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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97B931 it is the complementary color #6846CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97B931. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97B931 shade: #9CB92C, #ADCB3F, #BEDD52, #CFEF65 and #E0FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97B931. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97B931 shade: #97B931, #86A71E, #75950B, #648300 and #537100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97B931 shade: #97B931, #B9B631, #B99131, #B96D31 and #B94831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97B931 shade: #97B931, #72B931, #4DB931, #31B939 and #31B95D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97B931 shade matches the following richer shades: #97B931, #A0CC1E and #AADF0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97B931 shade: #97B931, #8DA644, #849357, #7A806A and #716D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97B931 shade: #B99231, #B9B731, #97B931, #73B931 and #4EB931

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97B931 shade: #62781F, #7C9828, #97B931, #ABCD46 and #BAD666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97B931 shade: #97B931, #31B96E and #A431B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97B931 shade: #97B931, #3197B9 and #B93197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97B931 shade: #97B931, #31B96E, #5331B9 and #B9317C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97B931 shade: #97B931, #31B997, #5331B9 and #B93153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

Complementary color

CMYK 50 / 66 / 0 / 19

HEX #6846CE

RGB 104 70 206

HSL 255, 0.58%, 0.54%

LAB 40.86, 47.45, -65.62

 

CMYK 16 / 0 / 76 / 27

HEX #9CB92C

RGB 156 185 44

HSL 72.34, 0.62%, 0.45%

LAB 70.83, -28.22, 63.18

 

CMYK 15 / 0 / 69 / 20

HEX #ADCB3F

RGB 173 203 63

HSL 72.86, 0.57%, 0.52%

LAB 77.25, -28.87, 63.19

 

CMYK 14 / 0 / 63 / 13

HEX #BEDD52

RGB 190 221 82

HSL 73.38, 0.67%, 0.59%

LAB 83.58, -29.38, 62.68

 

CMYK 13 / 0 / 58 / 6

HEX #CFEF65

RGB 207 239 101

HSL 73.91, 0.81%, 0.67%

LAB 89.83, -29.77, 61.88

 

CMYK 12 / 0 / 53 / 0

HEX #E0FF78

RGB 224 255 120

HSL 73.78, 1%, 0.74%

LAB 95.46, -29.15, 60.31

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 20 / 0 / 82 / 35

HEX #86A71E

RGB 134 167 30

HSL 74.45, 0.7%, 0.39%

LAB 64, -29.3, 60.57

 

CMYK 21 / 0 / 93 / 42

HEX #75950B

RGB 117 149 11

HSL 73.91, 0.86%, 0.31%

LAB 57.37, -28.34, 58.68

 

CMYK 24 / 0 / 100 / 49

HEX #648300

RGB 100 131 0

HSL 74.2, 1%, 0.26%

LAB 50.62, -27.1, 54.78

 

CMYK 27 / 0 / 100 / 56

HEX #537100

RGB 83 113 0

HSL 75.93, 1%, 0.22%

LAB 43.73, -25.62, 49.04

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 0 / 2 / 74 / 27

HEX #B9B631

RGB 185 182 49

HSL 58.68, 0.58%, 0.46%

LAB 72.22, -14.24, 63.62

 

CMYK 0 / 22 / 74 / 27

HEX #B99131

RGB 185 145 49

HSL 42.35, 0.58%, 0.46%

LAB 62.33, 5.4, 54.06

 

CMYK 0 / 41 / 74 / 27

HEX #B96D31

RGB 185 109 49

HSL 26.47, 0.58%, 0.46%

LAB 53.46, 25.29, 45.04

 

CMYK 0 / 61 / 74 / 27

HEX #B94831

RGB 185 72 49

HSL 10.15, 0.58%, 0.46%

LAB 45.87, 44.36, 36.87

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 38 / 0 / 74 / 27

HEX #72B931

RGB 114 185 49

HSL 91.32, 0.58%, 0.46%

LAB 68.39, -44.04, 58.28

 

CMYK 58 / 0 / 74 / 27

HEX #4DB931

RGB 77 185 49

HSL 107.65, 0.58%, 0.46%

LAB 66.9, -55.22, 56.31

 

CMYK 74 / 0 / 69 / 27

HEX #31B939

RGB 49 185 57

HSL 123.53, 0.58%, 0.46%

LAB 66.25, -60.36, 52.39

 

CMYK 74 / 0 / 50 / 27

HEX #31B95D

RGB 49 185 93

HSL 139.41, 0.58%, 0.46%

LAB 66.63, -55.86, 36.38

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 22 / 0 / 85 / 20

HEX #A0CC1E

RGB 160 204 30

HSL 75.17, 0.74%, 0.46%

LAB 76.53, -35.99, 72.06

 

