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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9372C4 it is the complementary color #6C8D3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9372C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9372C4 shade: #9872BF, #A984D2, #BA96E5, #CBA8F8 and #DCBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9372C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9372C4 shade: #9372C4, #8260B1, #714E9E, #603C8B and #4F2A78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9372C4 shade: #9372C4, #A972C4, #BF72C4, #C472B3 and #C4729D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9372C4 shade: #9372C4, #7D72C4 and #7272C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9372C4 shade matches the following richer shades: #9372C4, #9062D4, #8D52E4 and #8A42F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9372C4 shade: #9372C4, #9682B4, #9992A4, #9DA394 and #A0B383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9372C4 shade: #727DC4, #7D72C4, #9372C4, #A972C4 and #BE72C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9372C4 shade: #6943A1, #7D55B8, #9372C4, #A98FD0 and #C0ACDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9372C4 shade: #9372C4, #C47293 and #72C472

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9372C4 shade: #9372C4, #C49372 and #72C493

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9372C4 shade: #9372C4, #C47293, #A3C472 and #72C4A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9372C4 shade: #9372C4, #C4727A, #A3C472 and #72C4BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

Complementary color

CMYK 23 / 0 / 58 / 45

HEX #6C8D3B

RGB 108 141 59

HSL 84.15, 0.41%, 0.39%

LAB 54.61, -25.44, 39.32

 

CMYK 20 / 40 / 0 / 25

HEX #9872BF

RGB 152 114 191

HSL 269.61, 0.38%, 0.6%

LAB 54.52, 30.17, -34.87

 

CMYK 20 / 37 / 0 / 18

HEX #A984D2

RGB 169 132 210

HSL 268.46, 0.46%, 0.67%

LAB 61.3, 29.4, -34.93

 

CMYK 19 / 34 / 0 / 10

HEX #BA96E5

RGB 186 150 229

HSL 267.34, 0.6%, 0.74%

LAB 67.95, 28.69, -35.01

 

CMYK 18 / 32 / 0 / 3

HEX #CBA8F8

RGB 203 168 248

HSL 266.25, 0.85%, 0.82%

LAB 74.5, 28.04, -35.11

 

CMYK 14 / 27 / 0 / 0

HEX #DCBAFF

RGB 220 186 255

HSL 269.57, 1%, 0.86%

LAB 80.49, 24.89, -29.51

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 27 / 46 / 0 / 31

HEX #8260B1

RGB 130 96 177

HSL 265.19, 0.34%, 0.54%

LAB 47.35, 30.77, -38.21

 

CMYK 28 / 51 / 0 / 38

HEX #714E9E

RGB 113 78 158

HSL 266.25, 0.34%, 0.46%

LAB 40.29, 31.74, -38.26

 

CMYK 31 / 57 / 0 / 45

HEX #603C8B

RGB 96 60 139

HSL 267.34, 0.4%, 0.39%

LAB 33.1, 32.77, -38.31

 

CMYK 34 / 65 / 0 / 53

HEX #4F2A78

RGB 79 42 120

HSL 268.46, 0.48%, 0.32%

LAB 25.79, 33.8, -38.29

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 14 / 42 / 0 / 23

HEX #A972C4

RGB 169 114 196

HSL 280.24, 0.41%, 0.61%

LAB 56.54, 36.4, -34.44

 

CMYK 3 / 42 / 0 / 23

HEX #BF72C4

RGB 191 114 196

HSL 296.34, 0.41%, 0.61%

LAB 59.06, 43.06, -30.32

 

CMYK 0 / 42 / 9 / 23

HEX #C472B3

RGB 196 114 179

HSL 312.44, 0.41%, 0.61%

LAB 59, 41.55, -20.68

 

CMYK 0 / 42 / 20 / 23

HEX #C4729D

RGB 196 114 157

HSL 328.54, 0.41%, 0.61%

LAB 58.23, 37.97, -9.17

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 36 / 42 / 0 / 23

HEX #7D72C4

RGB 125 114 196

HSL 248.05, 0.41%, 0.61%

LAB 52.26, 23.7, -41.46

 

CMYK 42 / 42 / 0 / 23

HEX #7272C4

RGB 114 114 196

HSL 240, 0.41%, 0.61%

LAB 51.38, 20.79, -42.92

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 32 / 54 / 0 / 17

HEX #9062D4

RGB 144 98 212

HSL 264.21, 0.57%, 0.61%

LAB 51.17, 42.17, -52.22

 

CMYK 38 / 64 / 0 / 11

HEX #8D52E4

RGB 141 82 228

HSL 264.25, 0.73%, 0.61%

LAB 48.63, 54.12, -65.4

 

