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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97C87E it is the complementary color #683781. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97C87E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97C87E shade: #9CC879, #ADDA8C, #BEEC9F, #CFFEB2 and #E0FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97C87E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97C87E shade: #97C87E, #86B66B, #75A458, #649245 and #538032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97C87E shade: #97C77E, #ABC77E, #BEC77E, #C7BD7E and #C7A97E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97C87E shade: #97C77E, #83C77E, #7EC78D, #7EC7A1 and #7EC7B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97C87E shade matches the following richer shades: #97C77E, #92D66F, #8DE560 and #88F451

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97C87E shade: #97C77E, #9CB98D, #A0AA9C, #A59BAB and #AA8CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97C87E shade: #BFC77E, #ABC77E, #98C77E, #84C77E and #7EC78B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97C87E shade: #6AAA49, #7FBB61, #97C77E, #AED49B and #C5E0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97C87E shade: #97C87E, #7EC7BC and #C77EB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97C87E shade: #97C87E, #7E98C7 and #C77E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97C87E shade: #97C87E, #7EC7BC, #AE7EC7 and #C77E89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97C87E shade: #97C87E, #7EBCC7, #AE7EC7 and #C7897E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 37 / 22

HEX #97C87E

RGB 151 200 126

HSL 99.73, 0.4%, 0.64%

LAB 75.7, -29.56, 31.96

 

Complementary color

CMYK 19 / 57 / 0 / 49

HEX #683781

RGB 104 55 129

HSL 279.73, 0.4%, 0.36%

LAB 32.39, 35.35, -33.19

 

CMYK 22 / 0 / 40 / 22

HEX #9CC879

RGB 156 200 121

HSL 93.42, 0.42%, 0.63%

LAB 75.92, -28.46, 34.88

 

CMYK 21 / 0 / 36 / 15

HEX #ADDA8C

RGB 173 218 140

HSL 94.62, 0.51%, 0.7%

LAB 82.34, -28.37, 33.74

 

CMYK 19 / 0 / 33 / 7

HEX #BEEC9F

RGB 190 236 159

HSL 95.84, 0.67%, 0.77%

LAB 88.66, -28.26, 32.64

 

CMYK 19 / 0 / 30 / 0

HEX #CFFEB2

RGB 207 254 178

HSL 97.11, 0.97%, 0.85%

LAB 94.89, -28.16, 31.59

 

CMYK 12 / 0 / 23 / 0

HEX #E0FFC5

RGB 224 255 197

HSL 92.07, 1%, 0.89%

LAB 96.57, -19.98, 24.47

 

CMYK 25 / 0 / 37 / 22

HEX #97C87E

RGB 151 200 126

HSL 99.73, 0.4%, 0.64%

LAB 75.7, -29.56, 31.96

 

CMYK 26 / 0 / 41 / 29

HEX #86B66B

RGB 134 182 107

HSL 98.4, 0.34%, 0.57%

LAB 69.17, -29.7, 33.14

 

CMYK 29 / 0 / 46 / 36

HEX #75A458

RGB 117 164 88

HSL 97.11, 0.3%, 0.49%

LAB 62.54, -29.81, 34.36

 

CMYK 32 / 0 / 53 / 43

HEX #649245

RGB 100 146 69

HSL 95.84, 0.36%, 0.42%

LAB 55.78, -29.87, 35.59

 

CMYK 35 / 0 / 61 / 50

HEX #538032

RGB 83 128 50

HSL 94.62, 0.44%, 0.35%

LAB 48.89, -29.84, 36.76

 

CMYK 24 / 0 / 37 / 22

HEX #97C77E

RGB 151 199 126

HSL 99.45, 0.39%, 0.64%

LAB 75.41, -29.08, 31.59

 

CMYK 14 / 0 / 37 / 22

HEX #ABC77E

RGB 171 199 126

HSL 83.01, 0.39%, 0.64%

LAB 76.69, -21.77, 33.5

 

CMYK 5 / 0 / 37 / 22

HEX #BEC77E

RGB 190 199 126

HSL 67.4, 0.39%, 0.64%

LAB 78.05, -14.48, 35.53

 

