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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #945E50 it is the complementary color #6BA1AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #945E50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #945E50 shade: #995E4B, #AA705E, #BB8271, #CC9484 and #DDA697

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #945E50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #945E50 shade: #945E50, #834C3D, #723A2A, #612817 and #501604

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #945E50 shade: #955E50 and #955050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #945E50 shade: #955E50, #957150, #958350, #949550 and #819550

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #945E50 shade matches the following richer shades: #955E50, #A7533D, #BA482B, #CC3D18 and #DF3206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #945E50 shade: #955E50, #826962, #707475, #5D7F88 and #4A8A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #945E50 shade: #955067, #955054, #955E50, #957050 and #958250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #945E50 shade: #5F3C33, #7A4D41, #955E50, #AB7263 and #B98A7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #945E50 shade: #945E50, #799550 and #505E95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #945E50 shade: #945E50, #50955E and #5E5095

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #945E50 shade: #945E50, #799550, #508795 and #6B5095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #945E50 shade: #945E50, #649550, #508795 and #805095

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 46 / 42

HEX #945E50

RGB 148 94 80

HSL 12.35, 0.3%, 0.45%

LAB 45.47, 20.37, 17.18

 

Complementary color

CMYK 39 / 8 / 0 / 31

HEX #6BA1AF

RGB 107 161 175

HSL 192.35, 0.3%, 0.55%

LAB 63.1, -14.13, -12.9

 

CMYK 0 / 39 / 51 / 40

HEX #995E4B

RGB 153 94 75

HSL 14.62, 0.34%, 0.45%

LAB 46.02, 21.95, 21

 

CMYK 0 / 34 / 45 / 33

HEX #AA705E

RGB 170 112 94

HSL 14.21, 0.31%, 0.52%

LAB 52.89, 20.82, 19.42

 

CMYK 0 / 30 / 40 / 27

HEX #BB8271

RGB 187 130 113

HSL 13.78, 0.35%, 0.59%

LAB 59.64, 19.83, 18.03

 

CMYK 0 / 27 / 35 / 20

HEX #CC9484

RGB 204 148 132

HSL 13.33, 0.41%, 0.66%

LAB 66.28, 18.98, 16.79

 

CMYK 0 / 25 / 32 / 13

HEX #DDA697

RGB 221 166 151

HSL 12.86, 0.51%, 0.73%

LAB 72.81, 18.22, 15.66

 

CMYK 0 / 36 / 46 / 42

HEX #945E50

RGB 148 94 80

HSL 12.35, 0.3%, 0.45%

LAB 45.47, 20.37, 17.18

 

CMYK 0 / 42 / 53 / 49

HEX #834C3D

RGB 131 76 61

HSL 12.86, 0.36%, 0.38%

LAB 38.43, 21.59, 18.87

 

CMYK 0 / 49 / 63 / 55

HEX #723A2A

RGB 114 58 42

HSL 13.33, 0.46%, 0.31%

LAB 31.28, 23.01, 20.91

 

CMYK 0 / 59 / 76 / 62

HEX #612817

RGB 97 40 23

HSL 13.78, 0.62%, 0.24%

LAB 24.07, 24.63, 23.39

 

CMYK 0 / 73 / 95 / 69

HEX #501604

RGB 80 22 4

HSL 14.21, 0.9%, 0.16%

LAB 16.93, 26.23, 23.96

 

CMYK 0 / 37 / 46 / 42

HEX #955E50

RGB 149 94 80

HSL 12.17, 0.3%, 0.45%

LAB 45.6, 20.79, 17.38

 

CMYK 0 / 46 / 46 / 42

HEX #955050

RGB 149 80 80

HSL 0, 0.3%, 0.45%

LAB 42.32, 28.74, 12.91

 

CMYK 0 / 37 / 46 / 42

HEX #955E50

RGB 149 94 80

HSL 12.17, 0.3%, 0.45%

LAB 45.6, 20.79, 17.38

 

CMYK 0 / 24 / 46 / 42

HEX #957150

RGB 149 113 80

HSL 28.7, 0.3%, 0.45%

LAB 50.43, 9.81, 23.78

 

CMYK 0 / 12 / 46 / 42

HEX #958350

RGB 149 131 80

HSL 44.35, 0.3%, 0.45%

LAB 55.28, -0.43, 30

 

CMYK 1 / 0 / 46 / 42

HEX #949550

RGB 148 149 80

HSL 60.87, 0.3%, 0.45%

LAB 60.22, -10.73, 36.12

 

CMYK 13 / 0 / 46 / 42

HEX #819550

RGB 129 149 80

HSL 77.39, 0.3%, 0.45%

LAB 58.73, -18.67, 33.96

 

CMYK 0 / 37 / 46 / 42

HEX #955E50

RGB 149 94 80

HSL 12.17, 0.3%, 0.45%

LAB 45.6, 20.79, 17.38

 

CMYK 0 / 50 / 63 / 35

HEX #A7533D

RGB 167 83 61

HSL 12.45, 0.46%, 0.45%

LAB 45.27, 32.64, 28.65

 

CMYK 0 / 61 / 77 / 27

HEX #BA482B

RGB 186 72 43

HSL 12.17, 0.62%, 0.45%

LAB 45.97, 44.47, 40.27

 

CMYK 0 / 70 / 88 / 20

HEX #CC3D18

RGB 204 61 24

HSL 12.33, 0.79%, 0.45%

LAB 47.29, 54.81, 51.6

 

CMYK 0 / 78 / 97 / 13

HEX #DF3206

RGB 223 50 6

HSL 12.17, 0.95%, 0.45%

LAB 49.47, 64.18, 60.32

 

