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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97C634 it is the complementary color #6839CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97C634. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97C634 shade: #9CC62F, #ADD842, #BEEA55, #CFFC68 and #E0FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97C634. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97C634 shade: #97C634, #86B421, #75A20E, #649000 and #537E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97C634 shade: #96C534, #BDC534, #C5A534, #C57E34 and #C55734

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97C634 shade: #96C534, #6FC534, #48C534, #34C547 and #34C56E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97C634 shade matches the following richer shades: #96C534, #9DD920 and #A5ED0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97C634 shade: #96C534, #8FB148, #889C5C, #818871 and #797485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97C634 shade: #C5A634, #BEC534, #97C534, #70C534 and #4AC534

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97C634 shade: #648423, #7DA42B, #96C534, #A8D152 and #B8D972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97C634 shade: #97C634, #34C57F and #B934C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97C634 shade: #97C634, #3497C5 and #C53497

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97C634 shade: #97C634, #34C57F, #6234C5 and #C5347A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97C634 shade: #97C634, #34C5AA, #6234C5 and #C5344F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 74 / 22

HEX #97C634

RGB 151 198 52

HSL 79.32, 0.58%, 0.49%

LAB 74.33, -35.89, 63.75

 

Complementary color

CMYK 49 / 72 / 0 / 20

HEX #6839CB

RGB 104 57 203

HSL 259.32, 0.58%, 0.51%

LAB 38.17, 53.4, -68.29

 

CMYK 21 / 0 / 76 / 22

HEX #9CC62F

RGB 156 198 47

HSL 76.69, 0.62%, 0.48%

LAB 74.61, -34.18, 65.77

 

CMYK 20 / 0 / 69 / 15

HEX #ADD842

RGB 173 216 66

HSL 77.2, 0.66%, 0.55%

LAB 80.95, -34.75, 65.81

 

CMYK 19 / 0 / 64 / 8

HEX #BEEA55

RGB 190 234 85

HSL 77.72, 0.78%, 0.63%

LAB 87.22, -35.18, 65.35

 

CMYK 18 / 0 / 59 / 1

HEX #CFFC68

RGB 207 252 104

HSL 78.24, 0.96%, 0.7%

LAB 93.4, -35.51, 64.6

 

CMYK 12 / 0 / 52 / 0

HEX #E0FF7B

RGB 224 255 123

HSL 74.09, 1%, 0.74%

LAB 95.5, -28.89, 59.01

 

CMYK 24 / 0 / 74 / 22

HEX #97C634

RGB 151 198 52

HSL 79.32, 0.58%, 0.49%

LAB 74.33, -35.89, 63.75

 

CMYK 26 / 0 / 82 / 29

HEX #86B421

RGB 134 180 33

HSL 78.78, 0.69%, 0.42%

LAB 67.89, -35.24, 63.22

 

CMYK 28 / 0 / 91 / 36

HEX #75A20E

RGB 117 162 14

HSL 78.24, 0.84%, 0.35%

LAB 61.35, -34.38, 61.43

 

CMYK 31 / 0 / 100 / 44

HEX #649000

RGB 100 144 0

HSL 78.33, 1%, 0.28%

LAB 54.72, -33.24, 57.91

 

CMYK 34 / 0 / 100 / 51

HEX #537E00

RGB 83 126 0

HSL 80.48, 1%, 0.25%

LAB 47.96, -31.81, 52.28

 

CMYK 24 / 0 / 74 / 23

HEX #96C534

RGB 150 197 52

HSL 79.45, 0.58%, 0.49%

LAB 73.97, -35.82, 63.39

 

CMYK 4 / 0 / 74 / 23

HEX #BDC534

RGB 189 197 52

HSL 63.31, 0.58%, 0.49%

LAB 76.68, -19.94, 66.92

 

CMYK 0 / 16 / 74 / 23

HEX #C5A534

RGB 197 165 52

HSL 46.76, 0.58%, 0.49%

LAB 68.77, 0.02, 59.6

 

