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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94671D it is the complementary color #6B98E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94671D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94671D shade: #996718, #AA792B, #BB8B3E, #CC9D51 and #DDAF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94671D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94671D shade: #94671D, #83550A, #724300, #613100 and #501F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94671D shade: #95671D, #95471D, #95271D and #951D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94671D shade: #95671D, #95881D, #81951D, #61951D and #41951D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94671D shade matches the following richer shades: #95671D, #A36B0F and #B16E00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94671D shade: #95671D, #86642B, #78603A, #695D48 and #5B5957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94671D shade: #95271D, #95471D, #95671D, #95871D and #83951D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94671D shade: #50370F, #724F16, #95671D, #B77F24 and #D5962F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94671D shade: #94671D, #33951D and #371D95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94671D shade: #94671D, #1D9567 and #671D95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94671D shade: #94671D, #33951D, #1D4B95 and #7F1D95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94671D shade: #94671D, #1D952B, #1D4B95 and #951D87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 80 / 42

HEX #94671D

RGB 148 103 29

HSL 37.31, 0.67%, 0.35%

LAB 47.09, 11.36, 46.06

 

Complementary color

CMYK 53 / 33 / 0 / 11

HEX #6B98E2

RGB 107 152 226

HSL 217.31, 0.67%, 0.65%

LAB 62.57, 5.58, -42.19

 

CMYK 0 / 33 / 84 / 40

HEX #996718

RGB 153 103 24

HSL 36.74, 0.73%, 0.35%

LAB 47.67, 13.48, 48.71

 

CMYK 0 / 29 / 75 / 33

HEX #AA792B

RGB 170 121 43

HSL 36.85, 0.6%, 0.42%

LAB 54.44, 11.74, 48.2

 

CMYK 0 / 26 / 67 / 27

HEX #BB8B3E

RGB 187 139 62

HSL 36.96, 0.5%, 0.49%

LAB 61.11, 10.28, 47.09

 

CMYK 0 / 23 / 60 / 20

HEX #CC9D51

RGB 204 157 81

HSL 37.07, 0.55%, 0.56%

LAB 67.68, 9.06, 45.79

 

CMYK 0 / 21 / 55 / 13

HEX #DDAF64

RGB 221 175 100

HSL 37.19, 0.64%, 0.63%

LAB 74.16, 8.03, 44.44

 

CMYK 0 / 30 / 80 / 42

HEX #94671D

RGB 148 103 29

HSL 37.31, 0.67%, 0.35%

LAB 47.09, 11.36, 46.06

 

CMYK 0 / 35 / 92 / 49

HEX #83550A

RGB 131 85 10

HSL 37.19, 0.86%, 0.28%

LAB 40.15, 13.33, 45.78

 

CMYK 0 / 41 / 100 / 55

HEX #724300

RGB 114 67 0

HSL 35.26, 1%, 0.22%

LAB 33.12, 15.73, 42.89

 

CMYK 0 / 49 / 100 / 62

HEX #613100

RGB 97 49 0

HSL 30.31, 1%, 0.19%

LAB 25.97, 18.47, 36.25

 

CMYK 0 / 61 / 100 / 69

HEX #501F00

RGB 80 31 0

HSL 23.25, 1%, 0.16%

LAB 18.74, 21.21, 27.76

 

CMYK 0 / 31 / 81 / 42

HEX #95671D

RGB 149 103 29

HSL 37, 0.67%, 0.35%

LAB 47.21, 11.82, 46.22

 

CMYK 0 / 52 / 81 / 42

HEX #95471D

RGB 149 71 29

HSL 21, 0.67%, 0.35%

LAB 39.55, 29.95, 38.95

 

CMYK 0 / 74 / 81 / 42

HEX #95271D

RGB 149 39 29

HSL 5, 0.67%, 0.35%

LAB 33.84, 45.05, 33.24

 

CMYK 0 / 81 / 81 / 42

HEX #951D1D

RGB 149 29 29

HSL 0, 0.67%, 0.35%

LAB 32.61, 48.47, 31.98

 

CMYK 0 / 31 / 81 / 42

HEX #95671D

RGB 149 103 29

HSL 37, 0.67%, 0.35%

LAB 47.21, 11.82, 46.22

 

CMYK 0 / 9 / 81 / 42

HEX #95881D

RGB 149 136 29

HSL 53.5, 0.67%, 0.35%

LAB 56.17, -6.82, 54.37

 

CMYK 13 / 0 / 81 / 42

HEX #81951D

RGB 129 149 29

HSL 70, 0.67%, 0.35%

LAB 58.27, -22.64, 55.62

 

CMYK 35 / 0 / 81 / 42

HEX #61951D

RGB 97 149 29

HSL 86, 0.67%, 0.35%

LAB 56.21, -35.77, 52.98

 

CMYK 56 / 0 / 81 / 42

HEX #41951D

RGB 65 149 29

HSL 102, 0.67%, 0.35%

LAB 54.77, -46.44, 51.11

 

CMYK 0 / 31 / 81 / 42

HEX #95671D

RGB 149 103 29

HSL 37, 0.67%, 0.35%

LAB 47.21, 11.82, 46.22

 

CMYK 0 / 34 / 91 / 36

HEX #A36B0F

RGB 163 107 15

HSL 37.3, 0.83%, 0.35%

LAB 49.9, 15.54, 53.8

 

CMYK 0 / 38 / 100 / 31

HEX #B16E00

RGB 177 110 0

HSL 37.29, 1%, 0.35%

LAB 52.4, 19.93, 59.55

 

