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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9361C6 it is the complementary color #6C9E39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9361C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9361C6 shade: #9861C1, #A973D4, #BA85E7, #CB97FA and #DCA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9361C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9361C6 shade: #9361C6, #824FB3, #713DA0, #602B8D and #4F197A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9361C6 shade: #9361C6, #AE61C6, #C661C2, #C661A7 and #C6618C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9361C6 shade: #9361C6, #7861C6 and #6161C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9361C6 shade matches the following richer shades: #9361C6, #9350D7, #933EE8 and #922DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9361C6 shade: #9361C6, #9372B4, #9384A3, #939592 and #94A680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9361C6 shade: #6166C6, #7761C6, #9261C6, #AD61C6 and #C661C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9361C6 shade: #6A389C, #7E43BB, #9361C6, #A87FD1 and #BC9EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9361C6 shade: #9361C6, #C66181 and #61C669

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9361C6 shade: #9361C6, #C69261 and #61C692

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9361C6 shade: #9361C6, #C66181, #95C661 and #61C6A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9361C6 shade: #9361C6, #C66163, #95C661 and #61C6C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

Complementary color

CMYK 32 / 0 / 64 / 38

HEX #6C9E39

RGB 108 158 57

HSL 89.7, 0.47%, 0.42%

LAB 59.83, -33.74, 46.1

 

CMYK 21 / 50 / 0 / 24

HEX #9861C1

RGB 152 97 193

HSL 274.38, 0.44%, 0.57%

LAB 50.77, 40.25, -41.92

 

CMYK 20 / 46 / 0 / 17

HEX #A973D4

RGB 169 115 212

HSL 273.4, 0.53%, 0.64%

LAB 57.51, 39.38, -41.99

 

CMYK 19 / 42 / 0 / 9

HEX #BA85E7

RGB 186 133 231

HSL 272.45, 0.67%, 0.71%

LAB 64.15, 38.55, -42.06

 

CMYK 19 / 40 / 0 / 2

HEX #CB97FA

RGB 203 151 250

HSL 271.52, 0.91%, 0.79%

LAB 70.69, 37.77, -42.13

 

CMYK 14 / 34 / 0 / 0

HEX #DCA9FF

RGB 220 169 255

HSL 275.58, 1%, 0.83%

LAB 76.56, 34.07, -35.56

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 27 / 56 / 0 / 30

HEX #824FB3

RGB 130 79 179

HSL 270.6, 0.4%, 0.51%

LAB 43.64, 41, -45.27

 

CMYK 29 / 62 / 0 / 37

HEX #713DA0

RGB 113 61 160

HSL 271.52, 0.45%, 0.43%

LAB 36.72, 41.91, -45.18

 

CMYK 32 / 70 / 0 / 45

HEX #602B8D

RGB 96 43 141

HSL 272.45, 0.53%, 0.36%

LAB 29.76, 42.65, -44.92

 

CMYK 35 / 80 / 0 / 52

HEX #4F197A

RGB 79 25 122

HSL 273.4, 0.66%, 0.29%

LAB 22.87, 42.88, -44.28

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 12 / 51 / 0 / 22

HEX #AE61C6

RGB 174 97 198

HSL 285.74, 0.47%, 0.58%

LAB 53.63, 47.44, -40.12

 

CMYK 0 / 51 / 2 / 22

HEX #C661C2

RGB 198 97 194

HSL 302.38, 0.47%, 0.58%

LAB 56.54, 53.42, -33.04

 

CMYK 0 / 51 / 16 / 22

HEX #C661A7

RGB 198 97 167

HSL 318.42, 0.47%, 0.58%

LAB 55.43, 48.93, -19.18

 

CMYK 0 / 51 / 29 / 22

HEX #C6618C

RGB 198 97 140

HSL 334.46, 0.47%, 0.58%

LAB 54.5, 45.03, -4.78

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 39 / 51 / 0 / 22

HEX #7861C6

RGB 120 97 198

HSL 253.66, 0.47%, 0.58%

LAB 47.78, 33.08, -49.77

 

CMYK 51 / 51 / 0 / 22

HEX #6161C6

RGB 97 97 198

HSL 240, 0.47%, 0.58%

LAB 45.86, 27.73, -52.94

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 32 / 63 / 0 / 16

HEX #9350D7

RGB 147 80 215

HSL 269.78, 0.63%, 0.58%

LAB 48.07, 53.21, -58.9

 

CMYK 37 / 73 / 0 / 9

HEX #933EE8

RGB 147 62 232

HSL 270, 0.79%, 0.58%

LAB 46.28, 65.52, -71.46

 

