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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #944763 it is the complementary color #6BB89C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #944763. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #944763 shade: #99475E, #AA5971, #BB6B84, #CC7D97 and #DD8FAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #944763. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #944763 shade: #944763, #833550, #72233D, #61112A and #500017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #944763 shade: #944763, #94474E and #944747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #944763 shade: #944763, #944777, #94478C, #864794 and #724794

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #944763 shade matches the following richer shades: #944763, #A5355E, #B72359, #C91254 and #DA004F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #944763 shade: #944763, #825968, #706A6C, #5E7C71 and #4D8E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #944763 shade: #94478C, #944777, #944763, #94474E and #945447

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #944763 shade: #5C2C3D, #783950, #944763, #AD5676 and #BB728C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #944763 shade: #944763, #948747 and #478294

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #944763 shade: #944763, #639447 and #476394

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #944763 shade: #944763, #948747, #479477 and #475494

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #944763 shade: #944763, #899447, #479477 and #514794

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

Complementary color

CMYK 42 / 0 / 15 / 28

HEX #6BB89C

RGB 107 184 156

HSL 158.18, 0.35%, 0.57%

LAB 69.33, -30.41, 6.81

 

CMYK 0 / 54 / 39 / 40

HEX #99475E

RGB 153 71 94

HSL 343.17, 0.37%, 0.44%

LAB 41.35, 36.75, 2.98

 

CMYK 0 / 48 / 34 / 33

HEX #AA5971

RGB 170 89 113

HSL 342.22, 0.32%, 0.51%

LAB 48.11, 35.82, 1.46

 

CMYK 0 / 43 / 29 / 27

HEX #BB6B84

RGB 187 107 132

HSL 341.25, 0.37%, 0.58%

LAB 54.81, 34.9, 0.2

 

CMYK 0 / 39 / 26 / 20

HEX #CC7D97

RGB 204 125 151

HSL 340.25, 0.44%, 0.65%

LAB 61.43, 34.02, -0.88

 

CMYK 0 / 35 / 23 / 13

HEX #DD8FAA

RGB 221 143 170

HSL 339.23, 0.53%, 0.71%

LAB 67.96, 33.2, -1.83

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 60 / 39 / 49

HEX #833550

RGB 131 53 80

HSL 339.23, 0.42%, 0.36%

LAB 33.88, 36.4, 0.57

 

CMYK 0 / 69 / 46 / 55

HEX #72233D

RGB 114 35 61

HSL 340.25, 0.53%, 0.29%

LAB 27.06, 36.94, 2.82

 

CMYK 0 / 82 / 57 / 62

HEX #61112A

RGB 97 17 42

HSL 341.25, 0.7%, 0.22%

LAB 20.48, 36.73, 6.06

 

CMYK 0 / 100 / 71 / 69

HEX #500017

RGB 80 0 23

HSL 342.75, 1%, 0.16%

LAB 14.22, 35.52, 10.65

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 52 / 47 / 42

HEX #94474E

RGB 148 71 78

HSL 354.55, 0.35%, 0.43%

LAB 40.17, 33.06, 11.15

 

CMYK 0 / 52 / 52 / 42

HEX #944747

RGB 148 71 71

HSL 0, 0.35%, 0.43%

LAB 40.01, 32.35, 15.28

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 52 / 20 / 42

HEX #944777

RGB 148 71 119

HSL 322.6, 0.35%, 0.43%

LAB 41.43, 38.5, -12.47

 

CMYK 0 / 52 / 5 / 42

HEX #94478C

RGB 148 71 140

HSL 306.23, 0.35%, 0.43%

LAB 42.3, 42.08, -23.96

 

CMYK 9 / 52 / 0 / 42

HEX #864794

RGB 134 71 148

HSL 289.09, 0.35%, 0.43%

LAB 40.76, 39.43, -31.35

 

CMYK 23 / 52 / 0 / 42

HEX #724794

RGB 114 71 148

HSL 273.51, 0.35%, 0.43%

LAB 38.24, 33.61, -35.5

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 68 / 43 / 35

HEX #A5355E

RGB 165 53 94

HSL 338.04, 0.51%, 0.43%

LAB 40.17, 49.27, 1.52

 

CMYK 0 / 81 / 51 / 28

HEX #B72359

RGB 183 35 89

HSL 338.11, 0.68%, 0.43%

LAB 41.2, 60.12, 6.59

 

CMYK 0 / 91 / 58 / 21

HEX #C91254

RGB 201 18 84

HSL 338.36, 0.84%, 0.43%

LAB 43.49, 67.74, 13.48

 

