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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9364A1 it is the complementary color #6C9B5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9364A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9364A1 shade: #98649C, #A976AF, #BA88C2, #CB9AD5 and #DCACE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9364A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9364A1 shade: #9364A1, #82528E, #71407B, #602E68 and #4F1C55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9364A1 shade: #9264A0, #A0649D, #A0648D, #A0647D and #A0646D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9364A1 shade: #9264A0, #8264A0, #7164A0 and #6464A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9364A1 shade matches the following richer shades: #9264A0, #9D4FB4, #A83BC8, #B327DC and #BE13F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9364A1 shade: #9264A0, #87788B, #7C8C77, #71A063 and #66B44F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9364A1 shade: #7264A0, #8264A0, #9264A0, #A0649E and #A0648E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9364A1 shade: #64436E, #7B5387, #9264A0, #A47DAF and #B697BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9364A1 shade: #9364A1, #A06466 and #64A07A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9364A1 shade: #9364A1, #A09264 and #64A092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9364A1 shade: #9364A1, #A06466, #72A064 and #64A09E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9364A1 shade: #9364A1, #A07464, #72A064 and #6490A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 38 / 0 / 37

HEX #9364A1

RGB 147 100 161

HSL 286.23, 0.24%, 0.51%

LAB 49.36, 29.94, -25.55

 

Complementary color

CMYK 30 / 0 / 39 / 39

HEX #6C9B5E

RGB 108 155 94

HSL 106.23, 0.24%, 0.49%

LAB 59.38, -27.88, 27.05

 

CMYK 3 / 36 / 0 / 39

HEX #98649C

RGB 152 100 156

HSL 295.71, 0.22%, 0.5%

LAB 49.73, 30.55, -22

 

CMYK 3 / 33 / 0 / 31

HEX #A976AF

RGB 169 118 175

HSL 293.68, 0.26%, 0.57%

LAB 56.57, 29.8, -22.37

 

CMYK 4 / 30 / 0 / 24

HEX #BA88C2

RGB 186 136 194

HSL 291.72, 0.32%, 0.65%

LAB 63.3, 29.09, -22.72

 

CMYK 5 / 28 / 0 / 16

HEX #CB9AD5

RGB 203 154 213

HSL 289.83, 0.41%, 0.72%

LAB 69.9, 28.44, -23.05

 

CMYK 5 / 26 / 0 / 9

HEX #DCACE8

RGB 220 172 232

HSL 288, 0.57%, 0.79%

LAB 76.4, 27.83, -23.38

 

CMYK 9 / 38 / 0 / 37

HEX #9364A1

RGB 147 100 161

HSL 286.23, 0.24%, 0.51%

LAB 49.36, 29.94, -25.55

 

CMYK 8 / 42 / 0 / 44

HEX #82528E

RGB 130 82 142

HSL 288, 0.27%, 0.44%

LAB 42.36, 30.75, -25.26

 

CMYK 8 / 48 / 0 / 52

HEX #71407B

RGB 113 64 123

HSL 289.83, 0.32%, 0.37%

LAB 35.22, 31.58, -24.92

 

CMYK 8 / 56 / 0 / 59

HEX #602E68

RGB 96 46 104

HSL 291.72, 0.39%, 0.29%

LAB 27.95, 32.37, -24.46

 

CMYK 7 / 67 / 0 / 67

HEX #4F1C55

RGB 79 28 85

HSL 293.68, 0.5%, 0.22%

LAB 20.63, 32.89, -23.72

 

CMYK 9 / 38 / 0 / 37

HEX #9264A0

RGB 146 100 160

HSL 286, 0.24%, 0.51%

LAB 49.21, 29.41, -25.21

 

CMYK 0 / 38 / 2 / 37

HEX #A0649D

RGB 160 100 157

HSL 303, 0.24%, 0.51%

LAB 50.71, 33.4, -20.99

 

CMYK 0 / 38 / 12 / 37

HEX #A0648D

RGB 160 100 141

HSL 319, 0.24%, 0.51%

LAB 50.11, 30.47, -12.46

 

