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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97ADB8 it is the complementary color #685247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97ADB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97ADB8 shade: #9CADB3, #ADBFC6, #BED1D9, #CFE3EC and #E0F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97ADB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97ADB8 shade: #97ADB8, #869BA5, #758992, #64777F and #53656C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97ADB8 shade: #97ADB8, #97A4B8, #979CB8, #9C97B8 and #A597B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97ADB8 shade: #97ADB8, #97A4B8, #979CB8 and #9797B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97ADB8 shade matches the following richer shades: #97ADB8, #89B2C6, #7BB7D4, #6DBBE2 and #5FC0F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97ADB8 shade: #97ADB8, #A5A9AA, #B3A49C, #C19F8E and #CF9B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97ADB8 shade: #97B8B2, #97B6B8, #97ADB8, #97A5B8 and #979CB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97ADB8 shade: #668797, #7F9AA8, #97ADB8, #B0C1C9 and #C8D4DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97ADB8 shade: #97ADB8, #A997B8 and #B8B697

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97ADB8 shade: #97ADB8, #B897AD and #ADB897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97ADB8 shade: #97ADB8, #A997B8, #B8A297 and #A7B897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97ADB8 shade: #97ADB8, #B397B8, #B8A297 and #9DB897

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

Complementary color

CMYK 0 / 21 / 32 / 59

HEX #685247

RGB 104 82 71

HSL 20, 0.19%, 0.34%

LAB 36.8, 7.36, 9.93

 

CMYK 13 / 3 / 0 / 30

HEX #9CADB3

RGB 156 173 179

HSL 195.65, 0.13%, 0.66%

LAB 69.62, -4.65, -5.09

 

CMYK 13 / 4 / 0 / 22

HEX #ADBFC6

RGB 173 191 198

HSL 196.8, 0.18%, 0.73%

LAB 76.21, -4.71, -5.62

 

CMYK 12 / 4 / 0 / 15

HEX #BED1D9

RGB 190 209 217

HSL 197.78, 0.26%, 0.8%

LAB 82.68, -4.78, -6.14

 

CMYK 12 / 4 / 0 / 7

HEX #CFE3EC

RGB 207 227 236

HSL 198.62, 0.43%, 0.87%

LAB 89.05, -4.84, -6.65

 

CMYK 12 / 4 / 0 / 0

HEX #E0F5FF

RGB 224 245 255

HSL 199.35, 1%, 0.94%

LAB 95.32, -4.91, -7.14

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 19 / 6 / 0 / 35

HEX #869BA5

RGB 134 155 165

HSL 199.35, 0.15%, 0.59%

LAB 62.7, -5.17, -7.71

 

CMYK 20 / 6 / 0 / 43

HEX #758992

RGB 117 137 146

HSL 198.62, 0.12%, 0.52%

LAB 55.84, -5.12, -7.22

 

CMYK 21 / 6 / 0 / 50

HEX #64777F

RGB 100 119 127

HSL 197.78, 0.12%, 0.45%

LAB 48.8, -5.08, -6.72

 

CMYK 23 / 6 / 0 / 58

HEX #53656C

RGB 83 101 108

HSL 196.8, 0.13%, 0.37%

LAB 41.58, -5.05, -6.21

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 18 / 11 / 0 / 28

HEX #97A4B8

RGB 151 164 184

HSL 216.36, 0.19%, 0.66%

LAB 66.97, -0.3, -11.85

 

CMYK 18 / 15 / 0 / 28

HEX #979CB8

RGB 151 156 184

HSL 230.91, 0.19%, 0.66%

LAB 64.82, 4.14, -15.08

 

CMYK 15 / 18 / 0 / 28

HEX #9C97B8

RGB 156 151 184

HSL 249.09, 0.19%, 0.66%

LAB 63.89, 8.6, -16.45

 

CMYK 10 / 18 / 0 / 28

HEX #A597B8

RGB 165 151 184

HSL 265.45, 0.19%, 0.66%

LAB 64.64, 11.6, -15.24

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 18 / 11 / 0 / 28

HEX #97A4B8

RGB 151 164 184

HSL 216.36, 0.19%, 0.66%

LAB 66.97, -0.3, -11.85

 

CMYK 18 / 15 / 0 / 28

HEX #979CB8

RGB 151 156 184

HSL 230.91, 0.19%, 0.66%

LAB 64.82, 4.14, -15.08

 

CMYK 18 / 18 / 0 / 28

HEX #9797B8

RGB 151 151 184

HSL 240, 0.19%, 0.66%

LAB 63.49, 6.96, -17.1

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 31 / 10 / 0 / 22

HEX #89B2C6

RGB 137 178 198

HSL 199.67, 0.35%, 0.66%

LAB 70.34, -8.96, -14.62

 

CMYK 42 / 14 / 0 / 17

HEX #7BB7D4

RGB 123 183 212

HSL 199.55, 0.51%, 0.66%

LAB 71.44, -11.86, -20.7

 

