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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97F443 it is the complementary color #680BBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97F443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97F443 shade: #9CF43E, #ADFF51, #BEFF64, #CFFF77 and #E0FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97F443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97F443 shade: #97F443, #86E230, #75D01D, #64BE0A and #53AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97F443 shade: #97F443, #C6F443, #F4F143, #F4C143 and #F49243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97F443 shade: #97F443, #67F443, #43F44E, #43F47E and #43F4AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97F443 shade matches the following richer shades: #97F443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97F443 shade: #97F443, #97E353, #98D363, #99C373 and #9AB383

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97F443 shade: #F4F143, #C7F443, #98F443, #69F443 and #43F44B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97F443 shade: #6DD80C, #81F11C, #97F443, #ACF66A and #C2F891

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97F443 shade: #97F443, #43F4C1 and #F443DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97F443 shade: #97F443, #4398F4 and #F44398

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97F443 shade: #97F443, #43F4C1, #9E43F4 and #F44375

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97F443 shade: #97F443, #43F1F4, #9E43F4 and #F44543

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

Complementary color

CMYK 45 / 94 / 0 / 26

HEX #680BBC

RGB 104 11 188

HSL 271.53, 0.89%, 0.39%

LAB 31.38, 65.42, -70.64

 

CMYK 36 / 0 / 75 / 4

HEX #9CF43E

RGB 156 244 62

HSL 89.01, 0.89%, 0.6%

LAB 88.02, -53.19, 73.8

 

CMYK 32 / 0 / 68 / 0

HEX #ADFF51

RGB 173 255 81

HSL 88.28, 1%, 0.66%

LAB 92.13, -50.75, 71.72

 

CMYK 25 / 0 / 61 / 0

HEX #BEFF64

RGB 190 255 100

HSL 85.16, 1%, 0.7%

LAB 93.18, -43.39, 65.74

 

CMYK 19 / 0 / 53 / 0

HEX #CFFF77

RGB 207 255 119

HSL 81.18, 1%, 0.73%

LAB 94.36, -35.59, 59.19

 

CMYK 12 / 0 / 46 / 0

HEX #E0FF8A

RGB 224 255 138

HSL 75.9, 1%, 0.77%

LAB 95.66, -27.45, 52.31

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 41 / 0 / 79 / 11

HEX #86E230

RGB 134 226 48

HSL 91.01, 0.75%, 0.54%

LAB 81.66, -54.03, 71.61

 

CMYK 44 / 0 / 86 / 18

HEX #75D01D

RGB 117 208 29

HSL 90.5, 0.76%, 0.46%

LAB 75.44, -53.28, 70.44

 

CMYK 47 / 0 / 95 / 25

HEX #64BE0A

RGB 100 190 10

HSL 90, 0.9%, 0.39%

LAB 69.15, -52.23, 67.97

 

CMYK 52 / 0 / 100 / 33

HEX #53AC00

RGB 83 172 0

HSL 91.05, 1%, 0.34%

LAB 62.8, -50.82, 63.84

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 19 / 0 / 73 / 4

HEX #C6F443

RGB 198 244 67

HSL 75.59, 0.89%, 0.61%

LAB 90.37, -37.72, 75.27

 

CMYK 0 / 1 / 73 / 4

HEX #F4F143

RGB 244 241 67

HSL 58.98, 0.89%, 0.61%

LAB 92.82, -17.98, 78.74

 

CMYK 0 / 21 / 73 / 4

HEX #F4C143

RGB 244 193 67

HSL 42.71, 0.89%, 0.61%

LAB 80.62, 6.16, 67

 

CMYK 0 / 40 / 73 / 4

HEX #F49243

RGB 244 146 67

HSL 26.78, 0.89%, 0.61%

LAB 69.61, 30.82, 55.87

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 58 / 0 / 73 / 4

HEX #67F443

RGB 103 244 67

HSL 107.8, 0.89%, 0.61%

LAB 86, -68.25, 69.5

 

CMYK 73 / 0 / 68 / 4

HEX #43F44E

RGB 67 244 78

HSL 123.73, 0.89%, 0.61%

LAB 85.22, -74.41, 64.49

 

CMYK 73 / 0 / 48 / 4

HEX #43F47E

RGB 67 244 126

HSL 140, 0.89%, 0.61%

LAB 85.71, -68.66, 44.18

 

CMYK 73 / 0 / 29 / 4

HEX #43F4AD

RGB 67 244 173

HSL 155.93, 0.89%, 0.61%

LAB 86.46, -60.17, 21.73

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 33 / 0 / 63 / 11

HEX #97E353

RGB 151 227 83

HSL 91.67, 0.72%, 0.61%

LAB 82.99, -46.47, 60.95

 

