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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #938ED7 it is the complementary color #6C7128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #938ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #938ED7 shade: #988ED2, #A9A0E5, #BAB2F8, #CBC4FF and #DCD6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #938ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #938ED7 shade: #938ED7, #827CC4, #716AB1, #60589E and #4F468B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #938ED7 shade: #928DD7, #A68DD7, #BA8DD7, #CE8DD7 and #D78DCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #938ED7 shade: #928DD7 and #8D8DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #938ED7 shade matches the following richer shades: #928DD7, #8881E3, #7D75EF and #7268FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #938ED7 shade: #928DD7, #9D9ACA, #A8A6BE, #B2B2B2 and #BDBFA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #938ED7 shade: #8DB0D7, #8D9CD7, #928DD7, #A68DD7 and #B98DD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #938ED7 shade: #5850C1, #756FCC, #928DD7, #AFACE1 and #CDCAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #938ED7 shade: #938ED7, #D78DC3 and #A6D78D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #938ED7 shade: #938ED7, #D7928D and #8DD792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #938ED7 shade: #938ED7, #D78DC3, #D2D78D and #8DD7A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #938ED7 shade: #938ED7, #D78DAD, #D2D78D and #8DD7B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 34 / 0 / 16

HEX #938ED7

RGB 147 142 215

HSL 244.11, 0.48%, 0.7%

LAB 62.05, 18.43, -36.71

 

Complementary color

CMYK 4 / 0 / 65 / 56

HEX #6C7128

RGB 108 113 40

HSL 64.11, 0.48%, 0.3%

LAB 45.84, -12.47, 38.65

 

CMYK 28 / 32 / 0 / 18

HEX #988ED2

RGB 152 142 210

HSL 248.82, 0.43%, 0.69%

LAB 62.23, 18.61, -33.6

 

CMYK 26 / 30 / 0 / 10

HEX #A9A0E5

RGB 169 160 229

HSL 247.83, 0.57%, 0.76%

LAB 68.92, 18.03, -33.63

 

CMYK 25 / 28 / 0 / 3

HEX #BAB2F8

RGB 186 178 248

HSL 246.86, 0.83%, 0.84%

LAB 75.49, 17.5, -33.69

 

CMYK 20 / 23 / 0 / 0

HEX #CBC4FF

RGB 203 196 255

HSL 247.12, 1%, 0.88%

LAB 81.51, 14.31, -28.07

 

CMYK 14 / 16 / 0 / 0

HEX #DCD6FF

RGB 220 214 255

HSL 248.78, 1%, 0.92%

LAB 87.26, 9.91, -19.22

 

CMYK 32 / 34 / 0 / 16

HEX #938ED7

RGB 147 142 215

HSL 244.11, 0.48%, 0.7%

LAB 62.05, 18.43, -36.71

 

CMYK 34 / 37 / 0 / 23

HEX #827CC4

RGB 130 124 196

HSL 245, 0.38%, 0.63%

LAB 55.22, 19.14, -36.77

 

CMYK 36 / 40 / 0 / 31

HEX #716AB1

RGB 113 106 177

HSL 245.92, 0.31%, 0.55%

LAB 48.25, 19.95, -36.89

 

CMYK 39 / 44 / 0 / 38

HEX #60589E

RGB 96 88 158

HSL 246.86, 0.28%, 0.48%

LAB 41.11, 20.9, -37.07

 

CMYK 43 / 50 / 0 / 45

HEX #4F468B

RGB 79 70 139

HSL 247.83, 0.33%, 0.41%

LAB 33.79, 22.03, -37.31

 

CMYK 32 / 34 / 0 / 16

HEX #928DD7

RGB 146 141 215

HSL 244.05, 0.48%, 0.7%

LAB 61.71, 18.73, -37.24

 

CMYK 23 / 34 / 0 / 16

HEX #A68DD7

RGB 166 141 215

HSL 260.27, 0.48%, 0.7%

LAB 63.39, 24.55, -34.49

 

