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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #936DC4 it is the complementary color #6C923B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #936DC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #936DC4 shade: #986DBF, #A97FD2, #BA91E5, #CBA3F8 and #DCB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #936DC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #936DC4 shade: #936DC4, #825BB1, #71499E, #60378B and #4F2578

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #936DC4 shade: #936EC3, #AA6EC3, #C16EC3, #C36EAE and #C36E97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #936DC4 shade: #936EC3, #7C6EC3 and #6E6EC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #936DC4 shade matches the following richer shades: #936EC3, #915DD4, #8F4DE4 and #8D3CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #936DC4 shade: #936EC3, #957EB3, #978FA2, #999F92 and #9BB081

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #936DC4 shade: #6E76C3, #7C6EC3, #936EC3, #AA6EC3 and #C06EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #936DC4 shade: #69409E, #7D50B7, #936EC3, #A98BCF and #BFA8DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #936DC4 shade: #936DC4, #C36E8D and #6EC371

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #936DC4 shade: #936DC4, #C3936E and #6EC393

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #936DC4 shade: #936DC4, #C36E8D, #9EC36E and #6EC3A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #936DC4 shade: #936DC4, #C36E73, #9EC36E and #6EC3BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 44 / 0 / 23

HEX #936DC4

RGB 147 109 196

HSL 266.21, 0.42%, 0.6%

LAB 53.09, 32.77, -40.03

 

Complementary color

CMYK 26 / 0 / 60 / 43

HEX #6C923B

RGB 108 146 59

HSL 86.21, 0.42%, 0.4%

LAB 56.15, -27.89, 41.08

 

CMYK 20 / 43 / 0 / 25

HEX #986DBF

RGB 152 109 191

HSL 271.46, 0.39%, 0.59%

LAB 53.36, 33.03, -36.7

 

CMYK 20 / 40 / 0 / 18

HEX #A97FD2

RGB 169 127 210

HSL 270.36, 0.48%, 0.66%

LAB 60.13, 32.22, -36.76

 

CMYK 19 / 37 / 0 / 10

HEX #BA91E5

RGB 186 145 229

HSL 269.29, 0.62%, 0.73%

LAB 66.78, 31.47, -36.83

 

CMYK 18 / 34 / 0 / 3

HEX #CBA3F8

RGB 203 163 248

HSL 268.24, 0.86%, 0.81%

LAB 73.33, 30.78, -36.92

 

CMYK 14 / 29 / 0 / 0

HEX #DCB5FF

RGB 220 181 255

HSL 271.62, 1%, 0.85%

LAB 79.32, 27.59, -31.31

 

CMYK 25 / 44 / 0 / 23

HEX #936DC4

RGB 147 109 196

HSL 266.21, 0.42%, 0.6%

LAB 53.09, 32.77, -40.03

 

CMYK 27 / 49 / 0 / 31

HEX #825BB1

RGB 130 91 177

HSL 267.21, 0.36%, 0.53%

LAB 46.18, 33.69, -40.06

 

CMYK 28 / 54 / 0 / 38

HEX #71499E

RGB 113 73 158

HSL 268.24, 0.37%, 0.45%

LAB 39.15, 34.67, -40.09

 

CMYK 31 / 60 / 0 / 45

HEX #60378B

RGB 96 55 139

HSL 269.29, 0.43%, 0.38%

LAB 32, 35.67, -40.08

 

CMYK 34 / 69 / 0 / 53

HEX #4F2578

RGB 79 37 120

HSL 270.36, 0.53%, 0.31%

LAB 24.77, 36.57, -39.93

 

CMYK 25 / 44 / 0 / 24

HEX #936EC3

RGB 147 110 195

HSL 266.12, 0.41%, 0.6%

LAB 53.27, 31.95, -39.16

 

CMYK 13 / 44 / 0 / 24

HEX #AA6EC3

RGB 170 110 195

HSL 282.35, 0.41%, 0.6%

LAB 55.72, 38.7, -35.14

 

