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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97A2C8 it is the complementary color #685D37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97A2C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97A2C8 shade: #9CA2C3, #ADB4D6, #BEC6E9, #CFD8FC and #E0EAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97A2C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97A2C8 shade: #97A2C8, #8690B5, #757EA2, #646C8F and #535A7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97A2C8 shade: #97A2C8, #9997C8, #A697C8, #B497C8 and #C197C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97A2C8 shade: #97A2C8 and #9797C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97A2C8 shade matches the following richer shades: #97A2C8, #8A9BD5, #7D94E2, #718DEE and #6486FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97A2C8 shade: #97A2C8, #A4A9BB, #B1B0AE, #BDB7A2 and #CABE95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97A2C8 shade: #97BDC8, #97AFC8, #97A2C8, #9997C8 and #A697C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97A2C8 shade: #6172AB, #7C8ABA, #97A2C8, #B2BAD6 and #CDD2E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97A2C8 shade: #97A2C8, #C697C8 and #B6C897

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97A2C8 shade: #97A2C8, #C897A2 and #A2C897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97A2C8 shade: #97A2C8, #C697C8, #C8BD97 and #99C897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97A2C8 shade: #97A2C8, #C897BB, #C8BD97 and #97C8A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

Complementary color

CMYK 0 / 11 / 47 / 59

HEX #685D37

RGB 104 93 55

HSL 46.53, 0.31%, 0.31%

LAB 39.66, -1.44, 23.39

 

CMYK 20 / 17 / 0 / 24

HEX #9CA2C3

RGB 156 162 195

HSL 230.77, 0.25%, 0.69%

LAB 67.16, 4.9, -17.63

 

CMYK 19 / 16 / 0 / 16

HEX #ADB4D6

RGB 173 180 214

HSL 229.76, 0.33%, 0.76%

LAB 73.79, 4.65, -17.93

 

CMYK 18 / 15 / 0 / 9

HEX #BEC6E9

RGB 190 198 233

HSL 228.84, 0.49%, 0.83%

LAB 80.3, 4.41, -18.24

 

CMYK 18 / 14 / 0 / 1

HEX #CFD8FC

RGB 207 216 252

HSL 228, 0.88%, 0.9%

LAB 86.7, 4.19, -18.56

 

CMYK 12 / 8 / 0 / 0

HEX #E0EAFF

RGB 224 234 255

HSL 220.65, 1%, 0.94%

LAB 92.54, 0.71, -11.27

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 26 / 20 / 0 / 29

HEX #8690B5

RGB 134 144 181

HSL 227.23, 0.24%, 0.62%

LAB 60.2, 4.8, -20.52

 

CMYK 28 / 22 / 0 / 36

HEX #757EA2

RGB 117 126 162

HSL 228, 0.19%, 0.55%

LAB 53.29, 5.13, -20.32

 

CMYK 30 / 24 / 0 / 44

HEX #646C8F

RGB 100 108 143

HSL 228.84, 0.18%, 0.48%

LAB 46.2, 5.51, -20.15

 

CMYK 33 / 27 / 0 / 51

HEX #535A7C

RGB 83 90 124

HSL 229.76, 0.2%, 0.41%

LAB 38.91, 5.96, -20.04

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 24 / 25 / 0 / 22

HEX #9997C8

RGB 153 151 200

HSL 242.45, 0.31%, 0.69%

LAB 64.22, 11.33, -24.92

 

CMYK 17 / 25 / 0 / 22

HEX #A697C8

RGB 166 151 200

HSL 258.37, 0.31%, 0.69%

LAB 65.29, 15.42, -23.2

 

CMYK 10 / 25 / 0 / 22

HEX #B497C8

RGB 180 151 200

HSL 275.51, 0.31%, 0.69%

LAB 66.53, 19.96, -21.2

 

CMYK 4 / 25 / 0 / 22

HEX #C197C8

RGB 193 151 200

HSL 291.43, 0.31%, 0.69%

LAB 67.76, 24.26, -19.21

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 25 / 25 / 0 / 22

HEX #9797C8

RGB 151 151 200

HSL 240, 0.31%, 0.69%

LAB 64.07, 10.71, -25.18

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 35 / 27 / 0 / 16

HEX #8A9BD5

RGB 138 155 213

HSL 226.4, 0.47%, 0.69%

LAB 64.68, 7.9, -31.54

 

CMYK 45 / 35 / 0 / 11

HEX #7D94E2

RGB 125 148 226

HSL 226.34, 0.64%, 0.69%

LAB 62.53, 12.11, -42.17

 

CMYK 53 / 41 / 0 / 7

HEX #718DEE

RGB 113 141 238

HSL 226.56, 0.79%, 0.69%

LAB 60.55, 17.05, -52.01

 