CMYK 0 / 5 / 37 / 22

HEX #C7BD7E

RGB 199 189 126

HSL 51.78, 0.39%, 0.64%

LAB 76.1, -5.78, 33.14

 

CMYK 0 / 15 / 37 / 22

HEX #C7A97E

RGB 199 169 126

HSL 35.34, 0.39%, 0.64%

LAB 70.89, 4.83, 26.27

 

CMYK 24 / 0 / 37 / 22

HEX #97C77E

RGB 151 199 126

HSL 99.45, 0.39%, 0.64%

LAB 75.41, -29.08, 31.59

 

CMYK 34 / 0 / 37 / 22

HEX #83C77E

RGB 131 199 126

HSL 115.89, 0.39%, 0.64%

LAB 74.3, -35.88, 29.93

 

CMYK 37 / 0 / 29 / 22

HEX #7EC78D

RGB 126 199 141

HSL 132.33, 0.39%, 0.64%

LAB 74.32, -34.95, 22.03

 

CMYK 37 / 0 / 19 / 22

HEX #7EC7A1

RGB 126 199 161

HSL 148.77, 0.39%, 0.64%

LAB 74.73, -31.15, 11.91

 

CMYK 37 / 0 / 10 / 22

HEX #7EC7B4

RGB 126 199 180

HSL 164.38, 0.39%, 0.64%

LAB 75.19, -27.1, 2.31

 

CMYK 24 / 0 / 37 / 22

HEX #97C77E

RGB 151 199 126

HSL 99.45, 0.39%, 0.64%

LAB 75.41, -29.08, 31.59

 

CMYK 32 / 0 / 48 / 16

HEX #92D66F

RGB 146 214 111

HSL 99.61, 0.56%, 0.64%

LAB 79.24, -39.72, 43.94

 

CMYK 38 / 0 / 58 / 10

HEX #8DE560

RGB 141 229 96

HSL 99.7, 0.72%, 0.64%

LAB 83.2, -49.45, 55.54

 

CMYK 44 / 0 / 67 / 4

HEX #88F451

RGB 136 244 81

HSL 99.75, 0.88%, 0.64%

LAB 87.26, -58.31, 66.11

 

CMYK 24 / 0 / 37 / 22

HEX #97C77E

RGB 151 199 126

HSL 99.45, 0.39%, 0.64%

LAB 75.41, -29.08, 31.59

 

CMYK 16 / 0 / 24 / 27

HEX #9CB98D

RGB 156 185 141

HSL 99.55, 0.24%, 0.64%

LAB 72.02, -18.08, 19.15

 

CMYK 6 / 0 / 8 / 33

HEX #A0AA9C

RGB 160 170 156

HSL 102.86, 0.08%, 0.64%

LAB 68.48, -6.18, 6

 

CMYK 4 / 9 / 0 / 33

HEX #A59BAB

RGB 165 155 171

HSL 277.5, 0.09%, 0.64%

LAB 65.26, 6.69, -7.01

 

CMYK 8 / 24 / 0 / 27

HEX #AA8CB9

RGB 170 140 185

HSL 280, 0.24%, 0.64%

LAB 62.34, 19.71, -19.24

 

CMYK 4 / 0 / 37 / 22

HEX #BFC77E

RGB 191 199 126

HSL 66.58, 0.39%, 0.64%

LAB 78.13, -14.09, 35.65

 

CMYK 14 / 0 / 37 / 22

HEX #ABC77E

RGB 171 199 126

HSL 83.01, 0.39%, 0.64%

LAB 76.69, -21.77, 33.5

 

CMYK 24 / 0 / 37 / 22

HEX #98C77E

RGB 152 199 126

HSL 98.63, 0.39%, 0.64%

LAB 75.47, -28.73, 31.68

 

CMYK 34 / 0 / 37 / 22

HEX #84C77E

RGB 132 199 126

HSL 115.07, 0.39%, 0.64%

LAB 74.35, -35.55, 30

 

