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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97BBDC it is the complementary color #684423. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97BBDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97BBDC shade: #9CBBD7, #ADCDEA, #BEDFFD, #CFF1FF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97BBDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97BBDC shade: #97BBDC, #86A9C9, #7597B6, #6485A3 and #537390

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97BBDC shade: #97BBDC, #97A9DC, #9897DC, #AB97DC and #BE97DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97BBDC shade: #97BBDC, #97A9DC and #9797DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97BBDC shade matches the following richer shades: #97BBDC, #8CBCE7, #81BCF2 and #76BDFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97BBDC shade: #97BBDC, #A2BBD1, #AEBAC6, #B9BABB and #C4B9B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97BBDC shade: #97DCD7, #97CEDC, #97BCDC, #97AADC and #9797DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97BBDC shade: #5993C7, #78A7D2, #97BBDC, #B6CFE6 and #D5E4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97BBDC shade: #97BBDC, #C597DC and #D7DC97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97BBDC shade: #97BBDC, #DC97BC and #BCDC97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97BBDC shade: #97BBDC, #C597DC, #DCB797 and #AEDC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97BBDC shade: #97BBDC, #DA97DC, #DCB797 and #9ADC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

Complementary color

CMYK 0 / 35 / 66 / 59

HEX #684423

RGB 104 68 35

HSL 28.7, 0.5%, 0.27%

LAB 32.25, 11.85, 25.95

 

CMYK 27 / 13 / 0 / 16

HEX #9CBBD7

RGB 156 187 215

HSL 208.47, 0.42%, 0.73%

LAB 74.52, -4.12, -17.49

 

CMYK 26 / 12 / 0 / 8

HEX #ADCDEA

RGB 173 205 234

HSL 208.52, 0.59%, 0.8%

LAB 81.01, -4.24, -17.82

 

CMYK 25 / 12 / 0 / 1

HEX #BEDFFD

RGB 190 223 253

HSL 208.57, 0.94%, 0.87%

LAB 87.39, -4.36, -18.16

 

CMYK 19 / 5 / 0 / 0

HEX #CFF1FF

RGB 207 241 255

HSL 197.5, 1%, 0.91%

LAB 93.19, -8.11, -10.42

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 33 / 16 / 0 / 21

HEX #86A9C9

RGB 134 169 201

HSL 208.66, 0.38%, 0.66%

LAB 67.77, -4.2, -20.18

 

CMYK 36 / 17 / 0 / 29

HEX #7597B6

RGB 117 151 182

HSL 208.62, 0.31%, 0.59%

LAB 61.04, -4.01, -19.91

 

CMYK 39 / 18 / 0 / 36

HEX #6485A3

RGB 100 133 163

HSL 208.57, 0.26%, 0.52%

LAB 54.16, -3.78, -19.66

 

CMYK 42 / 20 / 0 / 44

HEX #537390

RGB 83 115 144

HSL 208.52, 0.27%, 0.45%

LAB 47.12, -3.5, -19.43

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 31 / 23 / 0 / 14

HEX #97A9DC

RGB 151 169 220

HSL 224.35, 0.5%, 0.73%

LAB 69.56, 5.51, -27.82

 

CMYK 31 / 31 / 0 / 14

HEX #9897DC

RGB 152 151 220

HSL 240.87, 0.5%, 0.73%

LAB 64.94, 15.97, -34.94

 

CMYK 22 / 31 / 0 / 14

HEX #AB97DC

RGB 171 151 220

HSL 257.39, 0.5%, 0.73%

LAB 66.49, 21.56, -32.43

 

CMYK 14 / 31 / 0 / 14

HEX #BE97DC

RGB 190 151 220

HSL 273.91, 0.5%, 0.73%

LAB 68.2, 27.39, -29.64

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 31 / 23 / 0 / 14

HEX #97A9DC

RGB 151 169 220

HSL 224.35, 0.5%, 0.73%

LAB 69.56, 5.51, -27.82

 

CMYK 31 / 31 / 0 / 14

HEX #9797DC

RGB 151 151 220

HSL 240, 0.5%, 0.73%

LAB 64.87, 15.68, -35.07

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 39 / 19 / 0 / 9

HEX #8CBCE7

RGB 140 188 231

HSL 208.35, 0.65%, 0.73%

LAB 74.39, -5.11, -26.46

 

CMYK 47 / 22 / 0 / 5

HEX #81BCF2

RGB 129 188 242

HSL 208.67, 0.81%, 0.73%

LAB 74.22, -4.85, -32.71

 

