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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94557E it is the complementary color #6BAA81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94557E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94557E shade: #995579, #AA678C, #BB799F, #CC8BB2 and #DD9DC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94557E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94557E shade: #94557E, #83436B, #723158, #611F45 and #500D32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94557E shade: #94557E, #94556D, #94555C and #945555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94557E shade: #94557E, #94558F, #885594, #775594 and #665594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94557E shade matches the following richer shades: #94557E, #A74284, #BA2F8A, #CD1C90 and #E00995

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94557E shade: #94557E, #816879, #6F7B73, #5C8E6D and #49A167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94557E shade: #885594, #945590, #94557F, #94556E and #94555E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94557E shade: #603752, #7A4668, #94557E, #A96A93 and #B884A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94557E shade: #94557E, #947755 and #559490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94557E shade: #94557E, #7F9455 and #557F94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94557E shade: #94557E, #947755, #55946A and #557394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94557E shade: #94557E, #948A55, #55946A and #556094

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

Complementary color

CMYK 37 / 0 / 24 / 33

HEX #6BAA81

RGB 107 170 129

HSL 140.95, 0.27%, 0.54%

LAB 64.53, -29.34, 14.86

 

CMYK 0 / 44 / 21 / 40

HEX #995579

RGB 153 85 121

HSL 328.24, 0.29%, 0.47%

LAB 45.15, 33, -8.01

 

CMYK 0 / 39 / 18 / 33

HEX #AA678C

RGB 170 103 140

HSL 326.87, 0.28%, 0.54%

LAB 52, 32.16, -8.91

 

CMYK 0 / 35 / 15 / 27

HEX #BB799F

RGB 187 121 159

HSL 325.45, 0.33%, 0.6%

LAB 58.74, 31.36, -9.69

 

CMYK 0 / 32 / 13 / 20

HEX #CC8BB2

RGB 204 139 178

HSL 324, 0.39%, 0.67%

LAB 65.37, 30.62, -10.38

 

CMYK 0 / 29 / 11 / 13

HEX #DD9DC5

RGB 221 157 197

HSL 322.5, 0.48%, 0.74%

LAB 71.9, 29.92, -11.02

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 49 / 18 / 49

HEX #83436B

RGB 131 67 107

HSL 322.5, 0.32%, 0.39%

LAB 37.66, 32.88, -10.96

 

CMYK 0 / 57 / 23 / 55

HEX #723158

RGB 114 49 88

HSL 324, 0.4%, 0.32%

LAB 30.59, 33.64, -9.81

 

CMYK 0 / 68 / 29 / 62

HEX #611F45

RGB 97 31 69

HSL 325.45, 0.52%, 0.25%

LAB 23.51, 34.11, -8.2

 

CMYK 0 / 84 / 38 / 69

HEX #500D32

RGB 80 13 50

HSL 326.87, 0.72%, 0.18%

LAB 16.62, 33.72, -5.7

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 43 / 26 / 42

HEX #94556D

RGB 148 85 109

HSL 337.14, 0.27%, 0.46%

LAB 44.08, 29.32, -2.36

 

CMYK 0 / 43 / 38 / 42

HEX #94555C

RGB 148 85 92

HSL 353.33, 0.27%, 0.46%

LAB 43.6, 26.96, 7.34

 

CMYK 0 / 43 / 43 / 42

HEX #945555

RGB 148 85 85

HSL 0, 0.27%, 0.46%

LAB 43.43, 26.1, 11.37

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 43 / 3 / 42

HEX #94558F

RGB 148 85 143

HSL 304.76, 0.27%, 0.46%

LAB 45.33, 35.12, -21.09

 

CMYK 8 / 43 / 0 / 42

HEX #885594

RGB 136 85 148

HSL 288.57, 0.27%, 0.46%

LAB 44.04, 32.24, -26.19

 

CMYK 20 / 43 / 0 / 42

HEX #775594

RGB 119 85 148

HSL 272.38, 0.27%, 0.46%

LAB 42.09, 26.85, -29.39

 

CMYK 31 / 43 / 0 / 42

HEX #665594

RGB 102 85 148

HSL 256.19, 0.27%, 0.46%

LAB 40.34, 21.65, -32.25

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 60 / 21 / 35

HEX #A74284

RGB 167 66 132

HSL 320.79, 0.43%, 0.46%

LAB 43.91, 48.98, -16.38

 

CMYK 0 / 75 / 26 / 27

HEX #BA2F8A

RGB 186 47 138

HSL 320.72, 0.6%, 0.46%

LAB 44.67, 62.46, -18.58

 

CMYK 0 / 86 / 30 / 20

HEX #CD1C90

RGB 205 28 144

HSL 320.68, 0.76%, 0.46%

LAB 46.74, 72.35, -18.74

 

