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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #942E95 it is the complementary color #6BD16A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #942E95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #942E95 shade: #992E90, #AA40A3, #BB52B6, #CC64C9 and #DD76DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #942E95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #942E95 shade: #942E95, #831C82, #720A6F, #61005C and #500049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #942E95 shade: #932D94, #942D79, #942D5D, #942D42 and #942D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #942E95 shade: #932D94, #772D94, #5B2D94, #402D94 and #2D2D94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #942E95 shade matches the following richer shades: #932D94, #A21DA3 and #B20EB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #942E95 shade: #932D94, #833D84, #744C74, #655C65 and #556C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #942E95 shade: #5B2D94, #772D94, #922D94, #942D7A and #942D5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #942E95 shade: #541A55, #732374, #932D94, #B237B3 and #C64CC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #942E95 shade: #942E95, #94402D and #2D9469

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #942E95 shade: #942E95, #94922D and #2D9492

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #942E95 shade: #942E95, #94402D, #2F942D and #2D8194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #942E95 shade: #942E95, #945F2D, #2F942D and #2D6294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 69 / 0 / 42

HEX #942E95

RGB 148 46 149

HSL 299.42, 0.53%, 0.38%

LAB 38.59, 55.08, -35.25

 

Complementary color

CMYK 49 / 0 / 49 / 18

HEX #6BD16A

RGB 107 209 106

HSL 119.42, 0.53%, 0.62%

LAB 75.93, -50.35, 41.88

 

CMYK 0 / 70 / 6 / 40

HEX #992E90

RGB 153 46 144

HSL 305.05, 0.54%, 0.39%

LAB 39.14, 55.44, -31.28

 

CMYK 0 / 62 / 4 / 33

HEX #AA40A3

RGB 170 64 163

HSL 303.96, 0.45%, 0.46%

LAB 45.44, 55.63, -32.62

 

CMYK 0 / 56 / 3 / 27

HEX #BB52B6

RGB 187 82 182

HSL 302.86, 0.44%, 0.53%

LAB 51.81, 55.38, -33.62

 

CMYK 0 / 51 / 1 / 20

HEX #CC64C9

RGB 204 100 201

HSL 301.73, 0.5%, 0.6%

LAB 58.2, 54.89, -34.39

 

CMYK 0 / 47 / 0 / 13

HEX #DD76DC

RGB 221 118 220

HSL 300.58, 0.6%, 0.66%

LAB 64.56, 54.26, -35.01

 

CMYK 1 / 69 / 0 / 42

HEX #942E95

RGB 148 46 149

HSL 299.42, 0.53%, 0.38%

LAB 38.59, 55.08, -35.25

 

CMYK 0 / 79 / 1 / 49

HEX #831C82

RGB 131 28 130

HSL 300.58, 0.65%, 0.31%

LAB 32.41, 54.17, -33.53

 

CMYK 0 / 91 / 3 / 55

HEX #720A6F

RGB 114 10 111

HSL 301.73, 0.84%, 0.24%

LAB 26.57, 51.9, -30.97

 

CMYK 0 / 100 / 5 / 62

HEX #61005C

RGB 97 0 92

HSL 303.09, 1%, 0.19%

LAB 21.26, 47.59, -27.19

 

CMYK 0 / 100 / 9 / 69

HEX #500049

RGB 80 0 73

HSL 305.25, 1%, 0.16%

LAB 16.44, 41.21, -22.19

 

CMYK 1 / 70 / 0 / 42

HEX #932D94

RGB 147 45 148

HSL 299.42, 0.53%, 0.38%

LAB 38.23, 55.05, -35.21

 

CMYK 0 / 70 / 18 / 42

HEX #942D79

RGB 148 45 121

HSL 315.73, 0.53%, 0.38%

LAB 37.03, 50.93, -20.45

 

CMYK 0 / 70 / 37 / 42

HEX #942D5D

RGB 148 45 93

HSL 332.04, 0.53%, 0.38%

LAB 35.91, 47.2, -4.45

 

