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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #943765 it is the complementary color #6BC89A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #943765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #943765 shade: #993760, #AA4973, #BB5B86, #CC6D99 and #DD7FAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #943765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #943765 shade: #943765, #832552, #72133F, #61012C and #500019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #943765 shade: #943765, #94374C and #943737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #943765 shade: #943765, #94377E, #913794, #783794 and #5F3794

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #943765 shade matches the following richer shades: #943765, #A52665, #B51665 and #C60564

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #943765 shade: #943765, #844765, #735865, #636866 and #527966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #943765 shade: #913794, #94377F, #943766, #94374C and #943A37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #943765 shade: #58203C, #762B50, #943765, #B3427A and #C25B8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #943765 shade: #943765, #947837 and #378B94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #943765 shade: #943765, #669437 and #376694

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #943765 shade: #943765, #947837, #379466 and #375394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #943765 shade: #943765, #949437, #379466 and #373794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

Complementary color

CMYK 47 / 0 / 23 / 22

HEX #6BC89A

RGB 107 200 154

HSL 150.32, 0.46%, 0.6%

LAB 74.04, -38.29, 14.58

 

CMYK 0 / 64 / 37 / 40

HEX #993760

RGB 153 55 96

HSL 334.9, 0.47%, 0.41%

LAB 38.46, 44.82, -2.49

 

CMYK 0 / 57 / 32 / 33

HEX #AA4973

RGB 170 73 115

HSL 334.02, 0.4%, 0.48%

LAB 45.01, 44.27, -4.3

 

CMYK 0 / 51 / 28 / 27

HEX #BB5B86

RGB 187 91 134

HSL 333.13, 0.41%, 0.55%

LAB 51.57, 43.54, -5.74

 

CMYK 0 / 47 / 25 / 20

HEX #CC6D99

RGB 204 109 153

HSL 332.21, 0.48%, 0.61%

LAB 58.11, 42.74, -6.93

 

CMYK 0 / 43 / 22 / 13

HEX #DD7FAC

RGB 221 127 172

HSL 331.28, 0.58%, 0.68%

LAB 64.59, 41.92, -7.95

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 72 / 37 / 49

HEX #832552

RGB 131 37 82

HSL 331.28, 0.56%, 0.33%

LAB 31.25, 43.96, -4.61

 

CMYK 0 / 83 / 45 / 55

HEX #72133F

RGB 114 19 63

HSL 332.21, 0.71%, 0.26%

LAB 24.96, 43.21, -1.6

 

CMYK 0 / 99 / 55 / 62

HEX #61012C

RGB 97 1 44

HSL 333.13, 0.98%, 0.19%

LAB 18.99, 41.33, 2.53

 

CMYK 0 / 100 / 69 / 69

HEX #500019

RGB 80 0 25

HSL 341.25, 1%, 0.16%

LAB 14.26, 35.64, 9.22

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 63 / 49 / 42

HEX #94374C

RGB 148 55 76

HSL 346.45, 0.46%, 0.4%

LAB 37.02, 40.95, 8.01

 

CMYK 0 / 63 / 63 / 42

HEX #943737

RGB 148 55 55

HSL 0, 0.46%, 0.4%

LAB 36.56, 39.17, 20.68

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 63 / 15 / 42

HEX #94377E

RGB 148 55 126

HSL 314.19, 0.46%, 0.4%

LAB 38.79, 47.46, -20.83

 

CMYK 2 / 63 / 0 / 42

HEX #913794

RGB 145 55 148

HSL 298.06, 0.46%, 0.4%

LAB 39.39, 50.41, -33.39

 

CMYK 19 / 63 / 0 / 42

HEX #783794

RGB 120 55 148

HSL 281.94, 0.46%, 0.4%

LAB 35.72, 43.97, -39.46

 

CMYK 36 / 63 / 0 / 42

HEX #5F3794

RGB 95 55 148

HSL 265.81, 0.46%, 0.4%

LAB 32.49, 37.8, -44.82

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 77 / 39 / 35

HEX #A52665

RGB 165 38 101

HSL 330.24, 0.63%, 0.4%

LAB 38.42, 55.51, -5.47

 

CMYK 0 / 88 / 44 / 29

HEX #B51665

RGB 181 22 101

HSL 330.19, 0.78%, 0.4%

LAB 40.14, 63.56, -2.58

 

CMYK 0 / 97 / 49 / 22

HEX #C60564

RGB 198 5 100

HSL 330.47, 0.95%, 0.4%

LAB 42.82, 69.57, 2.37

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 46 / 23 / 48

HEX #844765

RGB 132 71 101

HSL 330.49, 0.3%, 0.4%

LAB 38.47, 30.03, -5.98

 

