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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #943C27 it is the complementary color #6BC3D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #943C27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #943C27 shade: #993C22, #AA4E35, #BB6048, #CC725B and #DD846E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #943C27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #943C27 shade: #943C27, #832A14, #721801, #610600 and #500000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #943C27 shade: #953C27 and #952727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #943C27 shade: #953C27, #955A27, #957727, #949527 and #779527

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #943C27 shade matches the following richer shades: #953C27, #A43318 and #B32909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #943C27 shade: #953C27, #854636, #764F46, #675855 and #586264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #943C27 shade: #95274D, #952730, #953B27, #955827 and #957627

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #943C27 shade: #532216, #742F1E, #953C27, #B54930 and #CC5D42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #943C27 shade: #943C27, #6B9527 and #273F95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #943C27 shade: #943C27, #27953B and #3B2795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #943C27 shade: #943C27, #6B9527, #278195 and #512795

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #943C27 shade: #943C27, #4A9527, #278195 and #722795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 74 / 42

HEX #943C27

RGB 148 60 39

HSL 11.56, 0.58%, 0.37%

LAB 37.25, 35.75, 31.15

 

Complementary color

CMYK 50 / 10 / 0 / 15

HEX #6BC3D8

RGB 107 195 216

HSL 191.56, 0.58%, 0.63%

LAB 74.26, -20.81, -18.66

 

CMYK 0 / 61 / 78 / 40

HEX #993C22

RGB 153 60 34

HSL 13.11, 0.64%, 0.37%

LAB 38.06, 37.45, 35.07

 

CMYK 0 / 54 / 69 / 33

HEX #AA4E35

RGB 170 78 53

HSL 12.82, 0.52%, 0.44%

LAB 44.59, 35.95, 32.53

 

CMYK 0 / 49 / 61 / 27

HEX #BB6048

RGB 187 96 72

HSL 12.52, 0.46%, 0.51%

LAB 51.15, 34.49, 30.26

 

CMYK 0 / 44 / 55 / 20

HEX #CC725B

RGB 204 114 91

HSL 12.21, 0.53%, 0.58%

LAB 57.68, 33.14, 28.27

 

CMYK 0 / 40 / 50 / 13

HEX #DD846E

RGB 221 132 110

HSL 11.89, 0.62%, 0.65%

LAB 64.16, 31.91, 26.51

 

CMYK 0 / 59 / 74 / 42

HEX #943C27

RGB 148 60 39

HSL 11.56, 0.58%, 0.37%

LAB 37.25, 35.75, 31.15

 

CMYK 0 / 68 / 85 / 49

HEX #832A14

RGB 131 42 20

HSL 11.89, 0.74%, 0.3%

LAB 30.72, 37.13, 33.93

 

CMYK 0 / 79 / 99 / 55

HEX #721801

RGB 114 24 1

HSL 12.21, 0.98%, 0.23%

LAB 24.43, 38.01, 35.5

 

CMYK 0 / 94 / 100 / 62

HEX #610600

RGB 97 6 0

HSL 3.71, 1%, 0.19%

LAB 18.68, 37.81, 28.59

 

CMYK 0 / 100 / 100 / 69

HEX #500000

RGB 80 0 0

HSL 0, 1%, 0.16%

LAB 13.86, 34.55, 21.68

 

CMYK 0 / 60 / 74 / 42

HEX #953C27

RGB 149 60 39

HSL 11.45, 0.59%, 0.37%

LAB 37.42, 36.14, 31.39

 

CMYK 0 / 74 / 74 / 42

HEX #952727

RGB 149 39 39

HSL 0, 0.59%, 0.37%

LAB 33.96, 45.46, 27.45

 

CMYK 0 / 60 / 74 / 42

HEX #953C27

RGB 149 60 39

HSL 11.45, 0.59%, 0.37%

LAB 37.42, 36.14, 31.39

 

CMYK 0 / 40 / 74 / 42

HEX #955A27

RGB 149 90 39

HSL 27.82, 0.59%, 0.37%

LAB 44.01, 19.77, 38.53

 

CMYK 0 / 20 / 74 / 42

HEX #957727

RGB 149 119 39

HSL 43.64, 0.59%, 0.37%

LAB 51.53, 3.1, 46.24

 

CMYK 1 / 0 / 74 / 42

HEX #949527

RGB 148 149 39

HSL 60.55, 0.59%, 0.37%

LAB 59.83, -13.82, 54.29

 

CMYK 20 / 0 / 74 / 42

HEX #779527

RGB 119 149 39

HSL 76.36, 0.59%, 0.37%

LAB 57.62, -26.41, 51.39

 

CMYK 0 / 60 / 74 / 42

HEX #953C27

RGB 149 60 39

HSL 11.45, 0.59%, 0.37%

LAB 37.42, 36.14, 31.39

 

CMYK 0 / 69 / 85 / 36

HEX #A43318

RGB 164 51 24

HSL 11.57, 0.74%, 0.37%

LAB 38.42, 45.24, 41.24

 

CMYK 0 / 77 / 95 / 30

HEX #B32909

RGB 179 41 9

HSL 11.29, 0.9%, 0.37%

LAB 39.9, 53.62, 49.59

 

CMYK 0 / 60 / 74 / 42

HEX #953C27

RGB 149 60 39

HSL 11.45, 0.59%, 0.37%

LAB 37.42, 36.14, 31.39

 

