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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #937E70 it is the complementary color #6C818F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #937E70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #937E70 shade: #987E6B, #A9907E, #BAA291, #CBB4A4 and #DCC6B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #937E70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #937E70 shade: #937E70, #826C5D, #715A4A, #604837 and #4F3624

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #937E70 shade: #937E70, #937570 and #937070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #937E70 shade: #937E70, #938770, #939170, #8C9370 and #829370

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #937E70 shade matches the following richer shades: #937E70, #A77A5C, #BB7648, #D07233 and #E46E1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #937E70 shade: #937E70, #7F8284, #6B8698, #568AAD and #428EC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #937E70 shade: #937075, #937570, #937E70, #938770 and #939170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #937E70 shade: #65564C, #7C6A5E, #937E70, #A59388 and #B7A89F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #937E70 shade: #937E70, #7E9370 and #707093

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #937E70 shade: #937E70, #70937E and #7E7093

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #937E70 shade: #937E70, #7E9370, #708593 and #857093

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #937E70 shade: #937E70, #749370, #708593 and #907093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

Complementary color

CMYK 24 / 10 / 0 / 44

HEX #6C818F

RGB 108 129 143

HSL 204, 0.14%, 0.49%

LAB 52.81, -4.28, -10.06

 

CMYK 0 / 17 / 30 / 40

HEX #987E6B

RGB 152 126 107

HSL 25.33, 0.18%, 0.51%

LAB 54.72, 7.04, 14.09

 

CMYK 0 / 15 / 25 / 34

HEX #A9907E

RGB 169 144 126

HSL 25.12, 0.2%, 0.58%

LAB 61.56, 6.52, 13.04

 

CMYK 0 / 13 / 22 / 27

HEX #BAA291

RGB 186 162 145

HSL 24.88, 0.23%, 0.65%

LAB 68.26, 6.06, 12.07

 

CMYK 0 / 11 / 19 / 20

HEX #CBB4A4

RGB 203 180 164

HSL 24.62, 0.27%, 0.72%

LAB 74.84, 5.66, 11.17

 

CMYK 0 / 10 / 17 / 14

HEX #DCC6B7

RGB 220 198 183

HSL 24.32, 0.35%, 0.79%

LAB 81.3, 5.31, 10.32

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 0 / 17 / 28 / 49

HEX #826C5D

RGB 130 108 93

HSL 24.32, 0.17%, 0.44%

LAB 47.32, 6.26, 11.64

 

CMYK 0 / 20 / 35 / 56

HEX #715A4A

RGB 113 90 74

HSL 24.62, 0.21%, 0.37%

LAB 40.11, 6.89, 12.81

 

CMYK 0 / 25 / 43 / 62

HEX #604837

RGB 96 72 55

HSL 24.88, 0.27%, 0.3%

LAB 32.69, 7.68, 14.15

 

CMYK 0 / 32 / 54 / 69

HEX #4F3624

RGB 79 54 36

HSL 25.12, 0.37%, 0.23%

LAB 25.04, 8.72, 15.73

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 0 / 20 / 24 / 42

HEX #937570

RGB 147 117 112

HSL 8.57, 0.14%, 0.51%

LAB 51.94, 10.93, 7.21

 

CMYK 0 / 24 / 24 / 42

HEX #937070

RGB 147 112 112

HSL 0, 0.14%, 0.51%

LAB 50.64, 13.82, 5.35

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 0 / 8 / 24 / 42

HEX #938770

RGB 147 135 112

HSL 39.43, 0.14%, 0.51%

LAB 56.78, 0.64, 14.02

 

CMYK 0 / 1 / 24 / 42

HEX #939170

RGB 147 145 112

HSL 56.57, 0.14%, 0.51%

LAB 59.55, -4.92, 17.83

 

CMYK 5 / 0 / 24 / 42

HEX #8C9370

RGB 140 147 112

HSL 72, 0.14%, 0.51%

LAB 59.54, -8.8, 17.72

 

CMYK 12 / 0 / 24 / 42

HEX #829370

RGB 130 147 112

HSL 89.14, 0.14%, 0.51%

LAB 58.77, -12.7, 16.55

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 0 / 27 / 45 / 35

HEX #A77A5C

RGB 167 122 92

HSL 24, 0.3%, 0.51%

LAB 54.98, 13.69, 23.29

 

CMYK 0 / 37 / 61 / 27

HEX #BB7648

RGB 187 118 72

HSL 24, 0.46%, 0.51%

LAB 56.08, 22.57, 36.26

 

CMYK 0 / 45 / 75 / 18

HEX #D07233

RGB 208 114 51

HSL 24.08, 0.63%, 0.51%

LAB 57.74, 32.27, 49.49

 

