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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94328C it is the complementary color #6BCD73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94328C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94328C shade: #993287, #AA449A, #BB56AD, #CC68C0 and #DD7AD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94328C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94328C shade: #94328C, #832079, #720E66, #610053 and #500040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94328C shade: #94328C, #943271, #943257, #94323D and #943232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94328C shade: #94328C, #813294, #673294, #4D3294 and #333294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94328C shade matches the following richer shades: #94328C, #A42299, #B412A7 and #C402B4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94328C shade: #94328C, #84427E, #735271, #636263 and #537356

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94328C shade: #663294, #803294, #94328D, #943273 and #943259

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94328C shade: #561D52, #75286F, #94328C, #B23DA9 and #C454BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94328C shade: #94328C, #944C32 and #329473

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94328C shade: #94328C, #8D9432 and #328D94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94328C shade: #94328C, #944C32, #329439 and #327A94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94328C shade: #94328C, #946932, #329439 and #325C94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

Complementary color

CMYK 48 / 0 / 44 / 20

HEX #6BCD73

RGB 107 205 115

HSL 124.9, 0.49%, 0.61%

LAB 74.84, -47.42, 36.05

 

CMYK 0 / 67 / 12 / 40

HEX #993287

RGB 153 50 135

HSL 310.49, 0.51%, 0.4%

LAB 39.25, 52.42, -25.6

 

CMYK 0 / 60 / 9 / 33

HEX #AA449A

RGB 170 68 154

HSL 309.41, 0.43%, 0.47%

LAB 45.65, 52.37, -26.92

 

CMYK 0 / 54 / 7 / 27

HEX #BB56AD

RGB 187 86 173

HSL 308.32, 0.43%, 0.54%

LAB 52.1, 51.96, -27.92

 

CMYK 0 / 49 / 6 / 20

HEX #CC68C0

RGB 204 104 192

HSL 307.2, 0.5%, 0.6%

LAB 58.55, 51.37, -28.71

 

CMYK 0 / 45 / 5 / 13

HEX #DD7AD3

RGB 221 122 211

HSL 306.06, 0.59%, 0.67%

LAB 64.96, 50.69, -29.36

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 76 / 8 / 49

HEX #832079

RGB 131 32 121

HSL 306.06, 0.61%, 0.32%

LAB 32.34, 51.38, -27.98

 

CMYK 0 / 88 / 11 / 55

HEX #720E66

RGB 114 14 102

HSL 307.2, 0.78%, 0.25%

LAB 26.31, 49.65, -25.56

 

CMYK 0 / 100 / 14 / 62

HEX #610053

RGB 97 0 83

HSL 308.66, 1%, 0.19%

LAB 20.7, 46.2, -22.05

 

CMYK 0 / 100 / 20 / 69

HEX #500040

RGB 80 0 64

HSL 312, 1%, 0.16%

LAB 15.88, 39.83, -16.79

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 66 / 24 / 42

HEX #943271

RGB 148 50 113

HSL 321.43, 0.49%, 0.39%

LAB 37.43, 47.7, -14.83

 

CMYK 0 / 66 / 41 / 42

HEX #943257

RGB 148 50 87

HSL 337.35, 0.49%, 0.39%

LAB 36.49, 44.39, 0.23

 

CMYK 0 / 66 / 59 / 42

HEX #94323D

RGB 148 50 61

HSL 353.27, 0.49%, 0.39%

LAB 35.82, 41.93, 15.92

 

CMYK 0 / 66 / 66 / 42

HEX #943232

RGB 148 50 50

HSL 0, 0.49%, 0.39%

LAB 35.61, 41.15, 22.59

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 13 / 66 / 0 / 42

HEX #813294

RGB 129 50 148

HSL 288.37, 0.49%, 0.39%

LAB 36.15, 48.62, -38.69

 

CMYK 30 / 66 / 0 / 42

HEX #673294

RGB 103 50 148

HSL 272.45, 0.49%, 0.39%

LAB 32.49, 42.39, -44.77

 

CMYK 48 / 66 / 0 / 42

HEX #4D3294

RGB 77 50 148

HSL 256.53, 0.49%, 0.39%

LAB 29.41, 36.71, -49.91

 

CMYK 66 / 66 / 0 / 42

HEX #333294

RGB 51 50 148

HSL 240.61, 0.49%, 0.39%

LAB 27.08, 32.05, -53.79

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 79 / 7 / 36

HEX #A42299

RGB 164 34 153

HSL 305.08, 0.66%, 0.39%

LAB 40.14, 63.28, -35.04

 

CMYK 0 / 90 / 7 / 29

HEX #B412A7

RGB 180 18 167

HSL 304.81, 0.82%, 0.39%

LAB 42.65, 71.82, -39.3

 

