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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93607A it is the complementary color #6C9F85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93607A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93607A shade: #986075, #A97288, #BA849B, #CB96AE and #DCA8C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93607A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93607A shade: #93607A, #824E67, #713C54, #602A41 and #4F182E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93607A shade: #94607A, #94606D and #946060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93607A shade: #94607A, #946088, #916094, #836094 and #756094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93607A shade matches the following richer shades: #94607A, #A74C7B, #BB397B, #CF257C and #E3117C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93607A shade: #94607A, #80747A, #6C887A, #589C79 and #44AF79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93607A shade: #916094, #946088, #94607B, #94606D and #946160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93607A shade: #624051, #7B5066, #94607A, #A6778F and #B690A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93607A shade: #93607A, #948360 and #608F94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93607A shade: #93607A, #7B9460 and #607B94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93607A shade: #93607A, #948360, #609479 and #607094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93607A shade: #93607A, #949360, #609479 and #606194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 17 / 42

HEX #93607A

RGB 147 96 122

HSL 329.41, 0.21%, 0.48%

LAB 46.94, 24.75, -6.03

 

Complementary color

CMYK 32 / 0 / 16 / 38

HEX #6C9F85

RGB 108 159 133

HSL 149.41, 0.21%, 0.52%

LAB 61.38, -22.77, 8.2

 

CMYK 0 / 37 / 23 / 40

HEX #986075

RGB 152 96 117

HSL 337.5, 0.23%, 0.49%

LAB 47.4, 25.81, -2.27

 

CMYK 0 / 33 / 20 / 34

HEX #A97288

RGB 169 114 136

HSL 336, 0.24%, 0.55%

LAB 54.29, 25, -3.17

 

CMYK 0 / 29 / 17 / 27

HEX #BA849B

RGB 186 132 155

HSL 334.44, 0.28%, 0.62%

LAB 61.05, 24.26, -3.96

 

CMYK 0 / 26 / 14 / 20

HEX #CB96AE

RGB 203 150 174

HSL 332.83, 0.34%, 0.69%

LAB 67.7, 23.59, -4.69

 

CMYK 0 / 24 / 12 / 14

HEX #DCA8C1

RGB 220 168 193

HSL 331.15, 0.43%, 0.76%

LAB 74.24, 22.97, -5.36

 

CMYK 0 / 35 / 17 / 42

HEX #93607A

RGB 147 96 122

HSL 329.41, 0.21%, 0.48%

LAB 46.94, 24.75, -6.03

 

CMYK 0 / 40 / 21 / 49

HEX #824E67

RGB 130 78 103

HSL 331.15, 0.25%, 0.41%

LAB 39.87, 25.59, -5.17

 

CMYK 0 / 47 / 26 / 56

HEX #713C54

RGB 113 60 84

HSL 332.83, 0.31%, 0.34%

LAB 32.66, 26.5, -4.13

 

CMYK 0 / 56 / 32 / 62

HEX #602A41

RGB 96 42 65

HSL 334.44, 0.39%, 0.27%

LAB 25.33, 27.41, -2.78

 

CMYK 0 / 70 / 42 / 69

HEX #4F182E

RGB 79 24 46

HSL 336, 0.53%, 0.2%

LAB 17.98, 28.11, -0.85

 

CMYK 0 / 35 / 18 / 42

HEX #94607A

RGB 148 96 122

HSL 330, 0.21%, 0.48%

LAB 47.06, 25.12, -5.83

 

CMYK 0 / 35 / 26 / 42

HEX #94606D

RGB 148 96 109

HSL 345, 0.21%, 0.48%

LAB 46.67, 23.04, 1.41

 

CMYK 0 / 35 / 35 / 42

HEX #946060

RGB 148 96 96

HSL 0, 0.21%, 0.48%

LAB 46.32, 21.18, 8.75

 

CMYK 0 / 35 / 18 / 42

HEX #94607A

RGB 148 96 122

HSL 330, 0.21%, 0.48%

LAB 47.06, 25.12, -5.83

 

CMYK 0 / 35 / 8 / 42

HEX #946088

RGB 148 96 136

HSL 313.85, 0.21%, 0.48%

LAB 47.55, 27.6, -13.5

 

CMYK 2 / 35 / 0 / 42

HEX #916094

RGB 145 96 148

HSL 296.54, 0.21%, 0.48%

LAB 47.65, 28.88, -20.52

 

CMYK 11 / 35 / 0 / 42

HEX #836094

RGB 131 96 148

HSL 280.38, 0.21%, 0.48%

LAB 46.08, 24.19, -23.08

 

CMYK 21 / 35 / 0 / 42

HEX #756094

RGB 117 96 148

HSL 264.23, 0.21%, 0.48%

LAB 44.64, 19.58, -25.42

 

CMYK 0 / 35 / 18 / 42

HEX #94607A

RGB 148 96 122

HSL 330, 0.21%, 0.48%

LAB 47.06, 25.12, -5.83

 

CMYK 0 / 54 / 26 / 35

HEX #A74C7B

RGB 167 76 123

HSL 329.01, 0.37%, 0.48%

LAB 45.38, 42.88, -8.68

 

CMYK 0 / 70 / 34 / 27

HEX #BB397B

RGB 187 57 123

HSL 329.54, 0.53%, 0.48%

LAB 45.53, 57.42, -8.13

 

CMYK 0 / 82 / 40 / 19

HEX #CF257C

RGB 207 37 124

HSL 329.29, 0.7%, 0.48%

LAB 47.03, 68.86, -6.11

 

CMYK 0 / 93 / 45 / 11

HEX #E3117C

RGB 227 17 124

HSL 329.43, 0.86%, 0.48%

LAB 49.72, 76.85, -1.7

 

