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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97CDE2 it is the complementary color #68321D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97CDE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97CDE2 shade: #9CCDDD, #ADDFF0, #BEF1FF, #CFFFFF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97CDE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97CDE2 shade: #97CDE2, #86BBCF, #75A9BC, #6497A9 and #538596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97CDE2 shade: #97CDE1, #97B9E1, #97A4E1, #9E97E1 and #B297E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97CDE2 shade: #97CDE1, #97B9E1, #97A4E1 and #9797E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97CDE2 shade matches the following richer shades: #97CDE1, #8CD1EC and #82D6F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97CDE2 shade: #97CDE1, #A2C8D7, #ADC3CC, #B7BEC1 and #C2BAB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97CDE2 shade: #97E1CE, #97E1E1, #97CEE1, #97BAE1 and #97A6E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97CDE2 shade: #57ADCF, #77BDD8, #97CDE1, #B7DCEA and #D7ECF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97CDE2 shade: #97CDE2, #BA97E1 and #E1D797

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97CDE2 shade: #97CDE2, #E197CE and #CEE197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97CDE2 shade: #97CDE2, #BA97E1, #E1AB97 and #BFE197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97CDE2 shade: #97CDE2, #D097E1, #E1AB97 and #A8E197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 9 / 0 / 11

HEX #97CDE2

RGB 151 205 226

HSL 196.8, 0.56%, 0.74%

LAB 79.46, -12.41, -16

 

Complementary color

CMYK 0 / 52 / 72 / 59

HEX #68321D

RGB 104 50 29

HSL 16.8, 0.56%, 0.26%

LAB 27.61, 22.32, 24.1

 

CMYK 29 / 7 / 0 / 13

HEX #9CCDDD

RGB 156 205 221

HSL 194.77, 0.49%, 0.74%

LAB 79.59, -12.2, -13.11

 

CMYK 28 / 7 / 0 / 6

HEX #ADDFF0

RGB 173 223 240

HSL 195.22, 0.69%, 0.81%

LAB 85.98, -12.21, -13.54

 

CMYK 25 / 5 / 0 / 0

HEX #BEF1FF

RGB 190 241 255

HSL 192.92, 1%, 0.87%

LAB 92.17, -13.11, -12.05

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 33 / 9 / 0 / 11

HEX #97CDE2

RGB 151 205 226

HSL 196.8, 0.56%, 0.74%

LAB 79.46, -12.41, -16

 

CMYK 35 / 10 / 0 / 19

HEX #86BBCF

RGB 134 187 207

HSL 196.44, 0.43%, 0.67%

LAB 72.97, -12.36, -15.61

 

CMYK 38 / 10 / 0 / 26

HEX #75A9BC

RGB 117 169 188

HSL 196.06, 0.35%, 0.6%

LAB 66.36, -12.3, -15.2

 

CMYK 41 / 11 / 0 / 34

HEX #6497A9

RGB 100 151 169

HSL 195.65, 0.29%, 0.53%

LAB 59.62, -12.22, -14.79

 

CMYK 45 / 11 / 0 / 41

HEX #538596

RGB 83 133 150

HSL 195.22, 0.29%, 0.46%

LAB 52.75, -12.1, -14.37

 

CMYK 33 / 9 / 0 / 12

HEX #97CDE1

RGB 151 205 225

HSL 196.22, 0.55%, 0.74%

LAB 79.43, -12.66, -15.51

 

CMYK 33 / 18 / 0 / 12

HEX #97B9E1

RGB 151 185 225

HSL 212.43, 0.55%, 0.74%

LAB 74.01, -2.04, -23.73

 

CMYK 33 / 27 / 0 / 12

HEX #97A4E1

RGB 151 164 225

HSL 229.46, 0.55%, 0.74%

LAB 68.44, 9.58, -32.29

 

CMYK 30 / 33 / 0 / 12

HEX #9E97E1

RGB 158 151 225

HSL 245.68, 0.55%, 0.74%

LAB 65.62, 18.95, -36.62

 

CMYK 21 / 33 / 0 / 12

HEX #B297E1

RGB 178 151 225

HSL 261.89, 0.55%, 0.74%

LAB 67.3, 24.82, -33.88

 

CMYK 33 / 9 / 0 / 12

HEX #97CDE1

RGB 151 205 225

HSL 196.22, 0.55%, 0.74%

LAB 79.43, -12.66, -15.51

 

CMYK 33 / 18 / 0 / 12

HEX #97B9E1

RGB 151 185 225

HSL 212.43, 0.55%, 0.74%

LAB 74.01, -2.04, -23.73

 

CMYK 33 / 27 / 0 / 12

HEX #97A4E1

RGB 151 164 225

HSL 229.46, 0.55%, 0.74%

LAB 68.44, 9.58, -32.29

 

CMYK 33 / 33 / 0 / 12

HEX #9797E1

RGB 151 151 225

HSL 240, 0.55%, 0.74%

LAB 65.08, 16.97, -37.5

 

CMYK 33 / 9 / 0 / 12

HEX #97CDE1

RGB 151 205 225

HSL 196.22, 0.55%, 0.74%

LAB 79.43, -12.66, -15.51

 

CMYK 41 / 11 / 0 / 7

HEX #8CD1EC

RGB 140 209 236

HSL 196.88, 0.72%, 0.74%

LAB 80.31, -14.88, -20.13

 

CMYK 47 / 13 / 0 / 3

HEX #82D6F7

RGB 130 214 247

HSL 196.92, 0.88%, 0.74%

LAB 81.6, -16.93, -24.08

 

CMYK 33 / 9 / 0 / 12

HEX #97CDE1

RGB 151 205 225

HSL 196.22, 0.55%, 0.74%

LAB 79.43, -12.66, -15.51

 

