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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97A52B it is the complementary color #685AD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97A52B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97A52B shade: #9CA526, #ADB739, #BEC94C, #CFDB5F and #E0ED72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97A52B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97A52B shade: #97A52B, #869318, #758105, #646F00 and #535D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97A52B shade: #98A62A, #A6932A, #A6712A, #A6502A and #A62F2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97A52B shade: #98A62A, #76A62A, #55A62A, #34A62A and #2AA642

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97A52B shade matches the following richer shades: #98A62A, #A5B719 and #B2C809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97A52B shade: #98A62A, #8B953B, #7E844C, #70735D and #63626E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97A52B shade: #A6702A, #A6912A, #99A62A, #78A62A and #58A62A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97A52B shade: #5C6419, #7A8522, #98A62A, #B6C733 and #C3D251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97A52B shade: #97A52B, #2AA64F and #812AA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97A52B shade: #97A52B, #2A99A6 and #A62A99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97A52B shade: #97A52B, #2AA64F, #372AA6 and #A62A81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97A52B shade: #97A52B, #2AA674, #372AA6 and #A62A5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 74 / 35

HEX #97A52B

RGB 151 165 43

HSL 66.89, 0.59%, 0.41%

LAB 64.69, -20.55, 57.59

 

Complementary color

CMYK 51 / 58 / 0 / 17

HEX #685AD4

RGB 104 90 212

HSL 246.89, 0.59%, 0.59%

LAB 45.65, 37.74, -61.3

 

CMYK 5 / 0 / 77 / 35

HEX #9CA526

RGB 156 165 38

HSL 64.25, 0.63%, 0.4%

LAB 65.06, -18.62, 59.75

 

CMYK 5 / 0 / 69 / 28

HEX #ADB739

RGB 173 183 57

HSL 64.76, 0.53%, 0.47%

LAB 71.59, -19.47, 59.76

 

CMYK 5 / 0 / 62 / 21

HEX #BEC94C

RGB 190 201 76

HSL 65.28, 0.54%, 0.54%

LAB 78.02, -20.15, 59.21

 

CMYK 5 / 0 / 57 / 14

HEX #CFDB5F

RGB 207 219 95

HSL 65.81, 0.63%, 0.62%

LAB 84.36, -20.7, 58.35

 

CMYK 5 / 0 / 52 / 7

HEX #E0ED72

RGB 224 237 114

HSL 66.34, 0.77%, 0.69%

LAB 90.61, -21.14, 57.35

 

CMYK 8 / 0 / 74 / 35

HEX #97A52B

RGB 151 165 43

HSL 66.89, 0.59%, 0.41%

LAB 64.69, -20.55, 57.59

 

CMYK 9 / 0 / 84 / 42

HEX #869318

RGB 134 147 24

HSL 66.34, 0.72%, 0.34%

LAB 58.04, -19.62, 56.97

 

CMYK 9 / 0 / 96 / 49

HEX #758105

RGB 117 129 5

HSL 65.81, 0.93%, 0.26%

LAB 51.26, -18.43, 54.87

 

CMYK 10 / 0 / 100 / 56

HEX #646F00

RGB 100 111 0

HSL 65.95, 1%, 0.22%

LAB 44.34, -16.89, 50.06

 

CMYK 11 / 0 / 100 / 64

HEX #535D00

RGB 83 93 0

HSL 66.45, 1%, 0.18%

LAB 37.24, -15.2, 44.15

 

CMYK 8 / 0 / 75 / 35

HEX #98A62A

RGB 152 166 42

HSL 66.77, 0.6%, 0.41%

LAB 65.05, -20.67, 58.31

 

CMYK 0 / 11 / 75 / 35

HEX #A6932A

RGB 166 147 42

HSL 50.81, 0.6%, 0.41%

LAB 60.91, -4.53, 54.78

 

CMYK 0 / 32 / 75 / 35

HEX #A6712A

RGB 166 113 42

HSL 34.35, 0.6%, 0.41%

LAB 51.93, 14.41, 45.96

 

