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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #937A71 it is the complementary color #6C858E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #937A71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #937A71 shade: #987A6C, #A98C7F, #BA9E92, #CBB0A5 and #DCC2B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #937A71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #937A71 shade: #937A71, #82685E, #71564B, #604438 and #4F3225

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #937A71 shade: #937970 and #937070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #937A71 shade: #937970, #938370, #938C70, #909370 and #879370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #937A71 shade matches the following richer shades: #937970, #A7705C, #BB6648, #D05D33 and #E4531F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #937A71 shade: #937970, #7F8384, #6B8C98, #5696AD and #429FC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #937A71 shade: #93707A, #937071, #937970, #938270 and #938B70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #937A71 shade: #65524C, #7C665E, #937970, #A58F88 and #B7A59F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #937A71 shade: #937A71, #839370 and #707593

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #937A71 shade: #937A71, #709379 and #797093

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #937A71 shade: #937A71, #839370, #708A93 and #807093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #937A71 shade: #937A71, #799370, #708A93 and #8A7093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 23 / 42

HEX #937A71

RGB 147 122 113

HSL 15.88, 0.14%, 0.51%

LAB 53.29, 8.2, 8.54

 

Complementary color

CMYK 24 / 6 / 0 / 44

HEX #6C858E

RGB 108 133 142

HSL 195.88, 0.14%, 0.49%

LAB 53.94, -6.79, -7.79

 

CMYK 0 / 20 / 29 / 40

HEX #987A6C

RGB 152 122 108

HSL 19.09, 0.18%, 0.51%

LAB 53.68, 9.47, 12.07

 

CMYK 0 / 17 / 25 / 34

HEX #A98C7F

RGB 169 140 127

HSL 18.57, 0.2%, 0.58%

LAB 60.54, 8.9, 11.04

 

CMYK 0 / 15 / 22 / 27

HEX #BA9E92

RGB 186 158 146

HSL 18, 0.22%, 0.65%

LAB 67.25, 8.41, 10.09

 

CMYK 0 / 13 / 19 / 20

HEX #CBB0A5

RGB 203 176 165

HSL 17.37, 0.27%, 0.72%

LAB 73.85, 7.97, 9.21

 

CMYK 0 / 12 / 16 / 14

HEX #DCC2B8

RGB 220 194 184

HSL 16.67, 0.34%, 0.79%

LAB 80.33, 7.58, 8.39

 

CMYK 0 / 17 / 23 / 42

HEX #937A71

RGB 147 122 113

HSL 15.88, 0.14%, 0.51%

LAB 53.29, 8.2, 8.54

 

CMYK 0 / 20 / 28 / 49

HEX #82685E

RGB 130 104 94

HSL 16.67, 0.16%, 0.44%

LAB 46.25, 8.77, 9.56

 

CMYK 0 / 24 / 34 / 56

HEX #71564B

RGB 113 86 75

HSL 17.37, 0.2%, 0.37%

LAB 39.03, 9.45, 10.7

 

CMYK 0 / 29 / 42 / 62

HEX #604438

RGB 96 68 56

HSL 18, 0.26%, 0.3%

LAB 31.59, 10.31, 12.03

 

CMYK 0 / 37 / 53 / 69

HEX #4F3225

RGB 79 50 37

HSL 18.57, 0.36%, 0.23%

LAB 23.92, 11.42, 13.63

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 0 / 24 / 24 / 42

HEX #937070

RGB 147 112 112

HSL 0, 0.14%, 0.51%

LAB 50.64, 13.82, 5.35

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 0 / 11 / 24 / 42

HEX #938370

RGB 147 131 112

HSL 32.57, 0.14%, 0.51%

LAB 55.69, 2.9, 12.49

 

CMYK 0 / 5 / 24 / 42

HEX #938C70

RGB 147 140 112

HSL 48, 0.14%, 0.51%

LAB 58.16, -2.16, 15.92

 

CMYK 2 / 0 / 24 / 42

HEX #909370

RGB 144 147 112

HSL 65.14, 0.14%, 0.51%

LAB 59.86, -7.22, 18.22

 

CMYK 8 / 0 / 24 / 42

HEX #879370

RGB 135 147 112

HSL 80.57, 0.14%, 0.51%

LAB 59.15, -10.76, 17.13

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 0 / 33 / 45 / 35

HEX #A7705C

RGB 167 112 92

HSL 16, 0.3%, 0.51%

LAB 52.48, 19.36, 19.97

 

CMYK 0 / 45 / 61 / 27

HEX #BB6648

RGB 187 102 72

HSL 15.65, 0.46%, 0.51%

LAB 52.44, 31.3, 31.84

 

CMYK 0 / 55 / 75 / 18

HEX #D05D33

RGB 208 93 51

HSL 16.05, 0.63%, 0.51%

LAB 53.47, 42.97, 45.09

 

CMYK 0 / 64 / 86 / 11

HEX #E4531F

RGB 228 83 31

HSL 15.84, 0.78%, 0.51%

LAB 54.84, 54.16, 56.61

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 4 / 1 / 0 / 48

HEX #7F8384

RGB 127 131 132

HSL 192, 0.02%, 0.51%

LAB 54.46, -1.27, -1.06

 

