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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #938042 it is the complementary color #6C7FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #938042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #938042 shade: #98803D, #A99250, #BAA463, #CBB676 and #DCC889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #938042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #938042 shade: #938042, #826E2F, #715C1C, #604A09 and #4F3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #938042 shade: #938042, #936A42, #935442 and #934242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #938042 shade: #938042, #909342, #7A9342, #659342 and #4F9342

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #938042 shade matches the following richer shades: #938042, #A58931, #B6931F and #C79C0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #938042 shade: #938042, #827753, #716E65, #5F6576 and #4E5B87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #938042 shade: #935442, #936942, #937F42, #929342 and #7C9342

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #938042 shade: #5A4F28, #776735, #938042, #B0994F and #BCA96B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #938042 shade: #938042, #469342 and #5E4293

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #938042 shade: #938042, #42937F and #7F4293

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #938042 shade: #938042, #469342, #425693 and #8F4293

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #938042 shade: #938042, #429356, #425693 and #93427F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

Complementary color

CMYK 43 / 33 / 0 / 26

HEX #6C7FBD

RGB 108 127 189

HSL 225.93, 0.38%, 0.58%

LAB 54.07, 9.36, -34.7

 

CMYK 0 / 16 / 60 / 40

HEX #98803D

RGB 152 128 61

HSL 44.18, 0.43%, 0.42%

LAB 54.5, 0.81, 39.16

 

CMYK 0 / 14 / 53 / 34

HEX #A99250

RGB 169 146 80

HSL 44.49, 0.36%, 0.49%

LAB 61.28, -0.07, 37.85

 

CMYK 0 / 12 / 47 / 27

HEX #BAA463

RGB 186 164 99

HSL 44.83, 0.39%, 0.56%

LAB 67.94, -0.79, 36.54

 

CMYK 0 / 10 / 42 / 20

HEX #CBB676

RGB 203 182 118

HSL 45.18, 0.45%, 0.63%

LAB 74.48, -1.4, 35.28

 

CMYK 0 / 9 / 38 / 14

HEX #DCC889

RGB 220 200 137

HSL 45.54, 0.54%, 0.7%

LAB 80.92, -1.91, 34.07

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 0 / 15 / 64 / 49

HEX #826E2F

RGB 130 110 47

HSL 45.54, 0.47%, 0.35%

LAB 47.11, -0.06, 37.23

 

CMYK 0 / 19 / 75 / 56

HEX #715C1C

RGB 113 92 28

HSL 45.18, 0.6%, 0.28%

LAB 40, 1.16, 38.24

 

CMYK 0 / 23 / 91 / 62

HEX #604A09

RGB 96 74 9

HSL 44.83, 0.83%, 0.21%

LAB 32.71, 2.79, 38.25

 

CMYK 0 / 29 / 100 / 69

HEX #4F3800

RGB 79 56 0

HSL 42.53, 1%, 0.15%

LAB 25.23, 5, 34.6

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 0 / 28 / 55 / 42

HEX #936A42

RGB 147 106 66

HSL 29.63, 0.38%, 0.42%

LAB 48.14, 11.57, 28.75

 

CMYK 0 / 43 / 55 / 42

HEX #935442

RGB 147 84 66

HSL 13.33, 0.38%, 0.42%

LAB 42.67, 24.26, 21.81

 

CMYK 0 / 55 / 55 / 42

HEX #934242

RGB 147 66 66

HSL 0, 0.38%, 0.42%

LAB 38.71, 34.16, 16.61

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 2 / 0 / 55 / 42

HEX #909342

RGB 144 147 66

HSL 62.22, 0.38%, 0.42%

LAB 59.15, -12.71, 41.82

 

CMYK 17 / 0 / 55 / 42

HEX #7A9342

RGB 122 147 66

HSL 78.52, 0.38%, 0.42%

LAB 57.46, -22.04, 39.43

 

CMYK 31 / 0 / 55 / 42

HEX #659342

RGB 101 147 66

HSL 94.07, 0.38%, 0.42%

LAB 56.12, -30.33, 37.52

 

CMYK 46 / 0 / 55 / 42

HEX #4F9342

RGB 79 147 66

HSL 110.37, 0.38%, 0.42%

LAB 54.99, -37.97, 35.91

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 0 / 17 / 70 / 35

HEX #A58931

RGB 165 137 49

HSL 45.52, 0.54%, 0.42%

LAB 58.14, 0.85, 49.16

 

CMYK 0 / 19 / 83 / 29

HEX #B6931F

RGB 182 147 31

HSL 46.09, 0.71%, 0.42%

LAB 62.43, 2.26, 60.49

 

