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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9478A5 it is the complementary color #6B875A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9478A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9478A5 shade: #9978A0, #AA8AB3, #BB9CC6, #CCAED9 and #DDC0EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9478A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9478A5 shade: #9478A5, #836692, #72547F, #61426C and #503059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9478A5 shade: #9478A5, #A078A5, #A5789D, #A57891 and #A57885

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9478A5 shade: #9478A5, #8878A5, #7C78A5 and #7878A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9478A5 shade matches the following richer shades: #9478A5, #9866B7, #9D54C9, #A141DB and #A62FED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9478A5 shade: #9478A5, #8F8A93, #8B9C80, #86AE6E and #82C05C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9478A5 shade: #7C78A5, #8878A5, #9478A5, #A078A5 and #A5789E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9478A5 shade: #6A5179, #806192, #9478A5, #A791B5 and #BBA9C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9478A5 shade: #9478A5, #A57880 and #78A582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9478A5 shade: #9478A5, #A59478 and #78A594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9478A5 shade: #9478A5, #A57880, #89A578 and #78A59D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9478A5 shade: #9478A5, #A57D78, #89A578 and #78A0A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

Complementary color

CMYK 21 / 0 / 33 / 47

HEX #6B875A

RGB 107 135 90

HSL 97.33, 0.2%, 0.44%

LAB 53.16, -18.77, 21.04

 

CMYK 4 / 25 / 0 / 37

HEX #9978A0

RGB 153 120 160

HSL 289.5, 0.17%, 0.55%

LAB 54.81, 20.2, -16.56

 

CMYK 5 / 23 / 0 / 30

HEX #AA8AB3

RGB 170 138 179

HSL 286.83, 0.21%, 0.62%

LAB 61.63, 19.61, -16.92

 

CMYK 6 / 21 / 0 / 22

HEX #BB9CC6

RGB 187 156 198

HSL 284.29, 0.27%, 0.69%

LAB 68.33, 19.08, -17.29

 

CMYK 6 / 20 / 0 / 15

HEX #CCAED9

RGB 204 174 217

HSL 281.86, 0.36%, 0.77%

LAB 74.9, 18.6, -17.65

 

CMYK 6 / 19 / 0 / 7

HEX #DDC0EC

RGB 221 192 236

HSL 279.55, 0.54%, 0.84%

LAB 81.36, 18.15, -18.01

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 10 / 30 / 0 / 43

HEX #836692

RGB 131 102 146

HSL 279.55, 0.18%, 0.49%

LAB 47.5, 20.18, -19.7

 

CMYK 10 / 34 / 0 / 50

HEX #72547F

RGB 114 84 127

HSL 281.86, 0.2%, 0.41%

LAB 40.33, 20.89, -19.44

 

CMYK 10 / 39 / 0 / 58

HEX #61426C

RGB 97 66 108

HSL 284.29, 0.24%, 0.34%

LAB 32.96, 21.68, -19.18

 

CMYK 10 / 46 / 0 / 65

HEX #503059

RGB 80 48 89

HSL 286.83, 0.3%, 0.27%

LAB 25.38, 22.55, -18.89

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 3 / 27 / 0 / 35

HEX #A078A5

RGB 160 120 165

HSL 293.33, 0.2%, 0.56%

LAB 55.71, 23.62, -18.01

 

CMYK 0 / 27 / 5 / 35

HEX #A5789D

RGB 165 120 157

HSL 310.67, 0.2%, 0.56%

LAB 55.95, 23.81, -12.96

 

CMYK 0 / 27 / 12 / 35

HEX #A57891

RGB 165 120 145

HSL 326.67, 0.2%, 0.56%

LAB 55.56, 21.63, -6.59

 

CMYK 0 / 27 / 19 / 35

HEX #A57885

RGB 165 120 133

HSL 342.67, 0.2%, 0.56%

LAB 55.2, 19.6, -0.13

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 18 / 27 / 0 / 35

HEX #8878A5

RGB 136 120 165

HSL 261.33, 0.2%, 0.56%

LAB 53.37, 15.54, -21.8

 

CMYK 25 / 27 / 0 / 35

HEX #7C78A5

RGB 124 120 165

HSL 245.33, 0.2%, 0.56%

LAB 52.33, 11.65, -23.49

 

CMYK 27 / 27 / 0 / 35

HEX #7878A5

RGB 120 120 165

HSL 240, 0.2%, 0.56%

LAB 52, 10.39, -24.02

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 17 / 44 / 0 / 28

HEX #9866B7

RGB 152 102 183

HSL 277.04, 0.36%, 0.56%

LAB 51.38, 35.18, -35.19

 

CMYK 22 / 58 / 0 / 21

HEX #9D54C9

RGB 157 84 201

HSL 277.44, 0.52%, 0.56%

LAB 49.16, 50.3, -49.05

 