CMYK 30 / 8 / 0 / 40

HEX #6B8C98

RGB 107 140 152

HSL 196, 0.18%, 0.51%

LAB 56.24, -8.57, -10.14

 

CMYK 50 / 13 / 0 / 32

HEX #5696AD

RGB 86 150 173

HSL 195.86, 0.35%, 0.51%

LAB 58.8, -14.07, -18.38

 

CMYK 66 / 18 / 0 / 24

HEX #429FC1

RGB 66 159 193

HSL 196.06, 0.51%, 0.51%

LAB 61.49, -16.78, -25.61

 

CMYK 0 / 24 / 17 / 42

HEX #93707A

RGB 147 112 122

HSL 342.86, 0.14%, 0.51%

LAB 50.92, 15.46, -0.17

 

CMYK 0 / 24 / 23 / 42

HEX #937071

RGB 147 112 113

HSL 358.29, 0.14%, 0.51%

LAB 50.67, 13.98, 4.79

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 0 / 12 / 24 / 42

HEX #938270

RGB 147 130 112

HSL 30.86, 0.14%, 0.51%

LAB 55.42, 3.47, 12.11

 

CMYK 0 / 5 / 24 / 42

HEX #938B70

RGB 147 139 112

HSL 46.29, 0.14%, 0.51%

LAB 57.88, -1.6, 15.54

 

CMYK 0 / 19 / 25 / 60

HEX #65524C

RGB 101 82 76

HSL 14.4, 0.14%, 0.35%

LAB 36.6, 6.85, 6.48

 

CMYK 0 / 18 / 24 / 51

HEX #7C665E

RGB 124 102 94

HSL 16, 0.14%, 0.43%

LAB 45.08, 7.45, 7.81

 

CMYK 0 / 18 / 24 / 42

HEX #937970

RGB 147 121 112

HSL 15.43, 0.14%, 0.51%

LAB 53, 8.62, 8.71

 

CMYK 0 / 13 / 18 / 35

HEX #A58F88

RGB 165 143 136

HSL 14.48, 0.14%, 0.59%

LAB 61.15, 7.06, 6.75

 

CMYK 0 / 10 / 13 / 28

HEX #B7A59F

RGB 183 165 159

HSL 15, 0.14%, 0.67%

LAB 69.1, 5.51, 5.47

 

CMYK 0 / 17 / 23 / 42

HEX #937A71

RGB 147 122 113

HSL 15.88, 0.14%, 0.51%

LAB 53.29, 8.2, 8.54

 

CMYK 11 / 0 / 24 / 42

HEX #839370

RGB 131 147 112

HSL 87.43, 0.14%, 0.51%

LAB 58.85, -12.31, 16.67

 

CMYK 24 / 20 / 0 / 42

HEX #707593

RGB 112 117 147

HSL 231.43, 0.14%, 0.51%

LAB 49.83, 5.03, -16.89

 

CMYK 0 / 17 / 23 / 42

HEX #937A71

RGB 147 122 113

HSL 15.88, 0.14%, 0.51%

LAB 53.29, 8.2, 8.54

 

CMYK 24 / 0 / 18 / 42

HEX #709379

RGB 112 147 121

HSL 135.43, 0.14%, 0.51%

LAB 57.74, -17.68, 9.85

 

CMYK 18 / 24 / 0 / 42

HEX #797093

RGB 121 112 147

HSL 255.43, 0.14%, 0.51%

LAB 49.2, 11.03, -17.77

 

CMYK 0 / 17 / 23 / 42

HEX #937A71

RGB 147 122 113

HSL 15.88, 0.14%, 0.51%

LAB 53.29, 8.2, 8.54

 

CMYK 11 / 0 / 24 / 42

HEX #839370

RGB 131 147 112

HSL 87.43, 0.14%, 0.51%

LAB 58.85, -12.31, 16.67

 

CMYK 24 / 6 / 0 / 42

HEX #708A93

RGB 112 138 147

HSL 195.43, 0.14%, 0.51%

LAB 55.81, -7.1, -7.86

 

CMYK 13 / 24 / 0 / 42

HEX #807093

RGB 128 112 147

HSL 267.43, 0.14%, 0.51%

LAB 49.84, 13.42, -16.74

 

CMYK 0 / 17 / 23 / 42

HEX #937A71

RGB 147 122 113

HSL 15.88, 0.14%, 0.51%

LAB 53.29, 8.2, 8.54

 

CMYK 18 / 0 / 24 / 42

HEX #799370

RGB 121 147 112

HSL 104.57, 0.14%, 0.51%

LAB 58.13, -16.11, 15.57

 

CMYK 24 / 6 / 0 / 42

HEX #708A93

RGB 112 138 147

HSL 195.43, 0.14%, 0.51%

LAB 55.81, -7.1, -7.86

 

CMYK 6 / 24 / 0 / 42

HEX #8A7093

RGB 138 112 147

HSL 284.57, 0.14%, 0.51%

LAB 50.8, 16.91, -15.19

 

Description

Color code: HEX #937A71 | qconv.com Color code: HEX #937A71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 122 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 122 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 23 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 23% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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