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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #944012 it is the complementary color #6BBFED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #944012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #944012 shade: #99400D, #AA5220, #BB6433, #CC7646 and #DD8859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #944012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #944012 shade: #944012, #832E00, #721C00, #610A00 and #500000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #944012 shade: #954012, #951D12 and #951212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #944012 shade: #954012, #956412, #958712, #809512 and #5D9512

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #944012 shade matches the following richer shades: #954012 and #A33C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #944012 shade: #954012, #884420, #7A482D, #6C4C3B and #5F5048

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #944012 shade: #95122A, #951D12, #954012, #956312 and #958612

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #944012 shade: #4C2109, #71310D, #954012, #BA5017 and #DF601B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #944012 shade: #944012, #4D9512 and #121995

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #944012 shade: #944012, #129540 and #401295

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #944012 shade: #944012, #4D9512, #126795 and #5A1295

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #944012 shade: #944012, #269512, #126795 and #821295

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 88 / 42

HEX #944012

RGB 148 64 18

HSL 21.23, 0.78%, 0.33%

LAB 37.85, 32.9, 42.31

 

Complementary color

CMYK 55 / 19 / 0 / 7

HEX #6BBFED

RGB 107 191 237

HSL 201.23, 0.78%, 0.67%

LAB 73.87, -12.74, -30.63

 

CMYK 0 / 58 / 92 / 40

HEX #99400D

RGB 153 64 13

HSL 21.86, 0.84%, 0.33%

LAB 38.67, 34.81, 45.18

 

CMYK 0 / 52 / 81 / 33

HEX #AA5220

RGB 170 82 32

HSL 21.74, 0.68%, 0.4%

LAB 45.2, 32.89, 44.09

 

CMYK 0 / 47 / 73 / 27

HEX #BB6433

RGB 187 100 51

HSL 21.62, 0.57%, 0.47%

LAB 51.74, 31.1, 42.31

 

CMYK 0 / 42 / 66 / 20

HEX #CC7646

RGB 204 118 70

HSL 21.49, 0.57%, 0.54%

LAB 58.26, 29.5, 40.45

 

CMYK 0 / 38 / 60 / 13

HEX #DD8859

RGB 221 136 89

HSL 21.36, 0.66%, 0.61%

LAB 64.73, 28.07, 38.66

 

CMYK 0 / 57 / 88 / 42

HEX #944012

RGB 148 64 18

HSL 21.23, 0.78%, 0.33%

LAB 37.85, 32.9, 42.31

 

CMYK 0 / 65 / 100 / 49

HEX #832E00

RGB 131 46 0

HSL 21.07, 1%, 0.26%

LAB 31.3, 34.79, 43.04

 

CMYK 0 / 75 / 100 / 55

HEX #721C00

RGB 114 28 0

HSL 14.74, 1%, 0.22%

LAB 24.98, 36.44, 36.44

 

CMYK 0 / 90 / 100 / 62

HEX #610A00

RGB 97 10 0

HSL 6.19, 1%, 0.19%

LAB 19.05, 36.75, 29.03

 

CMYK 0 / 100 / 100 / 69

HEX #500000

RGB 80 0 0

HSL 0, 1%, 0.16%

LAB 13.86, 34.55, 21.68

 

CMYK 0 / 57 / 88 / 42

HEX #954012

RGB 149 64 18

HSL 21.07, 0.78%, 0.33%

LAB 38.02, 33.31, 42.51

 

CMYK 0 / 81 / 88 / 42

HEX #951D12

RGB 149 29 18

HSL 5.04, 0.78%, 0.33%

LAB 32.51, 48.16, 37.9

 

CMYK 0 / 88 / 88 / 42

HEX #951212

RGB 149 18 18

HSL 0, 0.78%, 0.33%

LAB 31.5, 51.01, 37.06

 

CMYK 0 / 57 / 88 / 42

HEX #954012

RGB 149 64 18

HSL 21.07, 0.78%, 0.33%

LAB 38.02, 33.31, 42.51

 

CMYK 0 / 33 / 88 / 42

HEX #956412

RGB 149 100 18

HSL 37.56, 0.78%, 0.33%

LAB 46.38, 13.19, 49.41

 

CMYK 0 / 9 / 88 / 42

HEX #958712

RGB 149 135 18

HSL 53.59, 0.78%, 0.33%

LAB 55.85, -6.62, 57.15

 

CMYK 14 / 0 / 88 / 42

HEX #809512

RGB 128 149 18

HSL 69.62, 0.78%, 0.33%

LAB 58.16, -23.45, 58.33

 

CMYK 38 / 0 / 88 / 42

HEX #5D9512

RGB 93 149 18

HSL 85.65, 0.78%, 0.33%

LAB 55.95, -37.73, 55.59

 

CMYK 0 / 57 / 88 / 42

HEX #954012

RGB 149 64 18

HSL 21.07, 0.78%, 0.33%

LAB 38.02, 33.31, 42.51

 

CMYK 0 / 63 / 98 / 36

HEX #A33C04

RGB 163 60 4

HSL 21.13, 0.95%, 0.33%

LAB 39.63, 40.51, 49.49

 

CMYK 0 / 57 / 88 / 42

HEX #954012

RGB 149 64 18

HSL 21.07, 0.78%, 0.33%

LAB 38.02, 33.31, 42.51

 

CMYK 0 / 50 / 76 / 47

HEX #884420

RGB 136 68 32

HSL 20.77, 0.62%, 0.33%

LAB 36.88, 26.21, 34.05

 

