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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92EE5C it is the complementary color #6D11A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92EE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92EE5C shade: #97EE57, #A8FF6A, #B9FF7D, #CAFF90 and #DBFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92EE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92EE5C shade: #92EE5C, #81DC49, #70CA36, #5FB823 and #4EA610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92EE5C shade: #92EE5D, #B9EE5D, #E0EE5D, #EED45D and #EEAD5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92EE5C shade: #92EE5D, #6BEE5D, #5DEE75, #5DEE9C and #5DEEC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92EE5C shade matches the following richer shades: #92EE5D and #8FFC4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92EE5C shade: #92EE5D, #96DF6B, #9AD17A, #9EC288 and #A1B497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92EE5C shade: #E1EE5D, #BBEE5D, #94EE5D, #6EEE5D and #5DEE73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92EE5C shade: #62E117, #79EA38, #92EE5D, #ABF182 and #C4F5A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92EE5C shade: #92EE5C, #5DEED3 and #EE5DCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92EE5C shade: #92EE5C, #5D94EE and #EE5D94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92EE5C shade: #92EE5C, #5DEED3, #B65DEE and #EE5D77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92EE5C shade: #92EE5C, #5DDDEE, #B65DEE and #EE6E5D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 61 / 7

HEX #92EE5C

RGB 146 238 92

HSL 97.81, 0.81%, 0.65%

LAB 86.02, -51.91, 60.5

 

Complementary color

CMYK 33 / 90 / 0 / 36

HEX #6D11A3

RGB 109 17 163

HSL 277.81, 0.81%, 0.35%

LAB 30.15, 59.48, -57.66

 

CMYK 37 / 0 / 63 / 7

HEX #97EE57

RGB 151 238 87

HSL 94.57, 0.82%, 0.64%

LAB 86.21, -50.72, 62.83

 

CMYK 34 / 0 / 58 / 0

HEX #A8FF6A

RGB 168 255 106

HSL 95.03, 1%, 0.71%

LAB 92.08, -50.45, 61.67

 

CMYK 27 / 0 / 51 / 0

HEX #B9FF7D

RGB 185 255 125

HSL 92.31, 1%, 0.75%

LAB 93.15, -42.83, 54.74

 

CMYK 21 / 0 / 44 / 0

HEX #CAFF90

RGB 202 255 144

HSL 88.65, 1%, 0.78%

LAB 94.35, -34.79, 47.54

 

CMYK 14 / 0 / 36 / 0

HEX #DBFFA3

RGB 219 255 163

HSL 83.48, 1%, 0.82%

LAB 95.67, -26.44, 40.22

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5C

RGB 146 238 92

HSL 97.81, 0.81%, 0.65%

LAB 86.02, -51.91, 60.5

 

CMYK 41 / 0 / 67 / 14

HEX #81DC49

RGB 129 220 73

HSL 97.14, 0.68%, 0.57%

LAB 79.8, -51.69, 61.23

 

CMYK 45 / 0 / 73 / 21

HEX #70CA36

RGB 112 202 54

HSL 96.49, 0.58%, 0.5%

LAB 73.51, -51.3, 61.59

 

CMYK 48 / 0 / 81 / 28

HEX #5FB823

RGB 95 184 35

HSL 95.84, 0.68%, 0.43%

LAB 67.15, -50.67, 61.27

 

CMYK 53 / 0 / 90 / 35

HEX #4EA610

RGB 78 166 16

HSL 95.2, 0.82%, 0.36%

LAB 60.72, -49.68, 59.78

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5D

RGB 146 238 93

HSL 98.07, 0.81%, 0.65%

LAB 86.03, -51.82, 60.09

 

CMYK 22 / 0 / 61 / 7

HEX #B9EE5D

RGB 185 238 93

HSL 81.93, 0.81%, 0.65%

LAB 88.09, -38.27, 62.94

 

CMYK 6 / 0 / 61 / 7

HEX #E0EE5D

RGB 224 238 93

HSL 65.79, 0.81%, 0.65%

LAB 90.68, -23.22, 66.51

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 0 / 27 / 61 / 7

HEX #EEAD5D

RGB 238 173 93

HSL 33.1, 0.81%, 0.65%

LAB 75.36, 15.61, 49.75

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5D

RGB 146 238 93

HSL 98.07, 0.81%, 0.65%

LAB 86.03, -51.82, 60.09

 

CMYK 55 / 0 / 61 / 7

HEX #6BEE5D

RGB 107 238 93

HSL 114.21, 0.81%, 0.65%

LAB 84.52, -62.95, 57.97

 

CMYK 61 / 0 / 51 / 7

HEX #5DEE75

RGB 93 238 117

HSL 129.93, 0.81%, 0.65%

LAB 84.36, -63.28, 46.9

 

CMYK 61 / 0 / 34 / 7

HEX #5DEE9C

RGB 93 238 156

HSL 146.07, 0.81%, 0.65%

LAB 84.93, -56.99, 28.43

 

CMYK 61 / 0 / 18 / 7

HEX #5DEEC3

RGB 93 238 195

HSL 162.21, 0.81%, 0.65%

LAB 85.71, -48.9, 9.35

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5D

RGB 146 238 93

HSL 98.07, 0.81%, 0.65%

LAB 86.03, -51.82, 60.09

 

CMYK 43 / 0 / 69 / 1

HEX #8FFC4F

RGB 143 252 79

HSL 97.8, 0.97%, 0.65%

LAB 89.87, -59.42, 69.68

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5D

RGB 146 238 93

HSL 98.07, 0.81%, 0.65%

LAB 86.03, -51.82, 60.09

 

