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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94324E it is the complementary color #6BCDB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94324E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94324E shade: #993249, #AA445C, #BB566F, #CC6882 and #DD7A95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94324E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94324E shade: #94324E, #83203B, #720E28, #610015 and #500002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94324E shade: #94324E, #943234 and #943232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94324E shade: #94324E, #943268, #943283, #8A3294 and #703294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94324E shade matches the following richer shades: #94324E, #A42247, #B41240 and #C40239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94324E shade: #94324E, #844255, #73525C, #636263 and #53736A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94324E shade: #943283, #943269, #94324F, #943235 and #944932

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94324E shade: #561D2D, #75283E, #94324E, #B23D5E and #C45474

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94324E shade: #94324E, #948A32 and #327694

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94324E shade: #94324E, #4F9432 and #324F94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94324E shade: #94324E, #948A32, #329476 and #323C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94324E shade: #94324E, #809432, #329476 and #463294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

Complementary color

CMYK 48 / 0 / 14 / 20

HEX #6BCDB1

RGB 107 205 177

HSL 162.86, 0.49%, 0.61%

LAB 76.05, -35.56, 5.07

 

CMYK 0 / 67 / 52 / 40

HEX #993249

RGB 153 50 73

HSL 346.6, 0.51%, 0.4%

LAB 36.99, 44.63, 10.02

 

CMYK 0 / 60 / 46 / 33

HEX #AA445C

RGB 170 68 92

HSL 345.88, 0.43%, 0.47%

LAB 43.44, 44.03, 7.57

 

CMYK 0 / 54 / 41 / 27

HEX #BB566F

RGB 187 86 111

HSL 345.15, 0.43%, 0.54%

LAB 49.94, 43.2, 5.62

 

CMYK 0 / 49 / 36 / 20

HEX #CC6882

RGB 204 104 130

HSL 344.4, 0.5%, 0.6%

LAB 56.44, 42.3, 4.02

 

CMYK 0 / 45 / 33 / 13

HEX #DD7A95

RGB 221 122 149

HSL 343.64, 0.59%, 0.67%

LAB 62.9, 41.39, 2.66

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 76 / 55 / 49

HEX #83203B

RGB 131 32 59

HSL 343.64, 0.61%, 0.32%

LAB 29.85, 43.55, 8.56

 

CMYK 0 / 88 / 65 / 55

HEX #720E28

RGB 114 14 40

HSL 344.4, 0.78%, 0.25%

LAB 23.82, 42.63, 12.62

 

CMYK 0 / 100 / 78 / 62

HEX #610015

RGB 97 0 21

HSL 347.01, 1%, 0.19%

LAB 18.35, 40.12, 18.13

 

CMYK 0 / 100 / 98 / 69

HEX #500002

RGB 80 0 2

HSL 358.5, 1%, 0.16%

LAB 13.88, 34.62, 20.9

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 66 / 65 / 42

HEX #943234

RGB 148 50 52

HSL 358.78, 0.49%, 0.39%

LAB 35.65, 41.28, 21.38

 

CMYK 0 / 66 / 66 / 42

HEX #943232

RGB 148 50 50

HSL 0, 0.49%, 0.39%

LAB 35.61, 41.15, 22.59

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 66 / 30 / 42

HEX #943268

RGB 148 50 104

HSL 326.94, 0.49%, 0.39%

LAB 37.07, 46.47, -9.71

 

CMYK 0 / 66 / 11 / 42

HEX #943283

RGB 148 50 131

HSL 310.41, 0.49%, 0.39%

LAB 38.23, 50.44, -24.79

 

CMYK 7 / 66 / 0 / 42

HEX #8A3294

RGB 138 50 148

HSL 293.88, 0.49%, 0.39%

LAB 37.52, 50.83, -36.43

 

CMYK 24 / 66 / 0 / 42

HEX #703294

RGB 112 50 148

HSL 277.96, 0.49%, 0.39%

LAB 33.7, 44.5, -42.76

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 79 / 57 / 36

HEX #A42247

RGB 164 34 71

HSL 342.92, 0.66%, 0.39%

LAB 36.91, 53.74, 11.51

 

CMYK 0 / 90 / 64 / 29

HEX #B41240

RGB 180 18 64

HSL 342.96, 0.82%, 0.39%

LAB 38.74, 61.29, 19.01

 

CMYK 0 / 99 / 71 / 23

HEX #C40239

RGB 196 2 57

HSL 342.99, 0.98%, 0.39%

LAB 41.33, 66.8, 27.42

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 50 / 36 / 48

HEX #844255

RGB 132 66 85

HSL 342.73, 0.33%, 0.39%

LAB 36.85, 30.49, 1.71

 