CMYK 0 / 100 / 64 / 15

HEX #DA004F

RGB 218 0 79

HSL 338.26, 1%, 0.43%

LAB 46.27, 73.25, 20.94

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 32 / 20 / 49

HEX #825968

RGB 130 89 104

HSL 338.05, 0.19%, 0.43%

LAB 42.6, 19.28, -1.76

 

CMYK 0 / 5 / 4 / 56

HEX #706A6C

RGB 112 106 108

HSL 340, 0.03%, 0.43%

LAB 45.41, 2.74, -0.29

 

CMYK 24 / 0 / 9 / 51

HEX #5E7C71

RGB 94 124 113

HSL 158, 0.14%, 0.43%

LAB 49.48, -13.22, 2.5

 

CMYK 46 / 0 / 17 / 44

HEX #4D8E76

RGB 77 142 118

HSL 157.85, 0.3%, 0.43%

LAB 54.27, -26.8, 6.37

 

CMYK 0 / 52 / 5 / 42

HEX #94478C

RGB 148 71 140

HSL 306.23, 0.35%, 0.43%

LAB 42.3, 42.08, -23.96

 

CMYK 0 / 52 / 20 / 42

HEX #944777

RGB 148 71 119

HSL 322.6, 0.35%, 0.43%

LAB 41.43, 38.5, -12.47

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 52 / 47 / 42

HEX #94474E

RGB 148 71 78

HSL 354.55, 0.35%, 0.43%

LAB 40.17, 33.06, 11.15

 

CMYK 0 / 43 / 52 / 42

HEX #945447

RGB 148 84 71

HSL 10.13, 0.35%, 0.43%

LAB 42.9, 25.16, 19.14

 

CMYK 0 / 52 / 34 / 64

HEX #5C2C3D

RGB 92 44 61

HSL 338.75, 0.35%, 0.27%

LAB 24.99, 24.1, -0.66

 

CMYK 0 / 53 / 33 / 53

HEX #783950

RGB 120 57 80

HSL 338.1, 0.36%, 0.35%

LAB 32.92, 30.26, -1.06

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 50 / 32 / 32

HEX #AD5676

RGB 173 86 118

HSL 337.93, 0.35%, 0.51%

LAB 48.07, 39.13, -1.57

 

CMYK 0 / 39 / 25 / 27

HEX #BB728C

RGB 187 114 140

HSL 338.63, 0.35%, 0.59%

LAB 56.58, 32.24, -1.88

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 9 / 52 / 42

HEX #948747

RGB 148 135 71

HSL 49.87, 0.35%, 0.43%

LAB 56.17, -4, 35.88

 

CMYK 52 / 12 / 0 / 42

HEX #478294

RGB 71 130 148

HSL 194.03, 0.35%, 0.43%

LAB 51.2, -14.01, -15.61

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 33 / 0 / 52 / 42

HEX #639447

RGB 99 148 71

HSL 98.18, 0.35%, 0.43%

LAB 56.37, -30.95, 35.28

 

CMYK 52 / 33 / 0 / 42

HEX #476394

RGB 71 99 148

HSL 218.18, 0.35%, 0.43%

LAB 41.85, 4.29, -30.05

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 0 / 9 / 52 / 42

HEX #948747

RGB 148 135 71

HSL 49.87, 0.35%, 0.43%

LAB 56.17, -4, 35.88

 

CMYK 52 / 0 / 20 / 42

HEX #479477

RGB 71 148 119

HSL 157.4, 0.35%, 0.43%

LAB 55.94, -31.05, 8.14

 

CMYK 52 / 43 / 0 / 42

HEX #475494

RGB 71 84 148

HSL 229.87, 0.35%, 0.43%

LAB 37.51, 13.84, -36.89

 

CMYK 0 / 52 / 33 / 42

HEX #944763

RGB 148 71 99

HSL 338.18, 0.35%, 0.43%

LAB 40.74, 35.58, -1.11

 

CMYK 7 / 0 / 52 / 42

HEX #899447

RGB 137 148 71

HSL 68.57, 0.35%, 0.43%

LAB 58.93, -15.78, 38.95

 

CMYK 52 / 0 / 20 / 42

HEX #479477

RGB 71 148 119

HSL 157.4, 0.35%, 0.43%

LAB 55.94, -31.05, 8.14

 

CMYK 45 / 52 / 0 / 42

HEX #514794

RGB 81 71 148

HSL 247.79, 0.35%, 0.43%

LAB 34.79, 24.68, -41.2

 

Description

Color code: HEX #944763 | qconv.com Color code: HEX #944763 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 71 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 71 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 33 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 33% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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