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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9329B6 it is the complementary color #6CD649. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9329B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9329B6 shade: #9829B1, #A93BC4, #BA4DD7, #CB5FEA and #DC71FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9329B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9329B6 shade: #9329B6, #8217A3, #710590, #60007D and #4F006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9329B6 shade: #9329B6, #B629B3, #B6298D, #B62967 and #B62941

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9329B6 shade: #9329B6, #6D29B6, #4729B6 and #2929B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9329B6 shade matches the following richer shades: #9329B6, #9C17C9 and #A605DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9329B6 shade: #9329B6, #8A3BA4, #814D92, #785F80 and #6F726E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9329B6 shade: #4829B6, #6D29B6, #9329B6, #B629B4 and #B6298E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9329B6 shade: #5D1A73, #782195, #9329B6, #AB37D1 and #B959D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9329B6 shade: #9329B6, #B62930 and #29B65A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9329B6 shade: #9329B6, #B69329 and #29B693

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9329B6 shade: #9329B6, #B62930, #4CB629 and #29B6AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9329B6 shade: #9329B6, #B64C29, #4CB629 and #2993B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

Complementary color

CMYK 50 / 0 / 66 / 16

HEX #6CD649

RGB 108 214 73

HSL 105.11, 0.63%, 0.56%

LAB 77.14, -55.69, 58.13

 

CMYK 14 / 77 / 0 / 31

HEX #9829B1

RGB 152 41 177

HSL 288.97, 0.62%, 0.43%

LAB 40.3, 62.8, -49.27

 

CMYK 14 / 70 / 0 / 23

HEX #A93BC4

RGB 169 59 196

HSL 288.18, 0.54%, 0.5%

LAB 46.38, 63.39, -50.53

 

CMYK 13 / 64 / 0 / 16

HEX #BA4DD7

RGB 186 77 215

HSL 287.39, 0.63%, 0.57%

LAB 52.57, 63.41, -51.4

 

CMYK 13 / 59 / 0 / 8

HEX #CB5FEA

RGB 203 95 234

HSL 286.62, 0.77%, 0.65%

LAB 58.81, 63.08, -52.03

 

CMYK 13 / 55 / 0 / 1

HEX #DC71FD

RGB 220 113 253

HSL 285.86, 0.97%, 0.72%

LAB 65.06, 62.55, -52.5

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 20 / 86 / 0 / 36

HEX #8217A3

RGB 130 23 163

HSL 285.86, 0.75%, 0.36%

LAB 33.99, 61.31, -51.26

 

CMYK 22 / 97 / 0 / 44

HEX #710590

RGB 113 5 144

HSL 286.62, 0.93%, 0.29%

LAB 28.47, 58.46, -48.74

 

CMYK 23 / 100 / 0 / 51

HEX #60007D

RGB 96 0 125

HSL 286.08, 1%, 0.25%

LAB 23.56, 53.29, -44.94

 

CMYK 25 / 100 / 0 / 58

HEX #4F006A

RGB 79 0 106

HSL 284.72, 1%, 0.21%

LAB 18.81, 47.09, -40.56

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 0 / 77 / 2 / 29

HEX #B629B3

RGB 182 41 179

HSL 301.28, 0.63%, 0.44%

LAB 45.34, 69.17, -42.12

 

CMYK 0 / 77 / 23 / 29

HEX #B6298D

RGB 182 41 141

HSL 317.45, 0.63%, 0.44%

LAB 43.44, 63.69, -22.36

 

CMYK 0 / 77 / 43 / 29

HEX #B62967

RGB 182 41 103

HSL 333.62, 0.63%, 0.44%

LAB 42.02, 59.38, -1.06

 

CMYK 0 / 77 / 64 / 29

HEX #B62941

RGB 182 41 65

HSL 349.79, 0.63%, 0.44%

LAB 41.08, 56.43, 21.5

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 40 / 77 / 0 / 29

HEX #6D29B6

RGB 109 41 182

HSL 268.94, 0.63%, 0.44%

LAB 34.43, 56.07, -62.06

 

CMYK 61 / 77 / 0 / 29

HEX #4729B6

RGB 71 41 182

HSL 252.77, 0.63%, 0.44%

LAB 30.16, 50.69, -69.21

 

CMYK 77 / 77 / 0 / 29

HEX #2929B6

RGB 41 41 182

HSL 240, 0.63%, 0.44%

LAB 27.94, 47.83, -72.96

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 22 / 89 / 0 / 21

HEX #9C17C9

RGB 156 23 201

HSL 284.83, 0.79%, 0.44%

LAB 41.05, 72.55, -62.12

 