CMYK 37 / 0 / 30 / 22

HEX #7EC78B

RGB 126 199 139

HSL 130.68, 0.39%, 0.64%

LAB 74.28, -35.31, 23.04

 

CMYK 38 / 0 / 57 / 33

HEX #6AAA49

RGB 106 170 73

HSL 99.59, 0.4%, 0.48%

LAB 63.59, -38.29, 42.95

 

CMYK 32 / 0 / 48 / 27

HEX #7FBB61

RGB 127 187 97

HSL 100, 0.4%, 0.56%

LAB 70.12, -35.83, 39.33

 

CMYK 24 / 0 / 37 / 22

HEX #97C77E

RGB 151 199 126

HSL 99.45, 0.39%, 0.64%

LAB 75.41, -29.08, 31.59

 

CMYK 18 / 0 / 27 / 17

HEX #AED49B

RGB 174 212 155

HSL 100, 0.4%, 0.72%

LAB 80.99, -22.91, 24.2

 

CMYK 12 / 0 / 18 / 12

HEX #C5E0B8

RGB 197 224 184

HSL 100.5, 0.39%, 0.8%

LAB 86.33, -16.15, 16.64

 

CMYK 25 / 0 / 37 / 22

HEX #97C87E

RGB 151 200 126

HSL 99.73, 0.4%, 0.64%

LAB 75.7, -29.56, 31.96

 

CMYK 37 / 0 / 6 / 22

HEX #7EC7BC

RGB 126 199 188

HSL 170.96, 0.39%, 0.64%

LAB 75.4, -25.27, -1.71

 

CMYK 0 / 37 / 9 / 22

HEX #C77EB5

RGB 199 126 181

HSL 314.79, 0.39%, 0.64%

LAB 62, 36.47, -17.22

 

CMYK 25 / 0 / 37 / 22

HEX #97C87E

RGB 151 200 126

HSL 99.73, 0.4%, 0.64%

LAB 75.7, -29.56, 31.96

 

CMYK 37 / 24 / 0 / 22

HEX #7E98C7

RGB 126 152 199

HSL 218.63, 0.39%, 0.64%

LAB 62.52, 2.51, -27.15

 

CMYK 0 / 37 / 24 / 22

HEX #C77E98

RGB 199 126 152

HSL 338.63, 0.39%, 0.64%

LAB 61.07, 31.82, -2.05

 

CMYK 25 / 0 / 37 / 22

HEX #97C87E

RGB 151 200 126

HSL 99.73, 0.4%, 0.64%

LAB 75.7, -29.56, 31.96

 

CMYK 37 / 0 / 6 / 22

HEX #7EC7BC

RGB 126 199 188

HSL 170.96, 0.39%, 0.64%

LAB 75.4, -25.27, -1.71

 

CMYK 13 / 37 / 0 / 22

HEX #AE7EC7

RGB 174 126 199

HSL 279.45, 0.39%, 0.64%

LAB 59.93, 31.87, -30.83

 

CMYK 0 / 37 / 31 / 22

HEX #C77E89

RGB 199 126 137

HSL 350.96, 0.39%, 0.64%

LAB 60.67, 29.72, 5.97

 

CMYK 25 / 0 / 37 / 22

HEX #97C87E

RGB 151 200 126

HSL 99.73, 0.4%, 0.64%

LAB 75.7, -29.56, 31.96

 

CMYK 37 / 6 / 0 / 22

HEX #7EBCC7

RGB 126 188 199

HSL 189.04, 0.39%, 0.64%

LAB 72.58, -17.06, -11.87

 

CMYK 13 / 37 / 0 / 22

HEX #AE7EC7

RGB 174 126 199

HSL 279.45, 0.39%, 0.64%

LAB 59.93, 31.87, -30.83

 

CMYK 0 / 31 / 37 / 22

HEX #C7897E

RGB 199 137 126

HSL 9.04, 0.39%, 0.64%

LAB 62.96, 22.3, 15.47

 

Description

Color code: HEX #97C87E | qconv.com Color code: HEX #97C87E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 200 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 200 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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