CMYK 13 / 34 / 0 / 16

HEX #BA8DD7

RGB 186 141 215

HSL 276.49, 0.48%, 0.7%

LAB 65.28, 30.64, -31.42

 

CMYK 4 / 34 / 0 / 16

HEX #CE8DD7

RGB 206 141 215

HSL 292.7, 0.48%, 0.7%

LAB 67.34, 36.87, -28.07

 

CMYK 0 / 34 / 5 / 16

HEX #D78DCC

RGB 215 141 204

HSL 308.92, 0.48%, 0.7%

LAB 67.91, 37.71, -20.98

 

CMYK 32 / 34 / 0 / 16

HEX #928DD7

RGB 146 141 215

HSL 244.05, 0.48%, 0.7%

LAB 61.71, 18.73, -37.24

 

CMYK 34 / 34 / 0 / 16

HEX #8D8DD7

RGB 141 141 215

HSL 240, 0.48%, 0.7%

LAB 61.32, 17.33, -37.87

 

CMYK 32 / 34 / 0 / 16

HEX #928DD7

RGB 146 141 215

HSL 244.05, 0.48%, 0.7%

LAB 61.71, 18.73, -37.24

 

CMYK 40 / 43 / 0 / 11

HEX #8881E3

RGB 136 129 227

HSL 244.29, 0.64%, 0.7%

LAB 58.49, 26.28, -49.06

 

CMYK 48 / 51 / 0 / 6

HEX #7D75EF

RGB 125 117 239

HSL 243.93, 0.79%, 0.7%

LAB 55.39, 34.2, -60.74

 

CMYK 55 / 59 / 0 / 1

HEX #7268FC

RGB 114 104 252

HSL 244.05, 0.96%, 0.7%

LAB 52.4, 43.53, -72.84

 

CMYK 32 / 34 / 0 / 16

HEX #928DD7

RGB 146 141 215

HSL 244.05, 0.48%, 0.7%

LAB 61.71, 18.73, -37.24

 

CMYK 22 / 24 / 0 / 21

HEX #9D9ACA

RGB 157 154 202

HSL 243.75, 0.31%, 0.7%

LAB 65.39, 11.34, -24.22

 

CMYK 12 / 13 / 0 / 25

HEX #A8A6BE

RGB 168 166 190

HSL 245, 0.16%, 0.7%

LAB 68.98, 5.51, -12.03

 

CMYK 0 / 0 / 0 / 30

HEX #B2B2B2

RGB 178 178 178

HSL 0, 0%, 0.7%

LAB 72.57, 0, -0.01

 

CMYK 1 / 0 / 14 / 25

HEX #BDBFA5

RGB 189 191 165

HSL 64.62, 0.17%, 0.7%

LAB 76.56, -5.23, 12.89

 

CMYK 34 / 18 / 0 / 16

HEX #8DB0D7

RGB 141 176 215

HSL 211.62, 0.48%, 0.7%

LAB 70.61, -2.48, -23.52

 

CMYK 34 / 27 / 0 / 16

HEX #8D9CD7

RGB 141 156 215

HSL 227.84, 0.48%, 0.7%

LAB 65.24, 8.7, -31.78

 

CMYK 32 / 34 / 0 / 16

HEX #928DD7

RGB 146 141 215

HSL 244.05, 0.48%, 0.7%

LAB 61.71, 18.73, -37.24

 

CMYK 23 / 34 / 0 / 16

HEX #A68DD7

RGB 166 141 215

HSL 260.27, 0.48%, 0.7%

LAB 63.39, 24.55, -34.49

 

CMYK 14 / 34 / 0 / 16

HEX #B98DD7

RGB 185 141 215

HSL 275.68, 0.48%, 0.7%

LAB 65.18, 30.33, -31.58

 