CMYK 43 / 73 / 0 / 4

HEX #8A42F4

RGB 138 66 244

HSL 264.27, 0.89%, 0.61%

LAB 46.75, 65.19, -77.48

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 17 / 28 / 0 / 29

HEX #9682B4

RGB 150 130 180

HSL 264, 0.25%, 0.61%

LAB 57.79, 17.75, -23.52

 

CMYK 7 / 11 / 0 / 36

HEX #9992A4

RGB 153 146 164

HSL 263.33, 0.09%, 0.61%

LAB 61.66, 6.12, -8.53

 

CMYK 4 / 0 / 9 / 36

HEX #9DA394

RGB 157 163 148

HSL 84, 0.08%, 0.61%

LAB 66.14, -4.95, 7.05

 

CMYK 11 / 0 / 27 / 30

HEX #A0B383

RGB 160 179 131

HSL 83.75, 0.24%, 0.61%

LAB 70.42, -15.11, 22.39

 

CMYK 42 / 36 / 0 / 23

HEX #727DC4

RGB 114 125 196

HSL 231.95, 0.41%, 0.61%

LAB 54.27, 14.18, -38.35

 

CMYK 36 / 42 / 0 / 23

HEX #7D72C4

RGB 125 114 196

HSL 248.05, 0.41%, 0.61%

LAB 52.26, 23.7, -41.46

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 14 / 42 / 0 / 23

HEX #A972C4

RGB 169 114 196

HSL 280.24, 0.41%, 0.61%

LAB 56.54, 36.4, -34.44

 

CMYK 3 / 42 / 0 / 23

HEX #BE72C4

RGB 190 114 196

HSL 295.61, 0.41%, 0.61%

LAB 58.94, 42.76, -30.52

 

CMYK 35 / 58 / 0 / 37

HEX #6943A1

RGB 105 67 161

HSL 264.26, 0.41%, 0.45%

LAB 37.1, 36.85, -45.22

 

CMYK 32 / 54 / 0 / 28

HEX #7D55B8

RGB 125 85 184

HSL 264.24, 0.41%, 0.53%

LAB 44.69, 37.58, -46.56

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 19 / 31 / 0 / 18

HEX #A98FD0

RGB 169 143 208

HSL 264, 0.41%, 0.69%

LAB 63.86, 22.71, -29.83

 

CMYK 13 / 22 / 0 / 14

HEX #C0ACDC

RGB 192 172 220

HSL 265, 0.41%, 0.77%

LAB 73.47, 16.4, -21.56

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 0 / 42 / 25 / 23

HEX #C47293

RGB 196 114 147

HSL 335.85, 0.41%, 0.61%

LAB 57.92, 36.48, -3.85

 

CMYK 42 / 0 / 42 / 23

HEX #72C472

RGB 114 196 114

HSL 120, 0.41%, 0.61%

LAB 72.41, -41.72, 33.49

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 0 / 25 / 42 / 23

HEX #C49372

RGB 196 147 114

HSL 24.15, 0.41%, 0.61%

LAB 64.82, 14.2, 24.64

 

CMYK 42 / 0 / 25 / 23

HEX #72C493

RGB 114 196 147

HSL 144.15, 0.41%, 0.61%

LAB 73, -35.98, 16.92

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 0 / 42 / 25 / 23

HEX #C47293

RGB 196 114 147

HSL 335.85, 0.41%, 0.61%

LAB 57.92, 36.48, -3.85

 

CMYK 17 / 0 / 42 / 23

HEX #A3C472

RGB 163 196 114

HSL 84.15, 0.41%, 0.61%

LAB 75.13, -24.83, 37.52

 

CMYK 42 / 0 / 17 / 23

HEX #72C4A3

RGB 114 196 163

HSL 155.85, 0.41%, 0.61%

LAB 73.35, -32.69, 8.79

 

CMYK 25 / 42 / 0 / 23

HEX #9372C4

RGB 147 114 196

HSL 264.15, 0.41%, 0.61%

LAB 54.26, 29.89, -38.17

 

CMYK 0 / 42 / 38 / 23

HEX #C4727A

RGB 196 114 122

HSL 354.15, 0.41%, 0.61%

LAB 57.25, 33.19, 9.7

 

CMYK 17 / 0 / 42 / 23

HEX #A3C472

RGB 163 196 114

HSL 84.15, 0.41%, 0.61%

LAB 75.13, -24.83, 37.52

 

CMYK 42 / 0 / 4 / 23

HEX #72C4BC

RGB 114 196 188

HSL 174.15, 0.41%, 0.61%

LAB 73.99, -26.94, -3.84

 

Description

Color code: HEX #9372C4 | qconv.com Color code: HEX #9372C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 114 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 114 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 42 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 42% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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