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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9354C8 it is the complementary color #6CAB37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9354C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9354C8 shade: #9854C3, #A966D6, #BA78E9, #CB8AFC and #DC9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9354C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9354C8 shade: #9354C8, #8242B5, #7130A2, #601E8F and #4F0C7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9354C8 shade: #9355C8, #B255C8, #C855BE, #C8559F and #C85580

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9354C8 shade: #9355C8, #7455C8, #5655C8 and #5555C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9354C8 shade matches the following richer shades: #9355C8, #9543DA, #9631EC and #981FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9354C8 shade: #9355C8, #9267B5, #9079A3, #8F8C91 and #8D9E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9354C8 shade: #5555C8, #7455C8, #9255C8, #B155C8 and #C855C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9354C8 shade: #6A3199, #7F3BB8, #9355C8, #A774D2 and #BB93DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9354C8 shade: #9354C8, #C85574 and #55C864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9354C8 shade: #9354C8, #C89255 and #55C892

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9354C8 shade: #9354C8, #C85574, #8AC855 and #55C8A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9354C8 shade: #9354C8, #C85955, #8AC855 and #55C4C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 58 / 0 / 22

HEX #9354C8

RGB 147 84 200

HSL 272.59, 0.51%, 0.56%

LAB 47.9, 47.6, -50.57

 

Complementary color

CMYK 37 / 0 / 68 / 33

HEX #6CAB37

RGB 108 171 55

HSL 92.59, 0.51%, 0.44%

LAB 63.83, -39.73, 51.24

 

CMYK 22 / 57 / 0 / 24

HEX #9854C3

RGB 152 84 195

HSL 276.76, 0.48%, 0.55%

LAB 48.2, 47.7, -47.16

 

CMYK 21 / 52 / 0 / 16

HEX #A966D6

RGB 169 102 214

HSL 275.89, 0.58%, 0.62%

LAB 54.86, 46.89, -47.32

 

CMYK 20 / 48 / 0 / 9

HEX #BA78E9

RGB 186 120 233

HSL 275.04, 0.72%, 0.69%

LAB 61.44, 46.05, -47.43

 

CMYK 19 / 45 / 0 / 1

HEX #CB8AFC

RGB 203 138 252

HSL 274.21, 0.95%, 0.76%

LAB 67.95, 45.22, -47.51

 

CMYK 14 / 39 / 0 / 0

HEX #DC9CFF

RGB 220 156 255

HSL 278.79, 1%, 0.81%

LAB 73.68, 41.05, -40.03

 

CMYK 27 / 58 / 0 / 22

HEX #9354C8

RGB 147 84 200

HSL 272.59, 0.51%, 0.56%

LAB 47.9, 47.6, -50.57

 

CMYK 28 / 64 / 0 / 29

HEX #8242B5

RGB 130 66 181

HSL 273.39, 0.47%, 0.48%

LAB 41.18, 48.4, -50.39

 

CMYK 30 / 70 / 0 / 36

HEX #7130A2

RGB 113 48 162

HSL 274.21, 0.54%, 0.41%

LAB 34.46, 48.96, -50.01

 

CMYK 33 / 79 / 0 / 44

HEX #601E8F

RGB 96 30 143

HSL 275.04, 0.65%, 0.34%

LAB 27.84, 48.99, -49.26

 

CMYK 36 / 90 / 0 / 51

HEX #4F0C7C

RGB 79 12 124

HSL 275.89, 0.82%, 0.27%

LAB 21.51, 47.85, -47.78

 

CMYK 27 / 58 / 0 / 22

HEX #9355C8

RGB 147 85 200

HSL 272.35, 0.51%, 0.56%

LAB 48.1, 47.07, -50.25

 

CMYK 11 / 58 / 0 / 22

HEX #B255C8

RGB 178 85 200

HSL 288.52, 0.51%, 0.56%

LAB 51.99, 54.91, -43.82

 

