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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97EA7B it is the complementary color #681584. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97EA7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97EA7B shade: #9CEA76, #ADFC89, #BEFF9C, #CFFFAF and #E0FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97EA7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97EA7B shade: #97EA7B, #86D868, #75C655, #64B442 and #53A22F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97EA7B shade: #96EA7A, #B4EA7A, #D3EA7A, #EAE37A and #EAC57A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97EA7B shade: #96EA7A, #7AEA7C, #7AEA9A, #7AEAB8 and #7AEAD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97EA7B shade matches the following richer shades: #96EA7A and #90F66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97EA7B shade: #96EA7A, #9CDD87, #A3D193, #A9C59F and #AFB8AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97EA7B shade: #D4EA7A, #B6EA7A, #98EA7A, #7AEA7A and #7AEA98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97EA7B shade: #5EDF33, #7AE456, #96EA7A, #B2EF9E and #CFF5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97EA7B shade: #97EA7B, #7AEAE2 and #EA7AC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97EA7B shade: #97EA7B, #7A98EA and #EA7A98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97EA7B shade: #97EA7B, #7AEAE2, #CC7AEA and #EA7A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97EA7B shade: #97EA7B, #7AD0EA, #CC7AEA and #EA947A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 47 / 8

HEX #97EA7B

RGB 151 234 123

HSL 104.86, 0.73%, 0.7%

LAB 85.43, -45.32, 45.86

 

Complementary color

CMYK 21 / 84 / 0 / 48

HEX #681584

RGB 104 21 132

HSL 284.86, 0.73%, 0.3%

LAB 27.14, 51.19, -43.48

 

CMYK 33 / 0 / 50 / 8

HEX #9CEA76

RGB 156 234 118

HSL 100.34, 0.73%, 0.69%

LAB 85.62, -44.29, 48.52

 

CMYK 31 / 0 / 46 / 1

HEX #ADFC89

RGB 173 252 137

HSL 101.22, 0.95%, 0.76%

LAB 91.82, -44.2, 47.37

 

CMYK 25 / 0 / 39 / 0

HEX #BEFF9C

RGB 190 255 156

HSL 99.39, 1%, 0.81%

LAB 93.83, -37.45, 40.92

 

CMYK 19 / 0 / 31 / 0

HEX #CFFFAF

RGB 207 255 175

HSL 96, 1%, 0.84%

LAB 95.11, -29.05, 33.39

 

CMYK 12 / 0 / 24 / 0

HEX #E0FFC2

RGB 224 255 194

HSL 90.49, 1%, 0.88%

LAB 96.52, -20.42, 25.91

 

CMYK 35 / 0 / 47 / 8

HEX #97EA7B

RGB 151 234 123

HSL 104.86, 0.73%, 0.7%

LAB 85.43, -45.32, 45.86

 

CMYK 38 / 0 / 52 / 15

HEX #86D868

RGB 134 216 104

HSL 103.93, 0.59%, 0.63%

LAB 79.14, -45.4, 47.03

 

CMYK 41 / 0 / 57 / 22

HEX #75C655

RGB 117 198 85

HSL 103.01, 0.5%, 0.55%

LAB 72.78, -45.4, 48.17

 

CMYK 44 / 0 / 63 / 29

HEX #64B442

RGB 100 180 66

HSL 102.11, 0.46%, 0.48%

LAB 66.32, -45.27, 49.17

 

CMYK 49 / 0 / 71 / 36

HEX #53A22F

RGB 83 162 47

HSL 101.22, 0.55%, 0.41%

LAB 59.78, -44.94, 49.88

 

CMYK 36 / 0 / 48 / 8

HEX #96EA7A

RGB 150 234 122

HSL 105, 0.73%, 0.7%

LAB 85.37, -45.76, 46.25

 

CMYK 23 / 0 / 48 / 8

HEX #B4EA7A

RGB 180 234 122

HSL 88.93, 0.73%, 0.7%

LAB 86.97, -35.55, 48.59

 