CMYK 0 / 23 / 12 / 55

HEX #735865

RGB 115 88 101

HSL 331.11, 0.13%, 0.4%

LAB 40.51, 13.42, -3.18

 

CMYK 5 / 0 / 2 / 59

HEX #636866

RGB 99 104 102

HSL 156, 0.02%, 0.4%

LAB 43.53, -2.35, 0.45

 

CMYK 32 / 0 / 16 / 53

HEX #527966

RGB 82 121 102

HSL 150.77, 0.19%, 0.4%

LAB 47.53, -18.12, 6.08

 

CMYK 2 / 63 / 0 / 42

HEX #913794

RGB 145 55 148

HSL 298.06, 0.46%, 0.4%

LAB 39.39, 50.41, -33.39

 

CMYK 0 / 63 / 14 / 42

HEX #94377F

RGB 148 55 127

HSL 313.55, 0.46%, 0.4%

LAB 38.83, 47.62, -21.38

 

CMYK 0 / 63 / 31 / 42

HEX #943766

RGB 148 55 102

HSL 329.68, 0.46%, 0.4%

LAB 37.82, 43.96, -7.32

 

CMYK 0 / 63 / 49 / 42

HEX #94374C

RGB 148 55 76

HSL 346.45, 0.46%, 0.4%

LAB 37.02, 40.95, 8.01

 

CMYK 0 / 61 / 63 / 42

HEX #943A37

RGB 148 58 55

HSL 1.94, 0.46%, 0.4%

LAB 37.11, 37.72, 21.38

 

CMYK 0 / 64 / 32 / 65

HEX #58203C

RGB 88 32 60

HSL 330, 0.47%, 0.24%

LAB 21.7, 29.18, -4.93

 

CMYK 0 / 64 / 32 / 54

HEX #762B50

RGB 118 43 80

HSL 330.4, 0.47%, 0.32%

LAB 29.81, 36.87, -5.69

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 63 / 32 / 30

HEX #B3427A

RGB 179 66 122

HSL 330.27, 0.46%, 0.48%

LAB 45.48, 51.27, -7.73

 

CMYK 0 / 53 / 27 / 24

HEX #C25B8E

RGB 194 91 142

HSL 330.29, 0.46%, 0.56%

LAB 52.84, 46.95, -8.48

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 19 / 63 / 42

HEX #947837

RGB 148 120 55

HSL 41.94, 0.46%, 0.4%

LAB 51.84, 3.07, 39.04

 

CMYK 63 / 6 / 0 / 42

HEX #378B94

RGB 55 139 148

HSL 185.81, 0.46%, 0.4%

LAB 53.4, -22.19, -12.34

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 31 / 0 / 63 / 42

HEX #669437

RGB 102 148 55

HSL 89.68, 0.46%, 0.4%

LAB 56.37, -31.55, 43.09

 

CMYK 63 / 31 / 0 / 42

HEX #376694

RGB 55 102 148

HSL 209.68, 0.46%, 0.4%

LAB 41.93, -1.16, -29.99

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 19 / 63 / 42

HEX #947837

RGB 148 120 55

HSL 41.94, 0.46%, 0.4%

LAB 51.84, 3.07, 39.04

 

CMYK 63 / 0 / 31 / 42

HEX #379466

RGB 55 148 102

HSL 150.32, 0.46%, 0.4%

LAB 55.02, -38.57, 16.4

 

CMYK 63 / 44 / 0 / 42

HEX #375394

RGB 55 83 148

HSL 221.94, 0.46%, 0.4%

LAB 36.25, 10.95, -38.97

 

CMYK 0 / 63 / 32 / 42

HEX #943765

RGB 148 55 101

HSL 330.32, 0.46%, 0.4%

LAB 37.78, 43.83, -6.74

 

CMYK 0 / 0 / 63 / 42

HEX #949437

RGB 148 148 55

HSL 60, 0.46%, 0.4%

LAB 59.66, -12.35, 47.63

 

CMYK 63 / 0 / 31 / 42

HEX #379466

RGB 55 148 102

HSL 150.32, 0.46%, 0.4%

LAB 55.02, -38.57, 16.4

 

CMYK 63 / 63 / 0 / 42

HEX #373794

RGB 55 55 148

HSL 240, 0.46%, 0.4%

LAB 28.6, 29.48, -51.31

 

Description

Color code: HEX #943765 | qconv.com Color code: HEX #943765 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 55 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 55 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 32 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 32% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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