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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97ECAB it is the complementary color #681354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97ECAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97ECAB shade: #9CECA6, #ADFEB9, #BEFFCC, #CFFFDF and #E0FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97ECAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97ECAB shade: #97ECAB, #86DA98, #75C885, #64B672 and #53A45F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97ECAB shade: #97ECAB, #9AEC97, #B1EC97, #C8EC97 and #DEEC97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97ECAB shade: #97ECAB, #97ECC2, #97ECD8, #97E8EC and #97D1EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97ECAB shade matches the following richer shades: #97ECAB and #8DF5A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97ECAB shade: #97ECAB, #A1E2B0, #ABD8B5, #B5CEBB and #BFC4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97ECAB shade: #B0EC97, #9AEC97, #97ECAB, #97ECC1 and #97ECD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97ECAB shade: #51DF73, #74E58F, #97ECAB, #BAF2C7 and #DDF8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97ECAB shade: #97ECAB, #97C7EC and #EC97A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97ECAB shade: #97ECAB, #AB97EC and #ECAB97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97ECAB shade: #97ECAB, #97C7EC, #EC97D8 and #ECBC97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97ECAB shade: #97ECAB, #97AEEC, #EC97D8 and #ECD597

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

Complementary color

CMYK 0 / 82 / 19 / 59

HEX #681354

RGB 104 19 84

HSL 314.12, 0.69%, 0.24%

LAB 23.83, 43.17, -17.7

 

CMYK 34 / 0 / 30 / 7

HEX #9CECA6

RGB 156 236 166

HSL 127.5, 0.68%, 0.77%

LAB 86.9, -38.35, 26.39

 

CMYK 32 / 0 / 27 / 0

HEX #ADFEB9

RGB 173 254 185

HSL 128.89, 0.98%, 0.84%

LAB 93.13, -38.1, 25.35

 

CMYK 25 / 0 / 20 / 0

HEX #BEFFCC

RGB 190 255 204

HSL 132.92, 1%, 0.87%

LAB 94.66, -30.04, 17.93

 

CMYK 19 / 0 / 13 / 0

HEX #CFFFDF

RGB 207 255 223

HSL 140, 1%, 0.91%

LAB 96.04, -21.3, 10.29

 

CMYK 12 / 0 / 5 / 0

HEX #E0FFF2

RGB 224 255 242

HSL 154.84, 1%, 0.94%

LAB 97.54, -12.4, 2.82

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 39 / 0 / 30 / 15

HEX #86DA98

RGB 134 218 152

HSL 132.86, 0.53%, 0.69%

LAB 80.45, -39.26, 24.67

 

CMYK 42 / 0 / 34 / 22

HEX #75C885

RGB 117 200 133

HSL 131.57, 0.43%, 0.62%

LAB 74.05, -39.51, 25.81

 

CMYK 45 / 0 / 37 / 29

HEX #64B672

RGB 100 182 114

HSL 130.24, 0.36%, 0.55%

LAB 67.56, -39.73, 27.04

 

CMYK 49 / 0 / 42 / 36

HEX #53A45F

RGB 83 164 95

HSL 128.89, 0.33%, 0.48%

LAB 60.97, -39.89, 28.35

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 35 / 0 / 36 / 7

HEX #9AEC97

RGB 154 236 151

HSL 117.88, 0.69%, 0.76%

LAB 86.55, -41.36, 33.53

 

CMYK 25 / 0 / 36 / 7

HEX #B1EC97

RGB 177 236 151

HSL 101.65, 0.69%, 0.76%

LAB 87.76, -33.87, 35.35

 

CMYK 15 / 0 / 36 / 7

HEX #C8EC97

RGB 200 236 151

HSL 85.41, 0.69%, 0.76%

LAB 89.16, -25.79, 37.44

 

CMYK 6 / 0 / 36 / 7

HEX #DEEC97

RGB 222 236 151

HSL 69.88, 0.69%, 0.76%

LAB 90.67, -17.67, 39.69

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 36 / 0 / 18 / 7

HEX #97ECC2

RGB 151 236 194

HSL 150.35, 0.69%, 0.76%

LAB 87.22, -34.7, 12.32

 

CMYK 36 / 0 / 8 / 7

HEX #97ECD8

RGB 151 236 216

HSL 165.88, 0.69%, 0.76%

LAB 87.74, -30.12, 1.56

 

CMYK 36 / 2 / 0 / 7

HEX #97E8EC

RGB 151 232 236

HSL 182.82, 0.69%, 0.76%

LAB 87.17, -23.64, -9.78

 

