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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #941894 it is the complementary color #6BE76B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #941894. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #941894 shade: #99188F, #AA2AA2, #BB3CB5, #CC4EC8 and #DD60DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #941894. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #941894 shade: #941894, #830681, #72006E, #61005B and #500048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #941894 shade: #951895, #951873, #951851, #951830 and #951818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #941894 shade: #951895, #731895, #511895, #301895 and #181895

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #941894 shade matches the following richer shades: #951895 and #A30AA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #941894 shade: #951895, #872687, #793479, #6B426B and #5D505D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #941894 shade: #521895, #731895, #951895, #951873 and #951852

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #941894 shade: #4E0C4E, #711271, #951895, #B81EB8 and #DB24DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #941894 shade: #941894, #953118 and #189563

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #941894 shade: #941894, #959518 and #189595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #941894 shade: #941894, #953118, #189518 and #187C95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #941894 shade: #941894, #955618, #189518 and #185695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 0 / 42

HEX #941894

RGB 148 24 148

HSL 300, 0.72%, 0.34%

LAB 36.15, 61.73, -38.51

 

Complementary color

CMYK 54 / 0 / 54 / 9

HEX #6BE76B

RGB 107 231 107

HSL 120, 0.72%, 0.66%

LAB 82.56, -58.79, 49.48

 

CMYK 0 / 84 / 7 / 40

HEX #99188F

RGB 153 24 143

HSL 304.65, 0.73%, 0.35%

LAB 36.76, 61.94, -34.42

 

CMYK 0 / 75 / 5 / 33

HEX #AA2AA2

RGB 170 42 162

HSL 303.75, 0.6%, 0.42%

LAB 42.48, 63.66, -36.69

 

CMYK 0 / 68 / 3 / 27

HEX #BB3CB5

RGB 187 60 181

HSL 302.83, 0.51%, 0.48%

LAB 48.43, 64.42, -38.35

 

CMYK 0 / 62 / 2 / 20

HEX #CC4EC8

RGB 204 78 200

HSL 301.9, 0.55%, 0.55%

LAB 54.51, 64.6, -39.6

 

CMYK 0 / 57 / 1 / 13

HEX #DD60DB

RGB 221 96 219

HSL 300.96, 0.65%, 0.62%

LAB 60.65, 64.4, -40.56

 

CMYK 0 / 84 / 0 / 42

HEX #941894

RGB 148 24 148

HSL 300, 0.72%, 0.34%

LAB 36.15, 61.73, -38.51

 

CMYK 0 / 95 / 2 / 49

HEX #830681

RGB 131 6 129

HSL 300.96, 0.91%, 0.27%

LAB 30.74, 58.7, -35.57

 

CMYK 0 / 100 / 4 / 55

HEX #72006E

RGB 114 0 110

HSL 302.11, 1%, 0.22%

LAB 25.87, 53.61, -31.43

 

CMYK 0 / 100 / 6 / 62

HEX #61005B

RGB 97 0 91

HSL 303.71, 1%, 0.19%

LAB 21.2, 47.43, -26.63

 

CMYK 0 / 100 / 10 / 69

HEX #500048

RGB 80 0 72

HSL 306, 1%, 0.16%

LAB 16.37, 41.05, -21.6

 

CMYK 0 / 84 / 0 / 42

HEX #951895

RGB 149 24 149

HSL 300, 0.72%, 0.34%

LAB 36.39, 62.08, -38.73

 

CMYK 0 / 84 / 23 / 42

HEX #951873

RGB 149 24 115

HSL 316.32, 0.72%, 0.34%

LAB 34.56, 57.08, -20.49

 

CMYK 0 / 84 / 46 / 42

HEX #951851

RGB 149 24 81

HSL 332.64, 0.72%, 0.34%

LAB 33.21, 53.22, -0.66

 

CMYK 0 / 84 / 68 / 42

HEX #951830

RGB 149 24 48

HSL 348.48, 0.72%, 0.34%

LAB 32.38, 50.74, 19.84

 

CMYK 0 / 84 / 84 / 42

HEX #951818

RGB 149 24 24

HSL 0, 0.72%, 0.34%

LAB 32.05, 49.73, 34.3

 

CMYK 0 / 84 / 0 / 42

HEX #951895

RGB 149 24 149

HSL 300, 0.72%, 0.34%

LAB 36.39, 62.08, -38.73

 

CMYK 23 / 84 / 0 / 42

HEX #731895

RGB 115 24 149

HSL 283.68, 0.72%, 0.34%

LAB 30.56, 55.73, -48.41

 

CMYK 46 / 84 / 0 / 42

HEX #511895

RGB 81 24 149

HSL 267.36, 0.72%, 0.34%

LAB 25.48, 50.32, -56.92

 

CMYK 68 / 84 / 0 / 42

HEX #301895

RGB 48 24 149

HSL 251.52, 0.72%, 0.34%

LAB 21.77, 46.49, -63.16

 

CMYK 84 / 84 / 0 / 42

HEX #181895

RGB 24 24 149

HSL 240, 0.72%, 0.34%

LAB 20.11, 44.83, -65.96

 

CMYK 0 / 84 / 0 / 42

HEX #951895

RGB 149 24 149

HSL 300, 0.72%, 0.34%

LAB 36.39, 62.08, -38.73

 

CMYK 0 / 94 / 0 / 36

HEX #A30AA3

RGB 163 10 163

HSL 300, 0.88%, 0.34%

LAB 38.98, 69.19, -42.93

 

