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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #942469 it is the complementary color #6BDB96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #942469. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #942469 shade: #992464, #AA3677, #BB488A, #CC5A9D and #DD6CB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #942469. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #942469 shade: #942469, #831256, #720043, #610030 and #50001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #942469 shade: #932368, #93234A, #93232C and #932323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #942469 shade: #932368, #932386, #822393, #642393 and #452393

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #942469 shade matches the following richer shades: #932368, #A2146C and #B1066F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #942469 shade: #932368, #843265, #764161, #67505E and #585F5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #942469 shade: #822393, #932386, #932368, #93234B and #93232D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #942469 shade: #511339, #721B51, #932368, #B52B80 and #CF3A96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #942469 shade: #942469, #936523 and #239391

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #942469 shade: #942469, #689323 and #236893

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #942469 shade: #942469, #936523, #23934E and #235293

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #942469 shade: #942469, #938623, #23934E and #233093

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 29 / 42

HEX #942469

RGB 148 36 105

HSL 323.04, 0.61%, 0.36%

LAB 35.16, 52.04, -13.24

 

Complementary color

CMYK 51 / 0 / 32 / 14

HEX #6BDB96

RGB 107 219 150

HSL 143.04, 0.61%, 0.64%

LAB 79.61, -47.35, 24.38

 

CMYK 0 / 76 / 35 / 40

HEX #992464

RGB 153 36 100

HSL 327.18, 0.62%, 0.37%

LAB 35.9, 52.78, -8.85

 

CMYK 0 / 68 / 30 / 33

HEX #AA3677

RGB 170 54 119

HSL 326.38, 0.52%, 0.44%

LAB 42.03, 53.25, -11.23

 

CMYK 0 / 61 / 26 / 27

HEX #BB488A

RGB 187 72 138

HSL 325.57, 0.46%, 0.51%

LAB 48.3, 53.12, -13.03

 

CMYK 0 / 56 / 23 / 20

HEX #CC5A9D

RGB 204 90 157

HSL 324.74, 0.53%, 0.58%

LAB 54.64, 52.67, -14.46

 

CMYK 0 / 51 / 20 / 13

HEX #DD6CB0

RGB 221 108 176

HSL 323.89, 0.62%, 0.65%

LAB 60.99, 52.05, -15.63

 

CMYK 0 / 76 / 29 / 42

HEX #942469

RGB 148 36 105

HSL 323.04, 0.61%, 0.36%

LAB 35.16, 52.04, -13.24

 

CMYK 0 / 86 / 34 / 49

HEX #831256

RGB 131 18 86

HSL 323.89, 0.76%, 0.29%

LAB 29.23, 50.56, -10.26

 

CMYK 0 / 100 / 41 / 55

HEX #720043

RGB 114 0 67

HSL 324.74, 1%, 0.22%

LAB 23.61, 47.94, -6.34

 

CMYK 0 / 100 / 51 / 62

HEX #610030

RGB 97 0 48

HSL 330.31, 1%, 0.19%

LAB 19.03, 41.96, -0.27

 

CMYK 0 / 100 / 64 / 69

HEX #50001D

RGB 80 0 29

HSL 338.25, 1%, 0.16%

LAB 14.37, 35.93, 6.38

 

CMYK 0 / 76 / 29 / 42

HEX #932368

RGB 147 35 104

HSL 323.04, 0.62%, 0.36%

LAB 34.81, 51.98, -13.15

 

CMYK 0 / 76 / 50 / 42

HEX #93234A

RGB 147 35 74

HSL 339.11, 0.62%, 0.36%

LAB 33.77, 48.7, 4.67

 

CMYK 0 / 76 / 70 / 42

HEX #93232C

RGB 147 35 44

HSL 355.18, 0.62%, 0.36%

LAB 33.11, 46.53, 23.22

 

CMYK 0 / 76 / 76 / 42

HEX #932323

RGB 147 35 35

HSL 0, 0.62%, 0.36%

LAB 32.98, 46.09, 28.67

 

CMYK 0 / 76 / 29 / 42

HEX #932368

RGB 147 35 104

HSL 323.04, 0.62%, 0.36%

LAB 34.81, 51.98, -13.15

 

CMYK 0 / 76 / 9 / 42

HEX #932386

RGB 147 35 134

HSL 306.96, 0.62%, 0.36%

LAB 36.23, 56.25, -29.79

 

CMYK 12 / 76 / 0 / 42

HEX #822393

RGB 130 35 147

HSL 290.89, 0.62%, 0.36%

LAB 34.1, 54.71, -41.36

 

CMYK 32 / 76 / 0 / 42

HEX #642393

RGB 100 35 147

HSL 274.82, 0.62%, 0.36%

LAB 29.46, 48.63, -49.08

 

CMYK 53 / 76 / 0 / 42

HEX #452393

RGB 69 35 147

HSL 258.21, 0.62%, 0.36%

LAB 25.48, 43.21, -55.73

 

CMYK 0 / 76 / 29 / 42

HEX #932368

RGB 147 35 104

HSL 323.04, 0.62%, 0.36%

LAB 34.81, 51.98, -13.15

 

CMYK 0 / 88 / 33 / 36

HEX #A2146C

RGB 162 20 108

HSL 322.82, 0.78%, 0.36%

LAB 36.49, 60.13, -12.88

 

CMYK 0 / 97 / 37 / 31

HEX #B1066F

RGB 177 6 111

HSL 323.16, 0.93%, 0.36%

LAB 38.94, 65.77, -10.77

 