CMYK 0 / 96 / 33 / 12

HEX #E00995

RGB 224 9 149

HSL 320.93, 0.92%, 0.46%

LAB 49.75, 79.22, -16.83

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 19 / 6 / 49

HEX #816879

RGB 129 104 121

HSL 319.2, 0.11%, 0.46%

LAB 46.91, 13.05, -5.7

 

CMYK 10 / 0 / 7 / 52

HEX #6F7B73

RGB 111 123 115

HSL 140, 0.05%, 0.46%

LAB 50.43, -6.12, 2.85

 

CMYK 35 / 0 / 23 / 44

HEX #5C8E6D

RGB 92 142 109

HSL 140.4, 0.21%, 0.46%

LAB 54.79, -24.26, 12.35

 

CMYK 55 / 0 / 36 / 37

HEX #49A167

RGB 73 161 103

HSL 140.45, 0.38%, 0.46%

LAB 59.79, -39.84, 22.4

 

CMYK 8 / 43 / 0 / 42

HEX #885594

RGB 136 85 148

HSL 288.57, 0.27%, 0.46%

LAB 44.04, 32.24, -26.19

 

CMYK 0 / 43 / 3 / 42

HEX #945590

RGB 148 85 144

HSL 303.81, 0.27%, 0.46%

LAB 45.37, 35.31, -21.62

 

CMYK 0 / 43 / 14 / 42

HEX #94557F

RGB 148 85 127

HSL 320, 0.27%, 0.46%

LAB 44.7, 32.22, -12.4

 

CMYK 0 / 43 / 26 / 42

HEX #94556E

RGB 148 85 110

HSL 336.19, 0.27%, 0.46%

LAB 44.12, 29.47, -2.93

 

CMYK 0 / 43 / 36 / 42

HEX #94555E

RGB 148 85 94

HSL 351.43, 0.27%, 0.46%

LAB 43.66, 27.21, 6.19

 

CMYK 0 / 43 / 15 / 62

HEX #603752

RGB 96 55 82

HSL 320.49, 0.27%, 0.3%

LAB 28.98, 22.61, -8.6

 

CMYK 0 / 43 / 15 / 52

HEX #7A4668

RGB 122 70 104

HSL 320.77, 0.27%, 0.38%

LAB 36.96, 27.43, -10.26

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 37 / 13 / 34

HEX #A96A93

RGB 169 106 147

HSL 320.95, 0.27%, 0.54%

LAB 52.78, 31.31, -11.86

 

CMYK 0 / 28 / 10 / 28

HEX #B884A6

RGB 184 132 166

HSL 320.77, 0.27%, 0.62%

LAB 61.17, 25.4, -10.09

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 20 / 43 / 42

HEX #947755

RGB 148 119 85

HSL 32.38, 0.27%, 0.46%

LAB 52, 6.5, 22.97

 

CMYK 43 / 0 / 3 / 42

HEX #559490

RGB 85 148 144

HSL 176.19, 0.27%, 0.46%

LAB 57.2, -21.26, -4.25

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 14 / 0 / 43 / 42

HEX #7F9455

RGB 127 148 85

HSL 80, 0.27%, 0.46%

LAB 58.37, -18.36, 30.82

 

CMYK 43 / 14 / 0 / 42

HEX #557F94

RGB 85 127 148

HSL 200, 0.27%, 0.46%

LAB 50.98, -8.75, -15.89

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 20 / 43 / 42

HEX #947755

RGB 148 119 85

HSL 32.38, 0.27%, 0.46%

LAB 52, 6.5, 22.97

 

CMYK 43 / 0 / 28 / 42

HEX #55946A

RGB 85 148 106

HSL 140, 0.27%, 0.46%

LAB 56.24, -30.01, 16.01

 

CMYK 43 / 22 / 0 / 42

HEX #557394

RGB 85 115 148

HSL 211.43, 0.27%, 0.46%

LAB 47.41, -1.77, -21.35

 

CMYK 0 / 43 / 15 / 42

HEX #94557E

RGB 148 85 126

HSL 320.95, 0.27%, 0.46%

LAB 44.66, 32.05, -11.85

 

CMYK 0 / 7 / 43 / 42

HEX #948A55

RGB 148 138 85

HSL 50.48, 0.27%, 0.46%

LAB 57.2, -4.21, 29.7

 

CMYK 43 / 0 / 28 / 42

HEX #55946A

RGB 85 148 106

HSL 140, 0.27%, 0.46%

LAB 56.24, -30.01, 16.01

 

CMYK 43 / 35 / 0 / 42

HEX #556094

RGB 85 96 148

HSL 229.52, 0.27%, 0.46%

LAB 41.9, 9.85, -29.91

 

Description

Color code: HEX #94557E | qconv.com Color code: HEX #94557E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 85 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 85 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 15 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 15% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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