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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #94710B it is the complementary color #6B8EF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #94710B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #94710B shade: #997106, #AA8319, #BB952C, #CCA73F and #DDB952

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #94710B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #94710B shade: #94710B, #835F00, #724D00, #613B00 and #502900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #94710B shade: #93700B, #934B0B, #93260B and #930B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #94710B shade: #93700B, #91930B, #6C930B, #47930B and #23930B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #94710B shade matches the following richer shades: #93700B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #94710B shade: #93700B, #866A17, #796324, #6C5D31 and #5F573E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #94710B shade: #93260B, #934A0B, #936E0B, #93930B and #6E930B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #94710B shade: #463505, #6C5208, #93700B, #B98D0D and #DFAA10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #94710B shade: #94710B, #14930B and #380B93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #94710B shade: #94710B, #0B936E and #6E0B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #94710B shade: #94710B, #14930B, #0B2F93 and #890B93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #94710B shade: #94710B, #0B932A, #0B2F93 and #930B73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 93 / 42

HEX #94710B

RGB 148 113 11

HSL 44.67, 0.86%, 0.31%

LAB 49.65, 5.09, 53.76

 

Complementary color

CMYK 56 / 42 / 0 / 4

HEX #6B8EF4

RGB 107 142 244

HSL 224.67, 0.86%, 0.69%

LAB 60.78, 17.1, -54.96

 

CMYK 0 / 26 / 96 / 40

HEX #997106

RGB 153 113 6

HSL 43.67, 0.92%, 0.31%

LAB 50.21, 7.35, 55.43

 

CMYK 0 / 23 / 85 / 33

HEX #AA8319

RGB 170 131 25

HSL 43.86, 0.74%, 0.38%

LAB 56.93, 5.46, 57.08

 

CMYK 0 / 20 / 76 / 27

HEX #BB952C

RGB 187 149 44

HSL 44.06, 0.62%, 0.45%

LAB 63.54, 3.88, 57.27

 

CMYK 0 / 18 / 69 / 20

HEX #CCA73F

RGB 204 167 63

HSL 44.26, 0.58%, 0.52%

LAB 70.06, 2.55, 56.67

 

CMYK 0 / 16 / 63 / 13

HEX #DDB952

RGB 221 185 82

HSL 44.46, 0.67%, 0.59%

LAB 76.48, 1.43, 55.71

 

CMYK 0 / 24 / 93 / 42

HEX #94710B

RGB 148 113 11

HSL 44.67, 0.86%, 0.31%

LAB 49.65, 5.09, 53.76

 

CMYK 0 / 27 / 100 / 49

HEX #835F00

RGB 131 95 0

HSL 43.51, 1%, 0.26%

LAB 42.78, 7.22, 50.37

 

CMYK 0 / 32 / 100 / 55

HEX #724D00

RGB 114 77 0

HSL 40.53, 1%, 0.22%

LAB 35.76, 9.69, 44.62

 

CMYK 0 / 39 / 100 / 62

HEX #613B00

RGB 97 59 0

HSL 36.49, 1%, 0.19%

LAB 28.56, 12.32, 38.49

 

CMYK 0 / 49 / 100 / 69

HEX #502900

RGB 80 41 0

HSL 30.75, 1%, 0.16%

LAB 21.17, 15.14, 30.51

 

CMYK 0 / 24 / 93 / 42

HEX #93700B

RGB 147 112 11

HSL 44.56, 0.86%, 0.31%

LAB 49.27, 5.19, 53.42

 

CMYK 0 / 49 / 93 / 42

HEX #934B0B

RGB 147 75 11

HSL 28.24, 0.86%, 0.31%

LAB 40.01, 26.39, 46.39

 

CMYK 0 / 74 / 93 / 42

HEX #93260B

RGB 147 38 11

HSL 11.91, 0.86%, 0.31%

LAB 33.16, 44.28, 41.37

 

CMYK 0 / 93 / 93 / 42

HEX #930B0B

RGB 147 11 11

HSL 0, 0.86%, 0.31%

LAB 30.56, 51.62, 39.52

 

CMYK 0 / 24 / 93 / 42

HEX #93700B

RGB 147 112 11

HSL 44.56, 0.86%, 0.31%

LAB 49.27, 5.19, 53.42

 

CMYK 1 / 0 / 93 / 42

HEX #91930B

RGB 145 147 11

HSL 60.88, 0.86%, 0.31%

LAB 58.89, -15.02, 60.79

 

CMYK 27 / 0 / 93 / 42

HEX #6C930B

RGB 108 147 11

HSL 77.21, 0.86%, 0.31%

LAB 56.17, -31.14, 57.47

 

CMYK 52 / 0 / 93 / 42

HEX #47930B

RGB 71 147 11

HSL 93.53, 0.86%, 0.31%

LAB 54.27, -44.67, 55.13

 

CMYK 76 / 0 / 93 / 42

HEX #23930B

RGB 35 147 11

HSL 109.41, 0.86%, 0.31%

LAB 53.22, -53.33, 53.82

 

CMYK 0 / 24 / 93 / 42

HEX #93700B

RGB 147 112 11

HSL 44.56, 0.86%, 0.31%

LAB 49.27, 5.19, 53.42

 

CMYK 0 / 24 / 93 / 42

HEX #93700B

RGB 147 112 11

HSL 44.56, 0.86%, 0.31%

LAB 49.27, 5.19, 53.42

 