CMYK 52 / 17 / 0 / 11

HEX #6DBBE2

RGB 109 187 226

HSL 200, 0.67%, 0.66%

LAB 72.42, -13.4, -26.9

 

CMYK 60 / 20 / 0 / 6

HEX #5FC0F0

RGB 95 192 240

HSL 199.86, 0.83%, 0.66%

LAB 73.82, -14.67, -32.37

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 3 / 1 / 0 / 33

HEX #A5A9AA

RGB 165 169 170

HSL 192, 0.03%, 0.66%

LAB 68.95, -1.22, -1.02

 

CMYK 0 / 8 / 13 / 30

HEX #B3A49C

RGB 179 164 156

HSL 20.87, 0.13%, 0.66%

LAB 68.41, 4.06, 6.11

 

CMYK 0 / 18 / 26 / 24

HEX #C19F8E

RGB 193 159 142

HSL 20, 0.29%, 0.66%

LAB 68.08, 9.98, 13.58

 

CMYK 0 / 25 / 38 / 19

HEX #CF9B80

RGB 207 155 128

HSL 20.51, 0.45%, 0.66%

LAB 68.22, 15.86, 21.71

 

CMYK 18 / 0 / 3 / 28

HEX #97B8B2

RGB 151 184 178

HSL 169.09, 0.19%, 0.66%

LAB 72.28, -12.37, -0.67

 

CMYK 18 / 1 / 0 / 28

HEX #97B6B8

RGB 151 182 184

HSL 183.64, 0.19%, 0.66%

LAB 71.89, -10.04, -4.53

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 18 / 10 / 0 / 28

HEX #97A5B8

RGB 151 165 184

HSL 214.55, 0.19%, 0.66%

LAB 67.24, -0.86, -11.44

 

CMYK 18 / 15 / 0 / 28

HEX #979CB8

RGB 151 156 184

HSL 230.91, 0.19%, 0.66%

LAB 64.82, 4.14, -15.08

 

CMYK 32 / 11 / 0 / 41

HEX #668797

RGB 102 135 151

HSL 199.59, 0.19%, 0.5%

LAB 54.44, -7.55, -12.3

 

CMYK 24 / 8 / 0 / 34

HEX #7F9AA8

RGB 127 154 168

HSL 200.49, 0.19%, 0.58%

LAB 62.04, -6.18, -10.43

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 12 / 4 / 0 / 21

HEX #B0C1C9

RGB 176 193 201

HSL 199.2, 0.19%, 0.74%

LAB 77.03, -4.17, -6

 

CMYK 8 / 3 / 0 / 15

HEX #C8D4DA

RGB 200 212 218

HSL 200, 0.2%, 0.82%

LAB 84.19, -2.89, -4.36

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 8 / 18 / 0 / 28

HEX #A997B8

RGB 169 151 184

HSL 272.73, 0.19%, 0.66%

LAB 64.99, 12.96, -14.68

 

CMYK 0 / 1 / 18 / 28

HEX #B8B697

RGB 184 182 151

HSL 56.36, 0.19%, 0.66%

LAB 73.47, -4.56, 16.07

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 0 / 18 / 6 / 28

HEX #B897AD

RGB 184 151 173

HSL 320, 0.19%, 0.66%

LAB 66.01, 16.05, -6.83

 

CMYK 6 / 0 / 18 / 28

HEX #ADB897

RGB 173 184 151

HSL 80, 0.19%, 0.66%

LAB 73.15, -9.72, 15.5

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 8 / 18 / 0 / 28

HEX #A997B8

RGB 169 151 184

HSL 272.73, 0.19%, 0.66%

LAB 64.99, 12.96, -14.68

 

CMYK 0 / 12 / 18 / 28

HEX #B8A297

RGB 184 162 151

HSL 20, 0.19%, 0.66%

LAB 68.22, 6.22, 8.66

 

CMYK 9 / 0 / 18 / 28

HEX #A7B897

RGB 167 184 151

HSL 90.91, 0.19%, 0.66%

LAB 72.71, -11.92, 14.82

 

CMYK 18 / 6 / 0 / 28

HEX #97ADB8

RGB 151 173 184

HSL 200, 0.19%, 0.66%

LAB 69.42, -5.22, -8.19

 

CMYK 3 / 18 / 0 / 28

HEX #B397B8

RGB 179 151 184

HSL 290.91, 0.19%, 0.66%

LAB 65.89, 16.38, -13.24

 

CMYK 0 / 12 / 18 / 28

HEX #B8A297

RGB 184 162 151

HSL 20, 0.19%, 0.66%

LAB 68.22, 6.22, 8.66

 

CMYK 15 / 0 / 18 / 28

HEX #9DB897

RGB 157 184 151

HSL 109.09, 0.19%, 0.66%

LAB 72.02, -15.52, 13.74

 

Description

Color code: HEX #97ADB8 | qconv.com Color code: HEX #97ADB8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 173 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 173 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 6 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 6% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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