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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #946713 it is the complementary color #6B98EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #946713. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #946713 shade: #99670E, #AA7921, #BB8B34, #CC9D47 and #DDAF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #946713. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #946713 shade: #946713, #835500, #724300, #613100 and #501F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #946713 shade: #946713, #944413, #942113 and #941313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #946713 shade: #946713, #948A13, #7C9413, #599413 and #369413

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #946713 shade matches the following richer shades: #946713 and #A26B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #946713 shade: #946713, #876320, #795F2E, #6C5B3C and #5E5749

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #946713 shade: #942213, #944513, #946713, #948A13 and #7D9413

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #946713 shade: #4B3409, #704E0E, #946713, #B98118 and #DD9A1C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #946713 shade: #946713, #269413 and #331394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #946713 shade: #946713, #139467 and #671394

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #946713 shade: #946713, #269413, #134094 and #811394

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #946713 shade: #946713, #139426, #134094 and #941381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

Complementary color

CMYK 55 / 36 / 0 / 7

HEX #6B98EC

RGB 107 152 236

HSL 219.07, 0.77%, 0.67%

LAB 63.04, 8.69, -46.97

 

CMYK 0 / 33 / 91 / 40

HEX #99670E

RGB 153 103 14

HSL 38.42, 0.83%, 0.33%

LAB 47.63, 13.22, 51.75

 

CMYK 0 / 29 / 81 / 33

HEX #AA7921

RGB 170 121 33

HSL 38.54, 0.67%, 0.4%

LAB 54.38, 11.32, 52.19

 

CMYK 0 / 26 / 72 / 27

HEX #BB8B34

RGB 187 139 52

HSL 38.67, 0.56%, 0.47%

LAB 61.03, 9.73, 51.55

 

CMYK 0 / 23 / 65 / 20

HEX #CC9D47

RGB 204 157 71

HSL 38.8, 0.57%, 0.54%

LAB 67.58, 8.39, 50.47

 

CMYK 0 / 21 / 59 / 13

HEX #DDAF5A

RGB 221 175 90

HSL 38.93, 0.66%, 0.61%

LAB 74.04, 7.26, 49.22

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 0 / 35 / 100 / 49

HEX #835500

RGB 131 85 0

HSL 38.93, 1%, 0.26%

LAB 40.12, 13.12, 48.59

 

CMYK 0 / 41 / 100 / 55

HEX #724300

RGB 114 67 0

HSL 35.26, 1%, 0.22%

LAB 33.12, 15.73, 42.89

 

CMYK 0 / 49 / 100 / 62

HEX #613100

RGB 97 49 0

HSL 30.31, 1%, 0.19%

LAB 25.97, 18.47, 36.25

 

CMYK 0 / 61 / 100 / 69

HEX #501F00

RGB 80 31 0

HSL 23.25, 1%, 0.16%

LAB 18.74, 21.21, 27.76

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 0 / 54 / 87 / 42

HEX #944413

RGB 148 68 19

HSL 22.79, 0.77%, 0.33%

LAB 38.69, 30.82, 42.6

 

CMYK 0 / 78 / 87 / 42

HEX #942113

RGB 148 33 19

HSL 6.51, 0.77%, 0.33%

LAB 32.77, 46.58, 37.54

 

CMYK 0 / 87 / 87 / 42

HEX #941313

RGB 148 19 19

HSL 0, 0.77%, 0.33%

LAB 31.37, 50.53, 36.33

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 0 / 7 / 87 / 42

HEX #948A13

RGB 148 138 19

HSL 55.35, 0.77%, 0.33%

LAB 56.6, -8.68, 57.5

 

CMYK 16 / 0 / 87 / 42

HEX #7C9413

RGB 124 148 19

HSL 71.16, 0.77%, 0.33%

LAB 57.57, -24.66, 57.5

 

CMYK 40 / 0 / 87 / 42

HEX #599413

RGB 89 148 19

HSL 87.44, 0.77%, 0.33%

LAB 55.43, -38.74, 54.83

 

CMYK 64 / 0 / 87 / 42

HEX #369413

RGB 54 148 19

HSL 103.72, 0.77%, 0.33%

LAB 54.04, -49.47, 53.07

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 0 / 34 / 97 / 36

HEX #A26B05

RGB 162 107 5

HSL 38.98, 0.94%, 0.33%

LAB 49.75, 14.92, 55.81

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 0 / 27 / 76 / 47

HEX #876320

RGB 135 99 32

HSL 39.03, 0.62%, 0.33%

LAB 44.49, 7.75, 41.76

 