CMYK 0 / 29 / 20 / 55

HEX #73525C

RGB 115 82 92

HSL 341.82, 0.17%, 0.39%

LAB 38.64, 15.44, -0.35

 

CMYK 0 / 1 / 0 / 61

HEX #636263

RGB 99 98 99

HSL 300, 0.01%, 0.39%

LAB 41.67, 0.6, -0.43

 

CMYK 28 / 0 / 8 / 55

HEX #53736A

RGB 83 115 106

HSL 163.13, 0.16%, 0.39%

LAB 45.83, -13.59, 1.26

 

CMYK 0 / 66 / 11 / 42

HEX #943283

RGB 148 50 131

HSL 310.41, 0.49%, 0.39%

LAB 38.23, 50.44, -24.79

 

CMYK 0 / 66 / 29 / 42

HEX #943269

RGB 148 50 105

HSL 326.33, 0.49%, 0.39%

LAB 37.11, 46.6, -10.28

 

CMYK 0 / 66 / 47 / 42

HEX #94324F

RGB 148 50 79

HSL 342.24, 0.49%, 0.39%

LAB 36.26, 43.54, 5.01

 

CMYK 0 / 66 / 64 / 42

HEX #943235

RGB 148 50 53

HSL 358.16, 0.49%, 0.39%

LAB 35.66, 41.35, 20.78

 

CMYK 0 / 51 / 66 / 42

HEX #944932

RGB 148 73 50

HSL 14.08, 0.49%, 0.39%

LAB 40.07, 29.56, 28.05

 

CMYK 0 / 66 / 48 / 66

HEX #561D2D

RGB 86 29 45

HSL 343.16, 0.5%, 0.23%

LAB 20.23, 28.02, 3.29

 

CMYK 0 / 66 / 47 / 54

HEX #75283E

RGB 117 40 62

HSL 342.86, 0.49%, 0.31%

LAB 28.5, 35.77, 4.29

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 66 / 47 / 30

HEX #B23D5E

RGB 178 61 94

HSL 343.08, 0.49%, 0.47%

LAB 43.67, 50.03, 6.84

 

CMYK 0 / 57 / 41 / 23

HEX #C45474

RGB 196 84 116

HSL 342.86, 0.49%, 0.55%

LAB 51.08, 47.81, 4.44

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 7 / 66 / 42

HEX #948A32

RGB 148 138 50

HSL 53.88, 0.49%, 0.39%

LAB 56.79, -7.31, 46.8

 

CMYK 66 / 20 / 0 / 42

HEX #327694

RGB 50 118 148

HSL 198.37, 0.49%, 0.39%

LAB 46.68, -11.62, -22.61

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 47 / 0 / 66 / 42

HEX #4F9432

RGB 79 148 50

HSL 102.24, 0.49%, 0.39%

LAB 55.15, -40.18, 43.66

 

CMYK 66 / 47 / 0 / 42

HEX #324F94

RGB 50 79 148

HSL 222.24, 0.49%, 0.39%

LAB 34.82, 12.64, -41.27

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 0 / 7 / 66 / 42

HEX #948A32

RGB 148 138 50

HSL 53.88, 0.49%, 0.39%

LAB 56.79, -7.31, 46.8

 

CMYK 66 / 0 / 20 / 42

HEX #329476

RGB 50 148 118

HSL 161.63, 0.49%, 0.39%

LAB 55.24, -35.83, 7.63

 

CMYK 66 / 59 / 0 / 42

HEX #323C94

RGB 50 60 148

HSL 233.88, 0.49%, 0.39%

LAB 29.53, 25.36, -49.8

 

CMYK 0 / 66 / 47 / 42

HEX #94324E

RGB 148 50 78

HSL 342.86, 0.49%, 0.39%

LAB 36.23, 43.44, 5.61

 

CMYK 14 / 0 / 66 / 42

HEX #809432

RGB 128 148 50

HSL 72.24, 0.49%, 0.39%

LAB 58.04, -21.39, 47.61

 

CMYK 66 / 0 / 20 / 42

HEX #329476

RGB 50 148 118

HSL 161.63, 0.49%, 0.39%

LAB 55.24, -35.83, 7.63

 

CMYK 53 / 66 / 0 / 42

HEX #463294

RGB 70 50 148

HSL 252.24, 0.49%, 0.39%

LAB 28.7, 35.33, -51.09

 

Description

Color code: HEX #94324E | qconv.com Color code: HEX #94324E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 50 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 50 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 47 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 47% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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