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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9437AE it is the complementary color #6BC851. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9437AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9437AE shade: #9937A9, #AA49BC, #BB5BCF, #CC6DE2 and #DD7FF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9437AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9437AE shade: #9437AE, #83259B, #721388, #610175 and #500062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9437AE shade: #9437AE, #AE37A8, #AE3788, #AE3767 and #AE3747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9437AE shade: #9437AE, #7437AE, #5337AE and #3737AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9437AE shade matches the following richer shades: #9437AE, #9E24C0 and #A911D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9437AE shade: #9437AE, #89499B, #7F5C89, #746E76 and #6A8164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9437AE shade: #5237AE, #7237AE, #9237AE, #AE37AA and #AE378A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9437AE shade: #5F236F, #792D8F, #9437AE, #AA49C5 and #B868CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9437AE shade: #9437AE, #AE373B and #37AE62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9437AE shade: #9437AE, #AE9237 and #37AE92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9437AE shade: #9437AE, #AE373B, #52AE37 and #37AEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9437AE shade: #9437AE, #AE5637, #52AE37 and #378EAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

Complementary color

CMYK 47 / 0 / 60 / 22

HEX #6BC851

RGB 107 200 81

HSL 106.89, 0.52%, 0.55%

LAB 72.91, -49.74, 50.02

 

CMYK 9 / 67 / 0 / 34

HEX #9937A9

RGB 153 55 169

HSL 291.58, 0.51%, 0.44%

LAB 41.8, 56.3, -42.12

 

CMYK 10 / 61 / 0 / 26

HEX #AA49BC

RGB 170 73 188

HSL 290.61, 0.46%, 0.51%

LAB 48.19, 56.17, -42.98

 

CMYK 10 / 56 / 0 / 19

HEX #BB5BCF

RGB 187 91 207

HSL 289.66, 0.55%, 0.58%

LAB 54.61, 55.73, -43.6

 

CMYK 10 / 52 / 0 / 11

HEX #CC6DE2

RGB 204 109 226

HSL 288.72, 0.67%, 0.66%

LAB 61.02, 55.11, -44.06

 

CMYK 10 / 48 / 0 / 4

HEX #DD7FF5

RGB 221 127 245

HSL 287.8, 0.86%, 0.73%

LAB 67.38, 54.42, -44.43

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 15 / 76 / 0 / 39

HEX #83259B

RGB 131 37 155

HSL 287.8, 0.61%, 0.38%

LAB 35.03, 55.75, -44.73

 

CMYK 16 / 86 / 0 / 47

HEX #721388

RGB 114 19 136

HSL 288.72, 0.75%, 0.3%

LAB 28.96, 54.36, -42.97

 

CMYK 17 / 99 / 0 / 54

HEX #610175

RGB 97 1 117

HSL 289.66, 0.98%, 0.23%

LAB 23.16, 51.7, -40.48

 

CMYK 18 / 100 / 0 / 62

HEX #500062

RGB 80 0 98

HSL 288.98, 1%, 0.19%

LAB 18.31, 45.66, -36.1

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 0 / 68 / 3 / 32

HEX #AE37A8

RGB 174 55 168

HSL 303.03, 0.52%, 0.45%

LAB 45.02, 61.08, -36.2

 

CMYK 0 / 68 / 22 / 32

HEX #AE3788

RGB 174 55 136

HSL 319.16, 0.52%, 0.45%

LAB 43.52, 56.22, -19.31

 

CMYK 0 / 68 / 41 / 32

HEX #AE3767

RGB 174 55 103

HSL 335.8, 0.52%, 0.45%

LAB 42.32, 52.17, -0.78

 

CMYK 0 / 68 / 59 / 32

HEX #AE3747

RGB 174 55 71

HSL 351.93, 0.52%, 0.45%

LAB 41.51, 49.3, 18.05

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 33 / 68 / 0 / 32

HEX #7437AE

RGB 116 55 174

HSL 270.76, 0.52%, 0.45%

LAB 36.93, 49.12, -53.19

 

CMYK 52 / 68 / 0 / 32

HEX #5337AE

RGB 83 55 174

HSL 254.12, 0.52%, 0.45%

LAB 33.19, 42.72, -59.43

 

CMYK 68 / 68 / 0 / 32

HEX #3737AE

RGB 55 55 174

HSL 240, 0.52%, 0.45%

LAB 30.88, 38.47, -63.31

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 18 / 81 / 0 / 25

HEX #9E24C0

RGB 158 36 192

HSL 286.92, 0.68%, 0.45%

LAB 41.75, 68.2, -55.73

 

CMYK 20 / 92 / 0 / 17

HEX #A911D3

RGB 169 17 211

HSL 287.01, 0.85%, 0.45%

LAB 43.56, 77.21, -63.74

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 12 / 53 / 0 / 39

HEX #89499B

RGB 137 73 155

HSL 286.83, 0.36%, 0.45%

LAB 41.92, 40.7, -33.7

 