CMYK 0 / 52 / 86 / 11

HEX #E46E1F

RGB 228 110 31

HSL 24.06, 0.78%, 0.51%

LAB 59.66, 41.64, 60.49

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 4 / 2 / 0 / 48

HEX #7F8284

RGB 127 130 132

HSL 204, 0.02%, 0.51%

LAB 54.18, -0.7, -1.47

 

CMYK 30 / 12 / 0 / 40

HEX #6B8698

RGB 107 134 152

HSL 204, 0.18%, 0.51%

LAB 54.49, -5.19, -12.76

 

CMYK 50 / 20 / 0 / 32

HEX #568AAD

RGB 86 138 173

HSL 204.14, 0.35%, 0.51%

LAB 55.25, -7.41, -23.81

 

CMYK 66 / 26 / 0 / 24

HEX #428EC1

RGB 66 142 193

HSL 204.09, 0.51%, 0.51%

LAB 56.44, -7.38, -33.43

 

CMYK 0 / 24 / 20 / 42

HEX #937075

RGB 147 112 117

HSL 351.43, 0.14%, 0.51%

LAB 50.78, 14.63, 2.58

 

CMYK 0 / 20 / 24 / 42

HEX #937570

RGB 147 117 112

HSL 8.57, 0.14%, 0.51%

LAB 51.94, 10.93, 7.21

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 0 / 8 / 24 / 42

HEX #938770

RGB 147 135 112

HSL 39.43, 0.14%, 0.51%

LAB 56.78, 0.64, 14.02

 

CMYK 0 / 1 / 24 / 42

HEX #939170

RGB 147 145 112

HSL 56.57, 0.14%, 0.51%

LAB 59.55, -4.92, 17.83

 

CMYK 0 / 15 / 25 / 60

HEX #65564C

RGB 101 86 76

HSL 24, 0.14%, 0.35%

LAB 37.74, 4.39, 8.1

 

CMYK 0 / 15 / 24 / 51

HEX #7C6A5E

RGB 124 106 94

HSL 24, 0.14%, 0.43%

LAB 46.18, 5.08, 9.37

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 0 / 11 / 18 / 35

HEX #A59388

RGB 165 147 136

HSL 22.76, 0.14%, 0.59%

LAB 62.21, 4.82, 8.26

 

CMYK 0 / 8 / 13 / 28

HEX #B7A89F

RGB 183 168 159

HSL 22.5, 0.14%, 0.67%

LAB 69.88, 3.87, 6.59

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 14 / 0 / 24 / 42

HEX #7E9370

RGB 126 147 112

HSL 96, 0.14%, 0.51%

LAB 58.48, -14.23, 16.11

 

CMYK 24 / 24 / 0 / 42

HEX #707093

RGB 112 112 147

HSL 240, 0.14%, 0.51%

LAB 48.44, 8.02, -19.01

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 24 / 0 / 14 / 42

HEX #70937E

RGB 112 147 126

HSL 144, 0.14%, 0.51%

LAB 57.86, -16.68, 7.18

 

CMYK 14 / 24 / 0 / 42

HEX #7E7093

RGB 126 112 147

HSL 264, 0.14%, 0.51%

LAB 49.65, 12.73, -17.04

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 14 / 0 / 24 / 42

HEX #7E9370

RGB 126 147 112

HSL 96, 0.14%, 0.51%

LAB 58.48, -14.23, 16.11

 

CMYK 24 / 10 / 0 / 42

HEX #708593

RGB 112 133 147

HSL 204, 0.14%, 0.51%

LAB 54.37, -4.27, -10.02

 

CMYK 10 / 24 / 0 / 42

HEX #857093

RGB 133 112 147

HSL 276, 0.14%, 0.51%

LAB 50.31, 15.16, -15.98

 

CMYK 0 / 14 / 24 / 42

HEX #937E70

RGB 147 126 112

HSL 24, 0.14%, 0.51%

LAB 54.34, 5.75, 10.6

 

CMYK 21 / 0 / 24 / 42

HEX #749370

RGB 116 147 112

HSL 113.14, 0.14%, 0.51%

LAB 57.8, -17.95, 15.06

 

CMYK 24 / 10 / 0 / 42

HEX #708593

RGB 112 133 147

HSL 204, 0.14%, 0.51%

LAB 54.37, -4.27, -10.02

 

CMYK 2 / 24 / 0 / 42

HEX #907093

RGB 144 112 147

HSL 294.86, 0.14%, 0.51%

LAB 51.41, 19.03, -14.21

 

Description

Color code: HEX #937E70 | qconv.com Color code: HEX #937E70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 126 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 126 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 24 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 24% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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