CMYK 1 / 44 / 0 / 24

HEX #C16EC3

RGB 193 110 195

HSL 298.59, 0.41%, 0.6%

LAB 58.44, 45.58, -30.7

 

CMYK 0 / 44 / 11 / 24

HEX #C36EAE

RGB 195 110 174

HSL 314.82, 0.41%, 0.6%

LAB 57.86, 42.48, -19.56

 

CMYK 0 / 44 / 23 / 24

HEX #C36E97

RGB 195 110 151

HSL 331.06, 0.41%, 0.6%

LAB 57.06, 38.84, -7.45

 

CMYK 25 / 44 / 0 / 24

HEX #936EC3

RGB 147 110 195

HSL 266.12, 0.41%, 0.6%

LAB 53.27, 31.95, -39.16

 

CMYK 36 / 44 / 0 / 24

HEX #7C6EC3

RGB 124 110 195

HSL 249.88, 0.41%, 0.6%

LAB 51.13, 25.54, -42.69

 

CMYK 44 / 44 / 0 / 24

HEX #6E6EC3

RGB 110 110 195

HSL 240, 0.41%, 0.6%

LAB 49.99, 21.9, -44.57

 

CMYK 25 / 44 / 0 / 24

HEX #936EC3

RGB 147 110 195

HSL 266.12, 0.41%, 0.6%

LAB 53.27, 31.95, -39.16

 

CMYK 32 / 56 / 0 / 17

HEX #915DD4

RGB 145 93 212

HSL 266.22, 0.58%, 0.6%

LAB 50.22, 45.18, -53.74

 

CMYK 37 / 66 / 0 / 11

HEX #8F4DE4

RGB 143 77 228

HSL 266.23, 0.74%, 0.6%

LAB 47.94, 57.02, -66.51

 

CMYK 42 / 76 / 0 / 4

HEX #8D3CF5

RGB 141 60 245

HSL 266.27, 0.9%, 0.6%

LAB 46.29, 68.41, -78.78

 

CMYK 25 / 44 / 0 / 24

HEX #936EC3

RGB 147 110 195

HSL 266.12, 0.41%, 0.6%

LAB 53.27, 31.95, -39.16

 

CMYK 17 / 30 / 0 / 30

HEX #957EB3

RGB 149 126 179

HSL 266.04, 0.26%, 0.6%

LAB 56.65, 19.51, -24.72

 

CMYK 7 / 12 / 0 / 36

HEX #978FA2

RGB 151 143 162

HSL 265.26, 0.09%, 0.6%

LAB 60.63, 6.7, -8.95

 

CMYK 4 / 0 / 8 / 38

HEX #999F92

RGB 153 159 146

HSL 87.69, 0.06%, 0.6%

LAB 64.68, -4.61, 6.03

 

CMYK 12 / 0 / 27 / 31

HEX #9BB081

RGB 155 176 129

HSL 86.81, 0.23%, 0.6%

LAB 69.19, -15.74, 21.73

 

CMYK 44 / 39 / 0 / 24

HEX #6E76C3

RGB 110 118 195

HSL 234.35, 0.41%, 0.6%

LAB 52.08, 17.06, -41.26

 

CMYK 36 / 44 / 0 / 24

HEX #7C6EC3

RGB 124 110 195

HSL 249.88, 0.41%, 0.6%

LAB 51.13, 25.54, -42.69

 

CMYK 25 / 44 / 0 / 24

HEX #936EC3

RGB 147 110 195

HSL 266.12, 0.41%, 0.6%

LAB 53.27, 31.95, -39.16

 

CMYK 13 / 44 / 0 / 24

HEX #AA6EC3

RGB 170 110 195

HSL 282.35, 0.41%, 0.6%

LAB 55.72, 38.7, -35.14

 

CMYK 2 / 44 / 0 / 24

HEX #C06EC3

RGB 192 110 195

HSL 297.88, 0.41%, 0.6%

LAB 58.32, 45.28, -30.9

 