CMYK 0 / 58 / 5 / 22

HEX #C855BE

RGB 200 85 190

HSL 305.22, 0.51%, 0.56%

LAB 54.55, 58.89, -33.83

 

CMYK 0 / 58 / 21 / 22

HEX #C8559F

RGB 200 85 159

HSL 321.39, 0.51%, 0.56%

LAB 53.25, 54.07, -17.8

 

CMYK 0 / 58 / 36 / 22

HEX #C85580

RGB 200 85 128

HSL 337.57, 0.51%, 0.56%

LAB 52.21, 50.02, -1.01

 

CMYK 27 / 58 / 0 / 22

HEX #9355C8

RGB 147 85 200

HSL 272.35, 0.51%, 0.56%

LAB 48.1, 47.07, -50.25

 

CMYK 42 / 58 / 0 / 22

HEX #7455C8

RGB 116 85 200

HSL 256.17, 0.51%, 0.56%

LAB 44.77, 39.72, -55.76

 

CMYK 57 / 58 / 0 / 22

HEX #5655C8

RGB 86 85 200

HSL 240.52, 0.51%, 0.56%

LAB 42.22, 33.54, -60.01

 

CMYK 58 / 58 / 0 / 22

HEX #5555C8

RGB 85 85 200

HSL 240, 0.51%, 0.56%

LAB 42.15, 33.36, -60.13

 

CMYK 27 / 58 / 0 / 22

HEX #9355C8

RGB 147 85 200

HSL 272.35, 0.51%, 0.56%

LAB 48.1, 47.07, -50.25

 

CMYK 32 / 69 / 0 / 15

HEX #9543DA

RGB 149 67 218

HSL 272.58, 0.67%, 0.56%

LAB 46.27, 60.53, -63.51

 

CMYK 36 / 79 / 0 / 7

HEX #9631EC

RGB 150 49 236

HSL 272.41, 0.83%, 0.56%

LAB 45.27, 71.79, -75.34

 

CMYK 40 / 88 / 0 / 0

HEX #981FFE

RGB 152 31 254

HSL 272.56, 0.99%, 0.56%

LAB 45.37, 80.84, -85.27

 

CMYK 27 / 58 / 0 / 22

HEX #9355C8

RGB 147 85 200

HSL 272.35, 0.51%, 0.56%

LAB 48.1, 47.07, -50.25

 

CMYK 19 / 43 / 0 / 29

HEX #9267B5

RGB 146 103 181

HSL 273.08, 0.35%, 0.56%

LAB 50.86, 32.36, -34.9

 

CMYK 12 / 26 / 0 / 36

HEX #9079A3

RGB 144 121 163

HSL 272.86, 0.19%, 0.56%

LAB 54.29, 17.17, -19.16

 

CMYK 1 / 3 / 0 / 43

HEX #8F8C91

RGB 143 140 145

HSL 276, 0.02%, 0.56%

LAB 58.64, 2.09, -2.27

 

CMYK 11 / 0 / 20 / 38

HEX #8D9E7F

RGB 141 158 127

HSL 92.9, 0.14%, 0.56%

LAB 63.05, -11.88, 14.22

 

CMYK 58 / 58 / 0 / 22

HEX #5555C8

RGB 85 85 200

HSL 240, 0.51%, 0.56%

LAB 42.15, 33.36, -60.13

 

CMYK 42 / 58 / 0 / 22

HEX #7455C8

RGB 116 85 200

HSL 256.17, 0.51%, 0.56%

LAB 44.77, 39.72, -55.76

 

CMYK 27 / 58 / 0 / 22

HEX #9255C8

RGB 146 85 200

HSL 271.83, 0.51%, 0.56%

LAB 47.98, 46.83, -50.44

 

CMYK 12 / 58 / 0 / 22

HEX #B155C8

RGB 177 85 200

HSL 288, 0.51%, 0.56%

LAB 51.85, 54.66, -44.04

 

CMYK 0 / 58 / 4 / 22

HEX #C855C0

RGB 200 85 192

HSL 304.17, 0.51%, 0.56%

LAB 54.64, 59.22, -34.84

 