CMYK 0 / 84 / 0 / 42

HEX #951895

RGB 149 24 149

HSL 300, 0.72%, 0.34%

LAB 36.39, 62.08, -38.73

 

CMYK 0 / 72 / 0 / 47

HEX #872687

RGB 135 38 135

HSL 300, 0.56%, 0.34%

LAB 34.57, 52.56, -33.16

 

CMYK 0 / 57 / 0 / 53

HEX #793479

RGB 121 52 121

HSL 300, 0.4%, 0.34%

LAB 33.78, 40.15, -25.85

 

CMYK 0 / 38 / 0 / 58

HEX #6B426B

RGB 107 66 107

HSL 300, 0.24%, 0.34%

LAB 34.16, 24.97, -16.61

 

CMYK 0 / 14 / 0 / 64

HEX #5D505D

RGB 93 80 93

HSL 300, 0.08%, 0.34%

LAB 35.7, 8.03, -5.59

 

CMYK 45 / 84 / 0 / 42

HEX #521895

RGB 82 24 149

HSL 267.84, 0.72%, 0.34%

LAB 25.61, 50.46, -56.69

 

CMYK 23 / 84 / 0 / 42

HEX #731895

RGB 115 24 149

HSL 283.68, 0.72%, 0.34%

LAB 30.56, 55.73, -48.41

 

CMYK 0 / 84 / 0 / 42

HEX #951895

RGB 149 24 149

HSL 300, 0.72%, 0.34%

LAB 36.39, 62.08, -38.73

 

CMYK 0 / 84 / 23 / 42

HEX #951873

RGB 149 24 115

HSL 316.32, 0.72%, 0.34%

LAB 34.56, 57.08, -20.49

 

CMYK 0 / 84 / 45 / 42

HEX #951852

RGB 149 24 82

HSL 332.16, 0.72%, 0.34%

LAB 33.25, 53.31, -1.26

 

CMYK 0 / 85 / 0 / 69

HEX #4E0C4E

RGB 78 12 78

HSL 300, 0.73%, 0.18%

LAB 17.61, 37.97, -23.79

 

CMYK 0 / 84 / 0 / 56

HEX #711271

RGB 113 18 113

HSL 300, 0.73%, 0.26%

LAB 27.12, 50.25, -31.39

 

CMYK 0 / 84 / 0 / 42

HEX #951895

RGB 149 24 149

HSL 300, 0.72%, 0.34%

LAB 36.39, 62.08, -38.73

 

CMYK 0 / 84 / 0 / 28

HEX #B81EB8

RGB 184 30 184

HSL 300, 0.72%, 0.42%

LAB 45.05, 73, -45.5

 

CMYK 0 / 84 / 0 / 14

HEX #DB24DB

RGB 219 36 219

HSL 300, 0.72%, 0.5%

LAB 53.42, 83.49, -52.02

 

CMYK 0 / 84 / 0 / 42

HEX #941894

RGB 148 24 148

HSL 300, 0.72%, 0.34%

LAB 36.15, 61.73, -38.51

 

CMYK 0 / 67 / 84 / 42

HEX #953118

RGB 149 49 24

HSL 12, 0.72%, 0.34%

LAB 35.31, 40.74, 37.37

 

CMYK 84 / 0 / 34 / 42

HEX #189563

RGB 24 149 99

HSL 156, 0.72%, 0.34%

LAB 54.65, -44.44, 17.47

 

CMYK 0 / 84 / 0 / 42

HEX #941894

RGB 148 24 148

HSL 300, 0.72%, 0.34%

LAB 36.15, 61.73, -38.51

 

CMYK 0 / 0 / 84 / 42

HEX #959518

RGB 149 149 24

HSL 60, 0.72%, 0.34%

LAB 59.84, -13.96, 59

 

CMYK 84 / 0 / 0 / 42

HEX #189595

RGB 24 149 149

HSL 180, 0.72%, 0.34%

LAB 55.95, -30.91, -9.16

 

CMYK 0 / 84 / 0 / 42

HEX #941894

RGB 148 24 148

HSL 300, 0.72%, 0.34%

LAB 36.15, 61.73, -38.51

 

CMYK 0 / 67 / 84 / 42

HEX #953118

RGB 149 49 24

HSL 12, 0.72%, 0.34%

LAB 35.31, 40.74, 37.37

 

CMYK 84 / 0 / 84 / 42

HEX #189518

RGB 24 149 24

HSL 120, 0.72%, 0.34%

LAB 53.77, -54.94, 51.3

 

CMYK 84 / 17 / 0 / 42

HEX #187C95

RGB 24 124 149

HSL 192, 0.72%, 0.34%

LAB 47.98, -18.1, -21.24

 

CMYK 0 / 84 / 0 / 42

HEX #941894

RGB 148 24 148

HSL 300, 0.72%, 0.34%

LAB 36.15, 61.73, -38.51

 

CMYK 0 / 42 / 84 / 42

HEX #955618

RGB 149 86 24

HSL 29.76, 0.72%, 0.34%

LAB 42.93, 21.42, 44.33

 

CMYK 84 / 0 / 84 / 42

HEX #189518

RGB 24 149 24

HSL 120, 0.72%, 0.34%

LAB 53.77, -54.94, 51.3

 

CMYK 84 / 42 / 0 / 42

HEX #185695

RGB 24 86 149

HSL 210.24, 0.72%, 0.34%

LAB 36.02, 4.75, -40

 

Description

Color code: HEX #941894 | qconv.com Color code: HEX #941894 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 24 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 24 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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