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Color name
HEX #92D948

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92D948 it is the complementary color #6D26B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92D948. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92D948 shade: #97D943, #A8EB56, #B9FD69, #CAFF7C and #DBFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92D948. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92D948 shade: #92D948, #81C735, #70B522, #5FA30F and #4E9100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92D948 shade: #92D948, #B9D948, #D9D248, #D9AB48 and #D98448

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92D948 shade: #92D948, #6BD948, #48D94D, #48D974 and #48D99B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92D948 shade matches the following richer shades: #92D948, #93EB37 and #93FD25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92D948 shade: #92D948, #92C75A, #92B66C, #91A47E and #91928F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92D948 shade: #D9D248, #BAD948, #93D948, #6DD948 and #48D94B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92D948 shade: #69AC23, #7ECF2A, #92D948, #A7E06B and #BBE78D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92D948 shade: #92D948, #48D9AB and #D948CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92D948 shade: #92D948, #4893D9 and #D94893

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92D948 shade: #92D948, #48D9AB, #8E48D9 and #D94876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92D948 shade: #92D948, #48D9D7, #8E48D9 and #D9484B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

Complementary color

CMYK 40 / 79 / 0 / 28

HEX #6D26B7

RGB 109 38 183

HSL 269.38, 0.66%, 0.43%

LAB 34.1, 57.5, -63.18

 

CMYK 30 / 0 / 69 / 15

HEX #97D943

RGB 151 217 67

HSL 86.4, 0.66%, 0.56%

LAB 79.96, -43.39, 64.02

 

CMYK 29 / 0 / 63 / 8

HEX #A8EB56

RGB 168 235 86

HSL 86.98, 0.79%, 0.63%

LAB 86.21, -43.69, 63.49

 

CMYK 27 / 0 / 58 / 1

HEX #B9FD69

RGB 185 253 105

HSL 87.57, 0.97%, 0.7%

LAB 92.39, -43.88, 62.69

 

CMYK 21 / 0 / 51 / 0

HEX #CAFF7C

RGB 202 255 124

HSL 84.27, 1%, 0.74%

LAB 94.11, -36.93, 56.57

 

CMYK 14 / 0 / 44 / 0

HEX #DBFF8F

RGB 219 255 143

HSL 79.29, 1%, 0.78%

LAB 95.4, -28.78, 49.55

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 35 / 0 / 73 / 22

HEX #81C735

RGB 129 199 53

HSL 88.77, 0.58%, 0.49%

LAB 73.4, -44.45, 62.08

 

CMYK 38 / 0 / 81 / 29

HEX #70B522

RGB 112 181 34

HSL 88.16, 0.68%, 0.42%

LAB 66.98, -43.88, 61.67

 

CMYK 42 / 0 / 91 / 36

HEX #5FA30F

RGB 95 163 15

HSL 87.57, 0.83%, 0.35%

LAB 60.48, -43.05, 60.05

 

CMYK 46 / 0 / 100 / 43

HEX #4E9100

RGB 78 145 0

HSL 87.72, 1%, 0.28%

LAB 53.89, -41.88, 56.77

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 15 / 0 / 67 / 15

HEX #B9D948

RGB 185 217 72

HSL 73.24, 0.66%, 0.57%

LAB 82.06, -30.13, 64.94

 

CMYK 0 / 3 / 67 / 15

HEX #D9D248

RGB 217 210 72

HSL 57.1, 0.66%, 0.57%

LAB 82.55, -13.66, 66.2

 

CMYK 0 / 21 / 67 / 15

HEX #D9AB48

RGB 217 171 72

HSL 40.97, 0.66%, 0.57%

LAB 72.46, 6.52, 55.69

 

CMYK 0 / 39 / 67 / 15

HEX #D98448

RGB 217 132 72

HSL 24.83, 0.66%, 0.57%

LAB 63.11, 27.46, 45.42

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 51 / 0 / 67 / 15

HEX #6BD948

RGB 107 217 72

HSL 105.52, 0.66%, 0.57%

LAB 78, -57.19, 59.44

 

CMYK 67 / 0 / 65 / 15

HEX #48D94D

RGB 72 217 77

HSL 122.07, 0.66%, 0.57%

LAB 77, -64.95, 56.04

 

CMYK 67 / 0 / 47 / 15

HEX #48D974

RGB 72 217 116

HSL 138.21, 0.66%, 0.57%

LAB 77.44, -59.93, 38.64

 

CMYK 67 / 0 / 29 / 15

HEX #48D99B

RGB 72 217 155

HSL 154.34, 0.66%, 0.57%

LAB 78.09, -52.73, 19.53

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 37 / 0 / 77 / 8

HEX #93EB37

RGB 147 235 55

HSL 89.33, 0.82%, 0.57%

LAB 84.94, -52.96, 72.86

 

