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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97EAF1 it is the complementary color #68150E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97EAF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97EAF1 shade: #9CEAEC, #ADFCFF, #BEFFFF, #CFFFFF and #E0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97EAF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97EAF1 shade: #97EAF1, #86D8DE, #75C6CB, #64B4B8 and #53A2A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97EAF1 shade: #97E9F0, #97D1F0, #97B9F0, #97A1F0 and #A597F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97EAF1 shade: #97E9F0, #97D1F0, #97B9F0, #97A1F0 and #9797F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97EAF1 shade matches the following richer shades: #97E9F0 and #8EF1FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97EAF1 shade: #97E9F0, #A1E1E7, #AAD9DD, #B4D1D4 and #BDC9CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97EAF1 shade: #97F0C7, #97F0DF, #97EAF0, #97D3F0 and #97BBF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97EAF1 shade: #4FDBE7, #73E2EB, #97E9F0, #BCF1F5 and #E0F8FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97EAF1 shade: #97EAF1, #AF97F0 and #F0D397

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97EAF1 shade: #97EAF1, #F097EA and #EAF097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97EAF1 shade: #97EAF1, #AF97F0, #F09D97 and #D9F097

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97EAF1 shade: #97EAF1, #CA97F0, #F09D97 and #BEF097

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 3 / 0 / 5

HEX #97EAF1

RGB 151 234 241

HSL 184.67, 0.76%, 0.77%

LAB 87.86, -23.42, -11.38

 

Complementary color

CMYK 0 / 80 / 87 / 59

HEX #68150E

RGB 104 21 14

HSL 4.67, 0.76%, 0.23%

LAB 21.98, 35.98, 26.83

 

CMYK 34 / 1 / 0 / 7

HEX #9CEAEC

RGB 156 234 236

HSL 181.5, 0.68%, 0.77%

LAB 87.95, -23.31, -8.59

 

CMYK 32 / 1 / 0 / 0

HEX #ADFCFF

RGB 173 252 255

HSL 182.2, 1%, 0.84%

LAB 94.19, -23.24, -9.13

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 37 / 3 / 0 / 5

HEX #97EAF1

RGB 151 234 241

HSL 184.67, 0.76%, 0.77%

LAB 87.86, -23.42, -11.38

 

CMYK 40 / 3 / 0 / 13

HEX #86D8DE

RGB 134 216 222

HSL 184.09, 0.57%, 0.7%

LAB 81.54, -23.45, -10.84

 

CMYK 42 / 2 / 0 / 20

HEX #75C6CB

RGB 117 198 203

HSL 183.49, 0.45%, 0.63%

LAB 75.13, -23.45, -10.28

 

CMYK 46 / 2 / 0 / 28

HEX #64B4B8

RGB 100 180 184

HSL 182.86, 0.37%, 0.56%

LAB 68.62, -23.43, -9.68

 

CMYK 50 / 2 / 0 / 35

HEX #53A2A5

RGB 83 162 165

HSL 182.2, 0.33%, 0.49%

LAB 61.99, -23.35, -9.05

 

CMYK 37 / 3 / 0 / 6

HEX #97E9F0

RGB 151 233 240

HSL 184.72, 0.75%, 0.77%

LAB 87.56, -23.17, -11.3

 

CMYK 37 / 13 / 0 / 6

HEX #97D1F0

RGB 151 209 240

HSL 200.9, 0.75%, 0.77%

LAB 81, -11.03, -21.16

 

CMYK 37 / 23 / 0 / 6

HEX #97B9F0

RGB 151 185 240

HSL 217.08, 0.75%, 0.77%

LAB 74.55, 1.8, -31.02

 

CMYK 37 / 33 / 0 / 6

HEX #97A1F0

RGB 151 161 240

HSL 233.26, 0.75%, 0.77%

LAB 68.29, 15.21, -40.74

 

CMYK 31 / 37 / 0 / 6

HEX #A597F0

RGB 165 151 240

HSL 249.44, 0.75%, 0.77%

LAB 66.84, 24.7, -42.93

 

CMYK 37 / 3 / 0 / 6

HEX #97E9F0

RGB 151 233 240

HSL 184.72, 0.75%, 0.77%

LAB 87.56, -23.17, -11.3

 

CMYK 37 / 13 / 0 / 6

HEX #97D1F0

RGB 151 209 240

HSL 200.9, 0.75%, 0.77%

LAB 81, -11.03, -21.16

 

CMYK 37 / 23 / 0 / 6

HEX #97B9F0

RGB 151 185 240

HSL 217.08, 0.75%, 0.77%

LAB 74.55, 1.8, -31.02

 

CMYK 37 / 33 / 0 / 6

HEX #97A1F0

RGB 151 161 240

HSL 233.26, 0.75%, 0.77%

LAB 68.29, 15.21, -40.74

 

CMYK 37 / 37 / 0 / 6

HEX #9797F0

RGB 151 151 240

HSL 240, 0.75%, 0.77%

LAB 65.75, 20.93, -44.71

 

CMYK 37 / 3 / 0 / 6

HEX #97E9F0

RGB 151 233 240

HSL 184.72, 0.75%, 0.77%

LAB 87.56, -23.17, -11.3

 

CMYK 43 / 4 / 0 / 2

HEX #8EF1FA

RGB 142 241 250

HSL 185, 0.92%, 0.77%

LAB 89.66, -26.82, -13.45

 

CMYK 37 / 3 / 0 / 6

HEX #97E9F0

RGB 151 233 240

HSL 184.72, 0.75%, 0.77%

LAB 87.56, -23.17, -11.3

 

