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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94233E it is the complementary color #6BDCC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94233E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94233E shade: #992339, #AA354C, #BB475F, #CC5972 and #DD6B85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94233E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94233E shade: #94233E, #83112B, #720018, #610005 and #500000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94233E shade: #94223E and #942222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94233E shade: #94223E, #94225C, #94227B, #8F2294 and #702294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94233E shade matches the following richer shades: #94223E, #A31436 and #B2052E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94233E shade: #94223E, #853145, #77404D, #684F55 and #595E5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94233E shade: #94227C, #94225D, #94223F, #942422 and #944322

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94233E shade: #511322, #731B30, #94223E, #B62A4C and #D0395D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94233E shade: #94233E, #948F22 and #226C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94233E shade: #94233E, #3F9422 and #223F94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94233E shade: #94233E, #948F22, #229478 and #222894

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94233E shade: #94233E, #789422, #229478 and #3F2294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 58 / 42

HEX #94233E

RGB 148 35 62

HSL 345.66, 0.62%, 0.36%

LAB 33.66, 48, 12.36

 

Complementary color

CMYK 51 / 0 / 12 / 14

HEX #6BDCC1

RGB 107 220 193

HSL 165.66, 0.62%, 0.64%

LAB 80.83, -38.71, 3.43

 

CMYK 0 / 77 / 63 / 40

HEX #992339

RGB 153 35 57

HSL 348.81, 0.63%, 0.37%

LAB 34.54, 49.18, 16.96

 

CMYK 0 / 69 / 55 / 33

HEX #AA354C

RGB 170 53 76

HSL 348.21, 0.52%, 0.44%

LAB 40.6, 49.2, 13.57

 

CMYK 0 / 62 / 49 / 27

HEX #BB475F

RGB 187 71 95

HSL 347.59, 0.46%, 0.51%

LAB 46.84, 48.69, 10.92

 

CMYK 0 / 56 / 44 / 20

HEX #CC5972

RGB 204 89 114

HSL 346.96, 0.53%, 0.57%

LAB 53.16, 47.93, 8.78

 

CMYK 0 / 52 / 40 / 13

HEX #DD6B85

RGB 221 107 133

HSL 346.32, 0.63%, 0.64%

LAB 59.51, 47.06, 7

 

CMYK 0 / 76 / 58 / 42

HEX #94233E

RGB 148 35 62

HSL 345.66, 0.62%, 0.36%

LAB 33.66, 48, 12.36

 

CMYK 0 / 87 / 67 / 49

HEX #83112B

RGB 131 17 43

HSL 346.32, 0.77%, 0.29%

LAB 27.85, 47.02, 16.56

 

CMYK 0 / 100 / 79 / 55

HEX #720018

RGB 114 0 24

HSL 347.37, 1%, 0.22%

LAB 22.46, 44.86, 21.88

 

CMYK 0 / 100 / 95 / 62

HEX #610005

RGB 97 0 5

HSL 356.91, 1%, 0.19%

LAB 18.15, 39.6, 25.94

 

CMYK 0 / 100 / 100 / 69

HEX #500000

RGB 80 0 0

HSL 0, 1%, 0.16%

LAB 13.86, 34.55, 21.68

 

CMYK 0 / 77 / 58 / 42

HEX #94223E

RGB 148 34 62

HSL 345.26, 0.63%, 0.36%

LAB 33.54, 48.35, 12.2

 

CMYK 0 / 77 / 77 / 42

HEX #942222

RGB 148 34 34

HSL 0, 0.63%, 0.36%

LAB 33.04, 46.72, 29.4

 

CMYK 0 / 77 / 58 / 42

HEX #94223E

RGB 148 34 62

HSL 345.26, 0.63%, 0.36%

LAB 33.54, 48.35, 12.2

 

CMYK 0 / 77 / 38 / 42

HEX #94225C

RGB 148 34 92

HSL 329.47, 0.63%, 0.36%

LAB 34.42, 51.15, -6.03

 

CMYK 0 / 77 / 17 / 42

HEX #94227B

RGB 148 34 123

HSL 313.16, 0.63%, 0.36%

LAB 35.73, 55.15, -23.71

 

CMYK 3 / 77 / 0 / 42

HEX #8F2294

RGB 143 34 148

HSL 297.37, 0.63%, 0.36%

LAB 36.22, 57.98, -38.45

 

CMYK 24 / 77 / 0 / 42

HEX #702294

RGB 112 34 148

HSL 281.05, 0.63%, 0.36%

LAB 31.18, 51.59, -46.82

 

CMYK 0 / 77 / 58 / 42

HEX #94223E

RGB 148 34 62

HSL 345.26, 0.63%, 0.36%

LAB 33.54, 48.35, 12.2

 

CMYK 0 / 88 / 67 / 36

HEX #A31436

RGB 163 20 54

HSL 345.73, 0.78%, 0.36%

LAB 35.11, 55.89, 20.03

 

CMYK 0 / 97 / 74 / 30

HEX #B2052E

RGB 178 5 46

HSL 345.78, 0.95%, 0.36%

LAB 37.43, 61.59, 28.68

 

CMYK 0 / 77 / 58 / 42

HEX #94223E

RGB 148 34 62

HSL 345.26, 0.63%, 0.36%

LAB 33.54, 48.35, 12.2

 

CMYK 0 / 63 / 48 / 48

HEX #853145

RGB 133 49 69

HSL 345.71, 0.46%, 0.36%

LAB 33.16, 37.84, 6.7

 