CMYK 0 / 70 / 55 / 42

HEX #942D42

RGB 148 45 66

HSL 347.77, 0.53%, 0.38%

LAB 35.13, 44.49, 11.79

 

CMYK 0 / 70 / 70 / 42

HEX #942D2D

RGB 148 45 45

HSL 0, 0.53%, 0.38%

LAB 34.73, 43.03, 24.61

 

CMYK 1 / 70 / 0 / 42

HEX #932D94

RGB 147 45 148

HSL 299.42, 0.53%, 0.38%

LAB 38.23, 55.05, -35.21

 

CMYK 20 / 70 / 0 / 42

HEX #772D94

RGB 119 45 148

HSL 283.11, 0.53%, 0.38%

LAB 33.85, 48.5, -42.46

 

CMYK 39 / 70 / 0 / 42

HEX #5B2D94

RGB 91 45 148

HSL 266.8, 0.53%, 0.38%

LAB 30.01, 42.35, -48.85

 

CMYK 57 / 70 / 0 / 42

HEX #402D94

RGB 64 45 148

HSL 251.07, 0.53%, 0.38%

LAB 27.03, 37.22, -53.83

 

CMYK 70 / 70 / 0 / 42

HEX #2D2D94

RGB 45 45 148

HSL 240, 0.53%, 0.38%

LAB 25.48, 34.37, -56.43

 

CMYK 1 / 70 / 0 / 42

HEX #932D94

RGB 147 45 148

HSL 299.42, 0.53%, 0.38%

LAB 38.23, 55.05, -35.21

 

CMYK 1 / 82 / 0 / 36

HEX #A21DA3

RGB 162 29 163

HSL 299.55, 0.7%, 0.38%

LAB 39.92, 65.72, -41.44

 

CMYK 1 / 92 / 0 / 30

HEX #B20EB3

RGB 178 14 179

HSL 299.64, 0.85%, 0.38%

LAB 42.81, 73.76, -46.19

 

CMYK 1 / 70 / 0 / 42

HEX #932D94

RGB 147 45 148

HSL 299.42, 0.53%, 0.38%

LAB 38.23, 55.05, -35.21

 

CMYK 1 / 54 / 0 / 48

HEX #833D84

RGB 131 61 132

HSL 299.15, 0.37%, 0.38%

LAB 37.53, 40.61, -26.68

 

CMYK 0 / 34 / 0 / 55

HEX #744C74

RGB 116 76 116

HSL 300, 0.21%, 0.38%

LAB 38.1, 24.03, -16.08

 

CMYK 0 / 9 / 0 / 60

HEX #655C65

RGB 101 92 101

HSL 300, 0.05%, 0.38%

LAB 40.18, 5.45, -3.83

 

CMYK 21 / 0 / 21 / 58

HEX #556C55

RGB 85 108 85

HSL 120, 0.12%, 0.38%

LAB 43.23, -13.51, 10.12

 

CMYK 39 / 70 / 0 / 42

HEX #5B2D94

RGB 91 45 148

HSL 266.8, 0.53%, 0.38%

LAB 30.01, 42.35, -48.85

 

CMYK 20 / 70 / 0 / 42

HEX #772D94

RGB 119 45 148

HSL 283.11, 0.53%, 0.38%

LAB 33.85, 48.5, -42.46

 

CMYK 1 / 70 / 0 / 42

HEX #922D94

RGB 146 45 148

HSL 298.83, 0.53%, 0.38%

LAB 38.07, 54.81, -35.48

 

CMYK 0 / 70 / 18 / 42

HEX #942D7A

RGB 148 45 122

HSL 315.15, 0.53%, 0.38%

LAB 37.07, 51.08, -21

 

CMYK 0 / 70 / 36 / 42

HEX #942D5F

RGB 148 45 95

HSL 330.87, 0.53%, 0.38%

LAB 35.98, 47.44, -5.63

 