CMYK 34 / 59 / 0 / 38

HEX #69409E

RGB 105 64 158

HSL 266.17, 0.42%, 0.44%

LAB 36.25, 37.77, -44.77

 

CMYK 32 / 56 / 0 / 28

HEX #7D50B7

RGB 125 80 183

HSL 266.21, 0.42%, 0.52%

LAB 43.53, 40.17, -47.82

 

CMYK 25 / 44 / 0 / 24

HEX #936EC3

RGB 147 110 195

HSL 266.12, 0.41%, 0.6%

LAB 53.27, 31.95, -39.16

 

CMYK 18 / 33 / 0 / 19

HEX #A98BCF

RGB 169 139 207

HSL 266.47, 0.41%, 0.68%

LAB 62.85, 24.75, -30.84

 

CMYK 13 / 23 / 0 / 14

HEX #BFA8DB

RGB 191 168 219

HSL 267.06, 0.41%, 0.76%

LAB 72.36, 18.07, -22.71

 

CMYK 25 / 44 / 0 / 23

HEX #936DC4

RGB 147 109 196

HSL 266.21, 0.42%, 0.6%

LAB 53.09, 32.77, -40.03

 

CMYK 0 / 44 / 28 / 24

HEX #C36E8D

RGB 195 110 141

HSL 338.12, 0.41%, 0.6%

LAB 56.76, 37.41, -2.08

 

CMYK 44 / 0 / 42 / 24

HEX #6EC371

RGB 110 195 113

HSL 122.12, 0.41%, 0.6%

LAB 71.92, -42.64, 33.34

 

CMYK 25 / 44 / 0 / 23

HEX #936DC4

RGB 147 109 196

HSL 266.21, 0.42%, 0.6%

LAB 53.09, 32.77, -40.03

 

CMYK 0 / 25 / 44 / 24

HEX #C3936E

RGB 195 147 110

HSL 26.12, 0.41%, 0.6%

LAB 64.64, 13.35, 26.59

 

CMYK 44 / 0 / 25 / 24

HEX #6EC393

RGB 110 195 147

HSL 146.12, 0.41%, 0.6%

LAB 72.53, -36.64, 16.24

 

CMYK 25 / 44 / 0 / 23

HEX #936DC4

RGB 147 109 196

HSL 266.21, 0.42%, 0.6%

LAB 53.09, 32.77, -40.03

 

CMYK 0 / 44 / 28 / 24

HEX #C36E8D

RGB 195 110 141

HSL 338.12, 0.41%, 0.6%

LAB 56.76, 37.41, -2.08

 

CMYK 19 / 0 / 44 / 24

HEX #9EC36E

RGB 158 195 110

HSL 86.12, 0.41%, 0.6%

LAB 74.46, -26.72, 38.63

 

CMYK 44 / 0 / 16 / 24

HEX #6EC3A4

RGB 110 195 164

HSL 158.12, 0.41%, 0.6%

LAB 72.91, -33.07, 7.6

 

CMYK 25 / 44 / 0 / 23

HEX #936DC4

RGB 147 109 196

HSL 266.21, 0.42%, 0.6%

LAB 53.09, 32.77, -40.03

 

CMYK 0 / 44 / 41 / 24

HEX #C36E73

RGB 195 110 115

HSL 356.47, 0.41%, 0.6%

LAB 56.08, 34.14, 12.11

 

CMYK 19 / 0 / 44 / 24

HEX #9EC36E

RGB 158 195 110

HSL 86.12, 0.41%, 0.6%

LAB 74.46, -26.72, 38.63

 

CMYK 44 / 0 / 3 / 24

HEX #6EC3BE

RGB 110 195 190

HSL 176.47, 0.41%, 0.6%

LAB 73.59, -26.95, -5.54

 

Description

Color code: HEX #936DC4 | qconv.com Color code: HEX #936DC4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 109 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 109 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 44 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 44% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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