CMYK 0 / 21 / 83 / 47

HEX #866A17

RGB 134 106 23

HSL 44.86, 0.71%, 0.31%

LAB 46.23, 2.81, 46.93

 

CMYK 0 / 18 / 70 / 53

HEX #796324

RGB 121 99 36

HSL 44.47, 0.54%, 0.31%

LAB 42.94, 1.35, 37.82

 

CMYK 0 / 14 / 55 / 58

HEX #6C5D31

RGB 108 93 49

HSL 44.75, 0.38%, 0.31%

LAB 39.98, -0.22, 27.3

 

CMYK 0 / 8 / 35 / 63

HEX #5F573E

RGB 95 87 62

HSL 45.45, 0.21%, 0.31%

LAB 37.11, -1.05, 15.73

 

CMYK 0 / 74 / 93 / 42

HEX #93260B

RGB 147 38 11

HSL 11.91, 0.86%, 0.31%

LAB 33.16, 44.28, 41.37

 

CMYK 0 / 50 / 93 / 42

HEX #934A0B

RGB 147 74 11

HSL 27.79, 0.86%, 0.31%

LAB 39.79, 26.95, 46.23

 

CMYK 0 / 25 / 93 / 42

HEX #936E0B

RGB 147 110 11

HSL 43.68, 0.86%, 0.31%

LAB 48.73, 6.33, 53

 

CMYK 0 / 0 / 93 / 42

HEX #93930B

RGB 147 147 11

HSL 60, 0.86%, 0.31%

LAB 59.06, -14.12, 61

 

CMYK 25 / 0 / 93 / 42

HEX #6E930B

RGB 110 147 11

HSL 76.32, 0.86%, 0.31%

LAB 56.29, -30.32, 57.63

 

CMYK 0 / 24 / 93 / 73

HEX #463505

RGB 70 53 5

HSL 44.31, 0.87%, 0.15%

LAB 23.2, 2.39, 30.18

 

CMYK 0 / 24 / 93 / 58

HEX #6C5208

RGB 108 82 8

HSL 44.4, 0.86%, 0.23%

LAB 36.44, 3.9, 42.2

 

CMYK 0 / 24 / 93 / 42

HEX #93700B

RGB 147 112 11

HSL 44.56, 0.86%, 0.31%

LAB 49.27, 5.19, 53.42

 

CMYK 0 / 24 / 93 / 27

HEX #B98D0D

RGB 185 141 13

HSL 44.65, 0.87%, 0.39%

LAB 61.13, 6.49, 63.86

 

CMYK 0 / 24 / 93 / 13

HEX #DFAA10

RGB 223 170 16

HSL 44.64, 0.87%, 0.47%

LAB 72.54, 7.75, 73.67

 

CMYK 0 / 24 / 93 / 42

HEX #94710B

RGB 148 113 11

HSL 44.67, 0.86%, 0.31%

LAB 49.65, 5.09, 53.76

 

CMYK 86 / 0 / 93 / 42

HEX #14930B

RGB 20 147 11

HSL 116.03, 0.86%, 0.31%

LAB 52.99, -55.34, 53.54

 

CMYK 62 / 93 / 0 / 42

HEX #380B93

RGB 56 11 147

HSL 259.85, 0.86%, 0.31%

LAB 20.78, 51.23, -63.55

 

CMYK 0 / 24 / 93 / 42

HEX #94710B

RGB 148 113 11

HSL 44.67, 0.86%, 0.31%

LAB 49.65, 5.09, 53.76

 

CMYK 93 / 0 / 25 / 42

HEX #0B936E

RGB 11 147 110

HSL 163.68, 0.86%, 0.31%

LAB 54.1, -41.99, 10.47

 

CMYK 25 / 93 / 0 / 42

HEX #6E0B93

RGB 110 11 147

HSL 283.68, 0.86%, 0.31%

LAB 28.54, 57.56, -50.5

 

CMYK 0 / 24 / 93 / 42

HEX #94710B

RGB 148 113 11

HSL 44.67, 0.86%, 0.31%

LAB 49.65, 5.09, 53.76

 

CMYK 86 / 0 / 93 / 42

HEX #14930B

RGB 20 147 11

HSL 116.03, 0.86%, 0.31%

LAB 52.99, -55.34, 53.54

 

CMYK 93 / 68 / 0 / 42

HEX #0B2F93

RGB 11 47 147

HSL 224.12, 0.86%, 0.31%

LAB 24.36, 29.69, -57.72

 

CMYK 7 / 93 / 0 / 42

HEX #890B93

RGB 137 11 147

HSL 295.59, 0.86%, 0.31%

LAB 33.27, 61.97, -42.61

 

CMYK 0 / 24 / 93 / 42

HEX #94710B

RGB 148 113 11

HSL 44.67, 0.86%, 0.31%

LAB 49.65, 5.09, 53.76

 

CMYK 93 / 0 / 71 / 42

HEX #0B932A

RGB 11 147 42

HSL 133.68, 0.86%, 0.31%

LAB 53.07, -54.11, 44.33

 

CMYK 93 / 68 / 0 / 42

HEX #0B2F93

RGB 11 47 147

HSL 224.12, 0.86%, 0.31%

LAB 24.36, 29.69, -57.72

 

CMYK 0 / 93 / 22 / 42

HEX #930B73

RGB 147 11 115

HSL 314.12, 0.86%, 0.31%

LAB 33.31, 59.14, -22.47

 

Description

Color code: HEX #94710B | qconv.com Color code: HEX #94710B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 113 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 113 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 93 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 93% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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