CMYK 0 / 46 / 35 / 53

HEX #77404D

RGB 119 64 77

HSL 345.82, 0.3%, 0.36%

LAB 34.24, 25.48, 2.78

 

CMYK 0 / 24 / 18 / 59

HEX #684F55

RGB 104 79 85

HSL 345.6, 0.14%, 0.36%

LAB 36.35, 11.53, 0.53

 

CMYK 5 / 0 / 1 / 63

HEX #595E5D

RGB 89 94 93

HSL 168, 0.03%, 0.36%

LAB 39.44, -2.17, -0.11

 

CMYK 0 / 77 / 16 / 42

HEX #94227C

RGB 148 34 124

HSL 312.63, 0.63%, 0.36%

LAB 35.78, 55.29, -24.26

 

CMYK 0 / 77 / 37 / 42

HEX #94225D

RGB 148 34 93

HSL 328.95, 0.63%, 0.36%

LAB 34.46, 51.26, -6.62

 

CMYK 0 / 77 / 57 / 42

HEX #94223F

RGB 148 34 63

HSL 344.74, 0.63%, 0.36%

LAB 33.56, 48.42, 11.58

 

CMYK 0 / 76 / 77 / 42

HEX #942422

RGB 148 36 34

HSL 1.05, 0.63%, 0.36%

LAB 33.29, 46.02, 29.68

 

CMYK 0 / 55 / 77 / 42

HEX #944322

RGB 148 67 34

HSL 17.37, 0.63%, 0.36%

LAB 38.6, 31.89, 35.37

 

CMYK 0 / 77 / 58 / 68

HEX #511322

RGB 81 19 34

HSL 345.48, 0.62%, 0.2%

LAB 17.13, 29.86, 6.59

 

CMYK 0 / 77 / 58 / 55

HEX #731B30

RGB 115 27 48

HSL 345.68, 0.62%, 0.28%

LAB 25.69, 39.39, 9.71

 

CMYK 0 / 77 / 58 / 42

HEX #94223E

RGB 148 34 62

HSL 345.26, 0.63%, 0.36%

LAB 33.54, 48.35, 12.2

 

CMYK 0 / 77 / 58 / 29

HEX #B62A4C

RGB 182 42 76

HSL 345.43, 0.63%, 0.44%

LAB 41.41, 56.83, 15.05

 

CMYK 0 / 73 / 55 / 18

HEX #D0395D

RGB 208 57 93

HSL 345.7, 0.62%, 0.52%

LAB 48.42, 60.68, 14.89

 

CMYK 0 / 76 / 58 / 42

HEX #94233E

RGB 148 35 62

HSL 345.66, 0.62%, 0.36%

LAB 33.66, 48, 12.36

 

CMYK 0 / 3 / 77 / 42

HEX #948F22

RGB 148 143 34

HSL 57.37, 0.63%, 0.36%

LAB 58.09, -10.86, 54.42

 

CMYK 77 / 27 / 0 / 42

HEX #226C94

RGB 34 108 148

HSL 201.05, 0.63%, 0.36%

LAB 43.07, -8.26, -28.25

 

CMYK 0 / 76 / 58 / 42

HEX #94233E

RGB 148 35 62

HSL 345.66, 0.62%, 0.36%

LAB 33.66, 48, 12.36

 

CMYK 57 / 0 / 77 / 42

HEX #3F9422

RGB 63 148 34

HSL 104.74, 0.63%, 0.36%

LAB 54.4, -46.3, 49.06

 

CMYK 77 / 57 / 0 / 42

HEX #223F94

RGB 34 63 148

HSL 224.74, 0.63%, 0.36%

LAB 29.5, 21.01, -49.9

 

CMYK 0 / 76 / 58 / 42

HEX #94233E

RGB 148 35 62

HSL 345.66, 0.62%, 0.36%

LAB 33.66, 48, 12.36

 

CMYK 0 / 3 / 77 / 42

HEX #948F22

RGB 148 143 34

HSL 57.37, 0.63%, 0.36%

LAB 58.09, -10.86, 54.42

 

CMYK 77 / 0 / 19 / 42

HEX #229478

RGB 34 148 120

HSL 165.26, 0.63%, 0.36%

LAB 54.94, -37.77, 6.01

 

CMYK 77 / 73 / 0 / 42

HEX #222894

RGB 34 40 148

HSL 236.84, 0.63%, 0.36%

LAB 23.66, 36.26, -59.46

 

CMYK 0 / 76 / 58 / 42

HEX #94233E

RGB 148 35 62

HSL 345.66, 0.62%, 0.36%

LAB 33.66, 48, 12.36

 

CMYK 19 / 0 / 77 / 42

HEX #789422

RGB 120 148 34

HSL 74.74, 0.63%, 0.36%

LAB 57.36, -25.77, 52.94

 

CMYK 77 / 0 / 19 / 42

HEX #229478

RGB 34 148 120

HSL 165.26, 0.63%, 0.36%

LAB 54.94, -37.77, 6.01

 

CMYK 57 / 77 / 0 / 42

HEX #3F2294

RGB 63 34 148

HSL 255.26, 0.63%, 0.36%

LAB 24.76, 43.13, -57.56

 

Description

Color code: HEX #94233E | qconv.com Color code: HEX #94233E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 35 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 35 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 58 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 58% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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