CMYK 24 / 0 / 95 / 13

HEX #AADF0B

RGB 170 223 11

HSL 75, 0.91%, 0.46%

LAB 82.56, -40.93, 80.04

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 15 / 0 / 59 / 35

HEX #8DA644

RGB 141 166 68

HSL 75.31, 0.42%, 0.46%

LAB 64.45, -23.58, 46.83

 

CMYK 10 / 0 / 41 / 42

HEX #849357

RGB 132 147 87

HSL 75, 0.26%, 0.46%

LAB 58.47, -15.55, 29.96

 

CMYK 5 / 0 / 17 / 50

HEX #7A806A

RGB 122 128 106

HSL 76.36, 0.09%, 0.46%

LAB 52.53, -6.41, 11.2

 

CMYK 10 / 13 / 0 / 51

HEX #716D7D

RGB 113 109 125

HSL 255, 0.07%, 0.46%

LAB 46.88, 4.93, -8.29

 

CMYK 0 / 21 / 74 / 27

HEX #B99231

RGB 185 146 49

HSL 42.79, 0.58%, 0.46%

LAB 62.59, 4.85, 54.31

 

CMYK 0 / 1 / 74 / 27

HEX #B9B731

RGB 185 183 49

HSL 59.12, 0.58%, 0.46%

LAB 72.5, -14.75, 63.88

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 38 / 0 / 74 / 27

HEX #73B931

RGB 115 185 49

HSL 90.88, 0.58%, 0.46%

LAB 68.43, -43.7, 58.35

 

CMYK 58 / 0 / 74 / 27

HEX #4EB931

RGB 78 185 49

HSL 107.21, 0.58%, 0.46%

LAB 66.93, -54.97, 56.35

 

CMYK 18 / 0 / 74 / 53

HEX #62781F

RGB 98 120 31

HSL 74.83, 0.59%, 0.3%

LAB 47.14, -21.33, 43.64

 

CMYK 18 / 0 / 74 / 40

HEX #7C9828

RGB 124 152 40

HSL 75, 0.58%, 0.38%

LAB 58.88, -25.73, 52.37

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 17 / 0 / 66 / 20

HEX #ABCD46

RGB 171 205 70

HSL 75.11, 0.57%, 0.54%

LAB 77.73, -30.18, 60.94

 

CMYK 13 / 0 / 52 / 16

HEX #BAD666

RGB 186 214 102

HSL 75, 0.58%, 0.62%

LAB 81.56, -25.99, 51.58

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 74 / 0 / 41 / 27

HEX #31B96E

RGB 49 185 110

HSL 146.91, 0.58%, 0.46%

LAB 66.88, -52.93, 27.97

 

CMYK 11 / 74 / 0 / 27

HEX #A431B9

RGB 164 49 185

HSL 290.74, 0.58%, 0.46%

LAB 43.64, 63.99, -48.53

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 74 / 18 / 0 / 27

HEX #3197B9

RGB 49 151 185

HSL 195, 0.58%, 0.46%

LAB 58.31, -17.6, -26.04

 

CMYK 0 / 74 / 18 / 27

HEX #B93197

RGB 185 49 151

HSL 315, 0.58%, 0.46%

LAB 45.28, 63.28, -25.51

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 74 / 0 / 41 / 27

HEX #31B96E

RGB 49 185 110

HSL 146.91, 0.58%, 0.46%

LAB 66.88, -52.93, 27.97

 

CMYK 55 / 74 / 0 / 27

HEX #5331B9

RGB 83 49 185

HSL 255, 0.58%, 0.46%

LAB 33, 49.16, -66.28

 

CMYK 0 / 74 / 33 / 27

HEX #B9317C

RGB 185 49 124

HSL 326.91, 0.58%, 0.46%

LAB 44.18, 59.85, -10.79

 

CMYK 18 / 0 / 74 / 27

HEX #97B931

RGB 151 185 49

HSL 75, 0.58%, 0.46%

LAB 70.52, -30.02, 61.1

 

CMYK 74 / 0 / 18 / 27

HEX #31B997

RGB 49 185 151

HSL 165, 0.58%, 0.46%

LAB 67.71, -43.92, 7

 

CMYK 55 / 74 / 0 / 27

HEX #5331B9

RGB 83 49 185

HSL 255, 0.58%, 0.46%

LAB 33, 49.16, -66.28

 

CMYK 0 / 74 / 55 / 27

HEX #B93153

RGB 185 49 83

HSL 345, 0.58%, 0.46%

LAB 42.97, 55.9, 12.89

 

Description

Color code: HEX #97B931 | qconv.com Color code: HEX #97B931 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 185 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 185 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 74 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 74% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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