CMYK 0 / 36 / 74 / 23

HEX #C57E34

RGB 197 126 52

HSL 30.62, 0.58%, 0.49%

LAB 59.01, 21.24, 49.87

 

CMYK 0 / 56 / 74 / 23

HEX #C55734

RGB 197 87 52

HSL 14.48, 0.58%, 0.49%

LAB 50.61, 41.79, 41.01

 

CMYK 24 / 0 / 74 / 23

HEX #96C534

RGB 150 197 52

HSL 79.45, 0.58%, 0.49%

LAB 73.97, -35.82, 63.39

 

CMYK 44 / 0 / 74 / 23

HEX #6FC534

RGB 111 197 52

HSL 95.59, 0.58%, 0.49%

LAB 71.93, -49.77, 60.7

 

CMYK 63 / 0 / 74 / 23

HEX #48C534

RGB 72 197 52

HSL 111.72, 0.58%, 0.49%

LAB 70.57, -60.38, 58.88

 

CMYK 74 / 0 / 64 / 23

HEX #34C547

RGB 52 197 71

HSL 127.86, 0.58%, 0.49%

LAB 70.26, -62.41, 50.97

 

CMYK 74 / 0 / 44 / 23

HEX #34C56E

RGB 52 197 110

HSL 144, 0.58%, 0.49%

LAB 70.72, -56.92, 32.99

 

CMYK 24 / 0 / 74 / 23

HEX #96C534

RGB 150 197 52

HSL 79.45, 0.58%, 0.49%

LAB 73.97, -35.82, 63.39

 

CMYK 28 / 0 / 85 / 15

HEX #9DD920

RGB 157 217 32

HSL 79.46, 0.74%, 0.49%

LAB 80.12, -42.84, 74.62

 

CMYK 30 / 0 / 95 / 7

HEX #A5ED0C

RGB 165 237 12

HSL 79.2, 0.9%, 0.49%

LAB 86.3, -48.77, 82.76

 

CMYK 24 / 0 / 74 / 23

HEX #96C534

RGB 150 197 52

HSL 79.45, 0.58%, 0.49%

LAB 73.97, -35.82, 63.39

 

CMYK 19 / 0 / 59 / 31

HEX #8FB148

RGB 143 177 72

HSL 79.43, 0.42%, 0.49%

LAB 67.84, -27.81, 48.84

 

CMYK 13 / 0 / 41 / 39

HEX #889C5C

RGB 136 156 92

HSL 78.75, 0.26%, 0.49%

LAB 61.47, -18, 31.17

 

CMYK 5 / 0 / 17 / 47

HEX #818871

RGB 129 136 113

HSL 78.26, 0.09%, 0.49%

LAB 55.55, -6.92, 11.5

 

CMYK 9 / 13 / 0 / 48

HEX #797485

RGB 121 116 133

HSL 257.65, 0.07%, 0.49%

LAB 49.8, 5.45, -8.61

 

CMYK 0 / 16 / 74 / 23

HEX #C5A634

RGB 197 166 52

HSL 47.17, 0.58%, 0.49%

LAB 69.03, -0.52, 59.85

 

CMYK 4 / 0 / 74 / 23

HEX #BEC534

RGB 190 197 52

HSL 62.9, 0.58%, 0.49%

LAB 76.76, -19.51, 67.02

 

CMYK 23 / 0 / 74 / 23

HEX #97C534

RGB 151 197 52

HSL 79.03, 0.58%, 0.49%

LAB 74.04, -35.43, 63.47

 

CMYK 43 / 0 / 74 / 23

HEX #70C534

RGB 112 197 52

HSL 95.17, 0.58%, 0.49%

LAB 71.98, -49.44, 60.76

 

CMYK 62 / 0 / 74 / 23

HEX #4AC534

RGB 74 197 52

HSL 110.9, 0.58%, 0.49%

LAB 70.62, -59.94, 58.95

 