CMYK 10 / 0 / 48 / 8

HEX #D3EA7A

RGB 211 234 122

HSL 72.32, 0.73%, 0.7%

LAB 88.97, -24.01, 51.47

 

CMYK 0 / 3 / 48 / 8

HEX #EAE37A

RGB 234 227 122

HSL 56.25, 0.73%, 0.7%

LAB 88.84, -11.6, 51.73

 

CMYK 0 / 16 / 48 / 8

HEX #EAC57A

RGB 234 197 122

HSL 40.18, 0.73%, 0.7%

LAB 81.2, 3.7, 42.33

 

CMYK 36 / 0 / 48 / 8

HEX #96EA7A

RGB 150 234 122

HSL 105, 0.73%, 0.7%

LAB 85.37, -45.76, 46.25

 

CMYK 48 / 0 / 47 / 8

HEX #7AEA7C

RGB 122 234 124

HSL 121.07, 0.73%, 0.7%

LAB 84.19, -53.81, 43.57

 

CMYK 48 / 0 / 34 / 8

HEX #7AEA9A

RGB 122 234 154

HSL 137.14, 0.73%, 0.7%

LAB 84.65, -49.15, 29.22

 

CMYK 48 / 0 / 21 / 8

HEX #7AEAB8

RGB 122 234 184

HSL 153.21, 0.73%, 0.7%

LAB 85.22, -43.45, 14.53

 

CMYK 48 / 0 / 9 / 8

HEX #7AEAD6

RGB 122 234 214

HSL 169.29, 0.73%, 0.7%

LAB 85.93, -36.82, -0.19

 

CMYK 36 / 0 / 48 / 8

HEX #96EA7A

RGB 150 234 122

HSL 105, 0.73%, 0.7%

LAB 85.37, -45.76, 46.25

 

CMYK 41 / 0 / 55 / 4

HEX #90F66E

RGB 144 246 110

HSL 105, 0.88%, 0.7%

LAB 88.43, -53.99, 55.43

 

CMYK 36 / 0 / 48 / 8

HEX #96EA7A

RGB 150 234 122

HSL 105, 0.73%, 0.7%

LAB 85.37, -45.76, 46.25

 

CMYK 29 / 0 / 39 / 13

HEX #9CDD87

RGB 156 221 135

HSL 105.35, 0.56%, 0.7%

LAB 82.13, -36.34, 35.81

 

CMYK 22 / 0 / 30 / 18

HEX #A3D193

RGB 163 209 147

HSL 104.52, 0.4%, 0.7%

LAB 79.32, -26.54, 26.01

 

CMYK 14 / 0 / 19 / 23

HEX #A9C59F

RGB 169 197 159

HSL 104.21, 0.25%, 0.7%

LAB 76.6, -16.54, 15.97

 

CMYK 5 / 0 / 7 / 28

HEX #AFB8AC

RGB 175 184 172

HSL 105, 0.08%, 0.7%

LAB 73.79, -5.37, 5

 

CMYK 9 / 0 / 48 / 8

HEX #D4EA7A

RGB 212 234 122

HSL 71.79, 0.73%, 0.7%

LAB 89.04, -23.63, 51.58

 

CMYK 22 / 0 / 48 / 8

HEX #B6EA7A

RGB 182 234 122

HSL 87.86, 0.73%, 0.7%

LAB 87.09, -34.83, 48.76

 

CMYK 35 / 0 / 48 / 8

HEX #98EA7A

RGB 152 234 122

HSL 103.93, 0.73%, 0.7%

LAB 85.47, -45.12, 46.39

 

CMYK 48 / 0 / 48 / 8

HEX #7AEA7A

RGB 122 234 122

HSL 120, 0.73%, 0.7%

LAB 84.17, -54.08, 44.5

 

CMYK 48 / 0 / 35 / 8

HEX #7AEA98

RGB 122 234 152

HSL 136.07, 0.73%, 0.7%

LAB 84.61, -49.49, 30.2

 