CMYK 0 / 35 / 18 / 42

HEX #94607A

RGB 148 96 122

HSL 330, 0.21%, 0.48%

LAB 47.06, 25.12, -5.83

 

CMYK 0 / 9 / 5 / 50

HEX #80747A

RGB 128 116 122

HSL 330, 0.05%, 0.48%

LAB 50.08, 5.78, -1.62

 

CMYK 21 / 0 / 10 / 47

HEX #6C887A

RGB 108 136 122

HSL 150, 0.11%, 0.48%

LAB 54.24, -12.99, 4.24

 

CMYK 44 / 0 / 22 / 39

HEX #589C79

RGB 88 156 121

HSL 149.12, 0.28%, 0.48%

LAB 59.19, -29.88, 11.7

 

CMYK 61 / 0 / 31 / 31

HEX #44AF79

RGB 68 175 121

HSL 149.72, 0.44%, 0.48%

LAB 64.38, -43.4, 18.79

 

CMYK 2 / 35 / 0 / 42

HEX #916094

RGB 145 96 148

HSL 296.54, 0.21%, 0.48%

LAB 47.65, 28.88, -20.52

 

CMYK 0 / 35 / 8 / 42

HEX #946088

RGB 148 96 136

HSL 313.85, 0.21%, 0.48%

LAB 47.55, 27.6, -13.5

 

CMYK 0 / 35 / 17 / 42

HEX #94607B

RGB 148 96 123

HSL 328.85, 0.21%, 0.48%

LAB 47.09, 25.29, -6.39

 

CMYK 0 / 35 / 26 / 42

HEX #94606D

RGB 148 96 109

HSL 345, 0.21%, 0.48%

LAB 46.67, 23.04, 1.41

 

CMYK 0 / 34 / 35 / 42

HEX #946160

RGB 148 97 96

HSL 1.15, 0.21%, 0.48%

LAB 46.56, 20.6, 9.1

 

CMYK 0 / 35 / 17 / 62

HEX #624051

RGB 98 64 81

HSL 330, 0.21%, 0.32%

LAB 31.48, 17.67, -4.17

 

CMYK 0 / 35 / 17 / 52

HEX #7B5066

RGB 123 80 102

HSL 329.3, 0.21%, 0.4%

LAB 39.42, 21.56, -5.31

 

CMYK 0 / 35 / 18 / 42

HEX #94607A

RGB 148 96 122

HSL 330, 0.21%, 0.48%

LAB 47.06, 25.12, -5.83

 

CMYK 0 / 28 / 14 / 35

HEX #A6778F

RGB 166 119 143

HSL 329.36, 0.21%, 0.56%

LAB 55.36, 22.22, -5.7

 

CMYK 0 / 21 / 10 / 29

HEX #B690A4

RGB 182 144 164

HSL 328.42, 0.21%, 0.64%

LAB 63.81, 17.63, -5.05

 

CMYK 0 / 35 / 17 / 42

HEX #93607A

RGB 147 96 122

HSL 329.41, 0.21%, 0.48%

LAB 46.94, 24.75, -6.03

 

CMYK 0 / 11 / 35 / 42

HEX #948360

RGB 148 131 96

HSL 40.38, 0.21%, 0.48%

LAB 55.45, 1.04, 21.31

 

CMYK 35 / 3 / 0 / 42

HEX #608F94

RGB 96 143 148

HSL 185.77, 0.21%, 0.48%

LAB 56.36, -14.53, -7.73

 

CMYK 0 / 35 / 17 / 42

HEX #93607A

RGB 147 96 122

HSL 329.41, 0.21%, 0.48%

LAB 46.94, 24.75, -6.03

 

CMYK 17 / 0 / 35 / 42

HEX #7B9460

RGB 123 148 96

HSL 88.85, 0.21%, 0.48%

LAB 58.26, -18.44, 24.67

 

CMYK 35 / 17 / 0 / 42

HEX #607B94

RGB 96 123 148

HSL 208.85, 0.21%, 0.48%

LAB 50.44, -3.29, -16.64

 

CMYK 0 / 35 / 17 / 42

HEX #93607A

RGB 147 96 122

HSL 329.41, 0.21%, 0.48%

LAB 46.94, 24.75, -6.03

 

CMYK 0 / 11 / 35 / 42

HEX #948360

RGB 148 131 96

HSL 40.38, 0.21%, 0.48%

LAB 55.45, 1.04, 21.31

 

CMYK 35 / 0 / 18 / 42

HEX #609479

RGB 96 148 121

HSL 148.85, 0.21%, 0.48%

LAB 57.12, -23.52, 8.84

 

CMYK 35 / 24 / 0 / 42

HEX #607094

RGB 96 112 148

HSL 221.54, 0.21%, 0.48%

LAB 47.25, 3.22, -21.52

 

CMYK 0 / 35 / 17 / 42

HEX #93607A

RGB 147 96 122

HSL 329.41, 0.21%, 0.48%

LAB 46.94, 24.75, -6.03

 

CMYK 0 / 1 / 35 / 42

HEX #949360

RGB 148 147 96

HSL 58.85, 0.21%, 0.48%

LAB 59.9, -7.82, 27.18

 

CMYK 35 / 0 / 18 / 42

HEX #609479

RGB 96 148 121

HSL 148.85, 0.21%, 0.48%

LAB 57.12, -23.52, 8.84

 

CMYK 35 / 34 / 0 / 42

HEX #606194

RGB 96 97 148

HSL 238.85, 0.21%, 0.48%

LAB 43.02, 12.4, -28.08

 

Description

Color code: HEX #93607A | qconv.com Color code: HEX #93607A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 96 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 96 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 17 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 17% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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