CMYK 42 / 82 / 0 / 2

HEX #922DFA

RGB 146 45 250

HSL 269.56, 0.95%, 0.58%

LAB 45.48, 75.6, -82.89

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 18 / 37 / 0 / 29

HEX #9372B4

RGB 147 114 180

HSL 270, 0.31%, 0.58%

LAB 53.53, 26.08, -30.14

 

CMYK 10 / 19 / 0 / 36

HEX #9384A3

RGB 147 132 163

HSL 269.03, 0.14%, 0.58%

LAB 57.41, 11.81, -14.39

 

CMYK 1 / 0 / 2 / 42

HEX #939592

RGB 147 149 146

HSL 100, 0.01%, 0.58%

LAB 61.46, -1.3, 1.32

 

CMYK 11 / 0 / 23 / 35

HEX #94A680

RGB 148 166 128

HSL 88.42, 0.18%, 0.58%

LAB 65.85, -13.32, 17.62

 

CMYK 51 / 48 / 0 / 22

HEX #6166C6

RGB 97 102 198

HSL 237.03, 0.47%, 0.58%

LAB 47.13, 24.64, -50.9

 

CMYK 40 / 51 / 0 / 22

HEX #7761C6

RGB 119 97 198

HSL 253.07, 0.47%, 0.58%

LAB 47.69, 32.84, -49.92

 

CMYK 26 / 51 / 0 / 22

HEX #9261C6

RGB 146 97 198

HSL 269.11, 0.47%, 0.58%

LAB 50.38, 39.79, -45.47

 

CMYK 13 / 51 / 0 / 22

HEX #AD61C6

RGB 173 97 198

HSL 285.15, 0.47%, 0.58%

LAB 53.5, 47.16, -40.32

 

CMYK 0 / 51 / 1 / 22

HEX #C661C4

RGB 198 97 196

HSL 301.19, 0.47%, 0.58%

LAB 56.63, 53.77, -34.05

 

CMYK 32 / 64 / 0 / 39

HEX #6A389C

RGB 106 56 156

HSL 270, 0.47%, 0.42%

LAB 34.59, 41.92, -46.24

 

CMYK 33 / 64 / 0 / 27

HEX #7E43BB

RGB 126 67 187

HSL 269.5, 0.47%, 0.5%

LAB 41.28, 48.42, -53.78

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 20 / 39 / 0 / 18

HEX #A87FD1

RGB 168 127 209

HSL 270, 0.47%, 0.66%

LAB 59.99, 31.7, -36.43

 

CMYK 15 / 28 / 0 / 14

HEX #BC9EDC

RGB 188 158 220

HSL 269.03, 0.47%, 0.74%

LAB 69.69, 22.87, -27.36

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 0 / 51 / 35 / 22

HEX #C66181

RGB 198 97 129

HSL 340.99, 0.47%, 0.58%

LAB 54.18, 43.63, 1.23

 

CMYK 51 / 0 / 47 / 22

HEX #61C669

RGB 97 198 105

HSL 124.75, 0.47%, 0.58%

LAB 72.19, -48.75, 37.64

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 0 / 26 / 51 / 22

HEX #C69261

RGB 198 146 97

HSL 29.11, 0.47%, 0.58%

LAB 64.5, 13.84, 33.53

 

CMYK 51 / 0 / 26 / 22

HEX #61C692

RGB 97 198 146

HSL 149.11, 0.47%, 0.58%

LAB 72.9, -41.56, 17.21

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 0 / 51 / 35 / 22

HEX #C66181

RGB 198 97 129

HSL 340.99, 0.47%, 0.58%

LAB 54.18, 43.63, 1.23

 

CMYK 25 / 0 / 51 / 22

HEX #95C661

RGB 149 198 97

HSL 89.11, 0.47%, 0.58%

LAB 74.6, -32.99, 45.08

 

CMYK 51 / 0 / 16 / 22

HEX #61C6A6

RGB 97 198 166

HSL 160.99, 0.47%, 0.58%

LAB 73.34, -37.22, 7.06

 

CMYK 26 / 51 / 0 / 22

HEX #9361C6

RGB 147 97 198

HSL 269.7, 0.47%, 0.58%

LAB 50.49, 40.06, -45.29

 

CMYK 0 / 51 / 50 / 22

HEX #C66163

RGB 198 97 99

HSL 358.81, 0.47%, 0.58%

LAB 53.44, 40.4, 17.9

 

CMYK 25 / 0 / 51 / 22

HEX #95C661

RGB 149 198 97

HSL 89.11, 0.47%, 0.58%

LAB 74.6, -32.99, 45.08

 

CMYK 51 / 0 / 1 / 22

HEX #61C6C4

RGB 97 198 196

HSL 178.81, 0.47%, 0.58%

LAB 74.14, -29.83, -8.04

 

Description

Color code: HEX #9361C6 | qconv.com Color code: HEX #9361C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 97 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 97 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 51 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 51% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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