CC63C, #76CF5C, #91D97C, #ACE29C and #C7EBBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92D97D shade: #92D97D, #7CD9D6 and #D97CB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92D97D shade: #92D97D, #7C92D9 and #D97C92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92D97D shade: #92D97D, #7CD9D6, #C37CD9 and #D97C7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92D97D shade: #92D97D, #7CC0D9, #C37CD9 and #D9957C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 42 / 15

HEX #92D97D

RGB 146 217 125

HSL 106.3, 0.55%, 0.67%

LAB 80.3, -39.25, 38.37

 

Complementary color

CMYK 16 / 71 / 0 / 49

HEX #6D2682

RGB 109 38 130

HSL 286.3, 0.55%, 0.33%

LAB 30.03, 45.46, -37.54

 

CMYK 30 / 0 / 45 / 15

HEX #97D978

RGB 151 217 120

HSL 100.82, 0.56%, 0.66%

LAB 80.49, -38.24, 41.15

 

CMYK 29 / 0 / 41 / 8

HEX #A8EB8B

RGB 168 235 139

HSL 101.88, 0.71%, 0.73%

LAB 86.8, -38.1, 39.98

 

CMYK 27 / 0 / 38 / 1

HEX #B9FD9E

RGB 185 253 158

HSL 102.95, 0.96%, 0.81%

LAB 93.03, -37.95, 38.85

 

CMYK 21 / 0 / 31 / 0

HEX #CAFFB1

RGB 202 255 177

HSL 100.77, 1%, 0.85%

LAB 94.84, -30.47, 31.98

 

CMYK 14 / 0 / 23 / 0

HEX #DBFFC4

RGB 219 255 196

HSL 96.61, 1%, 0.88%

LAB 96.23, -21.84, 24.45

 

CMYK 33 / 0 / 42 / 15

HEX #92D97D

RGB 146 217 125

HSL 106.3, 0.55%, 0.67%

LAB 80.3, -39.25, 38.37

 

CMYK 35 / 0 / 47 / 22

HEX #81C76A

RGB 129 199 106

HSL 105.16, 0.45%, 0.6%

LAB 73.9, -39.4, 39.58

 

CMYK 38 / 0 / 52 / 29

HEX #70B557

RGB 112 181 87

HSL 104.04, 0.39%, 0.53%

LAB 67.41, -39.49, 40.8

 

CMYK 42 / 0 / 58 / 36

HEX #5FA344

RGB 95 163 68

HSL 102.95, 0.41%, 0.45%

LAB 60.82, -39.49, 41.97

 

CMYK 46 / 0 / 66 / 43

HEX #4E9131

RGB 78 145 49

HSL 101.88, 0.49%, 0.38%

LAB 54.12, -39.33, 42.97

 

CMYK 33 / 0 / 43 / 15

HEX #91D97C

RGB 145 217 124

HSL 106.45, 0.55%, 0.67%

LAB 80.24, -39.72, 38.78

 

CMYK 22 / 0 / 43 / 15

HEX #AAD97C

RGB 170 217 124

HSL 90.32, 0.55%, 0.67%

LAB 81.64, -31.06, 40.84

 

CMYK 10 / 0 / 43 / 15

HEX #C3D97C

RGB 195 217 124

HSL 74.19, 0.55%, 0.67%

LAB 83.28, -21.73, 43.26

 

CMYK 0 / 2 / 43 / 15

HEX #D9D57C

RGB 217 213 124

HSL 57.42, 0.55%, 0.67%

LAB 83.86, -11.14, 44.34

 

CMYK 0 / 13 / 43 / 15

HEX #D9BC7C

RGB 217 188 124

HSL 41.29, 0.55%, 0.67%

LAB 77.38, 1.74, 36.15

 

CMYK 33 / 0 / 43 / 15

HEX #91D97C

RGB 145 217 124

HSL 106.45, 0.55%, 0.67%

LAB 80.24, -39.72, 38.78

 

CMYK 43 / 0 / 41 / 15

HEX #7CD980

RGB 124 217 128

HSL 122.58, 0.55%, 0.67%

LAB 79.31, -45.67, 35.39

 

CMYK 43 / 0 / 29 / 15

HEX #7CD999

RGB 124 217 153

HSL 138.71, 0.55%, 0.67%

LAB 79.73, -41.5, 23.1

 

CMYK 43 / 0 / 18 / 15

HEX #7CD9B2

RGB 124 217 178

HSL 154.84, 0.55%, 0.67%

LAB 80.25, -36.59, 10.65

 

CMYK 43 / 0 / 6 / 15

HEX #7CD9CB

RGB 124 217 203

HSL 170.97, 0.55%, 0.67%

LAB 80.86, -31, -1.76

 

CMYK 33 / 0 / 43 / 15

HEX #91D97C

RGB 145 217 124

HSL 106.45, 0.55%, 0.67%

LAB 80.24, -39.72, 38.78

 

CMYK 40 / 0 / 52 / 10

HEX #8AE66E

RGB 138 230 110

HSL 106, 0.71%, 0.67%

LAB 83.51, -49.31, 49.52

 

CMYK 47 / 0 / 60 / 4

HEX #82F461

RGB 130 244 97

HSL 106.53, 0.87%, 0.67%

LAB 87.15, -58.66, 59.47

 

CMYK 33 / 0 / 43 / 15

HEX #91D97C

RGB 145 217 124

HSL 106.45, 0.55%, 0.67%

LAB 80.24, -39.72, 38.78

 