CMYK 0 / 99 / 8 / 23

HEX #C402B4

RGB 196 2 180

HSL 304.95, 0.98%, 0.39%

LAB 45.74, 78.16, -41.93

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 50 / 5 / 48

HEX #84427E

RGB 132 66 126

HSL 305.45, 0.33%, 0.39%

LAB 38.39, 37.13, -21.64

 

CMYK 0 / 29 / 2 / 55

HEX #735271

RGB 115 82 113

HSL 303.64, 0.17%, 0.39%

LAB 39.36, 19.43, -12.31

 

CMYK 0 / 1 / 0 / 61

HEX #636263

RGB 99 98 99

HSL 300, 0.01%, 0.39%

LAB 41.67, 0.6, -0.43

 

CMYK 28 / 0 / 25 / 55

HEX #537356

RGB 83 115 86

HSL 125.63, 0.16%, 0.39%

LAB 45.32, -17.89, 12.42

 

CMYK 31 / 66 / 0 / 42

HEX #663294

RGB 102 50 148

HSL 271.84, 0.49%, 0.39%

LAB 32.36, 42.16, -44.99

 

CMYK 14 / 66 / 0 / 42

HEX #803294

RGB 128 50 148

HSL 287.76, 0.49%, 0.39%

LAB 36, 48.37, -38.94

 

CMYK 0 / 66 / 5 / 42

HEX #94328D

RGB 148 50 141

HSL 304.29, 0.49%, 0.39%

LAB 38.73, 52.1, -30.15

 

CMYK 0 / 66 / 22 / 42

HEX #943273

RGB 148 50 115

HSL 320.2, 0.49%, 0.39%

LAB 37.51, 47.99, -15.96

 

CMYK 0 / 66 / 40 / 42

HEX #943259

RGB 148 50 89

HSL 336.12, 0.49%, 0.39%

LAB 36.55, 44.62, -0.95

 

CMYK 0 / 66 / 5 / 66

HEX #561D52

RGB 86 29 82

HSL 304.21, 0.5%, 0.23%

LAB 21.82, 33.82, -19.75

 

CMYK 0 / 66 / 5 / 54

HEX #75286F

RGB 117 40 111

HSL 304.68, 0.49%, 0.31%

LAB 30.51, 42.91, -24.69

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 66 / 5 / 30

HEX #B23DA9

RGB 178 61 169

HSL 304.62, 0.49%, 0.47%

LAB 46.53, 59.91, -34.37

 

CMYK 0 / 57 / 5 / 23

HEX #C454BB

RGB 196 84 187

HSL 304.82, 0.49%, 0.55%

LAB 53.67, 57.76, -33.52

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 49 / 66 / 42

HEX #944C32

RGB 148 76 50

HSL 15.92, 0.49%, 0.39%

LAB 40.73, 27.91, 28.84

 

CMYK 66 / 0 / 22 / 42

HEX #329473

RGB 50 148 115

HSL 159.8, 0.49%, 0.39%

LAB 55.17, -36.57, 9.23

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 5 / 0 / 66 / 42

HEX #8D9432

RGB 141 148 50

HSL 64.29, 0.49%, 0.39%

LAB 59.04, -15.76, 48.97

 

CMYK 66 / 5 / 0 / 42

HEX #328D94

RGB 50 141 148

HSL 184.29, 0.49%, 0.39%

LAB 53.88, -24.09, -11.62

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 49 / 66 / 42

HEX #944C32

RGB 148 76 50

HSL 15.92, 0.49%, 0.39%

LAB 40.73, 27.91, 28.84

 

CMYK 66 / 0 / 61 / 42

HEX #329439

RGB 50 148 57

HSL 124.29, 0.49%, 0.39%

LAB 54.19, -47.3, 39.1

 

CMYK 66 / 18 / 0 / 42

HEX #327A94

RGB 50 122 148

HSL 195.92, 0.49%, 0.39%

LAB 47.92, -13.89, -20.69

 

CMYK 0 / 66 / 5 / 42

HEX #94328C

RGB 148 50 140

HSL 304.9, 0.49%, 0.39%

LAB 38.67, 51.93, -29.62

 

CMYK 0 / 29 / 66 / 42

HEX #946932

RGB 148 105 50

HSL 33.67, 0.49%, 0.39%

LAB 47.79, 11.32, 37.02

 

CMYK 66 / 0 / 61 / 42

HEX #329439

RGB 50 148 57

HSL 124.29, 0.49%, 0.39%

LAB 54.19, -47.3, 39.1

 

CMYK 66 / 38 / 0 / 42

HEX #325C94

RGB 50 92 148

HSL 214.29, 0.49%, 0.39%

LAB 38.67, 4.16, -35.13

 

Description

Color code: HEX #94328C | qconv.com Color code: HEX #94328C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 50 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 50 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 5 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 5% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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