CMYK 42 / 0 / 85 / 1

HEX #93FD25

RGB 147 253 37

HSL 89.44, 0.98%, 0.57%

LAB 90.13, -60.7, 81.97

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 27 / 0 / 55 / 22

HEX #92C75A

RGB 146 199 90

HSL 89.17, 0.49%, 0.57%

LAB 74.63, -35.3, 48.4

 

CMYK 20 / 0 / 41 / 29

HEX #92B66C

RGB 146 182 108

HSL 89.19, 0.34%, 0.57%

LAB 69.93, -25.15, 33.74

 

CMYK 12 / 0 / 23 / 36

HEX #91A47E

RGB 145 164 126

HSL 90, 0.17%, 0.57%

LAB 65.02, -13.73, 17.55

 

CMYK 1 / 0 / 2 / 43

HEX #91928F

RGB 145 146 143

HSL 80, 0.01%, 0.57%

LAB 60.39, -0.94, 1.45

 

CMYK 0 / 3 / 67 / 15

HEX #D9D248

RGB 217 210 72

HSL 57.1, 0.66%, 0.57%

LAB 82.55, -13.66, 66.2

 

CMYK 14 / 0 / 67 / 15

HEX #BAD948

RGB 186 217 72

HSL 72.83, 0.66%, 0.57%

LAB 82.13, -29.74, 65.03

 

CMYK 32 / 0 / 67 / 15

HEX #93D948

RGB 147 217 72

HSL 88.97, 0.66%, 0.57%

LAB 79.78, -44.46, 61.86

 

CMYK 50 / 0 / 67 / 15

HEX #6DD948

RGB 109 217 72

HSL 104.69, 0.66%, 0.57%

LAB 78.08, -56.63, 59.54

 

CMYK 67 / 0 / 65 / 15

HEX #48D94B

RGB 72 217 75

HSL 121.24, 0.66%, 0.57%

LAB 76.99, -65.15, 56.84

 

CMYK 39 / 0 / 80 / 33

HEX #69AC23

RGB 105 172 35

HSL 89.34, 0.66%, 0.41%

LAB 63.86, -42.52, 58.39

 

CMYK 39 / 0 / 80 / 19

HEX #7ECF2A

RGB 126 207 42

HSL 89.45, 0.66%, 0.49%

LAB 75.59, -49.39, 67.56

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 25 / 0 / 52 / 12

HEX #A7E06B

RGB 167 224 107

HSL 89.23, 0.65%, 0.65%

LAB 83.23, -37.29, 50.93

 

CMYK 19 / 0 / 39 / 9

HEX #BBE78D

RGB 187 231 141

HSL 89.33, 0.65%, 0.73%

LAB 86.82, -29.39, 39.23

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 67 / 0 / 21 / 15

HEX #48D9AB

RGB 72 217 171

HSL 160.97, 0.66%, 0.57%

LAB 78.43, -49.2, 11.55

 

CMYK 0 / 67 / 6 / 15

HEX #D948CD

RGB 217 72 205

HSL 304.97, 0.66%, 0.57%

LAB 55.88, 70.86, -40.16

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 67 / 32 / 0 / 15

HEX #4893D9

RGB 72 147 217

HSL 208.97, 0.66%, 0.57%

LAB 59.21, -1.15, -42.58

 

CMYK 0 / 67 / 32 / 15

HEX #D94893

RGB 217 72 147

HSL 328.97, 0.66%, 0.57%

LAB 53.48, 62.93, -10.11

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 67 / 0 / 21 / 15

HEX #48D9AB

RGB 72 217 171

HSL 160.97, 0.66%, 0.57%

LAB 78.43, -49.2, 11.55

 

CMYK 35 / 67 / 0 / 15

HEX #8E48D9

RGB 142 72 217

HSL 268.97, 0.66%, 0.57%

LAB 46.17, 56.58, -63.13

 

CMYK 0 / 67 / 46 / 15

HEX #D94876

RGB 217 72 118

HSL 340.97, 0.66%, 0.57%

LAB 52.61, 59.89, 5.89

 

CMYK 33 / 0 / 67 / 15

HEX #92D948

RGB 146 217 72

HSL 89.38, 0.66%, 0.57%

LAB 79.73, -44.82, 61.79

 

CMYK 67 / 0 / 1 / 15

HEX #48D9D7

RGB 72 217 215

HSL 179.17, 0.66%, 0.57%

LAB 79.56, -37.99, -10.27

 

CMYK 35 / 67 / 0 / 15

HEX #8E48D9

RGB 142 72 217

HSL 268.97, 0.66%, 0.57%

LAB 46.17, 56.58, -63.13

 

CMYK 0 / 67 / 65 / 15

HEX #D9484B

RGB 217 72 75

HSL 358.76, 0.66%, 0.57%

LAB 51.72, 56.68, 30.29

 

Description

Color code: HEX #92D948 | qconv.com Color code: HEX #92D948 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 217 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 217 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 67% 15% C M Y K

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Provide designers and agencies with accurate color values.

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