CMYK 0 / 47 / 59 / 48

HEX #854636

RGB 133 70 54

HSL 12.15, 0.42%, 0.37%

LAB 37.18, 25.26, 21.58

 

CMYK 0 / 33 / 41 / 54

HEX #764F46

RGB 118 79 70

HSL 11.25, 0.26%, 0.37%

LAB 37.64, 15.19, 11.97

 

CMYK 0 / 15 / 17 / 60

HEX #675855

RGB 103 88 85

HSL 10, 0.1%, 0.37%

LAB 38.76, 5.57, 4

 

CMYK 12 / 2 / 0 / 61

HEX #586264

RGB 88 98 100

HSL 190, 0.06%, 0.37%

LAB 40.78, -3.39, -2.45

 

CMYK 0 / 74 / 48 / 42

HEX #95274D

RGB 149 39 77

HSL 339.27, 0.59%, 0.37%

LAB 34.75, 48.15, 4.18

 

CMYK 0 / 74 / 68 / 42

HEX #952730

RGB 149 39 48

HSL 355.09, 0.59%, 0.37%

LAB 34.1, 45.93, 21.99

 

CMYK 0 / 60 / 74 / 42

HEX #953B27

RGB 149 59 39

HSL 10.91, 0.59%, 0.37%

LAB 37.23, 36.63, 31.17

 

CMYK 0 / 41 / 74 / 42

HEX #955827

RGB 149 88 39

HSL 26.73, 0.59%, 0.37%

LAB 43.53, 20.92, 38.02

 

CMYK 0 / 21 / 74 / 42

HEX #957627

RGB 149 118 39

HSL 43.09, 0.59%, 0.37%

LAB 51.26, 3.67, 45.97

 

CMYK 0 / 59 / 73 / 67

HEX #532216

RGB 83 34 22

HSL 11.8, 0.58%, 0.21%

LAB 20.21, 21.88, 18.93

 

CMYK 0 / 59 / 74 / 55

HEX #742F1E

RGB 116 47 30

HSL 11.86, 0.59%, 0.29%

LAB 29, 29.2, 25.63

 

CMYK 0 / 60 / 74 / 42

HEX #953C27

RGB 149 60 39

HSL 11.45, 0.59%, 0.37%

LAB 37.42, 36.14, 31.39

 

CMYK 0 / 60 / 73 / 29

HEX #B54930

RGB 181 73 48

HSL 11.28, 0.58%, 0.45%

LAB 45.36, 42.37, 36.67

 

CMYK 0 / 54 / 68 / 20

HEX #CC5D42

RGB 204 93 66

HSL 11.74, 0.58%, 0.53%

LAB 53.01, 42.2, 36.47

 

CMYK 0 / 59 / 74 / 42

HEX #943C27

RGB 148 60 39

HSL 11.56, 0.58%, 0.37%

LAB 37.25, 35.75, 31.15

 

CMYK 28 / 0 / 74 / 42

HEX #6B9527

RGB 107 149 39

HSL 82.91, 0.59%, 0.37%

LAB 56.85, -31.31, 50.37

 

CMYK 74 / 58 / 0 / 42

HEX #273F95

RGB 39 63 149

HSL 226.91, 0.59%, 0.37%

LAB 29.8, 22.05, -50

 

CMYK 0 / 59 / 74 / 42

HEX #943C27

RGB 148 60 39

HSL 11.56, 0.58%, 0.37%

LAB 37.25, 35.75, 31.15

 

CMYK 74 / 0 / 60 / 42

HEX #27953B

RGB 39 149 59

HSL 130.91, 0.59%, 0.37%

LAB 54.28, -49.53, 38.19

 

CMYK 60 / 74 / 0 / 42

HEX #3B2795

RGB 59 39 149

HSL 250.91, 0.59%, 0.37%

LAB 25.41, 40.19, -57.12

 

CMYK 0 / 59 / 74 / 42

HEX #943C27

RGB 148 60 39

HSL 11.56, 0.58%, 0.37%

LAB 37.25, 35.75, 31.15

 

CMYK 28 / 0 / 74 / 42

HEX #6B9527

RGB 107 149 39

HSL 82.91, 0.59%, 0.37%

LAB 56.85, -31.31, 50.37

 

CMYK 74 / 13 / 0 / 42

HEX #278195

RGB 39 129 149

HSL 190.91, 0.59%, 0.37%

LAB 49.86, -19.12, -18.33

 

CMYK 46 / 74 / 0 / 42

HEX #512795

RGB 81 39 149

HSL 262.91, 0.59%, 0.37%

LAB 27.76, 43.76, -53.17

 

CMYK 0 / 59 / 74 / 42

HEX #943C27

RGB 148 60 39

HSL 11.56, 0.58%, 0.37%

LAB 37.25, 35.75, 31.15

 

CMYK 50 / 0 / 74 / 42

HEX #4A9527

RGB 74 149 39

HSL 100.91, 0.59%, 0.37%

LAB 55.17, -43.11, 48.14

 

CMYK 74 / 13 / 0 / 42

HEX #278195

RGB 39 129 149

HSL 190.91, 0.59%, 0.37%

LAB 49.86, -19.12, -18.33

 

CMYK 23 / 74 / 0 / 42

HEX #722795

RGB 114 39 149

HSL 280.91, 0.59%, 0.37%

LAB 32.25, 50.21, -45.68

 

Description

Color code: HEX #943C27 | qconv.com Color code: HEX #943C27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 60 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 60 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 74 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 74% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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