CMYK 1 / 69 / 0 / 67

HEX #541A55

RGB 84 26 85

HSL 298.98, 0.53%, 0.22%

LAB 21.13, 35.27, -22.87

 

CMYK 1 / 70 / 0 / 55

HEX #732374

RGB 115 35 116

HSL 299.26, 0.54%, 0.3%

LAB 29.68, 45.44, -29.21

 

CMYK 1 / 70 / 0 / 42

HEX #932D94

RGB 147 45 148

HSL 299.42, 0.53%, 0.38%

LAB 38.23, 55.05, -35.21

 

CMYK 1 / 69 / 0 / 30

HEX #B237B3

RGB 178 55 179

HSL 299.52, 0.53%, 0.46%

LAB 46.25, 63.84, -40.72

 

CMYK 1 / 62 / 0 / 22

HEX #C64CC8

RGB 198 76 200

HSL 299.03, 0.53%, 0.54%

LAB 53.32, 63.95, -41.52

 

CMYK 1 / 69 / 0 / 42

HEX #942E95

RGB 148 46 149

HSL 299.42, 0.53%, 0.38%

LAB 38.59, 55.08, -35.25

 

CMYK 0 / 57 / 70 / 42

HEX #94402D

RGB 148 64 45

HSL 11.07, 0.53%, 0.38%

LAB 38.11, 34.04, 28.65

 

CMYK 70 / 0 / 29 / 42

HEX #2D9469

RGB 45 148 105

HSL 154.95, 0.53%, 0.38%

LAB 54.82, -39.82, 14.4

 

CMYK 1 / 69 / 0 / 42

HEX #942E95

RGB 148 46 149

HSL 299.42, 0.53%, 0.38%

LAB 38.59, 55.08, -35.25

 

CMYK 0 / 1 / 70 / 42

HEX #94922D

RGB 148 146 45

HSL 58.83, 0.53%, 0.38%

LAB 59.01, -11.92, 51.2

 

CMYK 70 / 0 / 1 / 42

HEX #2D9492

RGB 45 148 146

HSL 178.83, 0.53%, 0.38%

LAB 55.9, -28.97, -7.47

 

CMYK 1 / 69 / 0 / 42

HEX #942E95

RGB 148 46 149

HSL 299.42, 0.53%, 0.38%

LAB 38.59, 55.08, -35.25

 

CMYK 0 / 57 / 70 / 42

HEX #94402D

RGB 148 64 45

HSL 11.07, 0.53%, 0.38%

LAB 38.11, 34.04, 28.65

 

CMYK 68 / 0 / 70 / 42

HEX #2F942D

RGB 47 148 45

HSL 118.83, 0.53%, 0.38%

LAB 54, -49.25, 44.25

 

CMYK 70 / 13 / 0 / 42

HEX #2D8194

RGB 45 129 148

HSL 191.07, 0.53%, 0.38%

LAB 49.97, -18.58, -17.56

 

CMYK 1 / 69 / 0 / 42

HEX #942E95

RGB 148 46 149

HSL 299.42, 0.53%, 0.38%

LAB 38.59, 55.08, -35.25

 

CMYK 0 / 36 / 70 / 42

HEX #945F2D

RGB 148 95 45

HSL 29.13, 0.53%, 0.38%

LAB 45.18, 16.78, 36.69

 

CMYK 68 / 0 / 70 / 42

HEX #2F942D

RGB 47 148 45

HSL 118.83, 0.53%, 0.38%

LAB 54, -49.25, 44.25

 

CMYK 70 / 34 / 0 / 42

HEX #2D6294

RGB 45 98 148

HSL 209.13, 0.53%, 0.38%

LAB 40.3, -0.52, -32.58

 

Description

Color code: HEX #942E95 | qconv.com Color code: HEX #942E95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 46 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 46 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 69 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 69% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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