CMYK 0 / 38 / 22 / 37

HEX #A0647D

RGB 160 100 125

HSL 335, 0.24%, 0.51%

LAB 49.58, 27.8, -3.74

 

CMYK 0 / 38 / 32 / 37

HEX #A0646D

RGB 160 100 109

HSL 351, 0.24%, 0.51%

LAB 49.12, 25.44, 5.15

 

CMYK 9 / 38 / 0 / 37

HEX #9264A0

RGB 146 100 160

HSL 286, 0.24%, 0.51%

LAB 49.21, 29.41, -25.21

 

CMYK 19 / 38 / 0 / 37

HEX #8264A0

RGB 130 100 160

HSL 270, 0.24%, 0.51%

LAB 47.49, 24.26, -28.01

 

CMYK 29 / 38 / 0 / 37

HEX #7164A0

RGB 113 100 160

HSL 253, 0.24%, 0.51%

LAB 45.86, 18.97, -30.68

 

CMYK 38 / 38 / 0 / 37

HEX #6464A0

RGB 100 100 160

HSL 240, 0.24%, 0.51%

LAB 44.75, 15.14, -32.5

 

CMYK 9 / 38 / 0 / 37

HEX #9264A0

RGB 146 100 160

HSL 286, 0.24%, 0.51%

LAB 49.21, 29.41, -25.21

 

CMYK 13 / 56 / 0 / 29

HEX #9D4FB4

RGB 157 79 180

HSL 286.34, 0.4%, 0.51%

LAB 47.05, 48.34, -40.23

 

CMYK 16 / 71 / 0 / 22

HEX #A83BC8

RGB 168 59 200

HSL 286.38, 0.56%, 0.51%

LAB 46.48, 63.95, -52.69

 

CMYK 19 / 82 / 0 / 14

HEX #B327DC

RGB 179 39 220

HSL 286.41, 0.72%, 0.51%

LAB 47.24, 76.1, -62.87

 

CMYK 21 / 92 / 0 / 6

HEX #BE13F0

RGB 190 19 240

HSL 286.43, 0.88%, 0.51%

LAB 49.14, 84.97, -71.05

 

CMYK 9 / 38 / 0 / 37

HEX #9264A0

RGB 146 100 160

HSL 286, 0.24%, 0.51%

LAB 49.21, 29.41, -25.21

 

CMYK 3 / 14 / 0 / 45

HEX #87788B

RGB 135 120 139

HSL 287.37, 0.08%, 0.51%

LAB 52.34, 9.46, -8.2

 

CMYK 11 / 0 / 15 / 45

HEX #7C8C77

RGB 124 140 119

HSL 105.71, 0.08%, 0.51%

LAB 56.46, -9.96, 9.29

 

CMYK 29 / 0 / 38 / 37

HEX #71A063

RGB 113 160 99

HSL 106.23, 0.24%, 0.51%

LAB 61.27, -27.77, 26.87

 

CMYK 43 / 0 / 56 / 29

HEX #66B44F

RGB 102 180 79

HSL 106.34, 0.4%, 0.51%

LAB 66.54, -43.26, 43.51

 

CMYK 29 / 38 / 0 / 37

HEX #7264A0

RGB 114 100 160

HSL 254, 0.24%, 0.51%

LAB 45.95, 19.27, -30.53

 

CMYK 19 / 38 / 0 / 37

HEX #8264A0

RGB 130 100 160

HSL 270, 0.24%, 0.51%

LAB 47.49, 24.26, -28.01

 

CMYK 9 / 38 / 0 / 37

HEX #9264A0

RGB 146 100 160

HSL 286, 0.24%, 0.51%

LAB 49.21, 29.41, -25.21

 

CMYK 0 / 38 / 1 / 37

HEX #A0649E

RGB 160 100 158

HSL 302, 0.24%, 0.51%

LAB 50.75, 33.59, -21.51

 

