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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97D4DC it is the complementary color #682B23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97D4DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97D4DC shade: #9CD4D7, #ADE6EA, #BEF8FD, #CFFFFF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97D4DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97D4DC shade: #97D4DC, #86C2C9, #75B0B6, #649EA3 and #538C90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97D4DC shade: #97D4DC, #97C2DC, #97AFDC, #979CDC and #A597DC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97D4DC shade: #97D4DC, #97C2DC, #97AFDC, #979CDC and #9797DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97D4DC shade matches the following richer shades: #97D4DC, #8CDDE7, #81E5F2 and #76EEFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97D4DC shade: #97D4DC, #A2CCD1, #AEC3C6, #B9BABB and #C4B2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97D4DC shade: #97DCBE, #97DCD1, #97D5DC, #97C3DC and #97B0DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97D4DC shade: #59BBC7, #78C7D2, #97D4DC, #B6E1E6 and #D5EEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97D4DC shade: #97D4DC, #AC97DC and #DCC797

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97D4DC shade: #97D4DC, #DC97D5 and #D5DC97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97D4DC shade: #97D4DC, #AC97DC, #DC9E97 and #C7DC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97D4DC shade: #97D4DC, #C197DC, #DC9E97 and #B3DC97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

Complementary color

CMYK 0 / 59 / 66 / 59

HEX #682B23

RGB 104 43 35

HSL 6.96, 0.5%, 0.27%

LAB 26.13, 26.73, 18.57

 

CMYK 27 / 1 / 0 / 16

HEX #9CD4D7

RGB 156 212 215

HSL 183.05, 0.42%, 0.73%

LAB 81.33, -17.17, -7.31

 

CMYK 26 / 2 / 0 / 8

HEX #ADE6EA

RGB 173 230 234

HSL 183.93, 0.59%, 0.8%

LAB 87.69, -17.1, -7.84

 

CMYK 25 / 2 / 0 / 1

HEX #BEF8FD

RGB 190 248 253

HSL 184.76, 0.94%, 0.87%

LAB 93.96, -17.04, -8.35

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 33 / 3 / 0 / 21

HEX #86C2C9

RGB 134 194 201

HSL 186.27, 0.38%, 0.66%

LAB 74.74, -17.48, -9.68

 

CMYK 36 / 3 / 0 / 29

HEX #75B0B6

RGB 117 176 182

HSL 185.54, 0.31%, 0.59%

LAB 68.18, -17.53, -9.15

 

CMYK 39 / 3 / 0 / 36

HEX #649EA3

RGB 100 158 163

HSL 184.76, 0.26%, 0.52%

LAB 61.49, -17.56, -8.6

 

CMYK 42 / 3 / 0 / 44

HEX #538C90

RGB 83 140 144

HSL 183.93, 0.27%, 0.45%

LAB 54.67, -17.58, -8.01

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 31 / 12 / 0 / 14

HEX #97C2DC

RGB 151 194 220

HSL 202.61, 0.5%, 0.73%

LAB 76.27, -8.1, -17.58

 

CMYK 31 / 20 / 0 / 14

HEX #97AFDC

RGB 151 175 220

HSL 219.13, 0.5%, 0.73%

LAB 71.15, 2.18, -25.37

 

CMYK 31 / 29 / 0 / 14

HEX #979CDC

RGB 151 156 220

HSL 235.65, 0.5%, 0.73%

LAB 66.15, 12.83, -33.07

 

CMYK 25 / 31 / 0 / 14

HEX #A597DC

RGB 165 151 220

HSL 252.17, 0.5%, 0.73%

LAB 65.98, 19.76, -33.25

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 31 / 12 / 0 / 14

HEX #97C2DC

RGB 151 194 220

HSL 202.61, 0.5%, 0.73%

LAB 76.27, -8.1, -17.58

 

CMYK 31 / 20 / 0 / 14

HEX #97AFDC

RGB 151 175 220

HSL 219.13, 0.5%, 0.73%

LAB 71.15, 2.18, -25.37

 

CMYK 31 / 29 / 0 / 14

HEX #979CDC

RGB 151 156 220

HSL 235.65, 0.5%, 0.73%

LAB 66.15, 12.83, -33.07

 

CMYK 31 / 31 / 0 / 14

HEX #9797DC

RGB 151 151 220

HSL 240, 0.5%, 0.73%

LAB 64.87, 15.68, -35.07

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 39 / 4 / 0 / 9

HEX #8CDDE7

RGB 140 221 231

HSL 186.59, 0.65%, 0.73%

LAB 83.47, -22.21, -12.71

 

CMYK 47 / 5 / 0 / 5

HEX #81E5F2

RGB 129 229 242

HSL 186.9, 0.81%, 0.73%

LAB 85.56, -25.97, -15.44

 