CMYK 36 / 11 / 0 / 7

HEX #97D1EC

RGB 151 209 236

HSL 199.06, 0.69%, 0.76%

LAB 80.87, -12.03, -19.23

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 42 / 0 / 32 / 4

HEX #8DF5A6

RGB 141 245 166

HSL 134.42, 0.84%, 0.76%

LAB 88.79, -46.66, 28.84

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 29 / 0 / 22 / 11

HEX #A1E2B0

RGB 161 226 176

HSL 133.85, 0.53%, 0.76%

LAB 84.54, -30.45, 18

 

CMYK 21 / 0 / 16 / 15

HEX #ABD8B5

RGB 171 216 181

HSL 133.33, 0.37%, 0.76%

LAB 82.44, -21.5, 12.5

 

CMYK 12 / 0 / 9 / 19

HEX #B5CEBB

RGB 181 206 187

HSL 134.4, 0.2%, 0.76%

LAB 80.49, -12.02, 6.62

 

CMYK 3 / 0 / 2 / 23

HEX #BFC4C0

RGB 191 196 192

HSL 132, 0.04%, 0.76%

LAB 78.67, -2.46, 1.39

 

CMYK 25 / 0 / 36 / 7

HEX #B0EC97

RGB 176 236 151

HSL 102.35, 0.69%, 0.76%

LAB 87.71, -34.21, 35.26

 

CMYK 35 / 0 / 36 / 7

HEX #9AEC97

RGB 154 236 151

HSL 117.88, 0.69%, 0.76%

LAB 86.55, -41.36, 33.53

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 36 / 0 / 18 / 7

HEX #97ECC1

RGB 151 236 193

HSL 149.65, 0.69%, 0.76%

LAB 87.2, -34.9, 12.81

 

CMYK 36 / 0 / 8 / 7

HEX #97ECD8

RGB 151 236 216

HSL 165.88, 0.69%, 0.76%

LAB 87.74, -30.12, 1.56

 

CMYK 64 / 0 / 48 / 13

HEX #51DF73

RGB 81 223 115

HSL 134.37, 0.69%, 0.6%

LAB 79.48, -60.57, 41.74

 

CMYK 49 / 0 / 38 / 10

HEX #74E58F

RGB 116 229 143

HSL 134.34, 0.68%, 0.68%

LAB 82.77, -50.49, 32.28

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 23 / 0 / 18 / 5

HEX #BAF2C7

RGB 186 242 199

HSL 133.93, 0.68%, 0.84%

LAB 90.81, -26.03, 15.05

 

CMYK 11 / 0 / 8 / 3

HEX #DDF8E3

RGB 221 248 227

HSL 133.33, 0.66%, 0.92%

LAB 95.18, -12.62, 7.11

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 36 / 16 / 0 / 7

HEX #97C7EC

RGB 151 199 236

HSL 206.12, 0.69%, 0.76%

LAB 78.16, -6.78, -23.34

 

CMYK 0 / 36 / 30 / 7

HEX #EC97A5

RGB 236 151 165

HSL 350.12, 0.69%, 0.76%

LAB 71.34, 33.65, 6.08

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 28 / 36 / 0 / 7

HEX #AB97EC

RGB 171 151 236

HSL 254.12, 0.69%, 0.76%

LAB 67.16, 25.38, -40.19

 

CMYK 0 / 28 / 36 / 7

HEX #ECAB97

RGB 236 171 151

HSL 14.12, 0.69%, 0.76%

LAB 75.57, 21.3, 19.73

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 36 / 16 / 0 / 7

HEX #97C7EC

RGB 151 199 236

HSL 206.12, 0.69%, 0.76%

LAB 78.16, -6.78, -23.34

 

CMYK 0 / 36 / 8 / 7

HEX #EC97D8

RGB 236 151 216

HSL 314.12, 0.69%, 0.76%

LAB 72.84, 41.29, -19.91

 

CMYK 0 / 20 / 36 / 7

HEX #ECBC97

RGB 236 188 151

HSL 26.12, 0.69%, 0.76%

LAB 79.63, 12.28, 25.28

 

CMYK 36 / 0 / 28 / 7

HEX #97ECAB

RGB 151 236 171

HSL 134.12, 0.69%, 0.76%

LAB 86.76, -39, 23.58

 

CMYK 36 / 26 / 0 / 7

HEX #97AEEC

RGB 151 174 236

HSL 223.76, 0.69%, 0.76%

LAB 71.49, 6.83, -33.57

 

CMYK 0 / 36 / 8 / 7

HEX #EC97D8

RGB 236 151 216

HSL 314.12, 0.69%, 0.76%

LAB 72.84, 41.29, -19.91

 

CMYK 0 / 10 / 36 / 7

HEX #ECD597

RGB 236 213 151

HSL 43.76, 0.69%, 0.76%

LAB 85.83, -0.76, 33.58

 

Description

Color code: HEX #97ECAB | qconv.com Color code: HEX #97ECAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 236 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 236 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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