CMYK 31 / 68 / 0 / 40

HEX #6A3199

RGB 106 49 153

HSL 272.88, 0.51%, 0.4%

LAB 33.05, 44.81, -46.89

 

CMYK 31 / 68 / 0 / 28

HEX #7F3BB8

RGB 127 59 184

HSL 272.64, 0.51%, 0.48%

LAB 39.75, 51.89, -54.48

 

CMYK 27 / 58 / 0 / 22

HEX #9355C8

RGB 147 85 200

HSL 272.35, 0.51%, 0.56%

LAB 48.1, 47.07, -50.25

 

CMYK 20 / 45 / 0 / 18

HEX #A774D2

RGB 167 116 210

HSL 272.55, 0.51%, 0.64%

LAB 57.42, 37.81, -41.02

 

CMYK 15 / 33 / 0 / 14

HEX #BB93DC

RGB 187 147 220

HSL 272.88, 0.51%, 0.72%

LAB 66.98, 28.68, -31.55

 

CMYK 27 / 58 / 0 / 22

HEX #9354C8

RGB 147 84 200

HSL 272.59, 0.51%, 0.56%

LAB 47.9, 47.6, -50.57

 

CMYK 0 / 58 / 42 / 22

HEX #C85574

RGB 200 85 116

HSL 343.83, 0.51%, 0.56%

LAB 51.88, 48.68, 5.67

 

CMYK 58 / 0 / 50 / 22

HEX #55C864

RGB 85 200 100

HSL 127.83, 0.51%, 0.56%

LAB 72.34, -53.29, 40.2

 

CMYK 27 / 58 / 0 / 22

HEX #9354C8

RGB 147 84 200

HSL 272.59, 0.51%, 0.56%

LAB 47.9, 47.6, -50.57

 

CMYK 0 / 27 / 58 / 22

HEX #C89255

RGB 200 146 85

HSL 31.83, 0.51%, 0.56%

LAB 64.56, 13.65, 39.97

 

CMYK 58 / 0 / 27 / 22

HEX #55C892

RGB 85 200 146

HSL 151.83, 0.51%, 0.56%

LAB 73.1, -45.18, 17.43

 

CMYK 27 / 58 / 0 / 22

HEX #9354C8

RGB 147 84 200

HSL 272.59, 0.51%, 0.56%

LAB 47.9, 47.6, -50.57

 

CMYK 0 / 58 / 42 / 22

HEX #C85574

RGB 200 85 116

HSL 343.83, 0.51%, 0.56%

LAB 51.88, 48.68, 5.67

 

CMYK 31 / 0 / 58 / 22

HEX #8AC855

RGB 138 200 85

HSL 92.35, 0.51%, 0.56%

LAB 74.42, -39.14, 50.34

 

CMYK 58 / 0 / 16 / 22

HEX #55C8A9

RGB 85 200 169

HSL 163.83, 0.51%, 0.56%

LAB 73.61, -40.02, 5.78

 

CMYK 27 / 58 / 0 / 22

HEX #9354C8

RGB 147 84 200

HSL 272.59, 0.51%, 0.56%

LAB 47.9, 47.6, -50.57

 

CMYK 0 / 56 / 58 / 22

HEX #C85955

RGB 200 89 85

HSL 2.09, 0.51%, 0.56%

LAB 51.93, 43.94, 24.14

 

CMYK 31 / 0 / 58 / 22

HEX #8AC855

RGB 138 200 85

HSL 92.35, 0.51%, 0.56%

LAB 74.42, -39.14, 50.34

 

CMYK 58 / 2 / 0 / 22

HEX #55C4C8

RGB 85 196 200

HSL 182.09, 0.51%, 0.56%

LAB 73.27, -30.17, -11.54

 

Description

Color code: HEX #9354C8 | qconv.com Color code: HEX #9354C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 84 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 84 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 58 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 58% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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