CMYK 30 / 3 / 0 / 9

HEX #A1E1E7

RGB 161 225 231

HSL 185.14, 0.59%, 0.77%

LAB 85.6, -18.66, -9.42

 

CMYK 23 / 2 / 0 / 13

HEX #AAD9DD

RGB 170 217 221

HSL 184.71, 0.43%, 0.77%

LAB 83.65, -14.28, -6.97

 

CMYK 15 / 1 / 0 / 17

HEX #B4D1D4

RGB 180 209 212

HSL 185.63, 0.27%, 0.77%

LAB 81.87, -9, -4.74

 

CMYK 6 / 0 / 0 / 21

HEX #BDC9CA

RGB 189 201 202

HSL 184.62, 0.11%, 0.77%

LAB 80.1, -3.89, -1.92

 

CMYK 37 / 0 / 17 / 6

HEX #97F0C7

RGB 151 240 199

HSL 152.36, 0.75%, 0.77%

LAB 88.46, -35.55, 11.47

 

CMYK 37 / 0 / 7 / 6

HEX #97F0DF

RGB 151 240 223

HSL 168.54, 0.75%, 0.77%

LAB 89.03, -30.47, -0.22

 

CMYK 37 / 3 / 0 / 6

HEX #97EAF0

RGB 151 234 240

HSL 184.04, 0.75%, 0.77%

LAB 87.83, -23.66, -10.89

 

CMYK 37 / 12 / 0 / 6

HEX #97D3F0

RGB 151 211 240

HSL 199.55, 0.75%, 0.77%

LAB 81.54, -12.07, -20.34

 

CMYK 37 / 22 / 0 / 6

HEX #97BBF0

RGB 151 187 240

HSL 215.73, 0.75%, 0.77%

LAB 75.08, 0.7, -30.2

 

CMYK 66 / 5 / 0 / 9

HEX #4FDBE7

RGB 79 219 231

HSL 184.74, 0.76%, 0.61%

LAB 80.79, -33.43, -16.95

 

CMYK 51 / 4 / 0 / 8

HEX #73E2EB

RGB 115 226 235

HSL 184.5, 0.75%, 0.69%

LAB 83.98, -29.34, -14.16

 

CMYK 37 / 3 / 0 / 6

HEX #97E9F0

RGB 151 233 240

HSL 184.72, 0.75%, 0.77%

LAB 87.56, -23.17, -11.3

 

CMYK 23 / 2 / 0 / 4

HEX #BCF1F5

RGB 188 241 245

HSL 184.21, 0.74%, 0.85%

LAB 91.77, -15.87, -7.45

 

CMYK 10 / 1 / 0 / 2

HEX #E0F8FA

RGB 224 248 250

HSL 184.62, 0.72%, 0.93%

LAB 95.95, -7.4, -3.63

 

CMYK 37 / 3 / 0 / 5

HEX #97EAF1

RGB 151 234 241

HSL 184.67, 0.76%, 0.77%

LAB 87.86, -23.42, -11.38

 

CMYK 27 / 37 / 0 / 6

HEX #AF97F0

RGB 175 151 240

HSL 256.18, 0.75%, 0.77%

LAB 67.68, 27.49, -41.55

 

CMYK 0 / 12 / 37 / 6

HEX #F0D397

RGB 240 211 151

HSL 40.45, 0.75%, 0.77%

LAB 85.68, 1.82, 33.44

 

CMYK 37 / 3 / 0 / 5

HEX #97EAF1

RGB 151 234 241

HSL 184.67, 0.76%, 0.77%

LAB 87.86, -23.42, -11.38

 

CMYK 0 / 37 / 3 / 6

HEX #F097EA

RGB 240 151 234

HSL 304.04, 0.75%, 0.77%

LAB 73.93, 45.65, -28.06

 

CMYK 3 / 0 / 37 / 6

HEX #EAF097

RGB 234 240 151

HSL 64.04, 0.75%, 0.77%

LAB 92.6, -15.1, 42.35

 

CMYK 37 / 3 / 0 / 5

HEX #97EAF1

RGB 151 234 241

HSL 184.67, 0.76%, 0.77%

LAB 87.86, -23.42, -11.38

 

CMYK 27 / 37 / 0 / 6

HEX #AF97F0

RGB 175 151 240

HSL 256.18, 0.75%, 0.77%

LAB 67.68, 27.49, -41.55

 

CMYK 0 / 35 / 37 / 6

HEX #F09D97

RGB 240 157 151

HSL 4.04, 0.75%, 0.77%

LAB 72.81, 30.24, 15.96

 

CMYK 10 / 0 / 37 / 6

HEX #D9F097

RGB 217 240 151

HSL 75.51, 0.75%, 0.77%

LAB 91.37, -21.48, 40.54

 

CMYK 37 / 3 / 0 / 5

HEX #97EAF1

RGB 151 234 241

HSL 184.67, 0.76%, 0.77%

LAB 87.86, -23.42, -11.38

 

CMYK 16 / 37 / 0 / 6

HEX #CA97F0

RGB 202 151 240

HSL 274.38, 0.75%, 0.77%

LAB 70.16, 35.31, -37.49

 

CMYK 0 / 35 / 37 / 6

HEX #F09D97

RGB 240 157 151

HSL 4.04, 0.75%, 0.77%

LAB 72.81, 30.24, 15.96

 

CMYK 21 / 0 / 37 / 6

HEX #BEF097

RGB 190 240 151

HSL 93.71, 0.75%, 0.77%

LAB 89.63, -31.24, 37.93

 

Description

Color code: HEX #97EAF1 | qconv.com Color code: HEX #97EAF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 234 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 234 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 3 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 3% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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