CMYK 7 / 33 / 0 / 46

HEX #7F5C89

RGB 127 92 137

HSL 286.67, 0.2%, 0.45%

LAB 44.19, 22.78, -19.44

 

CMYK 2 / 7 / 0 / 54

HEX #746E76

RGB 116 110 118

HSL 285, 0.04%, 0.45%

LAB 47.2, 3.94, -3.6

 

CMYK 18 / 0 / 22 / 49

HEX #6A8164

RGB 106 129 100

HSL 107.59, 0.13%, 0.45%

LAB 51.48, -14.24, 13.03

 

CMYK 53 / 68 / 0 / 32

HEX #5237AE

RGB 82 55 174

HSL 253.61, 0.52%, 0.45%

LAB 33.1, 42.55, -59.6

 

CMYK 34 / 68 / 0 / 32

HEX #7237AE

RGB 114 55 174

HSL 269.75, 0.52%, 0.45%

LAB 36.68, 48.7, -53.61

 

CMYK 16 / 68 / 0 / 32

HEX #9237AE

RGB 146 55 174

HSL 285.88, 0.52%, 0.45%

LAB 41.06, 55.67, -46.33

 

CMYK 0 / 68 / 2 / 32

HEX #AE37AA

RGB 174 55 170

HSL 302.02, 0.52%, 0.45%

LAB 45.13, 61.41, -37.22

 

CMYK 0 / 68 / 21 / 32

HEX #AE378A

RGB 174 55 138

HSL 318.15, 0.52%, 0.45%

LAB 43.6, 56.5, -20.4

 

CMYK 14 / 68 / 0 / 56

HEX #5F236F

RGB 95 35 111

HSL 287.37, 0.52%, 0.29%

LAB 26.11, 39.35, -31.9

 

CMYK 15 / 69 / 0 / 44

HEX #792D8F

RGB 121 45 143

HSL 286.53, 0.52%, 0.37%

LAB 33.83, 47.91, -39.42

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 14 / 63 / 0 / 23

HEX #AA49C5

RGB 170 73 197

HSL 286.94, 0.52%, 0.53%

LAB 48.69, 57.92, -47.4

 

CMYK 11 / 50 / 0 / 19

HEX #B868CF

RGB 184 104 207

HSL 286.6, 0.52%, 0.61%

LAB 56.68, 48.42, -40.36

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 0 / 68 / 66 / 32

HEX #AE373B

RGB 174 55 59

HSL 357.98, 0.52%, 0.45%

LAB 41.29, 48.51, 25.16

 

CMYK 68 / 0 / 44 / 32

HEX #37AE62

RGB 55 174 98

HSL 141.68, 0.52%, 0.45%

LAB 63.31, -49.95, 29.63

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 0 / 16 / 68 / 32

HEX #AE9237

RGB 174 146 55

HSL 45.88, 0.52%, 0.45%

LAB 61.51, 0.27, 50.31

 

CMYK 68 / 0 / 16 / 32

HEX #37AE92

RGB 55 174 146

HSL 165.88, 0.52%, 0.45%

LAB 64.29, -39.55, 4.85

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 0 / 68 / 66 / 32

HEX #AE373B

RGB 174 55 59

HSL 357.98, 0.52%, 0.45%

LAB 41.29, 48.51, 25.16

 

CMYK 53 / 0 / 68 / 32

HEX #52AE37

RGB 82 174 55

HSL 106.39, 0.52%, 0.45%

LAB 63.62, -49.3, 50.68

 

CMYK 68 / 0 / 2 / 32

HEX #37AEAA

RGB 55 174 170

HSL 177.98, 0.52%, 0.45%

LAB 64.95, -33.04, -7.53

 

CMYK 15 / 68 / 0 / 32

HEX #9437AE

RGB 148 55 174

HSL 286.89, 0.52%, 0.45%

LAB 41.35, 56.12, -45.85

 

CMYK 0 / 51 / 68 / 32

HEX #AE5637

RGB 174 86 55

HSL 15.63, 0.52%, 0.45%

LAB 46.88, 33.48, 34.23

 

CMYK 53 / 0 / 68 / 32

HEX #52AE37

RGB 82 174 55

HSL 106.39, 0.52%, 0.45%

LAB 63.62, -49.3, 50.68

 

CMYK 68 / 18 / 0 / 32

HEX #378EAE

RGB 55 142 174

HSL 196.13, 0.52%, 0.45%

LAB 55.29, -15.51, -24.42

 

Description

Color code: HEX #9437AE | qconv.com Color code: HEX #9437AE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 55 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 55 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 68 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 68% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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