CMYK 0 / 52 / 75 / 35

HEX #A6502A

RGB 166 80 42

HSL 18.39, 0.6%, 0.41%

LAB 44.25, 32.72, 37.99

 

CMYK 0 / 72 / 75 / 35

HEX #A62F2A

RGB 166 47 42

HSL 2.42, 0.6%, 0.41%

LAB 38.39, 48.16, 31.57

 

CMYK 8 / 0 / 75 / 35

HEX #98A62A

RGB 152 166 42

HSL 66.77, 0.6%, 0.41%

LAB 65.05, -20.67, 58.31

 

CMYK 29 / 0 / 75 / 35

HEX #76A62A

RGB 118 166 42

HSL 83.23, 0.6%, 0.41%

LAB 62.75, -34.68, 55.3

 

CMYK 49 / 0 / 75 / 35

HEX #55A62A

RGB 85 166 42

HSL 99.19, 0.6%, 0.41%

LAB 61.11, -46.29, 53.12

 

CMYK 69 / 0 / 75 / 35

HEX #34A62A

RGB 52 166 42

HSL 115.16, 0.6%, 0.41%

LAB 60.04, -54.77, 51.71

 

CMYK 75 / 0 / 60 / 35

HEX #2AA642

RGB 42 166 66

HSL 131.61, 0.6%, 0.41%

LAB 60.03, -54.11, 41.55

 

CMYK 8 / 0 / 75 / 35

HEX #98A62A

RGB 152 166 42

HSL 66.77, 0.6%, 0.41%

LAB 65.05, -20.67, 58.31

 

CMYK 10 / 0 / 86 / 28

HEX #A5B719

RGB 165 183 25

HSL 66.84, 0.76%, 0.41%

LAB 70.83, -24.17, 68.47

 

CMYK 11 / 0 / 96 / 22

HEX #B2C809

RGB 178 200 9

HSL 66.91, 0.91%, 0.41%

LAB 76.55, -27.19, 75.8

 

CMYK 8 / 0 / 75 / 35

HEX #98A62A

RGB 152 166 42

HSL 66.77, 0.6%, 0.41%

LAB 65.05, -20.67, 58.31

 

CMYK 7 / 0 / 60 / 42

HEX #8B953B

RGB 139 149 59

HSL 66.67, 0.43%, 0.41%

LAB 59.25, -16.51, 45.15

 

CMYK 5 / 0 / 42 / 48

HEX #7E844C

RGB 126 132 76

HSL 66.43, 0.27%, 0.41%

LAB 53.45, -11.37, 29.44

 

CMYK 3 / 0 / 19 / 55

HEX #70735D

RGB 112 115 93

HSL 68.18, 0.11%, 0.41%

LAB 47.62, -5.29, 11.81

 

CMYK 10 / 11 / 0 / 57

HEX #63626E

RGB 99 98 110

HSL 245, 0.06%, 0.41%

LAB 42.02, 3, -6.63

 

CMYK 0 / 33 / 75 / 35

HEX #A6702A

RGB 166 112 42

HSL 33.87, 0.6%, 0.41%

LAB 51.68, 14.98, 45.71

 

CMYK 0 / 13 / 75 / 35

HEX #A6912A

RGB 166 145 42

HSL 49.84, 0.6%, 0.41%

LAB 60.36, -3.45, 54.25

 

CMYK 8 / 0 / 75 / 35

HEX #99A62A

RGB 153 166 42

HSL 66.29, 0.6%, 0.41%

LAB 65.13, -20.24, 58.41

 

CMYK 28 / 0 / 75 / 35

HEX #78A62A

RGB 120 166 42

HSL 82.26, 0.6%, 0.41%

LAB 62.87, -33.9, 55.45

 

CMYK 47 / 0 / 75 / 35

HEX #58A62A

RGB 88 166 42

HSL 97.74, 0.6%, 0.41%

LAB 61.23, -45.35, 53.29

 