CMYK 26 / 70 / 0 / 14

HEX #A141DB

RGB 161 65 219

HSL 277.4, 0.68%, 0.56%

LAB 47.59, 63.96, -61.86

 

CMYK 30 / 80 / 0 / 7

HEX #A62FED

RGB 166 47 237

HSL 277.58, 0.84%, 0.56%

LAB 47.31, 75.07, -72.49

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 3 / 6 / 0 / 42

HEX #8F8A93

RGB 143 138 147

HSL 273.33, 0.04%, 0.56%

LAB 58.15, 3.62, -4.13

 

CMYK 11 / 0 / 18 / 39

HEX #8B9C80

RGB 139 156 128

HSL 96.43, 0.12%, 0.56%

LAB 62.36, -11.39, 12.67

 

CMYK 23 / 0 / 37 / 32

HEX #86AE6E

RGB 134 174 110

HSL 97.5, 0.28%, 0.56%

LAB 66.87, -25.39, 28.58

 

CMYK 32 / 0 / 52 / 25

HEX #82C05C

RGB 130 192 92

HSL 97.2, 0.44%, 0.56%

LAB 71.7, -37.64, 43.76

 

CMYK 25 / 27 / 0 / 35

HEX #7C78A5

RGB 124 120 165

HSL 245.33, 0.2%, 0.56%

LAB 52.33, 11.65, -23.49

 

CMYK 18 / 27 / 0 / 35

HEX #8878A5

RGB 136 120 165

HSL 261.33, 0.2%, 0.56%

LAB 53.37, 15.54, -21.8

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 3 / 27 / 0 / 35

HEX #A078A5

RGB 160 120 165

HSL 293.33, 0.2%, 0.56%

LAB 55.71, 23.62, -18.01

 

CMYK 0 / 27 / 4 / 35

HEX #A5789E

RGB 165 120 158

HSL 309.33, 0.2%, 0.56%

LAB 55.99, 23.99, -13.49

 

CMYK 12 / 33 / 0 / 53

HEX #6A5179

RGB 106 81 121

HSL 277.5, 0.2%, 0.4%

LAB 38.43, 18.56, -18.76

 

CMYK 12 / 34 / 0 / 43

HEX #806192

RGB 128 97 146

HSL 277.96, 0.2%, 0.48%

LAB 45.93, 22.14, -22.15

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 8 / 20 / 0 / 29

HEX #A791B5

RGB 167 145 181

HSL 276.67, 0.2%, 0.64%

LAB 63.18, 15.04, -15.74

 

CMYK 6 / 15 / 0 / 22

HEX #BBA9C6

RGB 187 169 198

HSL 277.24, 0.2%, 0.72%

LAB 71.57, 11.89, -12.41

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 0 / 27 / 22 / 35

HEX #A57880

RGB 165 120 128

HSL 349.33, 0.2%, 0.56%

LAB 55.06, 18.81, 2.58

 

CMYK 27 / 0 / 21 / 35

HEX #78A582

RGB 120 165 130

HSL 133.33, 0.2%, 0.56%

LAB 63.77, -22.48, 13.34

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 0 / 10 / 27 / 35

HEX #A59478

RGB 165 148 120

HSL 37.33, 0.2%, 0.56%

LAB 62.11, 1.82, 17.13

 

CMYK 27 / 0 / 10 / 35

HEX #78A594

RGB 120 165 148

HSL 157.33, 0.2%, 0.56%

LAB 64.19, -18.83, 3.93

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 0 / 27 / 22 / 35

HEX #A57880

RGB 165 120 128

HSL 349.33, 0.2%, 0.56%

LAB 55.06, 18.81, 2.58

 

CMYK 17 / 0 / 27 / 35

HEX #89A578

RGB 137 165 120

HSL 97.33, 0.2%, 0.56%

LAB 64.63, -18.21, 20.22

 

CMYK 27 / 0 / 5 / 35

HEX #78A59D

RGB 120 165 157

HSL 169.33, 0.2%, 0.56%

LAB 64.43, -16.85, -0.75

 

CMYK 10 / 27 / 0 / 35

HEX #9478A5

RGB 148 120 165

HSL 277.33, 0.2%, 0.56%

LAB 54.5, 19.54, -19.97

 

CMYK 0 / 24 / 27 / 35

HEX #A57D78

RGB 165 125 120

HSL 6.67, 0.2%, 0.56%

LAB 56.11, 14.75, 8.73

 

CMYK 17 / 0 / 27 / 35

HEX #89A578

RGB 137 165 120

HSL 97.33, 0.2%, 0.56%

LAB 64.63, -18.21, 20.22

 

CMYK 27 / 3 / 0 / 35

HEX #78A0A5

RGB 120 160 165

HSL 186.67, 0.2%, 0.56%

LAB 63.22, -12.34, -7.03

 

Description

Color code: HEX #9478A5 | qconv.com Color code: HEX #9478A5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 120 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 120 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 27 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 27% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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