CMYK 60 / 47 / 0 / 2

HEX #6486FB

RGB 100 134 251

HSL 226.49, 0.95%, 0.69%

LAB 58.72, 22.82, -62.14

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 12 / 10 / 0 / 27

HEX #A4A9BB

RGB 164 169 187

HSL 226.96, 0.14%, 0.69%

LAB 69.37, 1.89, -9.82

 

CMYK 0 / 1 / 2 / 31

HEX #B1B0AE

RGB 177 176 174

HSL 40, 0.02%, 0.69%

LAB 71.86, -0.01, 1.14

 

CMYK 0 / 3 / 14 / 26

HEX #BDB7A2

RGB 189 183 162

HSL 46.67, 0.17%, 0.69%

LAB 74.38, -1.48, 11.44

 

CMYK 0 / 6 / 26 / 21

HEX #CABE95

RGB 202 190 149

HSL 46.42, 0.33%, 0.69%

LAB 77.01, -2.21, 22.27

 

CMYK 25 / 5 / 0 / 22

HEX #97BDC8

RGB 151 189 200

HSL 193.47, 0.31%, 0.69%

LAB 74.28, -10.18, -9.72

 

CMYK 25 / 13 / 0 / 22

HEX #97AFC8

RGB 151 175 200

HSL 210.61, 0.31%, 0.69%

LAB 70.46, -2.67, -15.45

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 24 / 25 / 0 / 22

HEX #9997C8

RGB 153 151 200

HSL 242.45, 0.31%, 0.69%

LAB 64.22, 11.33, -24.92

 

CMYK 17 / 25 / 0 / 22

HEX #A697C8

RGB 166 151 200

HSL 258.37, 0.31%, 0.69%

LAB 65.29, 15.42, -23.2

 

CMYK 43 / 33 / 0 / 33

HEX #6172AB

RGB 97 114 171

HSL 226.22, 0.31%, 0.53%

LAB 48.9, 8.95, -32.45

 

CMYK 33 / 26 / 0 / 27

HEX #7C8ABA

RGB 124 138 186

HSL 226.45, 0.31%, 0.61%

LAB 58.04, 6.51, -26.73

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 17 / 13 / 0 / 16

HEX #B2BAD6

RGB 178 186 214

HSL 226.67, 0.31%, 0.77%

LAB 75.72, 2.97, -14.99

 

CMYK 10 / 8 / 0 / 11

HEX #CDD2E4

RGB 205 210 228

HSL 226.96, 0.3%, 0.85%

LAB 84.32, 1.77, -9.45

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 1 / 25 / 0 / 22

HEX #C697C8

RGB 198 151 200

HSL 297.55, 0.31%, 0.69%

LAB 68.25, 25.93, -18.42

 

CMYK 9 / 0 / 25 / 22

HEX #B6C897

RGB 182 200 151

HSL 82.04, 0.31%, 0.69%

LAB 78.16, -14.65, 22.53

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 0 / 25 / 19 / 22

HEX #C897A2

RGB 200 151 162

HSL 346.53, 0.31%, 0.69%

LAB 67.29, 20.02, 1.4

 

CMYK 19 / 0 / 25 / 22

HEX #A2C897

RGB 162 200 151

HSL 106.53, 0.31%, 0.69%

LAB 76.81, -21.84, 20.46

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 1 / 25 / 0 / 22

HEX #C697C8

RGB 198 151 200

HSL 297.55, 0.31%, 0.69%

LAB 68.25, 25.93, -18.42

 

CMYK 0 / 5 / 25 / 22

HEX #C8BD97

RGB 200 189 151

HSL 46.53, 0.31%, 0.69%

LAB 76.62, -2.17, 20.64

 

CMYK 24 / 0 / 25 / 22

HEX #99C897

RGB 153 200 151

HSL 117.55, 0.31%, 0.69%

LAB 76.26, -24.94, 19.62

 

CMYK 25 / 19 / 0 / 22

HEX #97A2C8

RGB 151 162 200

HSL 226.53, 0.31%, 0.69%

LAB 66.97, 4.5, -20.74

 

CMYK 0 / 25 / 7 / 22

HEX #C897BB

RGB 200 151 187

HSL 315.92, 0.31%, 0.69%

LAB 68.02, 24.21, -11.5

 

CMYK 0 / 5 / 25 / 22

HEX #C8BD97

RGB 200 189 151

HSL 46.53, 0.31%, 0.69%

LAB 76.62, -2.17, 20.64

 

CMYK 25 / 0 / 18 / 22

HEX #97C8A4

RGB 151 200 164

HSL 135.92, 0.31%, 0.69%

LAB 76.42, -23.29, 12.87

 

Description

Color code: HEX #97A2C8 | qconv.com Color code: HEX #97A2C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 162 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 162 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 19 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 19% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

64% - La Quadrature du Net...
Link: http://www.laquadrature.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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