CMYK 8 / 0 / 75 / 61

HEX #5C6419

RGB 92 100 25

HSL 66.4, 0.6%, 0.25%

LAB 40.34, -13.74, 39.19

 

CMYK 8 / 0 / 74 / 48

HEX #7A8522

RGB 122 133 34

HSL 66.67, 0.59%, 0.33%

LAB 52.98, -17.27, 48.81

 

CMYK 8 / 0 / 75 / 35

HEX #98A62A

RGB 152 166 42

HSL 66.77, 0.6%, 0.41%

LAB 65.05, -20.67, 58.31

 

CMYK 9 / 0 / 74 / 22

HEX #B6C733

RGB 182 199 51

HSL 66.89, 0.59%, 0.49%

LAB 76.7, -23.89, 67.08

 

CMYK 7 / 0 / 61 / 18

HEX #C3D251

RGB 195 210 81

HSL 66.98, 0.59%, 0.57%

LAB 80.9, -22.18, 60.32

 

CMYK 8 / 0 / 74 / 35

HEX #97A52B

RGB 151 165 43

HSL 66.89, 0.59%, 0.41%

LAB 64.69, -20.55, 57.59

 

CMYK 75 / 0 / 52 / 35

HEX #2AA64F

RGB 42 166 79

HSL 137.9, 0.6%, 0.41%

LAB 60.18, -52.29, 35.41

 

CMYK 22 / 75 / 0 / 35

HEX #812AA6

RGB 129 42 166

HSL 282.1, 0.6%, 0.41%

LAB 36.13, 55.7, -49.62

 

CMYK 8 / 0 / 74 / 35

HEX #97A52B

RGB 151 165 43

HSL 66.89, 0.59%, 0.41%

LAB 64.69, -20.55, 57.59

 

CMYK 75 / 8 / 0 / 35

HEX #2A99A6

RGB 42 153 166

HSL 186.29, 0.6%, 0.41%

LAB 58.06, -25.72, -15.65

 

CMYK 0 / 75 / 8 / 35

HEX #A62A99

RGB 166 42 153

HSL 306.29, 0.6%, 0.41%

LAB 41.32, 61.35, -33.16

 

CMYK 8 / 0 / 74 / 35

HEX #97A52B

RGB 151 165 43

HSL 66.89, 0.59%, 0.41%

LAB 64.69, -20.55, 57.59

 

CMYK 75 / 0 / 52 / 35

HEX #2AA64F

RGB 42 166 79

HSL 137.9, 0.6%, 0.41%

LAB 60.18, -52.29, 35.41

 

CMYK 67 / 75 / 0 / 35

HEX #372AA6

RGB 55 42 166

HSL 246.29, 0.6%, 0.41%

LAB 27.36, 43.41, -64.3

 

CMYK 0 / 75 / 22 / 35

HEX #A62A81

RGB 166 42 129

HSL 317.9, 0.6%, 0.41%

LAB 40.16, 57.86, -20.31

 

CMYK 8 / 0 / 74 / 35

HEX #97A52B

RGB 151 165 43

HSL 66.89, 0.59%, 0.41%

LAB 64.69, -20.55, 57.59

 

CMYK 75 / 0 / 30 / 35

HEX #2AA674

RGB 42 166 116

HSL 155.81, 0.6%, 0.41%

LAB 60.8, -45.29, 16.52

 

CMYK 67 / 75 / 0 / 35

HEX #372AA6

RGB 55 42 166

HSL 246.29, 0.6%, 0.41%

LAB 27.36, 43.41, -64.3

 

CMYK 0 / 75 / 45 / 35

HEX #A62A5C

RGB 166 42 92

HSL 335.81, 0.6%, 0.41%

LAB 38.79, 53.54, 0.79

 

Description

Color code: HEX #97A52B | qconv.com Color code: HEX #97A52B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 165 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 165 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 74 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 74% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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