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Color name
HEX #935C15

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #935C15 it is the complementary color #6CA3EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #935C15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #935C15 shade: #985C10, #A96E23, #BA8036, #CB9249 and #DCA45C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #935C15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #935C15 shade: #935C15, #824A02, #713800, #602600 and #4F1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #935C15 shade: #935C15, #933A15, #931815 and #931515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #935C15 shade: #935C15, #937E15, #869315, #649315 and #429315

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #935C15 shade matches the following richer shades: #935C15 and #A05D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #935C15 shade: #935C15, #855A22, #785830, #6A563D and #5C554B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #935C15 shade: #931715, #933815, #935A15, #937C15 and #889315

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #935C15 shade: #4B2E0A, #6F450F, #935C15, #B7721A and #DB891F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #935C15 shade: #935C15, #349315 and #271593

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #935C15 shade: #935C15, #15935A and #5A1593

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #935C15 shade: #935C15, #349315, #154D93 and #731593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #935C15 shade: #935C15, #15931B, #154D93 and #93158C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

Complementary color

CMYK 54 / 30 / 0 / 8

HEX #6CA3EA

RGB 108 163 234

HSL 213.81, 0.75%, 0.67%

LAB 66, 1.95, -41.22

 

CMYK 0 / 39 / 89 / 40

HEX #985C10

RGB 152 92 16

HSL 33.53, 0.81%, 0.33%

LAB 44.75, 19.12, 48.87

 

CMYK 0 / 35 / 79 / 34

HEX #A96E23

RGB 169 110 35

HSL 33.58, 0.66%, 0.4%

LAB 51.51, 17.14, 48.7

 

CMYK 0 / 31 / 71 / 27

HEX #BA8036

RGB 186 128 54

HSL 33.64, 0.55%, 0.47%

LAB 58.17, 15.48, 47.66

 

CMYK 0 / 28 / 64 / 20

HEX #CB9249

RGB 203 146 73

HSL 33.69, 0.56%, 0.54%

LAB 64.75, 14.06, 46.33

 

CMYK 0 / 25 / 58 / 14

HEX #DCA45C

RGB 220 164 92

HSL 33.75, 0.65%, 0.61%

LAB 71.24, 12.86, 44.92

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 0 / 43 / 98 / 49

HEX #824A02

RGB 130 74 2

HSL 33.75, 0.97%, 0.26%

LAB 37.2, 19.16, 45.96

 

CMYK 0 / 50 / 100 / 56

HEX #713800

RGB 113 56 0

HSL 29.73, 1%, 0.22%

LAB 30.25, 21.79, 40.86

 

CMYK 0 / 60 / 100 / 62

HEX #602600

RGB 96 38 0

HSL 23.75, 1%, 0.19%

LAB 23.25, 24.42, 33.55

 

CMYK 0 / 75 / 100 / 69

HEX #4F1400

RGB 79 20 0

HSL 15.19, 1%, 0.15%

LAB 16.32, 26.64, 24.78

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 0 / 61 / 86 / 42

HEX #933A15

RGB 147 58 21

HSL 17.62, 0.75%, 0.33%

LAB 36.52, 35.64, 39.8

 

CMYK 0 / 84 / 86 / 42

HEX #931815

RGB 147 24 21

HSL 1.43, 0.75%, 0.33%

LAB 31.6, 49.05, 35.39

 

CMYK 0 / 86 / 86 / 42

HEX #931515

RGB 147 21 21

HSL 0, 0.75%, 0.33%

LAB 31.33, 49.82, 35.14

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 0 / 14 / 86 / 42

HEX #937E15

RGB 147 126 21

HSL 50, 0.75%, 0.33%

LAB 53.14, -2.49, 54.07

 

CMYK 9 / 0 / 86 / 42

HEX #869315

RGB 134 147 21

HSL 66.19, 0.75%, 0.33%

LAB 58.03, -19.72, 57.72

 

CMYK 32 / 0 / 86 / 42

HEX #649315

RGB 100 147 21

HSL 82.38, 0.75%, 0.33%

LAB 55.72, -34.06, 54.83

 

CMYK 55 / 0 / 86 / 42

HEX #429315

RGB 66 147 21

HSL 98.57, 0.75%, 0.33%

LAB 54.11, -45.81, 52.8

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 0 / 42 / 96 / 37

HEX #A05D07

RGB 160 93 7

HSL 33.73, 0.92%, 0.33%

LAB 46.07, 21.98, 52.66

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 0 / 32 / 74 / 48

HEX #855A22

RGB 133 90 34

HSL 33.94, 0.59%, 0.33%

LAB 41.87, 12.21, 38.1

 