CMYK 0 / 41 / 63 / 52

HEX #7A482D

RGB 122 72 45

HSL 21.04, 0.46%, 0.33%

LAB 35.91, 18.55, 25.06

 

CMYK 0 / 30 / 45 / 58

HEX #6C4C3B

RGB 108 76 59

HSL 20.82, 0.29%, 0.33%

LAB 35.35, 11.19, 15.47

 

CMYK 0 / 16 / 24 / 63

HEX #5F5048

RGB 95 80 72

HSL 20.87, 0.14%, 0.33%

LAB 35.28, 4.81, 7.03

 

CMYK 0 / 88 / 72 / 42

HEX #95122A

RGB 149 18 42

HSL 349.01, 0.78%, 0.33%

LAB 31.78, 51.84, 22.98

 

CMYK 0 / 81 / 88 / 42

HEX #951D12

RGB 149 29 18

HSL 5.04, 0.78%, 0.33%

LAB 32.51, 48.16, 37.9

 

CMYK 0 / 57 / 88 / 42

HEX #954012

RGB 149 64 18

HSL 21.07, 0.78%, 0.33%

LAB 38.02, 33.31, 42.51

 

CMYK 0 / 34 / 88 / 42

HEX #956312

RGB 149 99 18

HSL 37.1, 0.78%, 0.33%

LAB 46.12, 13.77, 49.2

 

CMYK 0 / 10 / 88 / 42

HEX #958612

RGB 149 134 18

HSL 53.13, 0.78%, 0.33%

LAB 55.57, -6.07, 56.92

 

CMYK 0 / 57 / 88 / 70

HEX #4C2109

RGB 76 33 9

HSL 21.49, 0.79%, 0.17%

LAB 18.56, 18.55, 23.69

 

CMYK 0 / 57 / 88 / 56

HEX #71310D

RGB 113 49 13

HSL 21.6, 0.79%, 0.25%

LAB 28.74, 26.12, 34.33

 

CMYK 0 / 57 / 88 / 42

HEX #954012

RGB 149 64 18

HSL 21.07, 0.78%, 0.33%

LAB 38.02, 33.31, 42.51

 

CMYK 0 / 57 / 88 / 27

HEX #BA5017

RGB 186 80 23

HSL 20.98, 0.78%, 0.41%

LAB 47.29, 40.02, 50.66

 

CMYK 0 / 57 / 88 / 13

HEX #DF601B

RGB 223 96 27

HSL 21.12, 0.78%, 0.49%

LAB 56.22, 46.44, 58.82

 

CMYK 0 / 57 / 88 / 42

HEX #944012

RGB 148 64 18

HSL 21.23, 0.78%, 0.33%

LAB 37.85, 32.9, 42.31

 

CMYK 48 / 0 / 88 / 42

HEX #4D9512

RGB 77 149 18

HSL 92.98, 0.78%, 0.33%

LAB 55.19, -43.33, 54.63

 

CMYK 88 / 83 / 0 / 42

HEX #121995

RGB 18 25 149

HSL 236.79, 0.78%, 0.33%

LAB 20.02, 44.07, -66.12

 

CMYK 0 / 57 / 88 / 42

HEX #944012

RGB 148 64 18

HSL 21.23, 0.78%, 0.33%

LAB 37.85, 32.9, 42.31

 

CMYK 88 / 0 / 57 / 42

HEX #129540

RGB 18 149 64

HSL 141.07, 0.78%, 0.33%

LAB 54.02, -51.52, 35.36

 

CMYK 57 / 88 / 0 / 42

HEX #401295

RGB 64 18 149

HSL 261.07, 0.78%, 0.33%

LAB 22.63, 50.37, -61.69

 

CMYK 0 / 57 / 88 / 42

HEX #944012

RGB 148 64 18

HSL 21.23, 0.78%, 0.33%

LAB 37.85, 32.9, 42.31

 

CMYK 48 / 0 / 88 / 42

HEX #4D9512

RGB 77 149 18

HSL 92.98, 0.78%, 0.33%

LAB 55.19, -43.33, 54.63

 

CMYK 88 / 31 / 0 / 42

HEX #126795

RGB 18 103 149

HSL 201.07, 0.78%, 0.33%

LAB 41.21, -6.51, -31.78

 

CMYK 40 / 88 / 0 / 42

HEX #5A1295

RGB 90 18 149

HSL 272.98, 0.78%, 0.33%

LAB 26.09, 53.51, -55.87

 

CMYK 0 / 57 / 88 / 42

HEX #944012

RGB 148 64 18

HSL 21.23, 0.78%, 0.33%

LAB 37.85, 32.9, 42.31

 

CMYK 74 / 0 / 88 / 42

HEX #269512

RGB 38 149 18

HSL 110.84, 0.78%, 0.33%

LAB 53.97, -53.2, 53.1

 

CMYK 88 / 31 / 0 / 42

HEX #126795

RGB 18 103 149

HSL 201.07, 0.78%, 0.33%

LAB 41.21, -6.51, -31.78

 

CMYK 13 / 88 / 0 / 42

HEX #821295

RGB 130 18 149

HSL 291.3, 0.78%, 0.33%

LAB 32.59, 59.85, -45.01

 

Description

Color code: HEX #944012 | qconv.com Color code: HEX #944012 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 64 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 64 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 88 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 88% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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