CMYK 54 / 59 / 0 / 24

HEX #5850C1

RGB 88 80 193

HSL 244.25, 0.48%, 0.54%

LAB 40.67, 34.74, -58.45

 

CMYK 43 / 46 / 0 / 20

HEX #756FCC

RGB 117 111 204

HSL 243.87, 0.48%, 0.62%

LAB 51.28, 25.68, -47.63

 

CMYK 32 / 34 / 0 / 16

HEX #928DD7

RGB 146 141 215

HSL 244.05, 0.48%, 0.7%

LAB 61.71, 18.73, -37.24

 

CMYK 22 / 24 / 0 / 12

HEX #AFACE1

RGB 175 172 225

HSL 243.4, 0.47%, 0.78%

LAB 72.27, 12.17, -26.24

 

CMYK 13 / 14 / 0 / 7

HEX #CDCAEC

RGB 205 202 236

HSL 245.29, 0.47%, 0.86%

LAB 82.53, 7.63, -16.38

 

CMYK 32 / 34 / 0 / 16

HEX #938ED7

RGB 147 142 215

HSL 244.11, 0.48%, 0.7%

LAB 62.05, 18.43, -36.71

 

CMYK 0 / 34 / 9 / 16

HEX #D78DC3

RGB 215 141 195

HSL 316.22, 0.48%, 0.7%

LAB 67.6, 36.14, -16.44

 

CMYK 23 / 0 / 34 / 16

HEX #A6D78D

RGB 166 215 141

HSL 99.73, 0.48%, 0.7%

LAB 81.09, -29.27, 31.5

 

CMYK 32 / 34 / 0 / 16

HEX #938ED7

RGB 147 142 215

HSL 244.11, 0.48%, 0.7%

LAB 62.05, 18.43, -36.71

 

CMYK 0 / 32 / 34 / 16

HEX #D7928D

RGB 215 146 141

HSL 4.05, 0.48%, 0.7%

LAB 67.22, 25.45, 13.27

 

CMYK 34 / 0 / 32 / 16

HEX #8DD792

RGB 141 215 146

HSL 124.05, 0.48%, 0.7%

LAB 79.81, -36.79, 26.97

 

CMYK 32 / 34 / 0 / 16

HEX #938ED7

RGB 147 142 215

HSL 244.11, 0.48%, 0.7%

LAB 62.05, 18.43, -36.71

 

CMYK 0 / 34 / 9 / 16

HEX #D78DC3

RGB 215 141 195

HSL 316.22, 0.48%, 0.7%

LAB 67.6, 36.14, -16.44

 

CMYK 2 / 0 / 34 / 16

HEX #D2D78D

RGB 210 215 141

HSL 64.05, 0.48%, 0.7%

LAB 84.08, -13.01, 36

 

CMYK 34 / 0 / 25 / 16

HEX #8DD7A1

RGB 141 215 161

HSL 136.22, 0.48%, 0.7%

LAB 80.09, -34.19, 19.52

 

CMYK 32 / 34 / 0 / 16

HEX #938ED7

RGB 147 142 215

HSL 244.11, 0.48%, 0.7%

LAB 62.05, 18.43, -36.71

 

CMYK 0 / 34 / 20 / 16

HEX #D78DAD

RGB 215 141 173

HSL 334.05, 0.48%, 0.7%

LAB 66.91, 32.59, -5.14

 

CMYK 2 / 0 / 34 / 16

HEX #D2D78D

RGB 210 215 141

HSL 64.05, 0.48%, 0.7%

LAB 84.08, -13.01, 36

 

CMYK 34 / 0 / 15 / 16

HEX #8DD7B7

RGB 141 215 183

HSL 154.05, 0.48%, 0.7%

LAB 80.56, -29.92, 8.55

 

Description

Color code: HEX #938ED7 | qconv.com Color code: HEX #938ED7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 142 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 142 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 34 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 34% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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