CMYK 0 / 31 / 81 / 42

HEX #95671D

RGB 149 103 29

HSL 37, 0.67%, 0.35%

LAB 47.21, 11.82, 46.22

 

CMYK 0 / 25 / 68 / 47

HEX #86642B

RGB 134 100 43

HSL 37.58, 0.51%, 0.35%

LAB 44.74, 7.33, 36.75

 

CMYK 0 / 20 / 52 / 53

HEX #78603A

RGB 120 96 58

HSL 36.77, 0.35%, 0.35%

LAB 42.25, 4.48, 25.28

 

CMYK 0 / 11 / 31 / 59

HEX #695D48

RGB 105 93 72

HSL 38.18, 0.19%, 0.35%

LAB 40.08, 1.27, 13.85

 

CMYK 0 / 2 / 4 / 64

HEX #5B5957

RGB 91 89 87

HSL 30, 0.02%, 0.35%

LAB 37.94, 0.39, 1.43

 

CMYK 0 / 74 / 81 / 42

HEX #95271D

RGB 149 39 29

HSL 5, 0.67%, 0.35%

LAB 33.84, 45.05, 33.24

 

CMYK 0 / 52 / 81 / 42

HEX #95471D

RGB 149 71 29

HSL 21, 0.67%, 0.35%

LAB 39.55, 29.95, 38.95

 

CMYK 0 / 31 / 81 / 42

HEX #95671D

RGB 149 103 29

HSL 37, 0.67%, 0.35%

LAB 47.21, 11.82, 46.22

 

CMYK 0 / 9 / 81 / 42

HEX #95871D

RGB 149 135 29

HSL 53, 0.67%, 0.35%

LAB 55.89, -6.28, 54.12

 

CMYK 12 / 0 / 81 / 42

HEX #83951D

RGB 131 149 29

HSL 69, 0.67%, 0.35%

LAB 58.42, -21.77, 55.81

 

CMYK 0 / 31 / 81 / 69

HEX #50370F

RGB 80 55 15

HSL 36.92, 0.68%, 0.19%

LAB 25.18, 6.83, 28.23

 

CMYK 0 / 31 / 81 / 55

HEX #724F16

RGB 114 79 22

HSL 37.17, 0.68%, 0.27%

LAB 36.42, 9.16, 37.44

 

CMYK 0 / 31 / 81 / 42

HEX #95671D

RGB 149 103 29

HSL 37, 0.67%, 0.35%

LAB 47.21, 11.82, 46.22

 

CMYK 0 / 31 / 80 / 28

HEX #B77F24

RGB 183 127 36

HSL 37.14, 0.67%, 0.43%

LAB 57.44, 13.9, 54.43

 

CMYK 0 / 30 / 78 / 16

HEX #D5962F

RGB 213 150 47

HSL 37.23, 0.66%, 0.51%

LAB 66.65, 14.87, 60.07

 

CMYK 0 / 30 / 80 / 42

HEX #94671D

RGB 148 103 29

HSL 37.31, 0.67%, 0.35%

LAB 47.09, 11.36, 46.06

 

CMYK 66 / 0 / 81 / 42

HEX #33951D

RGB 51 149 29

HSL 109, 0.67%, 0.35%

LAB 54.33, -50.01, 50.54

 

CMYK 63 / 81 / 0 / 42

HEX #371D95

RGB 55 29 149

HSL 253, 0.67%, 0.35%

LAB 23.21, 44.89, -60.77

 

CMYK 0 / 30 / 80 / 42

HEX #94671D

RGB 148 103 29

HSL 37.31, 0.67%, 0.35%

LAB 47.09, 11.36, 46.06

 

CMYK 81 / 0 / 31 / 42

HEX #1D9567

RGB 29 149 103

HSL 157, 0.67%, 0.35%

LAB 54.8, -42.99, 15.44

 

CMYK 31 / 81 / 0 / 42

HEX #671D95

RGB 103 29 149

HSL 277, 0.67%, 0.35%

LAB 29.24, 51.99, -50.64

 

CMYK 0 / 30 / 80 / 42

HEX #94671D

RGB 148 103 29

HSL 37.31, 0.67%, 0.35%

LAB 47.09, 11.36, 46.06

 

CMYK 66 / 0 / 81 / 42

HEX #33951D

RGB 51 149 29

HSL 109, 0.67%, 0.35%

LAB 54.33, -50.01, 50.54

 

CMYK 81 / 50 / 0 / 42

HEX #1D4B95

RGB 29 75 149

HSL 217, 0.67%, 0.35%

LAB 32.84, 12.62, -45.11

 

CMYK 15 / 81 / 0 / 42

HEX #7F1D95

RGB 127 29 149

HSL 289, 0.67%, 0.35%

LAB 33.05, 56.45, -44.29

 

CMYK 0 / 30 / 80 / 42

HEX #94671D

RGB 148 103 29

HSL 37.31, 0.67%, 0.35%

LAB 47.09, 11.36, 46.06

 

CMYK 81 / 0 / 71 / 42

HEX #1D952B

RGB 29 149 43

HSL 127, 0.67%, 0.35%

LAB 53.95, -52.87, 44.92

 

CMYK 81 / 50 / 0 / 42

HEX #1D4B95

RGB 29 75 149

HSL 217, 0.67%, 0.35%

LAB 32.84, 12.62, -45.11

 

CMYK 0 / 81 / 9 / 42

HEX #951D87

RGB 149 29 135

HSL 307, 0.67%, 0.35%

LAB 36.02, 58.64, -30.71

 

Description

Color code: HEX #94671D | qconv.com Color code: HEX #94671D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 103 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 103 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 80 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 80% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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