CMYK 0 / 27 / 60 / 53

HEX #785830

RGB 120 88 48

HSL 33.33, 0.43%, 0.33%

LAB 39.89, 8.3, 28.07

 

CMYK 0 / 19 / 42 / 58

HEX #6A563D

RGB 106 86 61

HSL 33.33, 0.27%, 0.33%

LAB 37.94, 4.42, 17.66

 

CMYK 0 / 8 / 18 / 64

HEX #5C554B

RGB 92 85 75

HSL 35.29, 0.1%, 0.33%

LAB 36.52, 0.95, 6.86

 

CMYK 0 / 84 / 86 / 42

HEX #931715

RGB 147 23 21

HSL 0.95, 0.75%, 0.33%

LAB 31.51, 49.31, 35.3

 

CMYK 0 / 62 / 86 / 42

HEX #933815

RGB 147 56 21

HSL 16.67, 0.75%, 0.33%

LAB 36.15, 36.63, 39.46

 

CMYK 0 / 39 / 86 / 42

HEX #935A15

RGB 147 90 21

HSL 32.86, 0.75%, 0.33%

LAB 43.61, 18.13, 45.97

 

CMYK 0 / 16 / 86 / 42

HEX #937C15

RGB 147 124 21

HSL 49.05, 0.75%, 0.33%

LAB 52.59, -1.38, 53.6

 

CMYK 7 / 0 / 86 / 42

HEX #889315

RGB 136 147 21

HSL 65.24, 0.75%, 0.33%

LAB 58.18, -18.83, 57.92

 

CMYK 0 / 39 / 87 / 71

HEX #4B2E0A

RGB 75 46 10

HSL 33.23, 0.76%, 0.17%

LAB 21.84, 9.84, 26.93

 

CMYK 0 / 38 / 86 / 56

HEX #6F450F

RGB 111 69 15

HSL 33.75, 0.76%, 0.25%

LAB 33.29, 13.5, 37.35

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 0 / 38 / 86 / 28

HEX #B7721A

RGB 183 114 26

HSL 33.63, 0.75%, 0.41%

LAB 54.21, 20.81, 55.12

 

CMYK 0 / 37 / 86 / 14

HEX #DB891F

RGB 219 137 31

HSL 33.83, 0.75%, 0.49%

LAB 64.2, 23.95, 63.67

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 65 / 0 / 86 / 42

HEX #349315

RGB 52 147 21

HSL 105.24, 0.75%, 0.33%

LAB 53.66, -49.51, 52.22

 

CMYK 73 / 86 / 0 / 42

HEX #271593

RGB 39 21 147

HSL 248.57, 0.75%, 0.33%

LAB 20.34, 46.48, -64.32

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 86 / 0 / 39 / 42

HEX #15935A

RGB 21 147 90

HSL 152.86, 0.75%, 0.33%

LAB 53.78, -45.89, 21.29

 

CMYK 39 / 86 / 0 / 42

HEX #5A1593

RGB 90 21 147

HSL 272.86, 0.75%, 0.33%

LAB 26.21, 52.15, -54.44

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 65 / 0 / 86 / 42

HEX #349315

RGB 52 147 21

HSL 105.24, 0.75%, 0.33%

LAB 53.66, -49.51, 52.22

 

CMYK 86 / 48 / 0 / 42

HEX #154D93

RGB 21 77 147

HSL 213.33, 0.75%, 0.33%

LAB 33.08, 9.65, -43.51

 

CMYK 22 / 86 / 0 / 42

HEX #731593

RGB 115 21 147

HSL 284.76, 0.75%, 0.33%

LAB 30.13, 56.15, -47.88

 

CMYK 0 / 37 / 86 / 42

HEX #935C15

RGB 147 92 21

HSL 33.81, 0.75%, 0.33%

LAB 44.11, 16.97, 46.4

 

CMYK 86 / 0 / 82 / 42

HEX #15931B

RGB 21 147 27

HSL 122.86, 0.75%, 0.33%

LAB 53.07, -54.47, 49.76

 

CMYK 86 / 48 / 0 / 42

HEX #154D93

RGB 21 77 147

HSL 213.33, 0.75%, 0.33%

LAB 33.08, 9.65, -43.51

 

CMYK 0 / 86 / 5 / 42

HEX #93158C

RGB 147 21 140

HSL 303.33, 0.75%, 0.33%

LAB 35.27, 60.92, -35.01

 

Description

Color code: HEX #935C15 | qconv.com Color code: HEX #935C15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 92 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 92 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 86 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 86% 42% C M Y K

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