CMYK 0 / 22 / 93 / 22

HEX #C79C0E

RGB 199 156 14

HSL 46.05, 0.87%, 0.42%

LAB 66.48, 4.62, 68.36

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 0 / 8 / 36 / 49

HEX #827753

RGB 130 119 83

HSL 45.96, 0.22%, 0.42%

LAB 50.17, -1.52, 21.36

 

CMYK 0 / 3 / 11 / 56

HEX #716E65

RGB 113 110 101

HSL 45, 0.06%, 0.42%

LAB 46.45, -0.57, 5.43

 

CMYK 19 / 14 / 0 / 54

HEX #5F6576

RGB 95 101 118

HSL 224.35, 0.11%, 0.42%

LAB 42.84, 1.63, -10.3

 

CMYK 42 / 33 / 0 / 47

HEX #4E5B87

RGB 78 91 135

HSL 226.32, 0.27%, 0.42%

LAB 39.33, 7.05, -26.12

 

CMYK 0 / 43 / 55 / 42

HEX #935442

RGB 147 84 66

HSL 13.33, 0.38%, 0.42%

LAB 42.67, 24.26, 21.81

 

CMYK 0 / 29 / 55 / 42

HEX #936942

RGB 147 105 66

HSL 28.89, 0.38%, 0.42%

LAB 47.88, 12.15, 28.43

 

CMYK 0 / 14 / 55 / 42

HEX #937F42

RGB 147 127 66

HSL 45.19, 0.38%, 0.42%

LAB 53.79, -0.44, 35.62

 

CMYK 1 / 0 / 55 / 42

HEX #929342

RGB 146 147 66

HSL 60.74, 0.38%, 0.42%

LAB 59.32, -11.84, 42.06

 

CMYK 16 / 0 / 55 / 42

HEX #7C9342

RGB 124 147 66

HSL 77.04, 0.38%, 0.42%

LAB 57.6, -21.21, 39.64

 

CMYK 0 / 12 / 56 / 65

HEX #5A4F28

RGB 90 79 40

HSL 46.8, 0.38%, 0.25%

LAB 33.81, -1.25, 24.51

 

CMYK 0 / 13 / 55 / 53

HEX #776735

RGB 119 103 53

HSL 45.45, 0.38%, 0.34%

LAB 44.06, -0.6, 30.27

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 0 / 13 / 55 / 31

HEX #B0994F

RGB 176 153 79

HSL 45.77, 0.38%, 0.5%

LAB 63.82, -0.95, 41.55

 

CMYK 0 / 10 / 43 / 26

HEX #BCA96B

RGB 188 169 107

HSL 45.93, 0.38%, 0.58%

LAB 69.56, -1.82, 34.45

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 52 / 0 / 55 / 42

HEX #469342

RGB 70 147 66

HSL 117.04, 0.38%, 0.42%

LAB 54.62, -40.69, 35.37

 

CMYK 36 / 55 / 0 / 42

HEX #5E4293

RGB 94 66 147

HSL 260.74, 0.38%, 0.42%

LAB 34.77, 30.82, -40.55

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 55 / 0 / 14 / 42

HEX #42937F

RGB 66 147 127

HSL 165.19, 0.38%, 0.42%

LAB 55.64, -29.82, 3.12

 

CMYK 14 / 55 / 0 / 42

HEX #7F4293

RGB 127 66 147

HSL 285.19, 0.38%, 0.42%

LAB 38.75, 39.89, -33.97

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 52 / 0 / 55 / 42

HEX #469342

RGB 70 147 66

HSL 117.04, 0.38%, 0.42%

LAB 54.62, -40.69, 35.37

 

CMYK 55 / 41 / 0 / 42

HEX #425693

RGB 66 86 147

HSL 225.19, 0.38%, 0.42%

LAB 37.7, 11.02, -36.02

 

CMYK 3 / 55 / 0 / 42

HEX #8F4293

RGB 143 66 147

HSL 297.04, 0.38%, 0.42%

LAB 40.96, 44.45, -30.33

 

CMYK 0 / 13 / 55 / 42

HEX #938042

RGB 147 128 66

HSL 45.93, 0.38%, 0.42%

LAB 54.06, -1, 35.95

 

CMYK 55 / 0 / 41 / 42

HEX #429356

RGB 66 147 86

HSL 134.81, 0.38%, 0.42%

LAB 54.76, -38.69, 24.98

 

CMYK 55 / 41 / 0 / 42

HEX #425693

RGB 66 86 147

HSL 225.19, 0.38%, 0.42%

LAB 37.7, 11.02, -36.02

 

CMYK 0 / 55 / 14 / 42

HEX #93427F

RGB 147 66 127

HSL 314.81, 0.38%, 0.42%

LAB 40.62, 42.05, -18.63

 

Description

Color code: HEX #938042 | qconv.com Color code: HEX #938042 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 128 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 128 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 55 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 55% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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