CMYK 25 / 7 / 0 / 16

HEX #A2C8D7

RGB 162 200 215

HSL 196.98, 0.4%, 0.74%

LAB 78.4, -9.23, -11.62

 

CMYK 15 / 4 / 0 / 20

HEX #ADC3CC

RGB 173 195 204

HSL 197.42, 0.23%, 0.74%

LAB 77.44, -5.58, -7.04

 

CMYK 5 / 2 / 0 / 24

HEX #B7BEC1

RGB 183 190 193

HSL 198, 0.07%, 0.74%

LAB 76.52, -1.84, -2.36

 

CMYK 0 / 4 / 6 / 24

HEX #C2BAB6

RGB 194 186 182

HSL 20, 0.09%, 0.74%

LAB 76.05, 2.11, 3.02

 

CMYK 33 / 0 / 8 / 12

HEX #97E1CE

RGB 151 225 206

HSL 164.59, 0.55%, 0.74%

LAB 84.42, -27.02, 1.99

 

CMYK 33 / 0 / 0 / 12

HEX #97E1E1

RGB 151 225 225

HSL 180, 0.55%, 0.74%

LAB 84.93, -22.77, -7.31

 

CMYK 33 / 8 / 0 / 12

HEX #97CEE1

RGB 151 206 225

HSL 195.41, 0.55%, 0.74%

LAB 79.7, -13.17, -15.1

 

CMYK 33 / 17 / 0 / 12

HEX #97BAE1

RGB 151 186 225

HSL 211.62, 0.55%, 0.74%

LAB 74.27, -2.58, -23.32

 

CMYK 33 / 26 / 0 / 12

HEX #97A6E1

RGB 151 166 225

HSL 227.84, 0.55%, 0.74%

LAB 68.96, 8.46, -31.48

 

CMYK 58 / 16 / 0 / 19

HEX #57ADCF

RGB 87 173 207

HSL 197, 0.56%, 0.58%

LAB 66.84, -16.11, -25.12

 

CMYK 45 / 13 / 0 / 15

HEX #77BDD8

RGB 119 189 216

HSL 196.7, 0.55%, 0.66%

LAB 73.07, -14.95, -20.42

 

CMYK 33 / 9 / 0 / 12

HEX #97CDE1

RGB 151 205 225

HSL 196.22, 0.55%, 0.74%

LAB 79.43, -12.66, -15.51

 

CMYK 22 / 6 / 0 / 8

HEX #B7DCEA

RGB 183 220 234

HSL 196.47, 0.55%, 0.82%

LAB 85.6, -9.09, -10.87

 

CMYK 12 / 3 / 0 / 5

HEX #D7ECF3

RGB 215 236 243

HSL 195, 0.54%, 0.9%

LAB 92.09, -5.53, -5.75

 

CMYK 33 / 9 / 0 / 11

HEX #97CDE2

RGB 151 205 226

HSL 196.8, 0.56%, 0.74%

LAB 79.46, -12.41, -16

 

CMYK 17 / 33 / 0 / 12

HEX #BA97E1

RGB 186 151 225

HSL 268.38, 0.55%, 0.74%

LAB 68.03, 27.24, -32.7

 

CMYK 0 / 4 / 33 / 12

HEX #E1D797

RGB 225 215 151

HSL 51.89, 0.55%, 0.74%

LAB 85.42, -6.03, 32.87

 

CMYK 33 / 9 / 0 / 11

HEX #97CDE2

RGB 151 205 226

HSL 196.8, 0.56%, 0.74%

LAB 79.46, -12.41, -16

 

CMYK 0 / 33 / 8 / 12

HEX #E197CE

RGB 225 151 206

HSL 315.41, 0.55%, 0.74%

LAB 71.28, 36, -16.88

 

CMYK 8 / 0 / 33 / 12

HEX #CEE197

RGB 206 225 151

HSL 75.41, 0.55%, 0.74%

LAB 86.61, -18.26, 34.17

 

CMYK 33 / 9 / 0 / 11

HEX #97CDE2

RGB 151 205 226

HSL 196.8, 0.56%, 0.74%

LAB 79.46, -12.41, -16

 

CMYK 17 / 33 / 0 / 12

HEX #BA97E1

RGB 186 151 225

HSL 268.38, 0.55%, 0.74%

LAB 68.03, 27.24, -32.7

 

CMYK 0 / 24 / 33 / 12

HEX #E1AB97

RGB 225 171 151

HSL 16.22, 0.55%, 0.74%

LAB 74.42, 17.07, 17.96

 

CMYK 15 / 0 / 33 / 12

HEX #BFE197

RGB 191 225 151

HSL 87.57, 0.55%, 0.74%

LAB 85.59, -23.76, 32.63

 

CMYK 33 / 9 / 0 / 11

HEX #97CDE2

RGB 151 205 226

HSL 196.8, 0.56%, 0.74%

LAB 79.46, -12.41, -16

 

CMYK 8 / 33 / 0 / 12

HEX #D097E1

RGB 208 151 225

HSL 286.22, 0.55%, 0.74%

LAB 70.16, 34.04, -29.22

 

CMYK 0 / 24 / 33 / 12

HEX #E1AB97

RGB 225 171 151

HSL 16.22, 0.55%, 0.74%

LAB 74.42, 17.07, 17.96

 

CMYK 25 / 0 / 33 / 12

HEX #A8E197

RGB 168 225 151

HSL 106.22, 0.55%, 0.74%

LAB 84.18, -31.82, 30.51

 

Description

Color code: HEX #97CDE2 | qconv.com Color code: HEX #97CDE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 205 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 205 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 9 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 9% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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