CMYK 28 / 0 / 53 / 17

HEX #98D363

RGB 152 211 99

HSL 91.61, 0.56%, 0.61%

LAB 78.56, -37.64, 48.91

 

CMYK 22 / 0 / 41 / 24

HEX #99C373

RGB 153 195 115

HSL 91.5, 0.4%, 0.61%

LAB 74.22, -27.95, 35.72

 

CMYK 14 / 0 / 27 / 30

HEX #9AB383

RGB 154 179 131

HSL 91.25, 0.24%, 0.61%

LAB 70, -17.35, 21.75

 

CMYK 0 / 1 / 73 / 4

HEX #F4F143

RGB 244 241 67

HSL 58.98, 0.89%, 0.61%

LAB 92.82, -17.98, 78.74

 

CMYK 18 / 0 / 73 / 4

HEX #C7F443

RGB 199 244 67

HSL 75.25, 0.89%, 0.61%

LAB 90.44, -37.33, 75.35

 

CMYK 38 / 0 / 73 / 4

HEX #98F443

RGB 152 244 67

HSL 91.19, 0.89%, 0.61%

LAB 87.86, -54.24, 71.97

 

CMYK 57 / 0 / 73 / 4

HEX #69F443

RGB 105 244 67

HSL 107.12, 0.89%, 0.61%

LAB 86.06, -67.77, 69.57

 

CMYK 73 / 0 / 69 / 4

HEX #43F44B

RGB 67 244 75

HSL 122.71, 0.89%, 0.61%

LAB 85.2, -74.67, 65.58

 

CMYK 50 / 0 / 94 / 15

HEX #6DD80C

RGB 109 216 12

HSL 91.47, 0.89%, 0.45%

LAB 77.51, -59.16, 74.66

 

CMYK 46 / 0 / 88 / 5

HEX #81F11C

RGB 129 241 28

HSL 91.55, 0.88%, 0.53%

LAB 85.84, -62.03, 79.66

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 30 / 0 / 57 / 4

HEX #ACF66A

RGB 172 246 106

HSL 91.71, 0.89%, 0.69%

LAB 89.73, -45.31, 59.05

 

CMYK 22 / 0 / 42 / 3

HEX #C2F891

RGB 194 248 145

HSL 91.46, 0.88%, 0.77%

LAB 91.98, -34.3, 43.95

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 73 / 0 / 21 / 4

HEX #43F4C1

RGB 67 244 193

HSL 162.71, 0.89%, 0.61%

LAB 86.87, -55.77, 11.97

 

CMYK 0 / 73 / 9 / 4

HEX #F443DF

RGB 244 67 223

HSL 307.12, 0.89%, 0.61%

LAB 60.4, 81.26, -42.96

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 73 / 38 / 0 / 4

HEX #4398F4

RGB 67 152 244

HSL 211.19, 0.89%, 0.61%

LAB 61.81, 4.56, -53.43

 

CMYK 0 / 73 / 38 / 4

HEX #F44398

RGB 244 67 152

HSL 331.19, 0.89%, 0.61%

LAB 57.57, 72.52, -6.48

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 73 / 0 / 21 / 4

HEX #43F4C1

RGB 67 244 193

HSL 162.71, 0.89%, 0.61%

LAB 86.87, -55.77, 11.97

 

CMYK 35 / 73 / 0 / 4

HEX #9E43F4

RGB 158 67 244

HSL 270.85, 0.89%, 0.61%

LAB 49.27, 68.07, -73.28

 

CMYK 0 / 73 / 52 / 4

HEX #F44375

RGB 244 67 117

HSL 343.05, 0.89%, 0.61%

LAB 56.62, 69.42, 12.81

 

CMYK 38 / 0 / 73 / 4

HEX #97F443

RGB 151 244 67

HSL 91.53, 0.89%, 0.61%

LAB 87.82, -54.57, 71.9

 

CMYK 73 / 1 / 0 / 4

HEX #43F1F4

RGB 67 241 244

HSL 181.02, 0.89%, 0.61%

LAB 87.31, -41.4, -14.05

 

CMYK 35 / 73 / 0 / 4

HEX #9E43F4

RGB 158 67 244

HSL 270.85, 0.89%, 0.61%

LAB 49.27, 68.07, -73.28

 

CMYK 0 / 72 / 73 / 4

HEX #F44543

RGB 244 69 67

HSL 0.68, 0.89%, 0.61%

LAB 55.98, 65.82, 41.08

 

Description

Color code: HEX #97F443 | qconv.com Color code: HEX #97F443 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 244 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 244 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 73 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 73% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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