CMYK 53 / 25 / 0 / 1

HEX #76BDFD

RGB 118 189 253

HSL 208.44, 0.97%, 0.73%

LAB 74.41, -4.66, -38.39

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 22 / 11 / 0 / 18

HEX #A2BBD1

RGB 162 187 209

HSL 208.09, 0.34%, 0.73%

LAB 74.71, -3.7, -13.9

 

CMYK 12 / 6 / 0 / 22

HEX #AEBAC6

RGB 174 186 198

HSL 210, 0.17%, 0.73%

LAB 74.95, -1.72, -7.48

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 0 / 6 / 10 / 23

HEX #C4B9B0

RGB 196 185 176

HSL 27, 0.14%, 0.73%

LAB 75.8, 2.33, 5.95

 

CMYK 31 / 0 / 2 / 14

HEX #97DCD7

RGB 151 220 215

HSL 175.65, 0.5%, 0.73%

LAB 83.27, -22.59, -4.46

 

CMYK 31 / 6 / 0 / 14

HEX #97CEDC

RGB 151 206 220

HSL 192.17, 0.5%, 0.73%

LAB 79.55, -14.37, -12.65

 

CMYK 31 / 15 / 0 / 14

HEX #97BCDC

RGB 151 188 220

HSL 207.83, 0.5%, 0.73%

LAB 74.64, -4.9, -20.05

 

CMYK 31 / 23 / 0 / 14

HEX #97AADC

RGB 151 170 220

HSL 223.48, 0.5%, 0.73%

LAB 69.82, 4.95, -27.41

 

CMYK 31 / 31 / 0 / 14

HEX #9797DC

RGB 151 151 220

HSL 240, 0.5%, 0.73%

LAB 64.87, 15.68, -35.07

 

CMYK 55 / 26 / 0 / 22

HEX #5993C7

RGB 89 147 199

HSL 208.36, 0.5%, 0.56%

LAB 59.08, -3.85, -32.64

 

CMYK 43 / 20 / 0 / 18

HEX #78A7D2

RGB 120 167 210

HSL 208.67, 0.5%, 0.65%

LAB 66.74, -4.5, -26.81

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 21 / 10 / 0 / 10

HEX #B6CFE6

RGB 182 207 230

HSL 208.75, 0.49%, 0.81%

LAB 81.99, -3.5, -14.15

 

CMYK 12 / 5 / 0 / 5

HEX #D5E4F1

RGB 213 228 241

HSL 207.86, 0.5%, 0.89%

LAB 89.85, -2.45, -8.03

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 10 / 31 / 0 / 14

HEX #C597DC

RGB 197 151 220

HSL 280, 0.5%, 0.73%

LAB 68.87, 29.58, -28.54

 

CMYK 2 / 0 / 31 / 14

HEX #D7DC97

RGB 215 220 151

HSL 64.35, 0.5%, 0.73%

LAB 85.94, -12.39, 33.41

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 0 / 31 / 15 / 14

HEX #DC97BC

RGB 220 151 188

HSL 327.83, 0.5%, 0.73%

LAB 70.16, 31.32, -8.64

 

CMYK 15 / 0 / 31 / 14

HEX #BCDC97

RGB 188 220 151

HSL 87.83, 0.5%, 0.73%

LAB 84.02, -22.41, 30.52

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 10 / 31 / 0 / 14

HEX #C597DC

RGB 197 151 220

HSL 280, 0.5%, 0.73%

LAB 68.87, 29.58, -28.54

 

CMYK 0 / 17 / 31 / 14

HEX #DCB797

RGB 220 183 151

HSL 27.83, 0.5%, 0.73%

LAB 76.87, 8.73, 21.26

 

CMYK 21 / 0 / 31 / 14

HEX #AEDC97

RGB 174 220 151

HSL 100, 0.5%, 0.73%

LAB 83.14, -27.39, 29.18

 

CMYK 31 / 15 / 0 / 14

HEX #97BBDC

RGB 151 187 220

HSL 208.7, 0.5%, 0.73%

LAB 74.37, -4.36, -20.46

 

CMYK 1 / 31 / 0 / 14

HEX #DA97DC

RGB 218 151 220

HSL 298.26, 0.5%, 0.73%

LAB 71.01, 36.23, -25.08

 

CMYK 0 / 17 / 31 / 14

HEX #DCB797

RGB 220 183 151

HSL 27.83, 0.5%, 0.73%

LAB 76.87, 8.73, 21.26

 

CMYK 30 / 0 / 31 / 14

HEX #9ADC97

RGB 154 220 151

HSL 117.39, 0.5%, 0.73%

LAB 82, -34.13, 27.45

 

Description

Color code: HEX #97BBDC | qconv.com Color code: HEX #97BBDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 187 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 187 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 15 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 15% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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