CMYK 24 / 98 / 0 / 14

HEX #A605DB

RGB 166 5 219

HSL 285.14, 0.96%, 0.44%

LAB 43.26, 79.51, -68.86

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 16 / 64 / 0 / 36

HEX #8A3BA4

RGB 138 59 164

HSL 285.14, 0.47%, 0.44%

LAB 39.93, 49.95, -42.24

 

CMYK 12 / 47 / 0 / 43

HEX #814D92

RGB 129 77 146

HSL 285.22, 0.31%, 0.44%

LAB 41.3, 34.17, -29.34

 

CMYK 6 / 26 / 0 / 50

HEX #785F80

RGB 120 95 128

HSL 285.45, 0.15%, 0.44%

LAB 43.85, 16.56, -14.6

 

CMYK 3 / 0 / 4 / 55

HEX #6F726E

RGB 111 114 110

HSL 105, 0.02%, 0.44%

LAB 47.68, -1.95, 1.81

 

CMYK 60 / 77 / 0 / 29

HEX #4829B6

RGB 72 41 182

HSL 253.19, 0.63%, 0.44%

LAB 30.26, 50.81, -69.06

 

CMYK 40 / 77 / 0 / 29

HEX #6D29B6

RGB 109 41 182

HSL 268.94, 0.63%, 0.44%

LAB 34.43, 56.07, -62.06

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 0 / 77 / 1 / 29

HEX #B629B4

RGB 182 41 180

HSL 300.85, 0.63%, 0.44%

LAB 45.4, 69.33, -42.62

 

CMYK 0 / 77 / 22 / 29

HEX #B6298E

RGB 182 41 142

HSL 317.02, 0.63%, 0.44%

LAB 43.48, 63.82, -22.9

 

CMYK 19 / 77 / 0 / 55

HEX #5D1A73

RGB 93 26 115

HSL 285.17, 0.63%, 0.28%

LAB 24.65, 43.7, -36.82

 

CMYK 19 / 78 / 0 / 42

HEX #782195

RGB 120 33 149

HSL 285, 0.64%, 0.36%

LAB 32.37, 53.75, -45.44

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 18 / 74 / 0 / 18

HEX #AB37D1

RGB 171 55 209

HSL 285.19, 0.63%, 0.52%

LAB 46.97, 67.77, -57.07

 

CMYK 15 / 59 / 0 / 15

HEX #B959D9

RGB 185 89 217

HSL 285, 0.63%, 0.6%

LAB 54.52, 58.14, -49.43

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 0 / 77 / 74 / 29

HEX #B62930

RGB 182 41 48

HSL 357.02, 0.63%, 0.44%

LAB 40.81, 55.57, 31.59

 

CMYK 77 / 0 / 51 / 29

HEX #29B65A

RGB 41 182 90

HSL 140.85, 0.63%, 0.44%

LAB 65.49, -56.4, 36.43

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 0 / 19 / 77 / 29

HEX #B69329

RGB 182 147 41

HSL 45.11, 0.63%, 0.44%

LAB 62.48, 2.61, 57.2

 

CMYK 77 / 0 / 19 / 29

HEX #29B693

RGB 41 182 147

HSL 165.11, 0.63%, 0.44%

LAB 66.55, -44.64, 7.5

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 0 / 77 / 74 / 29

HEX #B62930

RGB 182 41 48

HSL 357.02, 0.63%, 0.44%

LAB 40.81, 55.57, 31.59

 

CMYK 58 / 0 / 77 / 29

HEX #4CB629

RGB 76 182 41

HSL 105.11, 0.63%, 0.44%

LAB 65.87, -54.94, 58.01

 

CMYK 77 / 0 / 4 / 29

HEX #29B6AF

RGB 41 182 175

HSL 177.02, 0.63%, 0.44%

LAB 67.29, -37.05, -6.86

 

CMYK 19 / 77 / 0 / 29

HEX #9329B6

RGB 147 41 182

HSL 285.11, 0.63%, 0.44%

LAB 39.86, 62.78, -52.99

 

CMYK 0 / 58 / 77 / 29

HEX #B64C29

RGB 182 76 41

HSL 14.89, 0.63%, 0.44%

LAB 46.01, 41, 41.14

 

CMYK 58 / 0 / 77 / 29

HEX #4CB629

RGB 76 182 41

HSL 105.11, 0.63%, 0.44%

LAB 65.87, -54.94, 58.01

 

CMYK 77 / 19 / 0 / 29

HEX #2993B6

RGB 41 147 182

HSL 194.89, 0.63%, 0.44%

LAB 56.8, -17.43, -26.68

 

Description

Color code: HEX #9329B6 | qconv.com Color code: HEX #9329B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 41 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 41 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 77 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 77% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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