CMYK 58 / 0 / 77 / 13

HEX #5EDF33

RGB 94 223 51

HSL 105, 0.73%, 0.54%

LAB 79.27, -64.25, 67.94

 

CMYK 46 / 0 / 62 / 11

HEX #7AE456

RGB 122 228 86

HSL 104.79, 0.72%, 0.62%

LAB 82, -55.86, 58.25

 

CMYK 36 / 0 / 48 / 8

HEX #96EA7A

RGB 150 234 122

HSL 105, 0.73%, 0.7%

LAB 85.37, -45.76, 46.25

 

CMYK 26 / 0 / 34 / 6

HEX #B2EF9E

RGB 178 239 158

HSL 105.19, 0.72%, 0.78%

LAB 88.76, -33.91, 33.16

 

CMYK 16 / 0 / 21 / 4

HEX #CFF5C2

RGB 207 245 194

HSL 104.71, 0.72%, 0.86%

LAB 92.78, -21.42, 20.57

 

CMYK 35 / 0 / 47 / 8

HEX #97EA7B

RGB 151 234 123

HSL 104.86, 0.73%, 0.7%

LAB 85.43, -45.32, 45.86

 

CMYK 48 / 0 / 3 / 8

HEX #7AEAE2

RGB 122 234 226

HSL 175.71, 0.73%, 0.7%

LAB 86.24, -33.93, -6.03

 

CMYK 0 / 48 / 16 / 8

HEX #EA7AC5

RGB 234 122 197

HSL 319.82, 0.73%, 0.7%

LAB 66.09, 52.37, -19.63

 

CMYK 35 / 0 / 47 / 8

HEX #97EA7B

RGB 151 234 123

HSL 104.86, 0.73%, 0.7%

LAB 85.43, -45.32, 45.86

 

CMYK 48 / 35 / 0 / 8

HEX #7A98EA

RGB 122 152 234

HSL 223.93, 0.73%, 0.7%

LAB 63.78, 11.41, -44.65

 

CMYK 0 / 48 / 35 / 8

HEX #EA7A98

RGB 234 122 152

HSL 343.93, 0.73%, 0.7%

LAB 64.71, 46.27, 3.79

 

CMYK 35 / 0 / 47 / 8

HEX #97EA7B

RGB 151 234 123

HSL 104.86, 0.73%, 0.7%

LAB 85.43, -45.32, 45.86

 

CMYK 48 / 0 / 3 / 8

HEX #7AEAE2

RGB 122 234 226

HSL 175.71, 0.73%, 0.7%

LAB 86.24, -33.93, -6.03

 

CMYK 13 / 48 / 0 / 8

HEX #CC7AEA

RGB 204 122 234

HSL 283.93, 0.73%, 0.7%

LAB 63.91, 50.12, -43.95

 

CMYK 0 / 48 / 44 / 8

HEX #EA7A82

RGB 234 122 130

HSL 355.71, 0.73%, 0.7%

LAB 64.18, 43.87, 15.57

 

CMYK 35 / 0 / 47 / 8

HEX #97EA7B

RGB 151 234 123

HSL 104.86, 0.73%, 0.7%

LAB 85.43, -45.32, 45.86

 

CMYK 48 / 11 / 0 / 8

HEX #7AD0EA

RGB 122 208 234

HSL 193.93, 0.73%, 0.7%

LAB 79.15, -19.19, -20.89

 

CMYK 13 / 48 / 0 / 8

HEX #CC7AEA

RGB 204 122 234

HSL 283.93, 0.73%, 0.7%

LAB 63.91, 50.12, -43.95

 

CMYK 0 / 37 / 48 / 8

HEX #EA947A

RGB 234 148 122

HSL 13.93, 0.73%, 0.7%

LAB 69.52, 29.63, 27.29

 

Description

Color code: HEX #97EA7B | qconv.com Color code: HEX #97EA7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 234 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 234 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 47 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 47% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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