CMYK 24 / 0 / 73 / 48

HEX #648423

RGB 100 132 35

HSL 79.79, 0.58%, 0.33%

LAB 51.07, -26.26, 46.02

 

CMYK 24 / 0 / 74 / 36

HEX #7DA42B

RGB 125 164 43

HSL 79.34, 0.58%, 0.41%

LAB 62.58, -30.93, 54.92

 

CMYK 24 / 0 / 74 / 23

HEX #96C534

RGB 150 197 52

HSL 79.45, 0.58%, 0.49%

LAB 73.97, -35.82, 63.39

 

CMYK 20 / 0 / 61 / 18

HEX #A8D152

RGB 168 209 82

HSL 79.37, 0.58%, 0.57%

LAB 78.77, -32.34, 57.04

 

CMYK 15 / 0 / 47 / 15

HEX #B8D972

RGB 184 217 114

HSL 79.22, 0.58%, 0.65%

LAB 82.4, -27.01, 46.87

 

CMYK 24 / 0 / 74 / 22

HEX #97C634

RGB 151 198 52

HSL 79.32, 0.58%, 0.49%

LAB 74.33, -35.89, 63.75

 

CMYK 74 / 0 / 36 / 23

HEX #34C57F

RGB 52 197 127

HSL 151.03, 0.58%, 0.49%

LAB 71.01, -53.75, 24.52

 

CMYK 6 / 74 / 0 / 23

HEX #B934C5

RGB 185 52 197

HSL 295.03, 0.58%, 0.49%

LAB 48.01, 69.43, -48.36

 

CMYK 24 / 0 / 74 / 22

HEX #97C634

RGB 151 198 52

HSL 79.32, 0.58%, 0.49%

LAB 74.33, -35.89, 63.75

 

CMYK 74 / 23 / 0 / 23

HEX #3497C5

RGB 52 151 197

HSL 199.03, 0.58%, 0.49%

LAB 58.88, -13.16, -31.93

 

CMYK 0 / 74 / 23 / 23

HEX #C53497

RGB 197 52 151

HSL 319.03, 0.58%, 0.49%

LAB 47.7, 65.25, -21.6

 

CMYK 24 / 0 / 74 / 22

HEX #97C634

RGB 151 198 52

HSL 79.32, 0.58%, 0.49%

LAB 74.33, -35.89, 63.75

 

CMYK 74 / 0 / 36 / 23

HEX #34C57F

RGB 52 197 127

HSL 151.03, 0.58%, 0.49%

LAB 71.01, -53.75, 24.52

 

CMYK 50 / 74 / 0 / 23

HEX #6234C5

RGB 98 52 197

HSL 259.03, 0.58%, 0.49%

LAB 36.15, 53.27, -68.13

 

CMYK 0 / 74 / 38 / 23

HEX #C5347A

RGB 197 52 122

HSL 331.03, 0.58%, 0.49%

LAB 46.62, 61.85, -5.7

 

CMYK 24 / 0 / 74 / 22

HEX #97C634

RGB 151 198 52

HSL 79.32, 0.58%, 0.49%

LAB 74.33, -35.89, 63.75

 

CMYK 74 / 0 / 14 / 23

HEX #34C5AA

RGB 52 197 170

HSL 168.83, 0.58%, 0.49%

LAB 71.94, -43.84, 2.72

 

CMYK 50 / 74 / 0 / 23

HEX #6234C5

RGB 98 52 197

HSL 259.03, 0.58%, 0.49%

LAB 36.15, 53.27, -68.13

 

CMYK 0 / 74 / 60 / 23

HEX #C5344F

RGB 197 52 79

HSL 348.83, 0.58%, 0.49%

LAB 45.48, 58.16, 19.15

 

Description

Color code: HEX #97C634 | qconv.com Color code: HEX #97C634 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 198 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 198 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 74 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 74% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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