CMYK 0 / 76 / 29 / 42

HEX #932368

RGB 147 35 104

HSL 323.04, 0.62%, 0.36%

LAB 34.81, 51.98, -13.15

 

CMYK 0 / 62 / 23 / 48

HEX #843265

RGB 132 50 101

HSL 322.68, 0.45%, 0.36%

LAB 34.24, 41.08, -12.34

 

CMYK 0 / 45 / 18 / 54

HEX #764161

RGB 118 65 97

HSL 323.77, 0.29%, 0.36%

LAB 34.99, 27.64, -8.87

 

CMYK 0 / 22 / 9 / 60

HEX #67505E

RGB 103 80 94

HSL 323.48, 0.13%, 0.36%

LAB 36.8, 12.2, -4.48

 

CMYK 7 / 0 / 4 / 63

HEX #585F5B

RGB 88 95 91

HSL 145.71, 0.04%, 0.36%

LAB 39.6, -3.59, 1.34

 

CMYK 12 / 76 / 0 / 42

HEX #822393

RGB 130 35 147

HSL 290.89, 0.62%, 0.36%

LAB 34.1, 54.71, -41.36

 

CMYK 0 / 76 / 9 / 42

HEX #932386

RGB 147 35 134

HSL 306.96, 0.62%, 0.36%

LAB 36.23, 56.25, -29.79

 

CMYK 0 / 76 / 29 / 42

HEX #932368

RGB 147 35 104

HSL 323.04, 0.62%, 0.36%

LAB 34.81, 51.98, -13.15

 

CMYK 0 / 76 / 49 / 42

HEX #93234B

RGB 147 35 75

HSL 338.57, 0.62%, 0.36%

LAB 33.8, 48.79, 4.06

 

CMYK 0 / 76 / 69 / 42

HEX #93232D

RGB 147 35 45

HSL 354.64, 0.62%, 0.36%

LAB 33.12, 46.58, 22.61

 

CMYK 0 / 77 / 30 / 68

HEX #511339

RGB 81 19 57

HSL 323.23, 0.62%, 0.2%

LAB 17.97, 32.65, -8.61

 

CMYK 0 / 76 / 29 / 55

HEX #721B51

RGB 114 27 81

HSL 322.76, 0.62%, 0.28%

LAB 26.61, 42.69, -11.26

 

CMYK 0 / 76 / 29 / 42

HEX #932368

RGB 147 35 104

HSL 323.04, 0.62%, 0.36%

LAB 34.81, 51.98, -13.15

 

CMYK 0 / 76 / 29 / 29

HEX #B52B80

RGB 181 43 128

HSL 323.04, 0.62%, 0.44%

LAB 42.93, 61.22, -15.22

 

CMYK 0 / 72 / 28 / 19

HEX #CF3A96

RGB 207 58 150

HSL 322.95, 0.61%, 0.52%

LAB 50.09, 65.67, -17.2

 

CMYK 0 / 76 / 29 / 42

HEX #942469

RGB 148 36 105

HSL 323.04, 0.61%, 0.36%

LAB 35.16, 52.04, -13.24

 

CMYK 0 / 31 / 76 / 42

HEX #936523

RGB 147 101 35

HSL 35.36, 0.62%, 0.36%

LAB 46.49, 12.31, 42.89

 

CMYK 76 / 0 / 1 / 42

HEX #239391

RGB 35 147 145

HSL 178.93, 0.62%, 0.36%

LAB 55.35, -30.1, -7.74

 

CMYK 0 / 76 / 29 / 42

HEX #942469

RGB 148 36 105

HSL 323.04, 0.61%, 0.36%

LAB 35.16, 52.04, -13.24

 

CMYK 29 / 0 / 76 / 42

HEX #689323

RGB 104 147 35

HSL 83.04, 0.62%, 0.36%

LAB 56.02, -31.81, 50.95

 

CMYK 76 / 29 / 0 / 42

HEX #236893

RGB 35 104 147

HSL 203.04, 0.62%, 0.36%

LAB 41.79, -6.1, -29.65

 

CMYK 0 / 76 / 29 / 42

HEX #942469

RGB 148 36 105

HSL 323.04, 0.61%, 0.36%

LAB 35.16, 52.04, -13.24

 

CMYK 0 / 31 / 76 / 42

HEX #936523

RGB 147 101 35

HSL 35.36, 0.62%, 0.36%

LAB 46.49, 12.31, 42.89

 

CMYK 76 / 0 / 47 / 42

HEX #23934E

RGB 35 147 78

HSL 143.04, 0.62%, 0.36%

LAB 53.79, -46.52, 27.88

 

CMYK 76 / 44 / 0 / 42

HEX #235293

RGB 35 82 147

HSL 214.82, 0.62%, 0.36%

LAB 35, 7.87, -40.41

 

CMYK 0 / 76 / 29 / 42

HEX #942469

RGB 148 36 105

HSL 323.04, 0.61%, 0.36%

LAB 35.16, 52.04, -13.24

 

CMYK 0 / 9 / 76 / 42

HEX #938623

RGB 147 134 35

HSL 53.04, 0.62%, 0.36%

LAB 55.46, -6.4, 51.57

 

CMYK 76 / 0 / 47 / 42

HEX #23934E

RGB 35 147 78

HSL 143.04, 0.62%, 0.36%

LAB 53.79, -46.52, 27.88

 

CMYK 76 / 67 / 0 / 42

HEX #233093

RGB 35 48 147

HSL 233.04, 0.62%, 0.36%

LAB 25.5, 30.88, -55.82

 

Description

Color code: HEX #942469 | qconv.com Color code: HEX #942469 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 36 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 36 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 29 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 29% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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