CMYK 0 / 21 / 62 / 53

HEX #795F2E

RGB 121 95 46

HSL 39.2, 0.45%, 0.33%

LAB 41.92, 4.43, 31.59

 

CMYK 0 / 16 / 44 / 58

HEX #6C5B3C

RGB 108 91 60

HSL 38.75, 0.29%, 0.33%

LAB 39.57, 2.19, 20.43

 

CMYK 0 / 7 / 22 / 63

HEX #5E5749

RGB 94 87 73

HSL 40, 0.13%, 0.33%

LAB 37.26, 0.24, 9.17

 

CMYK 0 / 77 / 87 / 42

HEX #942213

RGB 148 34 19

HSL 6.98, 0.77%, 0.33%

LAB 32.89, 46.23, 37.65

 

CMYK 0 / 53 / 87 / 42

HEX #944513

RGB 148 69 19

HSL 23.26, 0.77%, 0.33%

LAB 38.9, 30.28, 42.78

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 0 / 7 / 87 / 42

HEX #948A13

RGB 148 138 19

HSL 55.35, 0.77%, 0.33%

LAB 56.6, -8.68, 57.5

 

CMYK 16 / 0 / 87 / 42

HEX #7D9413

RGB 125 148 19

HSL 70.7, 0.77%, 0.33%

LAB 57.64, -24.23, 57.59

 

CMYK 0 / 31 / 88 / 71

HEX #4B3409

RGB 75 52 9

HSL 39.09, 0.79%, 0.16%

LAB 23.58, 5.88, 29.14

 

CMYK 0 / 30 / 88 / 56

HEX #704E0E

RGB 112 78 14

HSL 39.18, 0.78%, 0.25%

LAB 35.84, 8.48, 40

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 0 / 30 / 87 / 27

HEX #B98118

RGB 185 129 24

HSL 39.13, 0.77%, 0.41%

LAB 58.11, 13.33, 59.04

 

CMYK 0 / 30 / 87 / 13

HEX #DD9A1C

RGB 221 154 28

HSL 39.17, 0.78%, 0.49%

LAB 68.44, 15.63, 68.02

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 74 / 0 / 87 / 42

HEX #269413

RGB 38 148 19

HSL 111.16, 0.77%, 0.33%

LAB 53.64, -52.83, 52.57

 

CMYK 66 / 87 / 0 / 42

HEX #331394

RGB 51 19 148

HSL 254.88, 0.77%, 0.33%

LAB 21.24, 48.52, -63.42

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 87 / 0 / 30 / 42

HEX #139467

RGB 19 148 103

HSL 159.07, 0.77%, 0.33%

LAB 54.34, -43.57, 14.79

 

CMYK 30 / 87 / 0 / 42

HEX #671394

RGB 103 19 148

HSL 279.07, 0.77%, 0.33%

LAB 28.08, 54.92, -51.92

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 74 / 0 / 87 / 42

HEX #269413

RGB 38 148 19

HSL 111.16, 0.77%, 0.33%

LAB 53.64, -52.83, 52.57

 

CMYK 87 / 57 / 0 / 42

HEX #134094

RGB 19 64 148

HSL 219.07, 0.77%, 0.33%

LAB 29.27, 18.83, -50.29

 

CMYK 13 / 87 / 0 / 42

HEX #811394

RGB 129 19 148

HSL 291.16, 0.77%, 0.33%

LAB 32.42, 59.28, -44.68

 

CMYK 0 / 30 / 87 / 42

HEX #946713

RGB 148 103 19

HSL 39.07, 0.77%, 0.33%

LAB 47.03, 11.02, 49.59

 

CMYK 87 / 0 / 74 / 42

HEX #139426

RGB 19 148 38

HSL 128.84, 0.77%, 0.33%

LAB 53.45, -54.15, 46.32

 

CMYK 87 / 57 / 0 / 42

HEX #134094

RGB 19 64 148

HSL 219.07, 0.77%, 0.33%

LAB 29.27, 18.83, -50.29

 

CMYK 0 / 87 / 13 / 42

HEX #941381

RGB 148 19 129

HSL 308.84, 0.77%, 0.33%

LAB 34.69, 59.89, -29.09

 

Description

Color code: HEX #946713 | qconv.com Color code: HEX #946713 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 103 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 103 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 87 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 87% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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