CMYK 53 / 6 / 0 / 1

HEX #76EEFD

RGB 118 238 253

HSL 186.67, 0.97%, 0.73%

LAB 88.01, -29.73, -17.57

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 22 / 2 / 0 / 18

HEX #A2CCD1

RGB 162 204 209

HSL 186.38, 0.34%, 0.73%

LAB 79.31, -12.65, -7.04

 

CMYK 12 / 2 / 0 / 22

HEX #AEC3C6

RGB 174 195 198

HSL 187.5, 0.17%, 0.73%

LAB 77.34, -6.5, -3.93

 

CMYK 1 / 1 / 0 / 27

HEX #B9BABB

RGB 185 186 187

HSL 210, 0.01%, 0.73%

LAB 75.46, -0.16, -0.64

 

CMYK 0 / 9 / 10 / 23

HEX #C4B2B0

RGB 196 178 176

HSL 6, 0.14%, 0.73%

LAB 74, 6.09, 3.35

 

CMYK 31 / 0 / 14 / 14

HEX #97DCBE

RGB 151 220 190

HSL 153.91, 0.5%, 0.73%

LAB 82.64, -27.96, 7.87

 

CMYK 31 / 0 / 5 / 14

HEX #97DCD1

RGB 151 220 209

HSL 170.43, 0.5%, 0.73%

LAB 83.11, -23.93, -1.52

 

CMYK 31 / 3 / 0 / 14

HEX #97D5DC

RGB 151 213 220

HSL 186.09, 0.5%, 0.73%

LAB 81.48, -17.94, -9.78

 

CMYK 31 / 11 / 0 / 14

HEX #97C3DC

RGB 151 195 220

HSL 201.74, 0.5%, 0.73%

LAB 76.54, -8.63, -17.17

 

CMYK 31 / 20 / 0 / 14

HEX #97B0DC

RGB 151 176 220

HSL 218.26, 0.5%, 0.73%

LAB 71.42, 1.63, -24.96

 

CMYK 55 / 6 / 0 / 22

HEX #59BBC7

RGB 89 187 199

HSL 186.55, 0.5%, 0.56%

LAB 70.72, -25.26, -14.81

 

CMYK 43 / 5 / 0 / 18

HEX #78C7D2

RGB 120 199 210

HSL 187.33, 0.5%, 0.65%

LAB 75.76, -21.43, -13.11

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 21 / 2 / 0 / 10

HEX #B6E1E6

RGB 182 225 230

HSL 186.25, 0.49%, 0.81%

LAB 86.76, -12.81, -7.06

 

CMYK 12 / 1 / 0 / 5

HEX #D5EEF1

RGB 213 238 241

HSL 186.43, 0.5%, 0.89%

LAB 92.42, -7.57, -4.24

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 22 / 31 / 0 / 14

HEX #AC97DC

RGB 172 151 220

HSL 258.26, 0.5%, 0.73%

LAB 66.57, 21.86, -32.28

 

CMYK 0 / 10 / 31 / 14

HEX #DCC797

RGB 220 199 151

HSL 41.74, 0.5%, 0.73%

LAB 80.9, 0.29, 26.75

HEX #DCC797

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 0 / 31 / 3 / 14

HEX #DC97D5

RGB 220 151 213

HSL 306.09, 0.5%, 0.73%

LAB 70.98, 35.59, -21.26

 

CMYK 3 / 0 / 31 / 14

HEX #D5DC97

RGB 213 220 151

HSL 66.09, 0.5%, 0.73%

LAB 85.79, -13.14, 33.18

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 22 / 31 / 0 / 14

HEX #AC97DC

RGB 172 151 220

HSL 258.26, 0.5%, 0.73%

LAB 66.57, 21.86, -32.28

 

CMYK 0 / 28 / 31 / 14

HEX #DC9E97

RGB 220 158 151

HSL 6.09, 0.5%, 0.73%

LAB 70.8, 22.15, 12.83

 

CMYK 10 / 0 / 31 / 14

HEX #C7DC97

RGB 199 220 151

HSL 78.26, 0.5%, 0.73%

LAB 84.77, -18.39, 31.65

 

CMYK 31 / 4 / 0 / 14

HEX #97D4DC

RGB 151 212 220

HSL 186.96, 0.5%, 0.73%

LAB 81.2, -17.44, -10.19

 

CMYK 12 / 31 / 0 / 14

HEX #C197DC

RGB 193 151 220

HSL 276.52, 0.5%, 0.73%

LAB 68.49, 28.33, -29.17

 

CMYK 0 / 28 / 31 / 14

HEX #DC9E97

RGB 220 158 151

HSL 6.09, 0.5%, 0.73%

LAB 70.8, 22.15, 12.83

 

CMYK 19 / 0 / 31 / 14

HEX #B3DC97

RGB 179 220 151

HSL 95.65, 0.5%, 0.73%

LAB 83.44, -25.63, 29.64

 

Description

Color code: HEX #97D4DC | qconv.com Color code: HEX #97D4DC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 212 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 212 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 4 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 4% 0% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - ラパン スペシャルコンテンツ | スズキ
Link: http://www.suzuki.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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