CMYK 0 / 38 / 11 / 37

HEX #A0648E

RGB 160 100 142

HSL 318, 0.24%, 0.51%

LAB 50.15, 30.64, -13

 

CMYK 9 / 39 / 0 / 57

HEX #64436E

RGB 100 67 110

HSL 286.05, 0.24%, 0.35%

LAB 33.67, 22.57, -19.32

 

CMYK 9 / 39 / 0 / 47

HEX #7B5387

RGB 123 83 135

HSL 286.15, 0.24%, 0.43%

LAB 41.45, 26.34, -22.5

 

CMYK 9 / 38 / 0 / 37

HEX #9264A0

RGB 146 100 160

HSL 286, 0.24%, 0.51%

LAB 49.21, 29.41, -25.21

 

CMYK 6 / 29 / 0 / 31

HEX #A47DAF

RGB 164 125 175

HSL 286.8, 0.24%, 0.59%

LAB 57.71, 24.16, -20.68

 

CMYK 5 / 21 / 0 / 25

HEX #B697BF

RGB 182 151 191

HSL 286.5, 0.24%, 0.67%

LAB 66.4, 18.79, -16.36

 

CMYK 9 / 38 / 0 / 37

HEX #9364A1

RGB 147 100 161

HSL 286.23, 0.24%, 0.51%

LAB 49.36, 29.94, -25.55

 

CMYK 0 / 38 / 36 / 37

HEX #A06466

RGB 160 100 102

HSL 358, 0.24%, 0.51%

LAB 48.94, 24.5, 9.08

 

CMYK 38 / 0 / 24 / 37

HEX #64A07A

RGB 100 160 122

HSL 142, 0.24%, 0.51%

LAB 61.01, -28.04, 13.77

 

CMYK 9 / 38 / 0 / 37

HEX #9364A1

RGB 147 100 161

HSL 286.23, 0.24%, 0.51%

LAB 49.36, 29.94, -25.55

 

CMYK 0 / 9 / 38 / 37

HEX #A09264

RGB 160 146 100

HSL 46, 0.24%, 0.51%

LAB 60.74, -1.78, 26.29

 

CMYK 38 / 0 / 9 / 37

HEX #64A092

RGB 100 160 146

HSL 166, 0.24%, 0.51%

LAB 61.59, -22.8, 1.14

 

CMYK 9 / 38 / 0 / 37

HEX #9364A1

RGB 147 100 161

HSL 286.23, 0.24%, 0.51%

LAB 49.36, 29.94, -25.55

 

CMYK 0 / 38 / 36 / 37

HEX #A06466

RGB 160 100 102

HSL 358, 0.24%, 0.51%

LAB 48.94, 24.5, 9.08

 

CMYK 29 / 0 / 38 / 37

HEX #72A064

RGB 114 160 100

HSL 106, 0.24%, 0.51%

LAB 61.34, -27.26, 26.44

 

CMYK 38 / 0 / 1 / 37

HEX #64A09E

RGB 100 160 158

HSL 178, 0.24%, 0.51%

LAB 61.93, -19.88, -5.12

 

CMYK 9 / 38 / 0 / 37

HEX #9364A1

RGB 147 100 161

HSL 286.23, 0.24%, 0.51%

LAB 49.36, 29.94, -25.55

 

CMYK 0 / 28 / 38 / 37

HEX #A07464

RGB 160 116 100

HSL 16, 0.24%, 0.51%

LAB 52.82, 15.12, 15.66

 

CMYK 29 / 0 / 38 / 37

HEX #72A064

RGB 114 160 100

HSL 106, 0.24%, 0.51%

LAB 61.34, -27.26, 26.44

 

CMYK 38 / 10 / 0 / 37

HEX #6490A0

RGB 100 144 160

HSL 196, 0.24%, 0.51%

LAB 57.26, -10.79, -13.23

 

Description

Color code: HEX #9364A1 | qconv.com Color code: HEX #9364A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 100 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 100 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 38 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 38% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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