CMYK 25 / 0 / 32 / 20

HEX #99CB8A

RGB 153 203 138

HSL 106.15, 0.38%, 0.67%

LAB 76.87, -28.51, 27.3

 

CMYK 15 / 0 / 20 / 26

HEX #A0BD97

RGB 160 189 151

HSL 105.79, 0.22%, 0.67%

LAB 73.61, -17.01, 16

 

CMYK 5 / 0 / 6 / 31

HEX #A7B0A5

RGB 167 176 165

HSL 109.09, 0.07%, 0.67%

LAB 70.86, -5.23, 4.53

 

CMYK 2 / 9 / 0 / 30

HEX #AFA2B3

RGB 175 162 179

HSL 285.88, 0.1%, 0.67%

LAB 68.17, 7.88, -7.07

 

CMYK 10 / 0 / 43 / 15

HEX #C3D97C

RGB 195 217 124

HSL 74.19, 0.55%, 0.67%

LAB 83.28, -21.73, 43.26

 

CMYK 22 / 0 / 43 / 15

HEX #AAD97C

RGB 170 217 124

HSL 90.32, 0.55%, 0.67%

LAB 81.64, -31.06, 40.84

 

CMYK 33 / 0 / 43 / 15

HEX #92D97C

RGB 146 217 124

HSL 105.81, 0.55%, 0.67%

LAB 80.29, -39.39, 38.85

 

CMYK 43 / 0 / 41 / 15

HEX #7CD97F

RGB 124 217 127

HSL 121.94, 0.55%, 0.67%

LAB 79.3, -45.82, 35.87

 

CMYK 43 / 0 / 30 / 15

HEX #7CD998

RGB 124 217 152

HSL 138.06, 0.55%, 0.67%

LAB 79.71, -41.68, 23.59

 

CMYK 54 / 0 / 70 / 22

HEX #5CC63C

RGB 92 198 60

HSL 106.09, 0.55%, 0.51%

LAB 71.55, -55.2, 57.14

 

CMYK 43 / 0 / 56 / 19

HEX #76CF5C

RGB 118 207 92

HSL 106.43, 0.55%, 0.59%

LAB 75.61, -48.05, 48.26

 

CMYK 33 / 0 / 43 / 15

HEX #91D97C

RGB 145 217 124

HSL 106.45, 0.55%, 0.67%

LAB 80.24, -39.72, 38.78

 

CMYK 24 / 0 / 31 / 11

HEX #ACE29C

RGB 172 226 156

HSL 106.29, 0.55%, 0.75%

LAB 84.77, -30.18, 28.78

 

CMYK 15 / 0 / 20 / 8

HEX #C7EBBC

RGB 199 235 188

HSL 105.96, 0.54%, 0.83%

LAB 89.48, -20.24, 18.99

 

CMYK 33 / 0 / 42 / 15

HEX #92D97D

RGB 146 217 125

HSL 106.3, 0.55%, 0.67%

LAB 80.3, -39.25, 38.37

 

CMYK 43 / 0 / 1 / 15

HEX #7CD9D6

RGB 124 217 214

HSL 178.06, 0.55%, 0.67%

LAB 81.16, -28.35, -7.18

 

CMYK 0 / 43 / 16 / 15

HEX #D97CB7

RGB 217 124 183

HSL 321.94, 0.55%, 0.67%

LAB 63.82, 43.8, -15.38

 

CMYK 33 / 0 / 42 / 15

HEX #92D97D

RGB 146 217 125

HSL 106.3, 0.55%, 0.67%

LAB 80.3, -39.25, 38.37

 

CMYK 43 / 33 / 0 / 15

HEX #7C92D9

RGB 124 146 217

HSL 225.81, 0.55%, 0.67%

LAB 61.53, 10.43, -38.76

 

CMYK 0 / 43 / 33 / 15

HEX #D97C92

RGB 217 124 146

HSL 345.81, 0.55%, 0.67%

LAB 62.71, 38.55, 4.05

 

CMYK 33 / 0 / 42 / 15

HEX #92D97D

RGB 146 217 125

HSL 106.3, 0.55%, 0.67%

LAB 80.3, -39.25, 38.37

 

CMYK 43 / 0 / 1 / 15

HEX #7CD9D6

RGB 124 217 214

HSL 178.06, 0.55%, 0.67%

LAB 81.16, -28.35, -7.18

 

CMYK 10 / 43 / 0 / 15

HEX #C37CD9

RGB 195 124 217

HSL 285.81, 0.55%, 0.67%

LAB 62.53, 43.06, -36.73

 

CMYK 0 / 43 / 41 / 15

HEX #D97C7F

RGB 217 124 127

HSL 358.06, 0.55%, 0.67%

LAB 62.25, 36.31, 14.25

 

CMYK 33 / 0 / 42 / 15

HEX #92D97D

RGB 146 217 125

HSL 106.3, 0.55%, 0.67%

LAB 80.3, -39.25, 38.37

 

CMYK 43 / 12 / 0 / 15

HEX #7CC0D9

RGB 124 192 217

HSL 196.13, 0.55%, 0.67%

LAB 74.19, -15.02, -19.25

 

CMYK 10 / 43 / 0 / 15

HEX #C37CD9

RGB 195 124 217

HSL 285.81, 0.55%, 0.67%

LAB 62.53, 43.06, -36.73

 

CMYK 0 / 31 / 43 / 15

HEX #D9957C

RGB 217 149 124

HSL 16.13, 0.55%, 0.67%

LAB 67.8, 22.63, 23.54

 

Description

Color code: HEX #92D97D | qconv.com Color code: HEX #92D97D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 217 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 217 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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