CMYK 0 / 37 / 46 / 42

HEX #955E50

RGB 149 94 80

HSL 12.17, 0.3%, 0.45%

LAB 45.6, 20.79, 17.38

 

CMYK 0 / 19 / 25 / 49

HEX #826962

RGB 130 105 98

HSL 13.13, 0.14%, 0.45%

LAB 46.62, 8.8, 7.69

 

CMYK 4 / 1 / 0 / 54

HEX #707475

RGB 112 116 117

HSL 192, 0.02%, 0.45%

LAB 48.54, -1.3, -1.08

 

CMYK 32 / 7 / 0 / 47

HEX #5D7F88

RGB 93 127 136

HSL 192.56, 0.19%, 0.45%

LAB 51.02, -9.68, -8.76

 

CMYK 52 / 10 / 0 / 40

HEX #4A8A9A

RGB 74 138 154

HSL 192, 0.35%, 0.45%

LAB 53.99, -15.91, -14.85

 

CMYK 0 / 46 / 31 / 42

HEX #955067

RGB 149 80 103

HSL 340, 0.3%, 0.45%

LAB 42.92, 31.61, -0.37

 

CMYK 0 / 46 / 44 / 42

HEX #955054

RGB 149 80 84

HSL 356.52, 0.3%, 0.45%

LAB 42.41, 29.19, 10.58

 

CMYK 0 / 37 / 46 / 42

HEX #955E50

RGB 149 94 80

HSL 12.17, 0.3%, 0.45%

LAB 45.6, 20.79, 17.38

 

CMYK 0 / 25 / 46 / 42

HEX #957050

RGB 149 112 80

HSL 27.83, 0.3%, 0.45%

LAB 50.16, 10.39, 23.43

 

CMYK 0 / 13 / 46 / 42

HEX #958250

RGB 149 130 80

HSL 43.48, 0.3%, 0.45%

LAB 55, 0.13, 29.65

 

CMYK 0 / 37 / 46 / 63

HEX #5F3C33

RGB 95 60 51

HSL 12.27, 0.3%, 0.29%

LAB 29.17, 14.22, 11.91

 

CMYK 0 / 37 / 47 / 52

HEX #7A4D41

RGB 122 77 65

HSL 12.63, 0.3%, 0.37%

LAB 37.53, 17.52, 15

 

CMYK 0 / 37 / 46 / 42

HEX #955E50

RGB 149 94 80

HSL 12.17, 0.3%, 0.45%

LAB 45.6, 20.79, 17.38

 

CMYK 0 / 33 / 42 / 33

HEX #AB7263

RGB 171 114 99

HSL 12.5, 0.3%, 0.53%

LAB 53.59, 20.66, 17.5

 

CMYK 0 / 25 / 32 / 27

HEX #B98A7E

RGB 185 138 126

HSL 12.2, 0.3%, 0.61%

LAB 61.65, 16.22, 13.41

 

CMYK 0 / 36 / 46 / 42

HEX #945E50

RGB 148 94 80

HSL 12.35, 0.3%, 0.45%

LAB 45.47, 20.37, 17.18

 

CMYK 19 / 0 / 46 / 42

HEX #799550

RGB 121 149 80

HSL 84.35, 0.3%, 0.45%

LAB 58.17, -21.9, 33.13

 

CMYK 46 / 37 / 0 / 42

HEX #505E95

RGB 80 94 149

HSL 227.83, 0.3%, 0.45%

LAB 41.03, 10.06, -31.9

 

CMYK 0 / 36 / 46 / 42

HEX #945E50

RGB 148 94 80

HSL 12.35, 0.3%, 0.45%

LAB 45.47, 20.37, 17.18

 

CMYK 46 / 0 / 37 / 42

HEX #50955E

RGB 80 149 94

HSL 132.17, 0.3%, 0.45%

LAB 56.1, -34.25, 22.46

 

CMYK 37 / 46 / 0 / 42

HEX #5E5095

RGB 94 80 149

HSL 252.17, 0.3%, 0.45%

LAB 38.35, 22.74, -36.05

 

CMYK 0 / 36 / 46 / 42

HEX #945E50

RGB 148 94 80

HSL 12.35, 0.3%, 0.45%

LAB 45.47, 20.37, 17.18

 

CMYK 19 / 0 / 46 / 42

HEX #799550

RGB 121 149 80

HSL 84.35, 0.3%, 0.45%

LAB 58.17, -21.9, 33.13

 

CMYK 46 / 9 / 0 / 42

HEX #508795

RGB 80 135 149

HSL 192.17, 0.3%, 0.45%

LAB 53.17, -14.26, -13.17

 

CMYK 28 / 46 / 0 / 42

HEX #6B5095

RGB 107 80 149

HSL 263.48, 0.3%, 0.45%

LAB 39.64, 26.47, -33.94

 

CMYK 0 / 36 / 46 / 42

HEX #945E50

RGB 148 94 80

HSL 12.35, 0.3%, 0.45%

LAB 45.47, 20.37, 17.18

 

CMYK 33 / 0 / 46 / 42

HEX #649550

RGB 100 149 80

HSL 102.61, 0.3%, 0.45%

LAB 56.86, -29.89, 31.22

 

CMYK 46 / 9 / 0 / 42

HEX #508795

RGB 80 135 149

HSL 192.17, 0.3%, 0.45%

LAB 53.17, -14.26, -13.17

 

CMYK 14 / 46 / 0 / 42

HEX #805095

RGB 128 80 149

HSL 281.74, 0.3%, 0.45%

LAB 41.99, 32.81, -30.06

 

Description

Color code: HEX #945E50 | qconv.com Color code: HEX #945E50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 94 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 94 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 46 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 46% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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