CMYK 33 / 0 / 52 / 13

HEX #96DF6B

RGB 150 223 107

HSL 97.76, 0.64%, 0.65%

LAB 82.01, -42.78, 49.26

 

CMYK 26 / 0 / 42 / 18

HEX #9AD17A

RGB 154 209 122

HSL 97.93, 0.49%, 0.65%

LAB 78.39, -33.28, 37.52

 

CMYK 19 / 0 / 30 / 24

HEX #9EC288

RGB 158 194 136

HSL 97.24, 0.32%, 0.65%

LAB 74.59, -22.67, 25.34

 

CMYK 11 / 0 / 16 / 29

HEX #A1B497

RGB 161 180 151

HSL 99.31, 0.16%, 0.65%

LAB 71.18, -12.01, 12.61

 

CMYK 5 / 0 / 61 / 7

HEX #E1EE5D

RGB 225 238 93

HSL 65.38, 0.81%, 0.65%

LAB 90.76, -22.82, 66.62

 

CMYK 21 / 0 / 61 / 7

HEX #BBEE5D

RGB 187 238 93

HSL 81.1, 0.81%, 0.65%

LAB 88.21, -37.53, 63.11

 

CMYK 38 / 0 / 61 / 7

HEX #94EE5D

RGB 148 238 93

HSL 97.24, 0.81%, 0.65%

LAB 86.12, -51.18, 60.22

 

CMYK 54 / 0 / 61 / 7

HEX #6EEE5D

RGB 110 238 93

HSL 112.97, 0.81%, 0.65%

LAB 84.61, -62.2, 58.11

 

CMYK 61 / 0 / 52 / 7

HEX #5DEE73

RGB 93 238 115

HSL 129.1, 0.81%, 0.65%

LAB 84.34, -63.55, 47.81

 

CMYK 56 / 0 / 90 / 12

HEX #62E117

RGB 98 225 23

HSL 97.72, 0.81%, 0.49%

LAB 79.9, -65.11, 75.04

 

CMYK 48 / 0 / 76 / 8

HEX #79EA38

RGB 121 234 56

HSL 98.09, 0.81%, 0.57%

LAB 83.55, -60.66, 70.84

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5D

RGB 146 238 93

HSL 98.07, 0.81%, 0.65%

LAB 86.03, -51.82, 60.09

 

CMYK 29 / 0 / 46 / 5

HEX #ABF182

RGB 171 241 130

HSL 97.84, 0.8%, 0.73%

LAB 88.53, -40.91, 46.58

 

CMYK 20 / 0 / 31 / 4

HEX #C4F5A8

RGB 196 245 168

HSL 98.18, 0.79%, 0.81%

LAB 91.63, -29.14, 32.12

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5C

RGB 146 238 92

HSL 97.81, 0.81%, 0.65%

LAB 86.02, -51.91, 60.5

 

CMYK 61 / 0 / 11 / 7

HEX #5DEED3

RGB 93 238 211

HSL 168.83, 0.81%, 0.65%

LAB 86.1, -45.11, 1.53

 

CMYK 0 / 61 / 13 / 7

HEX #EE5DCE

RGB 238 93 206

HSL 313.24, 0.81%, 0.65%

LAB 62.05, 68.05, -30.86

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5C

RGB 146 238 92

HSL 97.81, 0.81%, 0.65%

LAB 86.02, -51.91, 60.5

 

CMYK 61 / 38 / 0 / 7

HEX #5D94EE

RGB 93 148 238

HSL 217.24, 0.81%, 0.65%

LAB 61.38, 8.93, -50.75

 

CMYK 0 / 61 / 38 / 7

HEX #EE5D94

RGB 238 93 148

HSL 337.24, 0.81%, 0.65%

LAB 60.02, 60.64, -0.65

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5C

RGB 146 238 92

HSL 97.81, 0.81%, 0.65%

LAB 86.02, -51.91, 60.5

 

CMYK 61 / 0 / 11 / 7

HEX #5DEED3

RGB 93 238 211

HSL 168.83, 0.81%, 0.65%

LAB 86.1, -45.11, 1.53

 

CMYK 24 / 61 / 0 / 7

HEX #B65DEE

RGB 182 93 238

HSL 276.83, 0.81%, 0.65%

LAB 56.03, 59.9, -58.85

 

CMYK 0 / 61 / 50 / 7

HEX #EE5D77

RGB 238 93 119

HSL 349.24, 0.81%, 0.65%

LAB 59.29, 57.85, 15.19

 

CMYK 39 / 0 / 61 / 7

HEX #92EE5C

RGB 146 238 92

HSL 97.81, 0.81%, 0.65%

LAB 86.02, -51.91, 60.5

 

CMYK 61 / 7 / 0 / 7

HEX #5DDDEE

RGB 93 221 238

HSL 187.03, 0.81%, 0.65%

LAB 81.95, -30.21, -18.88

 

CMYK 24 / 61 / 0 / 7

HEX #B65DEE

RGB 182 93 238

HSL 276.83, 0.81%, 0.65%

LAB 56.03, 59.9, -58.85

 

CMYK 0 / 54 / 61 / 7

HEX #EE6E5D

RGB 238 110 93

HSL 7.03, 0.81%, 0.65%

LAB 61.76, 48.12, 33.33

 

Description

Color code: HEX #92EE5C | qconv.com Color code: HEX #92EE5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 238 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 238 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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